The American craft spirits movement is putting the juniper berry in its place as new distilleries reimagine gin as a stand-alone sipper. Thirteen award-winning distillers reveal the secret ingredients that set their gins apart from the bevvy of new American gins.
Click through the following slideshow to discover the weird and the wonderful that have spirits professionals applauding these exciting new libations.
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Main photo: St. Augustine Distillery prides itself on using freshly ground local herbs and the peels from Florida oranges and lemons in a gin with a base alcohol made from Florida sugar cane for its New World Gin. Credit: Copyright St. Augustine Distillery
Spring has finally come to our neck of the woods, and we’re beginning to take the tiny shoots from our mini-greenhouse in our basement out into the world. I want my daughters to know where their food comes from, but growing a kid-friendly garden means more than just planting kid-friendly plants.
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If you want to get kids to actually eat their veggies, it helps if you get them invested in the process and care of the garden. If your kids see the backyard vegetable garden as “theirs,” they are far more likely to embrace the products: happily eating radishes and arugula that they’ve grown on their own. Here are six tips — tested in our home — to get your kids to embrace gardening and become active agents in creating their own food.
1. Get dirty
Forget the image of white-frocked children basking in a pristine flower bed; that image gets in the way of real gardening. Get your kids dirty as fast as possible. Ask them to dig with hand trowels, sticks or bare fingers, and they will leap at the opportunity. When watering, “accidentally” drench them with a good hosing. They’ll squeal, then beg for more — and watering is no longer a chore but a family frolic. Make mud and get them in it. Over-plant in anticipation of grubby little fingers pulling out the extraneous shoots. A garden shouldn’t be too precious. Good gardening demands some filth, and when kids realize this, they embrace it.
2. Get gross
Kids love gross, and a garden has it in spades. Ask your kids to find worms, then take the opportunity to discuss their impact on the soil. If your garden doesn’t have enough worms, go buy them and let the kids play with their new “pets” while you’re putting them into the garden. If you want to step it up a notch, create a vermiculture bin and let your kids be in charge of the worm farm. Look for beneficial insects such as ladybug larvae and lacewings. Explain that the reason you wash food that comes from the garden comes down to two words: bird poop. Some kids may react negatively to grossness, but that’s part of the charm. Gross things are both attractive and repulsive to young ones, and finding that fine line where attraction and repulsion equal each other out keeps the kids coming back to the garden.
3. Get creative
Encourage your kids to rename the plants in the garden. Our girls have dubbed our sage bush as “Hairy Bigfoot Plant.” That name has made the humble herb extremely attractive to our girls and to the neighbor kids — especially after we cut out pieces from a milk jug and made markers for our newly named plants. In fact, our two girls and the neighbor boy run to this plant every morning as they walk to school and actually eat a leaf of Hairy Bigfoot Plant. Without that name, I suspect elementary school kids would not be eating raw sage leaves every morning on the way to school. Have your kids play The Name Game, and they are suddenly personally invested in growing and eating mummy peas (snap peas) and bloody spice balls (radishes).
4. Get a kit
Kids love kits, so create an easily portable garden set for each child. You can buy them ready-made at the nursery or dollar store … but where’s the fun in that? Ask your kids to choose cheap tools for themselves, or gather the tools you already have and put them in specific kits. We turned milk jugs into garden kits, but a tote bag or plastic bucket works just as well. Add more than just a trowel rake and gloves. Put in a magnifying glass, eyedroppers, specimen jars and other “scientific” tools to deploy in the garden. When it’s time to do some weeding, tell your kids to grab their kits and you suddenly have an eager workforce.
5. Get experimental
Make your garden a laboratory, not a display. Ask your kids to experiment with the dirt, the compost, the layout and the results of your planting. Turn gardening into a science experiment. When the plants are coming up, try taste experiments — is this bitter? Sour? Sweet? This type of hands-on discovery helps kids understand that “good” doesn’t always mean “familiar” — so that when your crop is ready for the kitchen, your kids will beg to try to results. This may require you to set aside a part of your garden to be devoted to the kids’ experiments (so that you don’t ruin your entire crop) but their creative/destructive explorations will personalize your garden… and its results.
6. Get dramatic
Learn a lesson from molecular gastronomy: Presentation and entertainment are part of the full experience of food. When it was time to thin the new shoots of butter crunch lettuce and arugula, we had our girls wash the tiny shoots and arrange them attractively on a platter with small chunks of string cheese and a drizzle of olive oil and lemon juice. A garden chore suddenly becomes an art project, then a dish of Farm-To-Table Micro-Greens. In the garden itself, use the “experimental” area for play as well as work: Set up scenes, fairy gardens or Lego cities beneath the plants. The “forest” of carrots grows more lush around the tiny family that lives beneath it … then Godzilla descends at harvest time, pulling the trees by the roots as the dolls run and scream in horror. The garden becomes a playground, and the plate becomes a stage, turning the concept of “playing with your food” into a deeper understanding of the earth, growing plants and the process of creating and eating food.
Main photo: Keep the fun factor high when enticing children to do gardening this summer. Credit: Copyright 2015 Susan Lutz
When I told my partner that I was writing a book about pork, she asked: “Does this mean I’m going to have to give up bacon?”
I spent two years trying to answer that question. I visited a pig farmer who raised 150,000 animals annually in warehouse-like confinement barns, and a Mennonite who raised a few dozen on open pasture. I spent an afternoon in a slaughterhouse that killed and processed 20,000 hogs a day, and spent a day at a boutique abattoir that handled 30, and I spoke to dozens of people in 12 states whose lives had been affected by Big Pig.
“Pig Tales: An Omnivore’s Quest for Sustainable Meat”
By Barry Estabrook, Viking, 2015, 320 pages
» Enter here for a chance to win a free copy
» Click here to buy the book
My partner and I still eat bacon, but not if it comes from a factory farm. Here’s why:
I knew that pigs were smart, but I had no idea how smart — much more intelligent than man’s best friends. Researchers at Cambridge University have shown that pigs are as clever as 3-year-old humans. Experimental pigs can be taught to play computer games. Hogs can adjust thermostats to keep their pens at comfy temperatures. Pigs have a well-developed sense of self, a trait once thought to be limited to humans and great apes. On factory farms, these intelligent creatures are kept in barren stalls with hard, slatted floors with nothing to stimulate their minds. I will never forget the chilling sight of 1,500 sows in a low, dark barn in crates that were so small that they could not turn around.
I stood on a bridge over the Middle Raccoon River in central Iowa and watched vast floes of brownish foam drift on the current. They were the result of liquid hog manure that had been washed by rains into the river. The Raccoon is a source of drinking water for a half million citizens of Des Moines, who have to pay $1 million a year just to remove agricultural pollutants from their water. The same water flows into the Mississippi, contributing to a Connecticut-sized oxygen-depleted dead zone in the Gulf of Mexico, where no fish can survive.
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In North Carolina, the once-pristine Neuse River, now polluted from hog farms, experiences regular die-offs with billions of fish turning belly up in putrid masses. American Rivers, an environmental group, lists the Neuse as one of the 10 most endangered rivers in the United States.
Hog farms also pollute the air. I sat with Elsie Herring in her small frame home in eastern North Carolina as she described not being able to mow the lawn, hang laundry or even sit outside on a summer’s evening because of the stench that (literally) rains down from a neighboring pig operation. And this is no quaintly rural whiff of manure. Sophisticated air monitoring equipment set up by Steve Wing of the University of North Carolina revealed that Herring and her neighbors were inhaling poisonous hydrogen sulfide. They experience difficulty breathing and have developed high blood pressure.
For 13 years, Ortencia Rios worked at a pork-packing plant. She was an exemplary employee. But after her hands gave out, her shoulder rotator cuff tore, and she developed carpel tunnel syndrome — all because of the job — the company told her there was no work for her, according to Rios. During the past 30 years, the wages of slaughterhouse workers have gone into free fall, dropping by 40 percent. The rate of injury has soared. Human Rights Watch declared that the United States is “failing to meet its obligations under international human rights standards to protect the human rights of meat and poultry workers.”
In 2004, Everly Macario’s 18-month-old son died a painful death after being infected by bacteria that were resistant to every antibiotic doctors administered. There’s a good chance that the germs that killed the toddler evolved on a pig farm. Four out of five hogs raised in the United States are fed constant low levels of antibiotics — to prevent, not cure infections — a perfect recipe for bacteria to develop resistance.
When Jim Schrier, who worked as a USDA inspector at a 10,000-animal-a-day pork slaughterhouse in Iowa, began to report unsanitary conditions such as carcasses with hair and feces on them or with cancerous tumors and pus-filled abscesses, Schrier said he was promptly “reassigned” to a slaughterhouse two hours away from his home — an impossible commute. The USDA’s own inspector general reported that there is a reduced assurance that government inspectors effectively identify “pork that should not enter the food supply.”
One bite of a chop from a pastured, heritage pig is enough to convince. Like January tomatoes, most supermarket pork looks like the real thing but possesses none of its gastronomic qualities. Good pork costs more than factory stuff, but enjoying great meat while not supporting an industry guilty of more than its share of travesties is well worth the price. But be warned: Once you try real pork, you probably won’t go back to the other white meat.
Main photo: Researchers at Cambridge University have shown that pigs are as clever as 3-year-old toddlers, and they have a well-developed sense of self, a trait once thought to be limited to humans and great apes. Credit: iStock
California’s Napa Valley is home to some of America’s best wineries. The valley is also well-known as an incubator of female winemakers. Shawna Miller is one of a group of talented women who have pursued a wine-making career in the valley.
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Growing up in a small Virginia town along the Appalachian Trail, Miller spent a lot of time outdoors, hiking and helping her grandmother tend the large garden that fed the family. In the summer they ate what they grew and canned the rest. During the wet, cold winters they happily supplemented their meals with the food they put up in the pantry, including jars of huckleberry and blackberry jam, tomatoes and green beans.
She never thought about grapes or wine.
Studying forestry at Virginia Polytechnic Institute and State University in Blacksburg, she graduated with a degree in forestry, which was a natural fit for a woman who had grown up trekking the Appalachian Trail. That’s also where she met and married Zak, who shared her love of biology. To see the world and build their resumes, they picked up jobs wherever they could. After a stint with the U.S. Geological Survey in Florida, a friend invited them to work a harvest in New Zealand. That work-vacation changed their lives.
Learning wine making around the world
Near Margaret River in Western Australia, they worked at the Cape Mentelle Winery where she learned that each grape had a different temperament. Each had to be picked at exactly the right moment. Pick too soon or wait too long and the grapes would yield inferior wine.
She and Zak were hooked. They pursued harvests in California, New Zealand, Australia and Chile. They experienced firsthand how soil and climate — terroir — created different wines. The Indian Ocean breezes that swept across the grapes at the Cape Mentelle Winery yielded wines very different from the ones she came to love in hot, dry Napa.
Taking classes at the University of California, Davis Extension, Miller wanted to learn the science behind raising grapes and making wine. But there wasn’t time to get a degree in enology.
Her graduate work would be done in the fields and in the labs where her background in science got her jobs measuring fermentation levels.
Mastering the art and science of wine
To become a winemaker, she had to master more than chemistry. Wine making is part science, part art.
Even if a wine is made entirely from one varietal, the grapes grown in one part of a vineyard can be markedly different from those harvested from another area. Blending those different flavors is an art that must be developed by a winemaker.
Today as the winemaker at Luna Vineyards, she oversees the production of a collection of well-regarded, affordable wines.
What distinguished Luna Vineyards in its early days was the choice to produce Italian-style wines. When Michael Moone founded the vineyard in the mid-1990s, he wanted to make wine modeled on the Italian wines he loved. He planted Pinot Grigio (white) and Sangiovese (red) grapes and blended the wines in a way that set them apart from the largely French style wines produced in the valley’s other vineyards.
At times in their marriage, Miller’s husband Zak has worked half a world away at a winery in Chile. But now with Zaira, their little girl, to raise, Zak stays closer to home as an assistant winemaker at Domaine Carneros.
As harvest time approaches, they put the call out to their parents. When the grapes are ready to be picked, Shawna and Zak will be in the fields from before dawn until well into the night. Someone needs to be home with Zaira.
In the days before the harvest begins, Miller walks through the vineyard. The fat clusters of grapes hang heavily on the row upon row of well-tended vines. If the weather cooperates and no pests damage the grapes, she could have a very good year. She is always hoping that with luck and hard work, this year’s vintage could be one of the winery’s best.
Harvest — exciting and nerve-racking
With a last look at the refractometer that measures the sugar level of the grapes, Miller makes the call to the vineyard manager, “OK, let’s take it.” And that’s when the real drama begins.
The grapes are ready. Miller is ready. But during harvest time there is more work than workers available. Sometimes when she calls she is told there isn’t a crew available. The grapes won’t be picked for days.
During that waiting time she is at the mercy of the weather. If it gets too hot or if it rains, the grapes will be pushed past their prime and a vintage that could have been great will be less so.
At moments like this, all Miller can do is watch and wait. She busies herself, making sure the lab is ready and the fermentation tanks are clean. Finally, when the crew is available, then it’s all hands on deck. Time for their parents to babysit Zaira.
Fermenting and then blending
What makes one wine different from another? Of course the quality of the grapes matters, but so too does the palate and skill of the winemaker.
Depending on the style, the maturing wine spends time in stainless steel vats or in oak barrels. When Miller believes the wine is ready, she begins a series of trial blends that are like rough drafts. Making several blends, she and her team will sample and rate each, comparing that year’s wine with ones they liked from years before. Like the best chef, she will mix and combine until she has the flavor she loves. At that moment, she will call in the bottling crew.
During the year there are moments when Miller can take a break to spend time with her family. As all-consuming and as hard as the work can be, having time with Zak and Zaira is absolutely essential.
And then it’s time to start the process all over again. In spring the leaf buds poke through the dark wood. In the heat of the summer, the vines need to be tended, the grape clusters are thinned and the plants monitored for pests. And in the fall there is the harvest when so many moving parts have to work together to give Miller what she needs to make great wine.
At the end of the day, even with all those stresses, Miller counts herself lucky to have found a career she loves, in a valley that produces beautiful wines.
Main photo: Late-harvest grapes at Luna Vineyards in Napa Valley, California. Credit: Copyright 2014 David Latt
La Vie en Rose: Our Café French™ lesson today takes us from the luxe cafes of the Belle Epoch (1871-1914) to the louche cafes of its shadowy underbelly, the demi-monde, or “half-world” of bohemian poets, avant-garde artists, students, prostitutes and hustlers of every stripe. These cafe styles straddled the cultural divide between bourgeois respectability and decadent debauchery in fin-de-siècle Paris.
From the late 17th century onward, perhaps in response to Francesco Procopio’s invention of Café Procope (1676) as a showcase for Parisian glamor, fashion and style, the more subversive functions of the cafe as a public forum for radical political, philosophical and artistic thinking found caffeinated expression, even scandal and revolution, in Paris’ growing inventory of cafes.
La Vie en Rose
One in a series of graphic explorations of French language, food and culture
Coffee as aphrodisiac
In pre-Procope Paris, coffee was primarily an exotic Oriental beverage with powerfully stimulating properties, mostly served in private homes. Doctors of the period even prescribed coffee as an aphrodisiac. Thus, the first cafes to emerge served as platforms for amorous as well as artistic and political liaisons.
By the 19th century, the entry of elegant women from the finest Parisian salons into cafe society proved to be one of the most profound social advances credited to Parisian cafe culture. Women, respectable or not and everything in between, entered at both ends of the spectrum, from high to low. From the chic cafes lining Baron Haussmann’s Grands Boulevards to the seedier cafes filled with artists and poets on both banks of the Seine, Paris’ internationally notorious filles de joie plied their trade to a hungry clientele.
Voulez vous poulet avec moi ce soir?
In French, the terminology we generalize in English as prostitutes (hookers, whores, call girls, street walkers and tramps) is far more nuanced and hierarchical, from the lowest pute, poule (chicken), morue (cod) and grue (crane) to the top of the line courtisane, whose many virtues are brilliantly portrayed in Susan Griffin’s “The Book of the Courtesans: A Catalogue of Their Virtues” (2001).
Veritable celebrities, les courtisanes were also known as cocottes, grandes horizontales and demi-mondaines. Slightly lower in status, perhaps, were the poules de luxe (expensive chickens) and the belles de jour (“afternoon delight”), though I claim no authority in these saucy parsings.
The overlap between sexual and physical hunger is quite literal in French. A cocotte is both a courtesan and a shallow baking dish. Though not to be confused with a coquette, a flirtatious girly-girl decked out seductively in fashionable accessories, both cocotte and coquette derive from “cock” (coq in French), a chicken and a seducer.
Gourmandise and Gourmandine
Perhaps the least known conflation in French of nutrition and procreation — life and more life — are two related words, gourmandise and the more obscure gourmandine.
Gourmandise in English and French is derived from gourmand, which can mean gluttony (greediness) or an appreciation of refined food (delicacies). Older than “gourmet” (early 19th century), “gourmand” (late 15th century) shares etymological links to the Old French gloton.
Note that gluttony is one of Catholicism’s seven deadly sins. The meaning is nicely explicated by Saint Thomas Aquinas in his list of variations: eating too soon, too expensively, too much, too eagerly, too daintily, too wildly. I haven’t seen a better definition of our contemporary term in English for excessive gastronomical enthusiasm: foodie.
Gourmandine, a corruption of gourgandine, is yet another quasi-gastronomic synonym for prostitute, mostly found in French literature. In her book on the birth of Paris as the luxe capital of the world (“The Essence of Style,” 2005), Joan DeJean points out that “gourmandine” was also the name of a new (early 17th century) bodice that revealed a woman’s undergarments (lingerie). Her book cleverly connects the birth of haute couture in the court of Louis XIV to the evolving function of the cafe as a showcase for coquettish (if not “cocottish”) women and their seductive à la mode fashions.
Couture, Coco and Colette
The word “couture” is interesting in this context. It means “stitched together” (seam), and contains the root “co” which, as we saw in our previous Café French lesson, indicates in Latin, “with.”
Ironic that arguably the two greatest French women of the arts to emerge in the Belle Epoch period were both “cos”: Gabrielle “Coco” Chanel (1883-1971) and Sidonie-Gabrielle Colette (1873-1954). Never mind that they are co-Gabrielles, too. Their celebrated lives (and romances) bridged that same cultural divide we began our lesson with — the moral depths of Paris’ demi-monde and the dizzy heights of bourgeois Parisan luxe.
Ironic also that couturier Chanel, whose dessins modernes liberated women from their gourmandines, earned a double “coco” (child slang for little chicken) as a nickname. Was this a reference to a lyric from the popular song she notoriously sang as a young cabaret singer, or her experience as a young cocotte (her first marriage was one of convenience, as English would have it), or her early years as an industrious seamstress?
Like Coco, our second French “co,” the proto-feminist Colette, spent her early years as a performer. Colette’s most popular novels in English are “Gigi” and “Chéri,” both centered on the lives of cocottes or ex-cocottes. By the end of her life, Colette was living in a glamorous Palais-Royal apartment overlooking Paris (next door to Jean Cocteau!) where kings and queens had lived centuries earlier.
Of course, semantic analysis can’t always explain the fickle and often funny trajectories of history’s ironic narratives; nor why words, like memories, are created, vanish and, on occasion, return. Hard not to conclude, while nursing a grand crème at Café de la Mairie on Place Saint-Sulpice, where world cinema’s “Belle de Jour,” Catherine Deneuve, often strolls past, that the spectacle we call history is merely our vain attempt at explaining a vast unfolding of incomprehensible coincidence.
Main illustration: Café French: La Cocotte, La Coquette, Coco And Colette. Credit: Copyright 2015 L. John Harris
Regionally sourcing flour for 15,000 pounds of bread a week is the equivalent of a lunar landing, but in Vermont one bakery has found the way to do so. Red Hen Baking Co. has been baking organic bread in central Vermont for 15 years. By the end of this year, all of the flour that the bakery uses will come from within a 150-mile radius.
“As a baker, it’s a real luxury to have the same wheat all the time,” said Randy George, of Red Hen Baking Co. The Vermont baker spoke about local flour with Quebec farmer Loic Dewavrin at the Northern Grain Growers Association conference in March, in Essex, Vermont. The two have an uncommon partnership.
Such leaps forward don’t register as significant to consumers because growing grains and making flour are almost invisible processes. However, the farmers, bakers and food advocates at the conference appreciated this achievement, and listened hard for details of the challenges en route to this success story.
The importance of local flour
“Normally, you will see some variation from flour lot to flour lot. You can never count on complete consistency,” George said. The typical roller mill draws wheat from a variety of sources, but the flour from Le Moulin des Cedres all comes from wheat grown by Dewavrin and his family at their organic farm, Les Fermes Longpres.
“Roller mills are incredibly expensive infrastructure. I never heard of one that was on a farm,” he said.
Stone mills located on farms are not uncommon. This type of mill is relatively simple to run and inexpensive to purchase. Roller mills, however, are industrial-scale equipment. Les Fermes Longpres, located just west of Montreal, recently finished assembling a small roller mill. The family took four years to complete the project, using parts from a defunct French roller mill and doing much of the work themselves to minimize the investment.
A family mill makes uniform flour
At Le Moulin des Cedres, the Dewavrin family mills wheat grown on the farm. With an eye toward evening out seasonal irregularities, the flour is made from a combination of two years’ crops. This is why baker George was marveling at having access to uniform flour.
All mills use raw materials that are products of nature and have a wide range of potential expression. Since roller mills pool wheat from multiple sources, the result can vary. Even with careful testing of grains to try to keep the range within limited parameters, mills are blending wheat from many different climates and micro climates, from many different farms with various cultivation, harvest and storage habits, and the flour and its performance changes accordingly.
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Le Moulin des Cedres is unique, but exemplary of the farm’s approach. When Dewavrin returned to the family farm after a career as an industrial engineer, he and his brothers began to convert a conventional corn-soy crop farm into a more diversified organic operation. This was in pursuit of a system that could support the brothers financially, and support the farm’s health and long-term viability.
To make the most of what they grew, the brothers sought methods to capture crop value on the farm and avoid selling crops into the commodity market as much as possible. Making sunflower oil was the first value-added process they tackled. Next, they considered whether to do something with the soy they grew, or the wheat. After investigating the markets, they saw that what they could do with soy didn’t hold as much promise. Flour seemed the best route. There was enough whole-grain, stone-milled flour, however, and bakers had expressed interest in locally grown and produced white flour.
Keeping the integrity of the crop
The idea of having full command of the crop from seed to selling had great appeal to the Dewavrin family. Without running a mill themselves, their production was mixed with grains from other farms.
“Our goal was to keep the integrity of the crop,” Dewavrin explained. Selling wheat to a mill meant their crops were mixed with many others. “We lost the purity of the product and the controlled efforts we put into it.”
Les Fermes Longpres is a very careful farm. The family puts a lot of thought into crop rotations, tillage, and other ways of building good soil, the basic tenet of organic farming.
For the mill, they also worked hard on wheat quality issues, from selecting plant varieties to combating diseases and pests that challenge wheat in the field, and in storage. They began milling slowly last year, determined to understand the process and create a good flour for bakers.
A bakery-mill collaboration
Feedback from bakeries like Red Hen, one of the few bakeries using the mill’s limited supply, helped in this area. In response to what George observed when baking with Les Cedres’ early mill runs, Dewavrin increased the level of starch damage slightly to improve the baking quality of the flour.
“Damaged starch” is an odd term. While it sounds like a bad thing, it’s just milling terminology for opening up the starch granules.
“Getting just the right amount of ‘damage’ is critical so that the flour is in the right state for the baker to continue the ‘damage’ in the baking process,” George said. All mills have to get this right, so the adjustment made is not unique. But the way that the correction came about, through the baker communicating with the farmer/miller was entirely different than the norm.
Leaps forward in decentralizing the production of staple crops don’t register as significant, not yet. But the more that bakers seek local flour, and the more that farmers seek noncommodity marketing options, the more consumers will learn to understand and appreciate the small food mountains people are moving.
Main photo: The Red Hen Baking Co. has been baking organic bread in central Vermont for 15 years. Credit: Copyright Courtesy Red Hen Baking Co.
Spring has finally lifted her sleepy head, and while your garden veggies may not yet be ready to harvest, there are edible wild greens popping up all over that will enable you to enjoy the fresh foods you are craving.
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Wild plants are hardy and can handle the weather swings that often come with spring. Take a few minutes to look at the ground, and you may be surprised at how many tasty edibles are right at your feet.
Just make certain to follow the three golden rules of foraging. First, never eat any plant you’ve not identified with certainty. Second, don’t eat anything you suspect has been sprayed or grows in contaminated areas. And finally, harvest sustainably, with an eye to the greater environment. Grab a local guidebook, and see how many of these wild greens of spring you can add to you kitchen.
Dandelion (Taraxacum officinale)
Sure, you already knew you could eat the leaves of these familiar wild greens, may have even seen them at the grocery store, but did you know that every part of the dandelion is edible?
You can cook the root like you would a carrot, if it is tender enough. If the root is tough, it can be chopped, dried, roasted, and enjoyed as a coffee-like beverage. The crown of dandelion, where the leaves meet the taproot can be a delightful vegetable, cooked and eaten as a side dish, or thrown into stir-fries.
The flowers can be put straight into salads for a pop of color and bitterness, or fried into fritters. Even the long flower stalks can be boiled like noodles, if you have enough on hand.
My favorite dandelion recipe is to prepare a pizza with a salt-and-pepper garlic crust, baked with prosciutto, cheese and eggs, and graced with a generous handful of raw dandelion leaves once it emerges from the oven.
Mustards (multiple genera)
Wild plants in the Brassicaceae family are botanically related to some of the most common commercial vegetables such as broccoli, cabbage, turnips and kale. Wild mustard plants sometimes have a stronger flavor than their grocery store cousins, but you can use that to your advantage by pairing them with equally strong flavors.
Locally, I use musk mustard (Chorispora tenella) in much the same way as arugula, enjoying it with a bold blue cheese dressing as salad or stuffed into sandwiches. Another favorite is white top mustard (Lepidium draba), which stands in nicely for broccoli rabe in the classic pasta dish with sausage.
The trick with mustard plants is often in knowing at what stage to eat them for best flavor, which is something you can find out from your local guidebook. The great advantage of wild mustards is that they are often invasive in nature and can be harvested in large quantities.
Dock (Rumex spp.)
Dock can often be recognized by its tall fruiting stalk, which turns rust-colored when it dries out. If you’ve got dock nearby, seek out its newly unfurled leaves, staying away from any that are touched with red or purple, which may indicate bitterness. Because of its high oxalic acid content, dock is best enjoyed cooked.
Lovers of sorrel will immediate recognize a similar lemony green taste in dock. It makes a very nice last minute addition to all manner of soups, and is also a natural in egg dishes.
Knotweed (Fallopia japonica, F. sachalinensis, and F. bohemica)
In most places outside of Asia, knotweed is considered unwelcome, even pernicious. It has taken a stronghold in several areas of U.S. Because it is reviled as an invasive, you must take great care to harvest knotweed from a place you are certain has not been sprayed. But if you find a clean area to harvest knotweed, you will be able to snap off the earliest growth of this plant and take advantage of its tart flavor.
The hollow shoots of these wild greens make an excellent crisp pickle, or can be cooked into savory sauces to be paired with game meat. Knotweed can also stand in any place you’d use rhubarb. Take care not to put trimming from knotweed into your compost, so as not to further spread it.
Asparagus (Asparagus officinalis)
One of the kings of wild spring foods, you can stalk the wild asparagus just like outdoorsman Euell Gibbons did. The asparagus that grows wild in the U.S. is actually the same species sold in stores. It escaped from gardens at some point, and is technically considered feral for that reason.
The key to finding asparagus in the wild is learning to recognize the bushy yellow-gold color of the previous year’s plants. Once you have that pattern down, old fence lines, former farm land and irrigation ditches are often your best bet for finding asparagus.
Main photo: Foraging basket with asparagus and dock. Credit: Copyright 2015 Wendy Petty
Portugal is famous for producing two styles of wine that couldn’t be more different: Port and Vinho Verde. Port is known as a wine for winter — rich and warming, perfect for fireside sipping. Vinho Verde is the yin to Port’s yang — light, fresh and (typically) white. Vinho Verde is a wine for spring.
With a name that translates to “green wine,” in reference to its youth and freshness, Vinho Verde comes from the rainy region of the same name in the northwest corner of Portugal. While reds and rosés are also made there, Vinho Verde wines are primarily white. Known for their crispness, acidity and light effervescence, the wines are naturally low in alcohol and usually priced under $10.
The new Vinho Verde
While those cheap-and-cheerful wines are still plentiful, a new style of Vinho Verde wines is emerging alongside them. Like their traditional cousins, these wines are crisp and refreshing, yet they’re drier, riper and more mature in character. Their alcohol levels are low compared to many other whites, but at 12%, they’re a bit higher than the traditional 8% or 9% for Vinho Verde. Prices also have gone up, from about $7 a bottle to a still-affordable range of $11 to $20.
Another notable change is that producers are starting to showcase single-grape varieties such as Alvarinho, Loureiro and Trajadura, which were traditionally blended together.
This new approach is the result of a campaign by the region’s viticulture commission to encourage growers to plant in new locations, and improve their farming practices. Instead of using the old pergola trellis systems, growers are wire-training the vines on more modern systems. Rather than planting on the valley floors, they’re planting on slopes. The result has been a remarkable increase in the quality and complexity of the wines.
Wines for spring dishes
The great thing about the new-wave Vinho Verde wines is that they’re still wonderful for spring sipping. Not laden down with heavy oak, the wines pair beautifully with warm-weather dishes, including salads, shellfish and grilled fish. In Portugal, where fabulous fresh seafood is plentiful, Vinho Verde is often served with grilled sardines, arroz de marisco (seafood rice) and clams cooked in a cataplana.
Here are four delicious Vinho Verde wines to help you ring in spring:
Quinta de Gomariz Loureiro 2014 ($13): Made from the Loureiro grape, this wine has a spicy, floral aroma. It has fresh citrus notes on the palate, accented with spice and a bit of orange peel flavor on the finish.
Vercoope Via Latina Loureiro 2014 ($18): This wine has lovely aromas of green apples and citrus, with light floral notes. It’s fresh and crisp, with citrus and green apple flavors, and just a bit of tropical fruit. It’s nicely balanced, with bright acidity.
Aromas das Castas
Aromas Das Castas Alvarinho-Trajadura 2014 ($12): With a fresh, peachy aroma, this wine is slightly spritzy, with tangy citrus and peach flavors. It has a nice long finish, with a note of lemon zest.
Casa de Vilacetinho
Casa de Vilacetinho 2013 ($11): A blend of Avesso, Arinto, Azal and Loureiro grapes, this wine has citrus and tropical fruit aromas. It’s off-dry and a little bit fizzy, with stone fruit and citrus flavors.
Main photo: A new style of Vinho Verde wines is emerging, and it’s perfect for springtime sipping. Credit: Copyright 2015 Tina Caputo
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