If the heel of the Boot, Apulia — Puglia in Italian — has long lagged behind other Italian regions in terms of modernization, parts of it have nonetheless become havens for the likes of royals, film stars and cognoscenti. How could it be otherwise for a peninsula surrounded by 500 miles of coastline and lapped by the pristine waters of two seas? Still, its heart beats to an ancient tempo, heedless of the increasing tourist invasions. This is Greek Italy, and it is steeped in its past. Nowhere is that more striking than at the Pugliese table.
Once upon a wine
On a recent tour of the region’s wineries with an American delegation of importers eager to learn about the ambitious undertakings of a new breed of producers, I found vintners at once devoted to the preservation of their traditions and determined to make unique world-class wines. Whereas previous generations geared their production toward volume of output for foreign markets (mainly France as well as northern Italy) at the expense of quality — a practice that goes back to the Phoenicians — today’s winemakers tend relatively small vineyards and grow native grape varietals barely known outside the immediate area. The consensus among the dozen buyers in our midst was that the wines were good — some very, very good — while selling for less than other wines in their class.
Terroir, terroir, terroir
Climatic conditions vary throughout Puglia. On the northern plateaus, known collectively as the Murge, the winters are temperate and the temperatures cooler than they are in the Salento, the bottom of the heel, which can be convection-hot in summer, though cooled somewhat by the play of sea currents and breezes blowing across the Adriatic from the Balkans. But overall the region is perhaps the hottest in Italy, baked by the favugno, as the dry wind that blows in from Africa is called here.
If the soil is productive, it’s due less to topography than to the stewardship of the terrain over centuries. For millennia, the Pugliese have supplied the lion’s share of Italy’s three principal staples: wine, wheat and olive oil. They still do, and grow enough table grapes, olives, almonds, cereals and vegetables to feed the rest of Italy and export abroad.
In step with their forebears, many of the vintners I met said that, by working with the natural conditions and the native grapes that thrive there — such as Primitivo, Negroamaro and Nero di Troia — they avoid the soil-punishing practices of modern growing techniques. “We are linked to the traditions of our area,” said Dr. Marina Saponari, sommelier at Tenuta Viglione in Santeramo in Colle, Bari, a limestone plateau in the Murge. “We don’t irrigate or add water at all, because too much humidity causes fungus; we work with the soil, not against it, (plowing) in a horizontal direction to retain the moisture naturally.” “Besides,” said Giuseppe Bino, an oenologist at Vigneto Amastuola in Martina Franca, “organic methods are so much better for your health. And when the wines are aged naturally, you taste real grapes.”
Filippo Montanaro of Vigneto Amastuola, on the Ionian side of the peninsula, described his family’s dedication to organic practices as a way to at once revitalize abandoned agricultural lands and recover an indigenous archeological site that dates to the Bronze Age. Subsequent civilizations inhabited the same high plateau, a strategic point overlooking the Gulf of Taranto from which, on a clear day, you can see all the way to Greece and Calabria. Amastuola’s vines and fruit orchards today carpet the soil in which the Greeks planted grapes and olive trees 2,000 years ago. On the estate, a 15th-century masseria — an ancient Apulian farmhouse where raw ingredients were processed into everything from wine and oil to dairy products, salumi, bread and preserves — is being restored to function as it once did, said Montanaro, whose father, Giuseppe, acquired the 100-hectare estate (almost 250 acres) in 2003. The family has launched an ambitious restoration, including the revitalization of long-neglected 800-year-old olive trees. “Family tradition is very important,” said Giuseppe Sportelli, commercial director and husband of Ilaria (one of three Montanaro siblings that help manage the property), explaining that the monumental project was not just work but a “passione.” Giuseppe Montanaro himself finds that explanation inadequate. “It goes beyond enthusiasm,” he explained, “It is the desperation that the man of the south feels that makes miracles like this happen.”
Food of the ancients
Like these winemakers, local chefs also honor the past, looking to the ancestral cooking of their grandmothers for inspiration. I learned the Pugliese mantra of “homegrown and homemade” early, from my paternal grandparents — poor emigrants to America from the very landscape I have described. Some things have changed since they abandoned the fields of Toritto, in which they had toiled as sharecroppers, for lack of enough food for themselves. And some things have not. “Our cooking is based on a paisana (peasant) tradition,” said Anna Gennari of Conzorzio Produttori Vini Manduria, a 400-partner cooperative of Primitivo grape growers in Manduria. “The cooking was simple and not much different throughout the provinces because Puglia was poor,” said Saponari, who is not only a sommelier but also a well-known cooking teacher in Bari.
Cutting-edge Michelin-starred restaurants have been making headlines in recent years for pioneering menus sourced from their local terroir, but Pugliese chefs have always done so. They are weaned on the ancestral flavors and seductive bitterness of wild dandelion greens, mustards, hyacinth bulbs (Muscari racemosum or lampascioni) and other native plants. Unlike in other regions where the tourist routes are more deeply worn, the heritage foods of Puglia — what the Italians call piatti tipici — persist, whether in hotels, simple trattorie or private homes. These include durum-wheat pasta, either fresh or dried, characteristically flavored with cime di rapa (“turnip tops”), simple tomato sauce, or chickpeas; fava-bean purée eaten alongside cooked bitter greens; the ring-shaped breadsticks called taralli, sweet or savory; calzone-like panzerotti and a panoply of other breads and pastries, baked or fried; vegetables, vegetables, vegetables (but little meat); milky fresh cheeses; and fiery peppers — all dressed, naturally, with the numinous olive oil.
Chefs riding the trend for recycling “trash” food could learn something from these old ways: take the traditional pane arso of the cucina povera (“the poor kitchen”), a dark bread made by blending the flour of charred hard wheat with semolina. The custom of incorporating the two harks back to the feudal-estate system, when peasants collected the scorched grains that remained after the post-harvest burning of the fields. Rich-tasting, with a seductively bitter edge, the bread packs 4,000 years of the people’s history into one bite.
Pranzo della domenica: Sunday supper
It’s on Sunday — a customary day of feasting — when Puglia’s cooks pull out all the stops. This is when the meat dishes come out, and the pasta is sauced with ragù, meatballs and braciole.
Gathering together in Bari with the wine buyers, I ate just these braciole — which the locals call bombette (“little bombs”) in the delightful TerrAnima, a Slow Food-endorsed restaurant dedicated to the dishes of the region (its name translates as “Earth and Soul”). If they sound heavy, perish the thought! They are delicate little rolls of meat, lined with pancetta inside and out and stuffed with cheese, garlic and parsley before they are bundled, tied and roasted.
Here’s to the spirit of the pranzo della domenica. Bring on the bombette and by all means, pour the Primitivo!
Bombette (Little Bombs): Stuffed Meat Rolls
Prep time: 30 minutes
Cooking time: About 20 minutes
Total time: About 45 minutes
Yield: 4 servings
Note: These appetizers are traditionally made with horsemeat (not for the likes of former equestrians such as myself), but veal or beef are also used. Whichever you choose, ask the butcher to flatten the meat as thin as possible (1/8 inch is ideal) without tearing it — or pound it yourself if you know how.
1 pound cutlets (scaloppine) from top round of veal, cut into 4 thin slices about 4 inches by 8 inches and pounded to no more than 1/8-inch thick, or 2 half-pound pieces boneless beef top round, pounded to 1/8-inch from 1/4-inch thickness
Extra virgin olive oil
1 small garlic clove, peeled and bruised slightly
Fine sea salt
Freshly milled black pepper
16 thin slices of pancetta
2 tablespoons fresh minced parsley leaves
3 ounces fresh, semi-soft caciocavallo cheese, cut into 8 matchsticks
Toothpicks for serving
1. Preheat an oven to 400 degrees F. Select a broiler-proof baking pan large enough to accommodate 8 meat rolls without crowding and grease it lightly with olive oil.
2. Use paper towels to blot the meat dry. Cut each piece horizontally into smaller pieces to yield 8 pieces of meat that are about the same shape and size (about 4 by 4 inches). Rub both sides with the garlic clove (which you can then discard) and sprinkle lightly with salt and pepper.
3. Sandwich 1 piece of meat between two slices of pancetta. Sprinkle one side with some of the parsley and arrange a matchstick of cheese crosswise on the center. Beginning at one end, roll it up, gathering the pancetta along with it as you make the roll and tucking in any meat edges that stick out. Secure the bundle with a toothpick and transfer it to the oiled baking pan. Repeat the procedure with the remaining 7 pieces of meat and place in the pan.
4. Slide the pan onto the middle rack of the oven. Roast for 15 minutes, then remove the pan from the oven and change the setting to broil. Turn the rolls over and place the pan under the broiler to color them lightly, about 2 minutes. Take care to keep the pan juices from flaming. Remove at once, pour any remaining pan juices over the rolls and serve immediately.
Main photo: Santa Maria di Leuca at Puglia’s southernmost point, where the Adriatic and Ionian seas meet. The lighthouse stands atop the Japigo promontory, described by Virgil in “The Aeneid.” Credit: Copyright 2015 Nathan Hoyt/Forktales
It’s stone fruit season! Stone fruit includes peaches, nectarines, plums, apricots and cherries, all those summer tree fruits with a pit in the center. These are fruits that can be used in sweet treats, of course, but also in savory meals. Here are five recipes to celebrate stone fruits. Try them all with your family while these fruits are at their peak.
Keen Peachy Smoothie
Start off your morning with a peach smoothie made from real fruit and yogurt. Use fresh peaches in the summertime, since they’re in season now. During the rest of the year, you can use frozen peaches so you can have a taste of summer all year long.
You can use any combination of peaches, nectarines, plums, apricots or cherries in this sweet, tangy recipe. This salsa can be used to top yogurt or waffles at breakfast, or for tacos and quesadillas at lunch or dinner. Or, just go classic and scoop it up with a chip. The salsa can also be made a little spicier by adding jalapenos, if you like.
Frozen Fruit-Salad Pops
These homemade popsicles can be made with any fruit you like, but since stone fruits are in season, it’s a perfect time to use them. Chopped-up fruit frozen in white grape juice makes a sweet treat for hot days. Plus, these pops are so beautiful! (But not too beautiful to eat.)
This dessert uses two stone fruits: peaches and cherries. Of course, you can use your favorite stone fruit instead. (Or even strawberries or blueberries — we won’t tell!) A cobbler is kind of like a giant, fruit-filled biscuit, and it makes a perfect treat after a lazy summer day.
Here’s a creamy shake made from cherries and dates. Dates aren’t stone fruits — but they do have pits! They’re also super healthy, and sweet, which adds natural sweetener to this smoothie.
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Main photo: Frozen fruit pops are a perfect outdoor treat. Credit: Copyright Carl Tremblay
Cattails have been described as the grocery store of the wild because every part of the plant is edible. During the growing season, three of these parts — shoots, flowers and pollen — provide easily accessed and versatile food for foragers.
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Better yet, these parts of the cattail offer analogs to familiar flavors such as cucumber and corn, which means that even those dubious of wild food might enjoy them. Euell Gibbons treasured cattails, “For the number of different kinds of food it produces there is no plant, wild or domesticated, which tops the common cattail.”
Sometimes growing 9 feet tall and best recognized in late summer by their brown cigar-shaped flowers, both broadleaf (Typha latifolia) and narrow-leaf cattail (T. angustifolia) are edible, and can be used interchangeably. Though widely available, care must be taken to harvest cattail from a clean location because the plant grows in marshy areas, which can be contaminated.
Whether you live in the city or the country, use caution when choosing a place to pick cattails, particularly cattail shoots. Consider what the water looks and smells like where you are harvesting, as well as what may be upstream. In the city, drainage from streets and golf courses can make water unsafe for collecting food. Rural locations can look pristine, but beware of agricultural runoff.
Finding the right place to forage
Perhaps the best known edible part of cattail, the tender core of the growing leaves, is commonly referred to as the shoot. Cattail shoots are best before the plant begins to flower. To harvest cattail shoots, peel back the outer two or three leaves, firmly grasp the remaining leaves with both hands, and give the plant a tug. You will have in your hands something that looks like an enormous leek.
Peel back more leaves until the lower end is a creamy pale white. Cut off all of the dark green leaves so that you are left with a heart of cattail. If you feel certain you have harvested your cattail shoots from a clean location, do a taste test.
Some people feel a scratchy sensation at the back of the throat when eating raw cattails. If so, skip eating them raw. If you don’t feel the itchy sensation, delight in the crunchy and satisfyingly cucumber taste of cattail shoots. They can be used in all the dishes for which you’d traditionally use cucumber, from salad to tzatziki to refreshing yogurt soup.
Making the most of cattail shoots
Cattail shoots are also fantastic when cooked. They can simply be chopped and added to stir-fries and side dishes. They are especially good when blanched, dressed in oil, garlic, salt and pepper, and lightly grilled.
When cattail flowers emerge, they are well disguised by sheaths of leaves, much like slender ears of corn. Cattail flowers are made up of two parts. The upper portion is male and will go on to produce pollen. The lower portion is female and is what remains and turns into the recognizable brown sausage-shaped punk later in the year.
In narrow-leaf cattail, the male and female portion are separated by a small bit of spike, whereas the broad-leaf cattail, the two bits are connected. The upper, male, portion of the cattail flower is what is traditionally harvested, as it provides a greater amount of edible material than the female bit.
Cattail flowers — just like corn on the cob
Look to collect cattail flowers as they begin to emerge from their sheath, and simply cut the upper portion off with a pair of scissors or a knife.
To enjoy cattail flowers, steam them whole for 10 minutes. If you have children around, they may enjoy eating the cooked cattail flowers with a bit of butter and salt, like miniature corn-on-the-cob, though care must be taken not to ingest the inedible toothpick-like core of cattail flowers.
Cattail flowers may also be stripped off their inner core using an upside down fork. Using this method, it is quite simple to prepare a large amount of flowers in a short period of time.
Cattail flowers have a surprisingly sweet and mellow flavor, not unlike corn. They may be prepared simply, with nothing more than garlic butter and salt. Cattail flowers also work well in egg dishes and soups.
The special treat of cattail pollen
Perhaps the most delightful part of the cattail to eat is its bright yellow pollen.
Look for cattail flowers that are loaded with yellow pollen, like a mop heavy with dust, and collect it by shaking the top portion of the cattail flower into a milk jug or half-gallon Mason jar, either in the field or snipped off and done at home.
Cattail pollen can be substituted into 1/3 of the flour in most recipes for baked goods, from pancakes to muffins and breads. Cattail pollen can also be used to add a sunny color and subtle milky corn flavor to rice dishes.
Main photo: Cattails. Credit: Copyright 2015 Ellen Zachos
Ask a New York history buff about Dorothy Parker or Chief Gowanus and you might hear a discourse on the legendary writer and wit or the leader of the Canarsie Native American tribe. Mention these names to a spirits enthusiast and instead you may be sidling up to a bar and sampling gins from the New York Distilling Company. This Brooklyn-based distillery produces both the Dorothy Parker American and Chief Gowanus New-Netherland gins.
Looking at history
Located in the Williamsburg section of Brooklyn, the New York Distilling Company is the brainchild of Brooklyn Brewery co-founder Tom Potter, his son Bill Potter and spirits and cocktails expert Allen Katz. The trio also own the adjacent, 850-square-foot bar and tasting room The Shanty, which overlooks the distillery’s production floor. This full-fledged bar serves mixed drinks made from the New York Distilling Company’s goods as well as other producers’ liquors and beer.
With the New York Distilling Company the men have set out to create exceptional American gins and rye whiskeys. They employ historical recipes for inspiration and the state of New York for their ingredients.
‘Golden era of cocktails’
“Gin and rye are appropriate for the geographic area,” says Bill Potter, master distiller and production manager. He points out that, prior to Prohibition, New York farm distilleries produced these intoxicants from locally grown grains and fruit. He adds, “They are part of the golden era of cocktails, the 1800s.”
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On the 78th anniversary of the repeal of Prohibition, Dec. 5, 2011, the distillery opened and began selling Dorothy Parker, Chief Gowanus and Perry’s Tot gins. Named for Matthew Calbraith Perry, 1840s commandant of the Brooklyn Navy Yard and a founder of its Navy Lyceum, Perry’s Tot is a traditional navy strength gin.
“So much of what we think of as gin is only one type of gin, the London dry gin,” Potter says.
The juniper-driven London dry gin ranges between 40 to 45 percent alcohol by volume or 80 to 90 proof. Navy strength clocks in at 57 percent or 114 proof. Sometimes referred to as overproof, barrel strength or cask strength, this high alcohol gin imparts both balance and intensity to beverages.
Tapping into craft craze
According to Potter, the plan from day one was to release the gins first. By doing so, the rye whiskey could age for at least three years. To bottle it any sooner would mean that they were proffering a lightly aged, rather than straight, rye. This was not the goal for the distillery.
The timing of their gin and whiskey production couldn’t be better. The U.S. craft cocktail movement is in full swing and nowhere more so than in New York City. With its emphasis on handmade beverages featuring fresh and high quality ingredients, the craft cocktail craze has bartenders reaching for artisanal liquors to feature in their libations.
Mr. Katz’s Rock & Rye
Craft producers such as the New York Distilling Company can only profit from this desire for artfully prepared and historically rooted drinks.
Harkening back to the pre-Prohibition period is the distillery’s October 2014 release of Mr. Katz’s Rock & Rye. This much-anticipated spirit is the first among the New York Distilling Company’s upcoming rye whiskeys.
Historically, American bartenders created rock and rye by mixing rye whiskey with rock candy sugar syrup and the occasional citrus peel or spice. The goal of this late 19th-century combination was to temper the flavor of a young and unpalatable rye. The outcome was a sweet, amber-colored liquor called rock and rye that quickly became the go-to alcohol “for whatever ails you.”
Mr. Katz’s Rock & Rye pays homage to this American standard. Yet, with its tang of sour cherries, warmth of cinnamon and hint of citrus, it stands to become a classic in its own right.
Adding straight rye whiskey
At the Shanty, head bartender Nate Dumas showcases Mr. Katz’s Rock & Rye in such house creations as Cave Creek and Martini Robbins. The latter drink pairs Mr. Katz’s Rock & Rye with the distillery’s Dorothy Parker American Gin and sweet vermouth. A versatile whiskey, Mr. Katz’s Rock & Rye can also be enjoyed neat or on the rocks.
In September, Ragtime Rye will join Mr. Katz’s Rock & Rye, Dorothy Parker, Chief Gowanus and Perry’s Tot on the roster of New York Distilling Company originals. Aged for more than three years in upstate New York, Ragtime Rye is the distillery’s first straight rye whiskey.
Recipes created by Nate Dumas, bar director, The Shanty at the New York Distilling Company
1¼ ounces Mister Katz’s Rock & Rye
1 ounce Glenlivet 12-year-old Scotch whisky
¾ ounce fresh lemon juice
½ ounce Real Grenadine
¼ ounce Campari
Shake ingredients over ice and strain into a collins glass filled with fresh ice. Garnish with an lemon twist. Serve with a straw.
The Harper’s Ferry
1 ounce Mister Katz’s Rock & Rye
¾ ounce Pierre Ferrand cognac 1840
½ ounce Botran rum
¾ ounce fresh lemon juice
½ oz simple syrup
Shake ingredients over ice and fine strain into a chilled cocktail glass. Lightly garnish with freshly grated nutmeg.
Main photo: The New York Distilling Company also includes an 850-square-foot bar and tasting room at The Shanty. Credit: Copyright 2015 Kathy Hunt
In the United States, to “get your kicks” we’ve got Route 66. But in Italy, for an unforgettable travel experience follow the ancient Roman “Route” called Via Emilia. This easy-to-navigate highway starts in the northern section of Emilia-Romagna, connecting some of Italy’s most amazing sights with unique gourmet experiences. Click through this slideshow to discover what you’ll find along the route that connects cities rich in art, culture, history and sports cars with world-renowned food and wine.
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Main photo: Have a taste for incredible pasta? Follow Via Emilia in Italy to discover some of the best culinary delights of Emilia-Romagna. Credit: Copyright Emilia-Romagna Tourism Board
July Fourth begs for a magnificent grill party. It’s summer, it’s a great celebration of the nation’s birth and everyone is outdoors and in party mode. Why hold back on July Fourth? Why not grill everything? With a couple of days’ planning, you can really do something amazingly and deliciously different.
Here are four great ideas for the barbecue. There’s no reason why you can’t do all of the these dishes, although it does require that planning. You will have to consider how many people you’re cooking for, think about how large your grill is and make plans for placing all the dishes on the grill.
Getting organized for easy grilling
There’s something else many people forget when they grill, but it makes everything easier. Remember to set up a little work station next to the grill to put foods that are cooking too fast, spatulas, mitts and your drink. Even a crummy card table will do. When building your grill fire, remember to pile up the coals to one side of the grill so you also have a “cool” side to move food that is either cooking too fast or is flaring up.
Grilled pork chops are a popular dish in the summer in Greece. In this recipe, though, they are cut quite thin, so you might want to buy a whole loin and slice it yourself or seek out “thin-sliced pork chops,” which many supermarkets sell. In any case, it works with any thickness of chop.
The pork is marinated in garlic and oregano and then grilled until it is golden brown with black grid marks. Then sprinkle the whole oregano leaves on top. You can serve this with a grilled vegetable platter.
You may have heard of the pasta dish called penne all’arrabbiata, angry pasta, so-called because of the use of piquant chiles. This is chicken arrabbiata. It’s “angry” because it is highly spiced with cayenne pepper.
Getting spicy with ‘angry chicken’
This chicken gets grilled so if you use the breasts instead of the thighs it will cook quicker. You can leave the chicken skin on or remove it. Crispy skin is delicious, but trying to get the skin crispy on a grill is tricky because of flare-ups. You’ll have to grill by means of indirect heat, pushing the coals to one side.
Many people shy away from grilling whole fish for a variety of reasons. One way to make grilling fish easier is to place a rectangular cast iron griddle over a portion of the grilling grate and cook the fish on top.
If you do that, the griddle must be on the grill for at least 45 minutes to get sufficiently hot before cooking. I suggest several fish below, but it all depends on what’s locally available.
Finding the right fish for the grill
Parsley-stuffed grilled porgy and mackerel are two small-fish dishes ideal for a fast grill. You may not necessarily have these two fish available, so use whatever is the freshest whole fish of like size.
I like the contrast between the mild tasting white flesh of the porgies, also called scup, and the darker, denser meat of the mackerel. Because 50 percent of the weight of a whole fish is lost in the trimming these, 4 pounds of fish will yield 2 pounds or less of fillet.
But you can use any fish: The red fish in the photo is a Pacific fish called idiot fish, kinki fish, or shortspine thornyhead (Sebastolobus alascanus). It has delicious soft flesh.
Complementing with the right grilled sides
I think it’s always nice to have grilled vegetables with any grill party. Grilled red, green and yellow peppers make a very attractive presentation. Their flavor is a natural accompaniment to grilled meats. The charred skin of the peppers is peeled off before serving, leaving the smoky flavor. You don’t have to core or halve the peppers before grilling.
Grilled Pork Chops Oregano
Prep time: 4 hours
Cooking time: 30 minutes
Total time: 4 hours, 30 minutes
Yield: 4 to 6 servings
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1 cup extra virgin olive oil
4 garlic cloves, finely chopped
1 onion, finely chopped
1/4 cup finely chopped fresh oregano and 2 tablespoons whole leaves
Salt and freshly ground black pepper
14 to 16 pork chops (about 2 pounds), sliced 1/4-inch thick
1. Mix the olive oil, garlic, onion, oregano, and salt and pepper to taste in a 9-by-12-inch ceramic or glass baking pan. Dip both sides of the pork chops into this mixture and then leave to marinate in the refrigerator, covered, for 4 hours, turning several times. Remove the pork chops from the refrigerator 15 minutes before grilling.
2. Prepare a medium-hot charcoal fire or preheat a gas grill for 15 minutes on medium high.
3. Remove the pork chops from the marinade and discard the marinade. Place the pork chops with any marinade ingredients adhering to them on the grill. Cook, turning only once, until golden brown with black grid marks, about 10 minutes. Sprinkle with the whole oregano leaves. Serve hot.
Prep time: 20 minutes
Cooking time: 25 minutes
Total time: 45 minutes
Yield: 4 servings
1 small onion, chopped fine
3 tablespoons tomato paste
3 tablespoons extra virgin olive oil
1 teaspoon cayenne pepper
Salt and freshly ground black pepper to taste
1 1/2 pounds boneless chicken thighs or breasts (skinless, optional)
1. Prepare a hot charcoal fire to one side of the grill or preheat one side of a gas grill on high for 20 minutes.
2. Meanwhile, in a bowl, stir together the onion, tomato paste, olive oil, cayenne, and salt and pepper to taste until well blended.
3. Flatten the chicken thighs or breasts by pounding gently with the side of a heavy cleaver or a mallet between two sheets of wax paper. Coat the chicken with the tomato paste mixture.
4. Place the chicken on the cool side of the grill, and cook until the chicken is dark and springy to the touch, turning once, about 20 to 24 minutes (less time for breasts). Baste with any remaining sauce and serve.
Main photo: Grilled Pork Chops Oregano. Credit: Copyright 2015 Clifford A. Wright
Call it the ideal summer quaff for India Pale Ale lovers: This beer packs hop flavor, yet you can drink a few at a time — and still mow the lawn. Meet Session IPA: It delivers flavor characteristics similar to a standard IPA, but it’s less boozy than American and Imperial IPAs — by as much as half — maxing out at 5 percent alcohol by volume (ABV). It’s an American phenomenon.
Session IPA is the fastest-growing style in the U.S. craft beer market. At the end of 2010, three Session IPAs were available on U.S. supermarket shelves. By mid-May 2015, that number had grown to 43, market researcher IRI said. What happened? IPA lovers increasingly wanted a beer that delivered lots of hop flavors — but not all the booze. “People were saying: ‘Why does it have to be over 7 percent all the time?’ ” said Jeremy Kosmicki, brewmaster at Founders Brewing Co., a Session IPA pioneer.
By definition, Session IPA ranges from 3.7 to 5 percent ABV. “The trick is to get enough body and backbone to balance out the hop aromas, while keeping the alcohol level down without tasting thin or watery,” said Jack Harris, co-owner of Fort George Brewery.
Click through the following slideshow to find 12 Session IPAs worth trying.
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Main photo: Jeremy Kosmicki, brewmaster at Founders Brewing Co., is a Session IPA pioneer. Credit: Copyright 2015 Founders Brewing Co.
La Vie en Rose: Paris is known as the City of Light. But it’s also the city of waiters, and neither the Eiffel Tower nor the Arc of Triumph nor Notre Dame Cathedral — and its gaggle of roofline gargoyles — is more identified with Paris than the garçon de café.
La Vie en Rose
One in a series of graphic explorations of French language, food and culture
This black-and-white terror serves croque-monsieur, a coupe de champagne, café crème and a whole lot of attitude on almost every street corner in the city.
But he may be at his most formidable at the classy corner cafe, Les Deux Magots, on Boulevard Saint-Germain in the sixth arrondissement. With its dramatic terrace view of L’Église Saint-Germain, this go-to cafe is the perfect spot from which to muse on this often-misunderstood Parisian serveur (waiter) and his unique contribution to French culture.
Can the garçon be arrogant? Yes! Even nasty? Mais oui. Nevertheless, in all his guises through three centuries of French cafe history, this fellow is always efficient, knowledgeable and never boring. He is often as satisfying as the food and beverage he serves (or more so).
But, le garçon, or at least his persona, is in jeopardy. As reported on Feb. 19, 2015, in the Wall Street Journal, the City of Light’s official tourism office is bent on making this paragon of professionalism “nicer.” To what end? To please tourists, bien sûr (of course).
If the garçon is destined for an attitudinal makeover, it will be, it seems to me, a more fraught transformation of Paris than Baron Haussmann’s demolitions and reconstructions in the mid-19th century under Napoleon III. With Haussmann in charge, Paris lost, tragically, much of its medieval heritage and charm, but gained much more, I believe, in the way of hygiene (a new sewer system) and urban splendor — the grand boulevards, broad sidewalks, parks and the elegant stone apartment blocks we know and love today.
With the proposed sweetening of the garçon, the traditional Parisian cafe may gain tourist lucre, but at the risk of losing its Gallic sizzle, in no small part the gift of the garçon’s trademark sass.
When the dandy meets the butler
The cafe garçon is, after all, intentionally monstrous. A clever, almost Frankensteinian construct, he combines the self-absorbed fastidiousness of the Parisian dandy and the haughty solicitousness of the British butler. The garçon’s costume is no accident.
It was designed in the early 19th century to both function and impress. His many-pocketed black vest holds money, les additions (cafe checks), pens and service accessories such as corkscrews and crumb scoopers. The still-popular bow tie adds a touch of fin de siècle panache. With his spotless white apron (less common today), the garçon appears simultaneously hygienic and striking, even sexy, like a chef de cuisine in his crisp whites.
The mastery of this well-trained professional — of his body, of his trays piled high and of his affect — impresses and, yes, intimidates, but at the same time, seduces. He is better dressed and knows more than his customers about classic French food and wine, and he knows it.
The gargling gargoyle
Is there not, in fact, something about the cafe garçon that evokes that other fearsome Paris “gar,” the gargoyle (gargouille in French, pronounced “gar-GOO-ya”) Think about it: Both are “in service,” one to the secular cafe and one to the sacred church. Both guard their respective terrains jealously. And like the garçon, the gargoyle is a construct, a combination of hoary Gothic chimera and drainage technology — the first deflecting the devil, the second the rain.
Both the French and English words — gargouille and gargoyle — derive from the Old French gargole, which means gutter or waterspout and throat. Which is how gargoyles function at the roofline of large, usually religious, structures: Water from the roof flows through gargoyle’s body, exits the throat and is dumped on the ground several feet away from the structure’s foundations. This protects a church’s mortared stone walls and spiritual purity from the ill effects of “dirty” water.
Rabelais’ literary giant, Gargantua
There is no direct etymological connection between garçon and gargouille. “Garçon” appears in French sometime between 1100 and 1300 — as the Old French garçun, from a proto-Germanic word — and refers to a boy of low class or a young servant. The lowly garçon becomes a waiter in the late 18th century with the rise of the Parisian cafe and restaurant.
The “gar” of gargoyle is from the Latin root and means chatter, or the sounds that come from the throat or gutter. This gives us “gutteral” and “gargle.” And, of course, Gargantua, the young giant in Rabelais’ 16th-century novel. At birth Gargantua cries out for “drink, drink, drink.” His father, Lord Grangousier, noting his son’s huge anatomical features, exclaims . . .
Que GRAND TU AS & souple le gousier;” that is to say, “How great and nimble a throat thou hast.” — “The Works of Rabelais” (Bibliophilist Society, 1950)
And so he becomes Gar-gan-tu-a, and the basis of our English word, “gargantuan.” It takes the milk from 17,913 cows to satisfy the giant baby’s thirst.
When Rabelais’ epic satire takes the growing giant to Paris, Gargantua is irritated by the swarms of people gathered around him as he leans up against Notre Dame Cathedral. The young giant proceeds to relieve himself and drowns 260,418 Parisians. Protective gargoyles notwithstanding, Gargantua then steals the bells of Notre Dame, which he uses for a necklace around the neck of his giant horse before returning them.
Hommage au garçon
If after 500 years we are still amused by the outrageous exploits of Rabelais’ trouble-making Gargantua, why can’t we embrace, after 300 years of evolving French cafe culture, the classic, snooty garçon de café as he is? Instead of softening the garçon, let’s cast him in hard, eternal bronze.
Sitting on the terrace at Les Deux Magots, sipping on a coupe or nursing a crème, one can imagine a statue of the garcon de café, a gargantuan vertical gargoyle, spouting water into a broad pond located in the place just outside the entrance to L’Église Saint-Germain. Vive le garçon! Vive le café! Vive la France!
Main illustration: The garçon de café and the gargouille d’Église. Credit: Copyright 2015 L. John Harris