Italians like to linger at the table, during and after a meal. Dessert is leisurely. Sweets are served along with a dessert wine or liqueur, not with coffee or tea, as is done in the States.
It’s only after dessert is finished that espresso and a so-called aid to digestion — digestivo — like grappa is served.
Here’s a glossary of Italy’s most popular desserts wines and liqueurs. One of my favorites is limoncello, a versatile liqueur terrific to cook with and drink. I drink it icy cold and always add a splash in fruit salad.
Amaretto, “little bitter,” is a sweet almond-flavored liqueur cordial.
Amaretto is an ingredient in hundreds of dessert recipes and is also paired with all sorts of Italian sweets, especially crunchy amaretti cookies. One of Italy’s best selling brands of amaretto is Disaronno Originale.
Amaro is the term for a general category of bittersweet digestive, after-dinner drinks thought to aid digestion. Amaro, which means “bitter,” is generally made from various spices, herbs, fruits and alcohol. Popular since the Middle Ages, monks originally created these drinks as a medicinal remedy. There are hundreds, if not thousands, of different types of amaro in Italy, with each region, city, and even village claiming its local specialty.
Asti, a sparkling dessert wine, is made with the Moscato Bianco grapes from the Langhe, Monferrato and Roero areas of Piedmont.
In Italy it is served in bowl-shaped glasses, rather than the thinner champagne flutes. The thinking is that the narrow flute exaggerates Asti’s sweetness, concentrating the liquid on the tip of the tongue, where the sweet taste buds are. It’s traditionally paired with yeasty cake like panettone.
A dessert wine made in the Asti region of Piedmont using Moscato grapes. It’s less bubbly than Asti.
An after-dinner digestivo from the Piedmont region, made with Barolo wine that has been steeped with spices such as cinnamon, coriander, mint and vanilla. It is a very smooth, aromatic beverage that pairs beautifully with chocolate.
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Red sparkling dessert wine produced in the Piedmont. It is a blend of Aleatico and Moscato Nero grapes.
Bright yellow liqueur that’s a mix of dozens of herbs and spices. First made in Livorno in 1896 and named for 19th century Italian war hero Giuseppe Galliano. Used in cocktails, and as an after-dinner digestivo, it’s also a terrific flavoring for various dessert recipes.
Grappa is a fragrant spirit, 75 t0 120 proof, made from the grape skins and other solids left over from the wine-making process. The name most likely comes from the Italian for bunch of grapes, grappolo d’uva.
In Italy, grappa is enjoyed after dessert, served in small, tulip-shaped or short grappa glasses. It is also exceptional paired with Italian chocolates. A splash of grappa is often added to espresso to create caffé corretto.
A lemon liqueur from the Amalfi Coast, Calabria and Sicily. Made by steeping lemon peels in alcohol and sugar, it can be enjoyed at room temperature, but I prefer it icy cold. Try adding a little heavy cream for a rich, smooth liquid dessert.
Malvasia delle Lipari
An amber-colored DOC dessert wine from Sicily with an apricot-honey taste and lovely aroma. Starting in the late 1960s in compliance with the European Economic Community, Italian wine was regulated. To earn DOC status (Denomination of Controlled Origin), a wine had to be made from grapes from a particular defined area and pass strict tests for standards in alcohol content, flavor, aroma, color and more. It ensures that the consumer is drinking an authentic wine, not a counterfeit, or adulterated one.
Marsala is a DOC golden-colored fortified wine made with grapes grown in the Marsala region of Sicily. Marsala is made both sweet and dry. The dry is enjoyed chilled as an aperitif, while the sweet is sipped at room temperature as a dessert wine.
Marsala is used extensively in Italian cooking, especially in making sweets such as the classic zabaglione.
Moscadello di Montalcino
A DOC dessert wine from the Montalcino region of Tuscany made with aromatic white Muscat grapes. It is produced in three versions: still, sparkling and late-harvest.
Nocino is a dark colored digestivo, made from unripe green walnuts.
Passito is dessert wine made by pressing partially dried grapes, dried to concentrate their sugar and flavor. One of Italy’s most acclaimed is Passito di Pantelleria from Sicily.
A colorless digestivo liqueur flavored with star anise. Sambuca is splashed in coffee, or served neat and with topped with three toasted espresso beans called con la mosca, “with flies.” Besides giving a little caffeine kick, chewing on the beans highlights Sambuca’s flavor.
Vin Santo, “holy wine,” is a smooth amber-colored wine made from Malvasia and Trebbiano grapes. Although made in many parts of Italy, it is most often associated with Tuscany, where it is often paired with cantucci, the area’s crunchy almond biscotti.
Main photo: Asti is paired with panettone. Credit: Consorzio dell’Asti.
You say you want a striking way to serve barbecued chicken? Here’s one that will stick in your guests’ minds. It looks like a miniature rack of ribs, perhaps crossed with a bizarre pre-Cambrian life form.
But it has the classical flavor of browned chicken infused with the sweetness and poetic perfume of onion and a subtle hint of cinnamon. “Winner, winner, chicken barbecue” (or however Guy Fieri’s saying goes).
Its proper name is kırma tavuk kebabı, which means “split” or perhaps “pleated” chicken in Turkish. It’s one of the subtle and inventive dishes that graced the tables of Istanbul big shots back in the days when the Ottoman Empire was still a vast and wealthy affair. It was recorded in 1839 in a cookbook called Malja’ al-Tabbakhin (“The Refuge of Cooks”) that was later plagiarized with great enthusiasm by Turkish and Arab cookbook writers down to the early 20th century.
The recipe was first translated into English after “some of England’s fairest ladies and grandest gentlemen” were impressed by the Turkish dishes served aboard the yacht of the visiting viceroy of Egypt in 1862. Two years later, a certain Turabi Effendi published a collection of recipes swiped from Malja’ al-Tabbakhin and given the on-the-nose title “Turkish Cookery Book.”
The distinctive technique of this dish is to cut the chicken into strips, leaving the pieces attached at one end. This structure helps the marinade flavors penetrate the meat while keeping it in a relatively compact shape for convenience on the grill. It also makes the meat cook a little quicker and more evenly.
Turabi Effendi’s recipe calls for deboning entire chickens, but I suggest taking the easy way out by using boneless chicken breast, which lends itself very well to this technique. Turabi says to baste the meat with butter when it starts to brown, but I don’t recommend this because of the risk of flare-ups. If you want more butter flavor, basting the meat after you take it from the grill works perfectly and will certainly win the approval of your local fire marshal.
- 4 boneless chicken half-breasts, about 1¾ pounds total
- 1 teaspoon salt, plus more for serving
- ½ teaspoon pepper
- ¼ teaspoon cinnamon or a pinch more
- 1 large onion
- 2 ounces (¼ stick) butter, melted
- Using a sharp knife, cut the meat crosswise into 9 or 10 strips ¼ to 1/3 inch wide. But make sure your cuts reach no farther than ¼ inch from the far edge of the meat so that the “fingers” remain attached. Mix the salt, pepper and cinnamon and rub into the meat all over.
- Purée the onion in a food processor and strain the onion juice from the solids in a fine sieve (leave the windows open for this operation because of the onion fumes). Mix the meat with the onion juice, cover with plastic wrap or place in a sealable plastic bag and let marinate at room temperature for 1 hour.
- Pat the meat dry with paper towels and thread it onto skewers down the uncut edge (if your skewer is too broad for the uncut section, you can thread it through the bases of the “fingers” as well). Baste the surface of the meat and between the “fingers” with melted butter. This will keep the meat from sticking to the grill and to itself; you don’t want so much butter that there are flare-ups.
- Grill over a moderate fire, turning often, until the meat stiffens and turns golden brown, about 20 minutes.
- Remove from skewers and brush with more melted butter if you want. Sprinkle with salt to taste.
Fine accompaniments for this would be a scoop of tart yogurt and a simple green salad.
Main photo: Cut into strips, kırma tavuk kebabı — “split” or perhaps “pleated” chicken in Turkish — enables marinades to penetrate the meat. Credit: Charles Perry
I remember the moment very clearly. I was moderating a panel discussion after a special screening of “Food Inc.” in September 2010. More than 300 people had come for this free weekday screening. The staff at Boston’s Museum of Science, the hosts of the event, had told us to expect maybe 30 or 40 to attend.
During the presentation, a woman stood up and proudly announced she was working on a farm-to-school program with primary school students in Dedham, Mass. A few minutes later, another good soul described her curriculum teaching kids in Cambridge about edible gardens. A third woman offered up her school gardening program in Milton. I paused, and then asked, “Do any of you know each other?” Nope. Nope. Nope.
How was this possible? A distance of less than 20 miles separated the three thriving initiatives, but there was no cross-fertilization, no sharing of successes and strategies. Each one was a good-food activist toiling away in her own private silo.
That’s when I conceived the idea – and more important, the need — for Let’s Talk About Food. So many people, organizations, websites, meet ups and special programs are aimed at mobilizing a shift in our food system, and each one is dutifully tending or protecting its tiny bit of turf.
Let’s Talk About Food based on simple premise
My big idea was pretty simple: Let’s get everyone talking together. Let’s get the myriad initiatives aimed at ensuring better food out of their tidy little silos and into one big tent.
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If we start to work together, stimulating and sharing, connecting with like-minded souls, we can leverage our impact and move a lot faster to our goal — a healthier food system. Whether our individual passion is school food, cooking, animal welfare, sustainability or GMO labeling. Whether we agree with each other or not. Whether we care about the oceans or obesity, food security or food waste, or wonder what the heck happened with the farm bill. We need to be talking to each other, and to the public — the people who buy groceries, hate the food their kids eat at school, and hope they are feeding their family food they can trust.
We need to bring the experts, the advocates and the public into the same conversation. If we don’t, we are just talking to ourselves and a tiny group of like-minded people. To grow a food revolution, we need to go beyond the usual suspects.
I know there’s a problem. We all have egos. All the organizations and individuals who work in the food space feel a little protective and perhaps a little competitive about their turf, but we have to get beyond that. There isn’t one single recipe to change food in America. We need to come at it from every angle, inviting in every sector of society.
So, I started Let’s Talk About Food in 2010. It’s a tiny organization with one employee — me. I’m working for free and wondering what happened to all the smart lessons I learned in business school. I am a lapsed restaurant owner and was a reasonably successful journalist in Boston. I’m nobody special, not particularly well-connected and certainly not rich enough to take on the volunteer post I’d given myself.
You can find out more about the Let’s Talk About Food mission and its events and initiatives at www.letstalkaboutfood.com or on Facebook or Twitter (@LTAFood, #talkfood).
The annual Let’s Talk About Food Festival kicks off with a Vote With Your Fork Rally on Sept. 26 from 6 to 8 p.m. at Trinity Church in Boston. The free festival will be held Sept. 27 from 10 a.m. to 5 p.m. in Copley Square. Visit the Let's Talk About Food Festival page for more information.
Since starting Let’s Talk About Food, I have curated, with a handful of volunteers, more than 60 public food events in and around Boston, all aimed at bringing experts and the public together. Each event was more successful than the last. We started with that first screening of “Food Inc.” at the Museum of Science and marched forward, leveraging the expertise in our own community, forming collaborations with museums, hospitals, science fairs, law schools, public health schools, an aquarium, churches, libraries, and state and city governments. Event by event, step by step, we formed partnerships with local media, such as our presenting sponsorship with the Boston Globe and with our public radio station, with magazines and local nonprofits, so the community knows what we are doing.
We’ve tackled diverse and specific topics, including “What’s Up with Food Allergies?” “How Do We Sustain the Fish and the Fishermen?” GMO labeling, the farm bill, the economics of aquaculture, the ethics of food and food labeling, and we’ve asked important questions: Can New England feed itself? How close can we get to sustainability? We even sparked a group of people who are now collaborating on an action plan for a regional commissary for healthy school food in Massachusetts.
Festival attracts thousands
Our annual Let’s Talk About Food Festival attracts more than 15,000 people who come together in Boston’s Copley Square for one spectacular day to engage and learn more about food — and have fun in the process. We have a huge demonstration cooking stage where chefs and “expert conversants” are paired, we have an open-air seminar that we call The Endless Table and co-create with the Museum of Science. We have hands-on cooking for kids, an edible garden, an ask-a-nutritionist booth and our Kitchen Conversations project — a mobile recording studio that invites people to come into our cozy kitchen and share a food story or memory. We have chefs, cookbook authors, fishermen, farmers and foodies of every stripe.
We don’t have a single agenda, and we don’t provide any specific answers to the questions we pose. Our goal (and note, in four years we have moved from being a “me” to becoming a “we”) is to get people talking. Our philosophy: Engage the mind, and you spark the change. Because talking about food leads to action about food.
Let’s Talk About Food is based in Boston because that’s where I live, but the idea of a community-wide conversation about food should not be confined to my hometown. Any city in America could have an organization like Let’s Talk About Food. I’d be glad to help you get it started where you live. Like a simple recipe, it’s an idea that is easy to share.
Silos keep grain safe, but they don’t store all the ingredients to make a full meal.
Main photo: Boston-area kids try their hand at making healthy lunches while chef Jody Adams works in the background at the Let’s Talk About Food Festival 2013. Credit: Courtesy of Let’s Talk About Food
Some volleys in the battle to make school food healthier can sting.
“I was told after removing chicken nuggets from the menu that I was taking all the fun out of school lunch, which was a pretty harsh thing to be told,” said Sunny Young, Program Manager of Good Food for Oxford Schools, an initiative to improve the nutrition of cafeteria meals and educate students and their families in Oxford, Miss., about better food choices.
Pam Weisz is deputy director of Change Food, a nonprofit that works to raise public awareness and educate consumers about problems with the U.S. food system. Learn more at www.changefood.org.
But, Young said, “We make decisions based on the welfare of our children.”
Young spoke at TEDxManhattan, a one-day conference in March featuring leading innovators in the food movement, citing dire statistics demonstrating a critical need for better food choices.
Forty percent of Mississippi’s children are overweight or obese, she said. According to the Centers for Disease Control and Prevention, childhood obesity is linked to heightened risks of cardiovascular disease, diabetes, bone and joint problems and sleep apnea, as well as social and psychological problems.
“In order to change these really scary statistics, we need a paradigm shift in the way that we think about food and the way we eat food,” Young said.
She cited reasons for hope. A recent evaluation of Good Food for Oxford Schools, conducted jointly by the University of Mississippi’s Center for Population Studies and the university’s Department of Nutrition and Hospitality Management, showed that the program is having an impact.
“What we’re doing is working,” she said. “It’s changing eating habits,” at school and at home.
The program has a three-pronged approach, working in the cafeteria, the classroom and the community. In school cafeterias, she said, “We are transforming what the kids are seeing on their trays,” with menus featuring more fresh, local food. The proportion of the cafeteria menu cooked from scratch grew from 30% to 75% during the 2013-14 school year.
That startling increase came from replacing overly processed items with whole food — for instance, replacing those sacrosanct chicken nuggets with baked chicken. Newly trained staff also replaced frozen foods with items such as pot pies and stir-fried foods. They tapped into recipes from TheLunchBox.org, a site started by Chef Ann Cooper, a longtime advocate for healthier school food (and Young’s boss before she came to Oxford).
The “Harvest of the Month” program in the cafeterias helps promote the use of more local food, with the added incentive of a sticker for younger kids who try something new.
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But, she noted, “You can’t just put this food in front of kids and expect that they’re going to love it and eat it.”
That’s where the classroom lessons come in:
“We get them to touch and feel foods, Young said. “We bring in the farmer. We bring in chefs. They do cooking demos in the classroom. We really allow students to experience the joy of food.”
The district’s middle and high schools now have salad bars, and Young’s goal is to get them in elementary schools during the current school year.
The older kids’ incentives: more control over their schools’ food choices.
“Stickers and dressing up like a carrot doesn’t work so well,” Young said of the middle and high school crowd. “So what we’ve done is empower the students themselves.”
Young launched food clubs in the district’s middle and high school, where students cook, eat and learn together. The club also provides suggestions to improve cafeteria menus.
School gardens are also part of the program, and will be expanded this year thanks to an AmeriCorps-affiliated FoodCorps member now working with the program. Young is working to get schools to incorporate the gardens into the curriculum, but the gardens are already having an impact. She noted that when a group of third-graders was asked last year to draw a carrot, all the students involved in the school garden program drew it growing underground, unlike the other children who simply drew carrots without any context.
Community steps up
The third piece of Good Food for Oxford Schools’ work is in the community. The program works with farmers markets and organizes community events, such as a Gospel Choir Showcase that featured choirs singing on the Oxford town square interspersed with messages about Good Food for Oxford Schools and food samples from the improved school menu.
Young’s goal for the school year is to expand the program to reach more kids and families. She was recently named state co-lead for Mississippi for the National Farm to School Network.
She’s now working to connect programs across the state that are doing similar work, and is organizing a Farm to Cafeteria conference for later in the school year.
“The people of Mississippi have embraced this project,” Young said. “Good food can change everything.
Main photo: School lunches get much better traction when kids learn more about food. Credit: Courtesy of Change Food
Pam Weisz is deputy director of Change Food, a nonprofit that works to raise public awareness and educate consumers about problems with the U.S. food system. Learn more at www.changefood.org.
With her latest book, “Baking Chez Moi,” acclaimed author Dorie Greenspan has fait mouche (hit the bull’s-eye) again. In this luscious culinary tome, Greenspan manages to break through the mystique of French baking techniques with ease and humor. She is, quite simply, the perfect guide for any baker who wants to explore everything from approachable variations on haute pâtisserie to those classic weekend cakes called gâteaux de voyages.
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"Baking Chez Moi"
By Dorie Greenspan
Houghton Mifflin Harcourt,
Of late, I’ve been poring over countless cookbooks for research. It’s made clear to me how important the author’s voice is in translating subject matter, recipes and technique. Greenspan’s uncomplicated, personable style makes me want to study her cookbooks cover to cover, with notebook in hand and an occasional smile. After all, how many cookbook authors will attribute a recipe’s success to “the magic of that vixen: chocolate”?
Reading “Baking Chez Moi” is like spending time with a best friend who happens to know just about everything there is to know about French baking, and whom to ask when she doesn’t. Even better, she’s a whiz at translating it into something that readers can conquer, not fear. It’s a skill that is never handier than when trying to attempt trickier French desserts like colorful macarons or her riff on Pierre Herme’s sumptuous Carrément Chocolat.
Anyone who has attempted advanced baking knows that it is an art of precision. Following directions to the letter is normally recommended. Yet while Greenspan encourages the exactitude of using metric weights and measures, she also allows for some interpretation, and in many cases promotes it.
Affectionately nicknamed “Miss One More Minute,” the author suggests that recipe timing is meant to be a well-defined guide but not absolute — especially when oven calibrations are never the same. Through her own tales of hits and misses, she gives the reader permission to play, including inventive sidebar suggestions she titles “Bonne Idées” (good ideas).
But what I like best about Greenspan’s approach with “Baking Chez Moi” is her active style of cross-pollination between recipes throughout the book. She moves from recipe to recipe just long enough to unearth the special character of each, then whisks along to find clever ways to employ it elsewhere, inviting the reader to jump right in and join her. And I took that invitation — after a first read, my copy was left with 17 sticky notes tagging the recipes I intend to try first.
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From "Baking Chez Moi"
"This recipe was given to me by Joëlle Caussade, whose husband, Gilles, owns a lively Paris bistro, Le Petit Vendôme, where Joëlle makes the mini cannelés that are served with coffee.
"A word on timing: The batter needs to rest in the refrigerator for at least 12 hours, so plan ahead.
"Serving: Cannelés are traditionally served alongside coffee or tea and often turn up on trays of mignardises, the small sweets that are after-dessert desserts.
"Storing: The batter needs to be refrigerated for at least 12 hours, but it can hold there for up to 3 days. As for the baked cannelés, they’re perfect the day they are made and still good, but firmer and chewier, the day after. Keep the cannelés in a dry place at room temperature. Lightly cover them if you like."
- 2 cups (480 ml) whole milk
- 1¼ cups (250 grams) sugar
- 2 tablespoons (1 ounce; 28 grams) unsalted butter
- 1 cup (136 grams) all-purpose flour
- 2 large eggs
- 1 large egg yolk
- 2½ tablespoons dark rum
- 2 teaspoons pure vanilla extract
- Melted unsalted butter, for the molds
- At least 1 day before making the cannelés: Bring the milk, ¾ cup of the sugar and the butter to a boil in a medium saucepan, stirring occasionally to make sure the sugar dissolves. Remove from the heat and let cool until the mixture reaches 140 F. (If you don’t have a thermometer, cool the milk for 10 to 15 minutes; it should still feel hot to the touch.)
- While the milk is cooling, put the flour and the remaining ½ cup sugar into a strainer and sift them onto a piece of parchment or wax paper. Keep the strainer at hand.
- Working with a whisk, beat the eggs and yolk together in a large bowl until blended. Whisking without stopping, start adding the hot milk, just a little at first; then, when you’ve got about a quarter of the milk blended into the eggs, whisk in the remainder in a steady stream. Add the flour mixture all at once and whisk—don’t be afraid to be energetic—until the batter is homogeneous. You might have a few lumps here and there, but you can ignore them.
- Strain the batter into a large bowl or, better yet, a pitcher or a large measuring cup with a spout; discard any lumps in the strainer. Whisk in the rum and vanilla, cover the container tightly and refrigerate the batter for at least 12 hours. (The batter can be refrigerated for up to 3 days.)
- Lightly brush the cannelé molds with melted butter and put the pan in the freezer. The pan needs to be frozen only for 30 minutes, but if you put it into the freezer right after you make the batter, you won’t have to wait for it on baking day.
- When you’re ready to bake: Center a rack in the oven and preheat the oven to 450 F. Line a baking sheet with parchment paper or a silicone baking mat. Put a cooling rack on the sheet and put the frozen cannelé molds on the rack.
- Remove the batter from the fridge. It will have settled and formed layers, so give it a good whisking to bring it back together, then rap the container against the counter to debubble it a bit. Fill the cannelé molds about three-quarters full.
- Bake the cannelés for 30 minutes, then lower the oven temperature to 400 F and bake for another 30 minutes or so. Cannelés are supposed to get very dark—black really—but if you’re concerned that yours are darkening too fast or too much, place a piece of parchment or foil over the molds. When properly baked, the bottoms will be dark and the sides of the little pastries will be a deep brown—think mahogany. (I spear a cannelé with a bamboo skewer and pull it out of its mold to inspect it.) While the cannelés bake, they may puff above the tops of the molds, like popovers or soufflés, and then, as they continue baking, or when they’re pulled from the oven, they’ll settle down. Pull the whole setup from the oven and put it on a cooling rack.
- Let the cannelés rest in their molds for 10 minutes, then turn them out onto a cooling rack. (Resting gives the tender pastries a chance to firm so they’ll hold their shape when unmolded.) Be careful: Even though you’ve waited 10 minutes, because of the caramelized sugar and melted butter, cannelés are hotter than most other pastries. Let the cannelés cool until they are only slightly warm or at room temperature.
Main photo: Dorie Greenspan. Credit: Alan Richardson
I look forward to Rosh Hashana every year. It should be because it is the beginning of another new year, shimmering with possibilities. Or because each year I give myself permission to buy a new, stylish go-to-temple outfit. It’s also fall, the best, most exhilarating season in my New England home.
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Religiously, Rosh Hashana (which this year begins at sundown Sept. 24) is the time to wipe away the troubles of last year and pledge to begin anew with resolutions for improvement in personal relationships and goals. Officially, Rosh Hashana is the beginning of the new year of the Jewish calendar, and always a season for coming together joyfully. It’s honey and apples, friends and family.
But if I am honest, my love of the holiday has nothing to do with any of this. Rosh Hashana is tzimmes season. Oozing with meat juices and richness, beef tzimmes may be the least politically correct dish in my repertoire from a nutritional standpoint. And I love it — umami heaven! It is full of rich, meaty flavor and thick with chunks of carrots, sweet potatoes, onions and prunes. It’s a production that requires planning but not that much skill.
Beef tzimmes is a major production for a major holiday. I love making this dish. People look forward to it every year, and as a result it transforms me into an iconic Jewish cook. It’s also not that hard to pull off, but it does take time. It’s very important to make the entire dish a day before serving so you can refrigerate and skim the fat. You’ll need a large, heavy roasting pan such as a turkey roaster. I make it in a huge Le Creuset pot, but any large, covered Dutch oven or roasting pan will do.
- 6 short ribs (ask the butcher for the right cuts for this and the following meat)
- 4 pounds beef flanken or brisket (not too lean)
- Kosher salt and black pepper to taste
- 5 pounds carrots, peeled and cut in big chunks
- 6 to 8 onions, quartered
- 2 cups honey
- 2 cups dark brown sugar, plus more to sprinkle on top during cooking
- A stick (or two) of cinnamon
- Beef stock or water
- 6 to 8 peeled sweet potatoes (or more to your preference)
- 2 cups pitted prunes
- 2 tablespoons matzo meal for thickening the sauce
- Preheat the oven to 400 F and then roast the short ribs for an hour in the oven.
- Meanwhile, braise the flanken in a large sauté pan on the stove top.
- Place the bones in the bottom of a roasting pan and layer on top the chunks of flanken.
- Sprinkle the meat with salt and pepper to taste. (You can also adjust it before serving, after all flavors have come together.)
- Add the carrots, onions, honey, brown sugar, cinnamon and enough beef stock or water to cover the meat.
- Cook covered for three hours in a 350 F oven, turning the meat chunks occasionally.
- Add the sweet potatoes and prunes to the pan, adding more stock if necessary. Cook another 45 minutes, until the meat is soft.
- Strain off the liquid and reduce it on the stove top, then thicken it with matzo meal. Return it to the pan. The liquid should be about ¾ of the way up the pan.
- Sprinkle with brown sugar to caramelize on top.
- Return to the oven and cook uncovered for one hour. To degrease the meat, refrigerate for a few hours or overnight, and then remove fat. The dish is best served the day after cooking. The leftovers freeze beautifully.
Main photo: Beef tzimmes. Credit: Louisa Kasdon
Thirty seven years ago, I met a man on an island off Cape Cod, Mass., and we had a summer romance. We made fish stew and grilled local striped bass. We baked bread, picked wild island grapes and took long beach walks. And when the summer was over, I figured I’d go back to my life and he would return to his.
But it didn’t happen that way. The relationship turned out to be the real deal. Thirty years ago this month, we were married, and now we are back on this island celebrating those three decades together.
This island is a place that never disappoints. Every time we come here, I worry movie stars and politicians will have ruined the place. And although there is much hype and McMansions are now littered along some of the shoreline, this is still a place of pristine beauty.
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So here we are again, cooking local seafood and taking long beach walks and early morning swims in the almost too cold ocean waters. This year there’s been a bit of a drought on the island, and that has translated to dry fields and spotty lawns. But it has also produced a bumper crop of beach plums.
Each year when we come here in late summer/early fall, I hunt the dirt roads and beach paths for the elusive beach plums. They look like a cross between an oversize blueberry and a black-purple grape. Beach plums are stone fruits, related to other plums, cherries and peaches. They flower in late spring and bear fruit in the early fall, depending on the weather.
They grow along sandy paths near salt water. They are often planted for erosion control and feed off of salty sprays and sandy soil. They are very sour and sometimes bitter, full of a crisp, distinctively fruity, almost earthy taste. They make terrific jelly.
The day we arrived, I walked to the beach and was shocked to find bushes bursting with fruit — thousands of beach plums. I ran back home and got a huge bucket and started picking. It didn’t take long to fill that bucket and then another.
Beach plum jelly a balance of bitter and sweet
Making beach plum jelly is a lot like making wild grape jelly. (In fact, the recipe below works well for both.) If it were a perfect world, I would add a lot less sweetener to the jelly, but the sourness needs balance, and I’ve found a mixture of white sugar and maple syrup works well.
This recipe involves several steps, but it is actually quite simple. The gorgeous deep purple-pink color and sweet, tart flavors are at home on the day’s first buttered toast or used to glaze a duck, spread on a sharp cheddar cheese sandwich or serve as a condiment with grilled leg of lamb.
The jelly makes a wonderful anniversary gift. Like a long marriage, it is a great balance of sweet and bitter.
Use beach plums, Concord grapes or a combination to make the jelly. It will keep in the refrigerator in a tightly sealed Mason jar for well more than a month or can be canned and kept in a cool, dark spot for up to a year. More prep time will be needed for picking, and cook time includes time to drain the cooked plums.
- About 20 cups beach plums
- 4 cups water
- About 3 cups sugar
- About 1 cup maple syrup
- 1 to 2 ounces liquid pectin
- Prepping the beach plums is crucial to good jelly. Remove all stems, rotten or moldy plums, or under-ripe beach plums (which will be hard and pale pink or red like a cranberry). Wash thoroughly and then measure the fruit.
- Place the clean beach plums into a large pot and cover with water. Bring to a boil over high heat.
- Lower the heat and, stirring frequently, cook for about 10 to 15 minutes, or until the fruit is softened.
- Place a colander or sieve over a large bowl or pot and pour the fruit through it. Let it strain by gently pushing down on the fruit with a wooden spoon or spatula to extract as much juice as possible. I let my plums strain all day, covered with a piece of clean cheesecloth to avoid fruit flies. It can sit for hours.
- When you think all the juice has been extracted, measure how much you have. Add about 1/2 cup sweetener for each cup of beach plum juice. (A half-cup will give you sweet-tart jelly, while 1 cup will obviously give you a sweeter jelly). I like to add a combination of sugar and maple syrup.
- Bring to a boil over high heat, stirring until the sugar has dissolved.
- Reduce heat to moderate and let simmer about 10 minutes.
- Add the pectin and bring to a boil. Reduce heat to low and cook about 10 minutes to allow the jelly to thicken.
- Taste for sweetness and adjust accordingly. To test for doneness, add a spoonful to a small plate and place in the freezer for 10 minutes. It should be quite thick.
- Put the jelly into sterilized jars and refrigerate or process for 20 minutes.
Main photo: Beach plum jelly. Credit: Kathy Gunst
La Vie en Rose: As a sensitive and hungry boy, I learned valuable life lessons from the classic series of children’s books by Howard R. Garis featuring Uncle Wiggily Longears, an elderly, kind and wise rabbit. In each illustrated story, Uncle Wiggily takes on the vagaries of life in his forest habitat and solves a social or personal problem within his community of furry critters.
I can recall one episode with gastronomic implications. As best as I remember it, a young squirrel or possum with a taste for candy gets a terrible tummy ache that Uncle Wiggily helps to cure. At the end Uncle Wiggily concludes, “Too much of anything is not too good!”
La Vie en Rose
One in a series of graphic explorations of French language, food and culture
Mark Twain’s taste for whiskey
Uncle Wiggily’s lesson in hunger management is like a Hallmark card version of Mark Twain’s earlier drollery: “Too much of anything is bad, but too much good whiskey is barely enough.” Truth be told, Twain’s version, despite wise Wiggily’s input into my early childhood development, comes much closer to the true “gastronomical me”: “Too much of anything is bad, but too much good food is barely enough.”
Which brings me circuitously to our next Café French™ lesson: the curious linguistic connection between biological and aesthetic taste (goût in French, pronounced goo), and the ailment, gout (goutte in French, pronounced goot), caused by too much taste for rich food and alcohol.
It’s all Greek, Latin, Old French and Anglo-Saxon to me
The use in English and French of the same words — taste and goût — for both aesthetic appreciation and perception of flavor — is deeply embedded in our two languages. As Voltaire, the French Enlightenment thinker, explained in his Philosophical Dictionary (1764), the English language “… is a copy of ours in almost all the words which are not Saxon …”
The convoluted etymological links between French goût and English taste, and between French goutte and English gout, are no mere accident and took millennia to develop. Here is a cursory Café French glossary:
Goût (FR): From the Latin gustus, Old French goust = Taste. “Gustatory” in English and “gustative” in French come from the same sources. By the 18th century, goût was associated with aesthetic taste in France.
Goutte (FR): From the Latin gutta, Old French gote = Gout and Drop. It was thought as far back as the ninth century that this inflammatory ailment was caused by little drops of viscous humors seeping from the blood into the joints causing painful swelling — a theory close to the modern explanation.
Gout (ENG): Derives from the Old French gote (see goutte). Again, note Voltaire’s comment above about the origins of many English words.
Taste (ENG): From the Vulgar Latin tastāre and the Old French tast = Touch. The Old English smaecken — to taste — derives from the German schmecken, which translates as “to taste, try, smell, perceive.”
But why the same words in English, French and most other Romance languages for both aesthetic and physical taste? The complex etymology is well-documented, but I have not found an acceptable answer why our sense of taste — the human faculty least associated with art with a capital “A” (the fine arts) — is used as the metaphor for discerning, as Voltaire put it, “the feeling of beauty and defects in all the arts.”
Our other senses are, in fact, used in some contexts to describe aesthetic taste: You can have an eye for design and an ear for music. But you can’t have an eye for music or an ear for sculpture. Why then does “taste” apply so universally?
Is it because when we taste something, we bring the object of that sense (food and beverage) into the body itself, which, I would argue, renders taste unique among the human senses in being more sensitive? This is a simple explanation I can live with. After all, bad food can kill you. Bad paintings just make you sick.
Uncle Wiggily meets Voltaire in Paris
Voltaire’s ideas about taste emerged at a time when Paris had become Europe’s capital of le bon goût — in art, style, fashion and gastronomy — during the reign of the Sun King, Louis XIV (1638-1715), the Ralph Lauren of French monarchs. The cafe had arrived as the chic nexus of good taste (both kinds) and the go-to spot for that new, exotic beverage — coffee. But cafes mainly catered to a small Parisian elite in Voltaire’s day. “Taste,” he noted, ” … like philosophy, belongs only to a small number of privileged souls.”
Today, the cafe serves good taste to a much broader swath of souls; less privileged perhaps, but still human. So, imagine for a moment that Uncle Wiggily had ventured out from his forest to travel to Paris with a group of young furry souls — chipmunks, possums, bunnies and bear cubs. They are seated at Voltaire’s favorite cafe, Café Procope (established in 1686 and still going strong), happily nibbling on wedges of quiche and sipping cups of chocolat chaud. The elderly, kind and wise Uncle Wiggily Longears would, of course, be admonishing his charges in his best rabbit French, “Trop de quoi que ce soit n’est pas trop bon!” Too much of anything is not too good …
Main illustration credit: L. John Harris