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A New Life: Now It’s Always Year Of The Goat For Cheesemakers

Cheeses made at Ten Apple Farm. Credit: Karl Schatz

Cheeses made at Ten Apple Farm. Credit: Karl Schatz

It’s morning in Maine, and Margaret Hathaway has already milked the goats in the back yard and fed the chickens. Four-year-old Beatrice colors in the dining room, baby Sadie is napping, and big sister Charlotte is at kindergarten in Portland.

By the time I find my way to Ten Apple Farm in Gray, Maine, the chévre is cooling in its triangular molds, and the Manchego is simmering on the front burner. “You have to slowly warm the goat milk to 86 degrees,” cheesemaker Hathaway says, whisking figure-eights calmly in the big pot on her kitchen stove.

Pushing back her bandanna, Hathaway takes a quick look at the clock. It’s time to add in her culture packet — a microbe-rich mixture of rennet, culture and salt. “Making cheese is really straightforward. All it really is is good, fresh milk — ours comes straight from the goat and is unpasteurized — seasoning and culture — and patience.”  This morning, Hathaway is a little worried about her cheese. She made bread earlier in the morning, and it’s conceivable that the microbes from the yeast in the bread may have hijacked the microbes in the cheese culture. “Making bread and cheese at the same time is considered a no-no in cheesemaking, but I wanted bread for lunch,” she says. So, we eat lunch and wait — a goat cheese quiche with fresh spring herbs and home-baked bread — and keep checking to see whether the Manchego explodes instead of condensing when it comes time to put the milk in the cheese press.

It didn’t explode at all. It did exactly what it was supposed to do: lose more than 50%  of the liquid volume and settle the curds into a semi-soft round cake. The cheese won’t be ready to eat for several months after it ages, but it will be a beautiful, unpasteurized goat cheese Manchego.

From city living to cheesemaking

Before immersing themselves into the world of farming and cheesemaking, Hathaway and her husband, photographer Karl Schatz, had good jobs. An English major back from studying on a Fulbright grant in Tunisia, Margaret was in publishing, working on a novel and managing a cupcake bakery. Karl was an online photo editor at Time magazine. One day, at home in Brooklyn, eating chèvre at the kitchen table, the two were suddenly seized by the fantasy of leaving “all that” and becoming goat farmers. They left their jobs, put their stuff in storage, borrowed a car from Karl’s parents and headed out on a quest documented in Margaret’s first book, “The Year of the Goat: 40,000 Miles and the Quest for the Perfect Cheese.” One farm, many goats and three children later, Hathaway Schatz is homesteading in Maine, making cheese and teaching others how to do the same. “It was never meant to be a profit-making venture. More of a way of life.”

She is quick to point out that her husband has a “real” off-farm job as the director of a photo agency in Portland. “As someone who got a good education and great medical care, I wasn’t about to raise my kids without enough money for them to go to college or worry about health insurance,” Hathaway said. When we last spoke in early May, she was mucking the goat stalls and planting her vegetable garden. In between baby naps and cheese timers, she checked her e-mail. “Spring is surprisingly busy on the farm.”

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Margaret Hathaway makes cheese while one of her daughters looks on. Credit: Karl Schatz

They bought the farm in 2005 and bought their first goats in 2007. The first baby goats arrived two weeks after Beatrice, now 4, was born. The new farmers delivered their first “kids” armed with skills honed by watching a YouTube video. “Before that, the only delivery I’d seen was one where I was a participant, and on the other side,” Hathaway said.

Today, Hathaway and her family raise about 70% of their food on the farm.  They’ve got a vegetable garden, and apple trees, chickens, turkeys and goats. “I like the idea that most of the food my kids eat comes right from where they live,” she says. It took a while for the couple to get comfortable with raising animals for meat. “We had to move our minds from thinking about animals as livestock instead of a collection of individual animals,” she says, shifting the baby in the backpack just enough to reach the cheese press.

The big off-farm treat for the day I was there was crisp sheets of nori seaweed, with both baby Sadie and Beatrice fighting over the last paper-thin green wafer. “Ooh,” says the mother of three. “I was hoping to save some nori for Charlotte’s after-school snack.” (Not all is so green. Beatrice found a leftover chocolate Easter egg in a drawer and scarfed it down before mom could intervene.)

Several times a year, Hathaway teaches cheesemaking classes as part of her homesteading classes. “It’s not very hard or expensive to make cheese if you can get good milk. Most of the equipment you need you probably already have in your kitchen. A large pot, some spatulas and a frosting knife to smooth the tops of the cheese.” She recommends only buying a few things with a total cost of $150: a good basic home cheese book and a cheese press with a pressure gauge. “The best kind have a thermometer attached to the pressure gauge.”

Somehow Hathaway still finds time to write. Her second book, “Living With Goats,” has just come out in paperback and she is working on a novel that she says is not about cheese or goats.

People understand the natural affinity of educated women around food, but why cheese? Why not wine, or bread, or chocolate? Hathaway has a thought. “The American artisanal cheese movement was started by women, following in the whole female tradition of milk, the whole milkmaid thing. Maybe it has something to do with the fact that women lactate. Having three young daughters and any number of goats and kids, sometimes it feels as if our farm was one big lactation factory.”

Top photo: Cheeses made at Ten Apple Farm. Credit: Karl Schatz



Zester Daily contributor Louisa Kasdon is a Boston-based food writer, former restaurant owner and  the founder and CEO of Let's Talk About Food, an organization that engages the public around food issues in our world. Kasdon was the food editor for Stuff magazine and the contributing editor for food for the Boston Phoenix.  Winner of the MFK Fisher Award for Culinary Excellence, she has  written for Fortune, MORE, Cooking Light, The Boston Globe, Boston Magazine and The Christian Science Monitor, among others.

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