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On a recent visit to Northern California, I wanted to see how art and wine mix in Sonoma County’s famed wine country. My sister, who works in public relations for the wine industry, took me to visit one of her clients, Paradise Ridge Winery. The Santa Rosa vineyard has a view of many appellations in Sonoma County. The fog, responsible for the deep flavor that imbues the Paradise Ridge Winery wines with their distinctive tastes, was just rolling in. There was a crescent moon. And as a complement to the divine Sauvignon Blanc I was drinking, the evening’s festivities included a tour of the winery’s sculpture gardens that change annually.
Marking the winery’s 20th year, the new exhibit in this natural outdoor gallery — the 20@20 Sculpture Exhibition — is inspiring, with many pieces created by Burning Man artists. (Burning Man is a weeklong annual event that began in San Francisco’s Baker Beach and migrated to the Black Rock Desert in northern Nevada.) The food we enjoyed was from Rosso Pizzeria, cooked on site in a state-of-the-art pizza oven, and made with homegrown tomatoes, herbs and Sonoma County cheeses.
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Sonoma theater production
The night also included the first presentation in the newly built “Field of Dreams” amphitheater, which had been created for Transcendence Theatre Company (TTC), a nonprofit theater company in Sonoma that brings Broadway stars to wine country to entertain in open-air venues. This year’s, “Oh What a Beautiful Mash-Up,” starring Stephan Stubbins and Leah Sprecher, both well known to “Broadway Under the Stars” concerts, was a funny, touching and uplifting evening and a great beginning for Walter Byck, a founder of the winery and the man behind the amphitheater, who intends to have the artists perform at the winery each summer.
Recently Transcendence was named Theater of the Year by Broadway World San Francisco for its 2013 Season. The company is made up of musical theater artists with Broadway, national and international tour, and film and television credits. TTC’s summer season includes the “Broadway Under The Stars in Jack London State Park” and the “Transcendence Artist Series” concerts, as well as the Broadway Kids Camp, “Skits Under The Stars” community nights, and community service, engagement and education programs throughout the entire Sonoma Valley.
Through an innovative arts and parks partnership, TTC is partnering with a nonprofit park operator, the Valley of the Moon Natural History Assn., to bring live theater and cultural education programming into Jack London State Historic Park in Glen Ellen, Calif.
Paradise Ridge’s beginning
Paradise Ridge is a 156-acre estate owned by the Byck family, and established in 1978. The estate’s integrity was initially maintained by planting only 17 acres of vines in and around the majestic oaks and the other established trees, none of which were cut down.
With the severe drought currently affecting California, Paradise Ridge Winery and other vineyards across the state have put in place conservation measures to preserve their aquifer. Dan Barwick, Paradise Ridge’s winemaker and a member of the Byck family, says “the most important concern for the vineyard this year is maximizing water efficiency while maintaining healthy soils and vines.”
“One of the great fortunes of our paradise is that we are self-sufficient with the water for our vineyard, winery and all our hospitality efforts. Our water is completely independent and we use it mindfully, appreciating the scarcity of this natural resource,” Barwick says. “In the vineyard during drought years, we deeply soak the vines in the winter to allow the route system to deepen and spread so that when vines awaken in the spring they will be strong and vibrant. Our access to estate lake water allowed us do this in December and January, ensuring healthy vines as we moved into the 2014 vintage.”
“During the rest of the year, we water our vineyards in response to the needs of each vine, as opposed to a set regime of irrigation. We have recently overhauled our irrigation to pinpoint specific zones. We now have the ability to water only those areas as needed, as opposed to irrigating the entire block,” Barwick says. “These changes allow us to irrigate far more efficiently and save hundreds of thousands of gallons of water per year.”
Winery’s water conservation methods
Paradise Ridge Winery also had plans to cultivate a sustainable vegetable garden in 2014 to supply their winery, weddings and special events with produce, but because of the water shortage, they are delaying that venture.
The Herb Garden & Wine Sensory Experience established at the Tasting Room in Kenwood, Calif., by Annette McDonnell is a natural attraction for the winery. The idea of matching Paradise Ridge wines with various herbs is innovative. “Herbs like lemon basil, known to have citrus aromas often associated with Sauvignon Blanc, are also found in Chardonnays and Rieslings. The citrus will bring out the bright qualities in white wines while helping highlight fruit characters,” says McDonnell.
The sensory experience was created to showcase the chemistry of the wines and their relationship with herbs as well as cuisine. The garden has been divided into four areas and wine can also be broken down into similar groups:
Bitter – High acid, low to no sugar
Bright – High acid, low sugar
Savor – Moderate acid, moderate sugar
Sweet – Low acid, high sugar
The herb-and-wine experience encourages you to trust your palate when pairing wine and food.
Paradise Ridge Winery was a good way to begin my fun and educational trip through Sonoma wine country. The vineyard offered a complete wine-country experience: tasting superb Russian River Valley wines that had been paired with thin-crust pizza made with fresh herbs, taking in the magnificent view of the vineyard while strolling among world-class art in the outdoor gallery, and being entertained by Broadway stars performing under a crescent moon.
Main photo: Visitors enjoy the outdoor sculpture garden at the Paradise Ridge Winery in the Russian River Valley of Sonoma County, California. Credit: Paradise Ridge Winery
“Snowday,” the first food truck from the social enterprise Drive Change, showed up this spring at Brooklyn Bridge Park for the annual NYFEST soccer tournament. The sky was blue, relief from the unremitting winter finally in the New York City air, and the soccer players and their families were famished. I bought grilled maple cheese sandwiches for my son and granddaughter and found the food inspired, with what Drive Change calls “a side of social change.”
Drive Change hires and trains formerly incarcerated youth to prepare and operate the nonprofit’s food trucks. “Our values are rooted in the belief that young people with criminal histories can live crime-free, bright futures full of opportunity,” founder Jordyn Lexton said. “Our trucks are our vehicles for social justice — allowing young people to have hands-on experience and develop transferable skills to become leaders in today’s society.”
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Lexton went to college at Wesleyan University in Middletown, Conn. During her spare time, she volunteered at Middletown Correctional Training School, a juvenile detention center. After she graduated from college, she went on to teach English to adolescent men at Rikers Island’s East River Academy high school in New York City. She worked in difficult facilities known as “the Sprungs,” four trailers housing youths who were not yet sentenced. “So many of these kids were full of such potential,” Lexton said. Yet she saw a cycle: New York is one of the states that automatically tries 16-year-olds accused of committing crimes as if they were adults. Of the 13,000 students she taught, 67% of them returned to jail or prison three years after release.
Against that wearying backdrop, a culinary arts program stood out. “It was remarkable to witness how much pride these young people felt being able to cook and present food they had made. And within that devastating environment, feelings of this kind were hard to come by.”
That got Lexton thinking about food as a way of reentry for young people who rarely can find good jobs during parole, and when they do, find it difficult to hang onto them because they are untrained.
Lexton began to research ways to reduce recidivism by working in the reentry world at the Correctional Association of New York, the Center for Employment Opportunitites, CASES and Work For Success, a Gov. Andrew Cuomo jobs initiative aimed at lowering the rate of unemployment for formerly incarcerated people. She took a job as manager of a Kimchi Taco food truck. Two years later, Lexton started to piece together a plan of action. While traveling in Canada, she tasted a taffy-like maple confection called sugar on snow. “I’m going to open up a sugar on snow truck,” Lexton recalled thinking. “A food truck can hire, train and empower” formerly incarcerated young people, she thought. The program also had an opportunity to turn the spotlight on New York City as one of the few regions in the U.S. that automatically incarcerates and treats 16-year-olds as if they’re adults.
Culinary artists among the team
Lexton then composed a top-notch team that included Annie Bickerton, who oversees operations, and two culinary artists, Roy Waterman and Jared Spafford. The team developed an eight-month mentorship program, including two months paid training, four months (higher-paid) employment and a two-month transition with continued employment and a job placement strategy for young people coming home from the system. Training covers small business management, accounting, social media marketing and essential licensing such as a mobile food vendor’s license, a food handlers’ license and a G-23 license to operate propane for mobile cooking. Other New York City food trucks have already expressed interest in hiring program graduates.
Drive Change, which is still seeking funding, recently received a good-sized grant from the mayor’s office and the city of New York. The grant subsidizes some of the wages, which cover $8 an hour for each employee. Drive Change adds $3 to bump the hourly wage to $11.
As of this spring, eight young men (seven of whom are home after having been incarcerated) have been hired to head up and brainstorm the operation:
Spafford, who comes to Drive Change from Marlowe and Daughters and Flying Pigs Farm, had no background inside corrections but was looking for a more meaningful contribution to society. His working title is culinary arts director, developing the menu, and sourcing and prepping the ingredients.
Waterman serves on the front lines as a mentor and chef. He knows from his own experience how hard it is to get a job after having been inside. “Everything looks great until I have to fill out the infamous question on the form, “Have you ever been convicted of a felony?”
Roles change daily, but one worker is in charge of the maple grilled cheese. Two more take care of the kitchen prep. Another, who has been home since 2009, is a mentor in charge of developing curriculum for Drive Change. Still another, who came to Lexton’s program from the Doe Fund says, “There’s nothing that brings people closer than food. Food transcends everything and doesn’t hold anything against you no matter what your history is.”
Why call the truck “Snowday”?
“Snowday to us reflects the liberty of a day that integrates community, a day where folks don’t go to ‘traditional’ school or work but still get out in the world and explore — connect with nature and each other — and learn,” Lexton said. “Snowday is bliss, it is freedom.”
On the subject of sugar
All of the food on board the truck has a maple syrup component to honor Lexton’s first inspirational taste of sugar on snow. How about sugar being the object of food activists’ ire?
“The menu may not be health food targeted — we are not serving juice and chopped salads — but everything is locally sourced directly from New York state farms,” Lexton said. “Sustainability and healthy product are central to our mission — even maple syrup, which one could argue is high in sugar, is a natural sugar that has proven natural health benefits. Schools may avoid sugar, but they are mostly avoiding processed products and trying to get folks to learn about how to cook better for themselves and learn about where their food comes from — two things we pride ourselves on at Drive Change.”
On this particular Saturday, the inviting menu included:
Maple grilled cheese sandwiches, with the cheese from Hammond Dairy; little skievers with greens from Hudson Valley duck farm; apples from Migliorelli Farm; and bread from micro farming sourdough starter at Last Chance Foods. Even the water was locally sourced.
All summer long, the Snowday truck will be on Governor’s Island in New York on Saturdays and Sundays from 10 a.m. to 6 p.m.
Main photo: Drive Change founder Jordyn Lexton on the Snowday food truck. Credit: Tal James Luther
Ruth Reichl’s engaging books talk of her growing up years, her family and how she learned to cook. In her nonfiction titles she has written about waitressing in a restaurant where every worker was an owner and about her work as a food critic with the Los Angeles Times, as a food writer for the New York Times and as editor-in-chief at Gourmet magazine.
In one of her books I remember Reichl saying she learned early on that the most important thing in life is a good story. And that’s what we get in her first novel, “Delicious.” One of the reasons I love first novels is they often have an unrestrained, unbridled, generous energy that catches and pulls the reader in like a lasso and the wild ride through character and plot is exhilarating. And when there is food at the center of the story, I’m hooked.
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By Ruth Reichl
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As a child, Billie Breslin, our heroine in “Delicious,” spends much of her time in her mother’s kitchen. Her sister Genie says, “She’s always sniffing the bottles in the spice cabinet.” And sure enough Billie can deconstruct almost anything she tastes, including the gingerbread cake her deceased mother used to make every year for her father’s birthday. (Check out the cake’s recipe in the back of the book.)
The book opens with Billie, Genie and their Aunt Melba making cake after cake until they finally figure out the exact recipe. “It’s even better than your mother’s,” Melba tells Billie, who has inherited her mother’s natural ability in the kitchen along with her nose and delicate palate.
In Montecito, Calif., where Billie and her sister are growing up, they spend a summer making cakes to earn spending money. They quickly become somewhat famous in the area and end up having a company called The Cake Sisters. Their final cake sells for a huge amount of money, but it costs them dearly.
Eleven years later, our heroine moves to New York City and finds a job at a magazine called Delicious that operates out of the “stately, gracious, old Timbers Mansion in Greenwich Village.” Billie is an assistant to the director.
But before she is officially hired we are treated to a tour through restaurant kitchens, Italian charcuteries and farm markets. We meet cheese mongers, bakers and chocolatiers, each of them imparting their passion and knowledge. Their willingness to have in-depth conversations ultimately creates a community for Billie that we New Yorkers know and treasure.
The reader is exposed to amazing foods and herbs that include curry leaves, myrtle, cassia and hyssop. We discover Chinese blossoms called Osmanthus that are used for sweet and sour sauces and to concoct the most exquisite tea. When Billie is taken into a butcher shop, she smells the sweet mixture of sawdust that is on the floor “and the clean forest scent … mingling with the mineral aroma of good meat.” Who knew that there was a difference between fall Parmigiano and spring Parmigiano?
Ruth Reichl’s characters take readers through kitchens and food history
“Delicious” is full of interesting characters, each with a full-blown story that unfolds within the larger story of the magazine. We meet people such as Jake, the handsome director of the magazine who had some kind of intimate relationship with Maggie, who is now his angry friend and one of the test kitchen cooks. Thursday Brown is a terrific chef at The Pig, a pub that everyone at the magazine frequents so we can catch glimpses of her great food.
We also meet Sammy, who writes for the magazine and travels great distances and becomes close friends with Billie, with whom she shares her dark secret. The Complainer is one of my favorite characters and when Billie takes a Saturday job at Fontanari’s Cheese Shop, a distant flirtation begins around his choice of cheeses. Benny, who owns the butcher shop, teaches Billie “where the T-bone ends and the porterhouse begins.”
The novel continues to twist and turn through the streets of New York and we are folded into the hearts and minds of Reichl’s characters like the eggs of a good soufflé (and James Beard writes, “Don’t be afraid of a soufflé”).
There are secrets lives, secret rooms and secret letters exchanged during the early 1940s between Beard and a young woman trying to comfort herself after her father goes to war and disappears. There is loss, family history and tradition. There is even a discussion of how important food was for the war effort during WWII: “It took a ton of food to feed a soldier for a year.”
When Reichl worked at Gourmet, she gave us a worldly spread of the life of food and when the magazine abruptly folded, her agent reminded her, “You’ve always wanted to write a novel. Now’s the time.”
And “Delicious” is a swift ride. Billie Breslin comes into the novel with heartache. She grows, changes, makes peace with her past and finally finds happiness and love. Reichl’s philosophy bursts forth from her book: “The secret to life is finding joy in ordinary things … the pleasure of a perfectly ripe peach, the juice running down your arm … DELICIOUS.”
Main photo: “Delicious” and author Ruth Reichl. Credit: Fiona Aboud
For decades in Mumbai, famously efficient deliverymen called dabba wallahs or dabbawala (one who carries a box) have delivered as many as 200,000 hot meals a day, usually made in home kitchens, to doorsteps and businesses across the city.
The intricacies of this extraordinary colonial-era tradition are revealed in director Ritesh Batra’s new film, “The Lunchbox.”
The practice can be traced to 1890 when Mahadeo Havaji Bacche launched an operation with about 100 men. The system depends on teamwork, organization, color-coding and timing, using “tiffins” as the tin lunchboxes are called.
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The meals are collected by the dabbawalas from homes between 7 and 9 am. The hot food is kept warm by each cook wrapping the tiered lunchbox in a quilted carrier. Dozens of tiffins are slung over the back of a dabbawala, who takes them to the nearest railway station where they are placed on the platform and sorted by color codes that designate the area to which each tiffin is to be delivered.
The “Dabbawala Special” is a train that arrives between 10 and 11:30 a.m. and takes the tins to the various areas of the city where they are to be delivered. At each destination a dabbawala will then pick up 35 to 40 tiffins. It usually takes about 15 minutes for each carrier to locate all of his tiffins and arrange them on his wooden crate, which he then hauls either by hand or behind a bicycle and delivers at around noon. The dabbawala will then be responsible for returning the tiffins at the end of the day.
An intricate system
A single tiffin can change hands three or four times before it is finally delivered to its eater. Once lunch hour is over, the whole process reverses, returning the tiffins to the railway platforms, then to the dabbawala and finally to the suburban homes by 6 p.m.
The original dabbawalas are believed to have been descendants of soldiers of the legendary Maharashtrian warrior-king Shivaji who arrived in Mumbai from places like Junnar and Maashi. Now many are former farmers who couldn’t earn enough from the land or in their communities and hope that relatives in Mumbai already working as dabbawalas will find a vacancy for them. Each new dabbawala’s minimum requirement for work is some capital, two bicycles, a wooden crate for the tiffins, and at least one white cotton kurta-pyjama.
In 1970 the organization was restructured, and the dabbawalas were divided into sub-groups of 15 to 25, each supervised by four mukadams, which are the experienced old-timers who are familiar with the colors and codings of the lunchboxes. Growth in each of the sub-groups depends on what the market will support. New customers are acquired through referrals. But if a lunchbox is misplaced, stolen or lost, an investigation is initiated immediately and customers are allowed to deduct any costs from the responsible dabbawala. A 1998 study of the operation showed there was only one error in 6 million transactions.
A misplaced lunchbox
And this is where “The Lunchbox” begins. It is the story of a widowed office worker, Mr. Fernandes, who is nearing retirement, and a young neglected housewife, Ilya, who thinks her husband might be having an affair. After some advice from an unseen Auntie, Ilya decides that she can win her husband back by improving on the daily noon meal she cooks for him and has delivered by a dabbawala. We are witness over time to the most delicious concoctions: meals such a chicken xacuti, fish puttu, vegetable biryani, aadi perukku and an array of naans and chutneys that Ilya lovingly prepares.
On the first day of her husband’s new and improved lunch, the dabbawala misplaces her tiffin and instead, delivers it to Mr. Fernandes. When he opens his lunchbox to this new delightful meal he is astounded and confused. His enjoyment of that first meal is wonderful to watch.
As these wonderful lunches continue, the mistaken delivery is not reported by either Mr. Fernandes or Ilya. It is the kind of good luck that both of them appreciate. Good food can change a heart. Day by day the lunches continue to improve, and the two begin a simple exchange of letters.
I won’t tell you what happens, but just that the movie is full of delightful moments that made me whip out all of my Indian cookbooks. The serendipitous meeting of two people that occurs because of a mistaken delivery by a dabbawala in a city the size of Mumbai bringing about the end of loneliness is one in 6 million. Don’t miss “The LunchBox.” It will satisfy all your senses.
Top photo: Irrfan Khan as Saajan Fernandes in “The Lunchbox.” Credit: Michael Simmonds, courtesy of Sony Pictures Classics
Why let gingkos jar this glorious New York City scene? It’s late November. Central Park is at its peak in fall color. The Conservatory Garden up on Fifth Avenue and 105th Street is all decked out with its fall array of chrysanthemums.
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Yet it happened on my afternoon doggie walk, as I passed under a ginkgo tree, and the pungent smell about bowled me over. I am familiar with what is often called “nature’s stink bomb” and have developed a kind of acceptance and regard for the ginkgo, knowing its benefits, but simply, it smells like vomit. The stench is supposed to keep animals from eating the fallen fruit from this ancient Asian tree.
Ginkgo’s famous healthful qualities
But as a baby boomer who is keen to stave off memory loss, I know ginkgo biloba made from this tree species is one of the best-selling herbal medications. It is used in traditional medicine to treat blood disorders and improve memory. It also is an antioxidant, so I welcome the stench.
This time of year in Central Park, one will find many older Asian people on their knees, some wearing rubber gloves, picking through the fruit that has fallen on the ground. And each year, I ask myself, why don’t I collect a bag and try them out? So this year I did just that.
Ginkgo leaves are fan-shaped and green until the fall, when they turn a bright yellow. The leaves contain two types of chemicals, flavonoids and terpenoids, which are antioxidants. Studies show that ginkgo is good for promoting blood flow and treating anxiety, glaucoma, premenstrual syndrome and Reynaud’s disease.
It is important not to use ginkgo for at least 36 hours before surgery or dental procedures because of the risk of bleeding. Pregnant and breastfeeding women should also not take ginkgo. Ginkgo may also interact with some medications and antidepressants. As with any supplement, it’s good for users to read up on ginkgo before ingesting it. Also keep in mind, the nut can be toxic to eat raw, and even picking it up can cause a rash like poison ivy.
Recipes from around the world
Asian women to whom I’ve spoken say it is no mistake that the nuts fall at this time of year because when they are cooked, they helps fight flu and colds.
The best way to use them is to remove the fleshy insides and skin from the nut. The flesh is discarded, and then the nut is boiled in salt water, fried, roasted or broiled. The nuts are used in Asian rice porridge and other desserts. Another chef used the nuts to make dried scallop and ginkgo nut congee, but instead of hassling with fresh ginkgo he uses tinned nuts because they are easier.
In a piece called “Gathering Ginkgo Nuts in New York,” a couple wrote about collecting the ginkgo nuts and trying various ways of cooking them. They finally hit on something when they separated the smelly pulp from the nut, washed the nuts, coated them in egg, salt, pepper and flour and dropped them in hot oil. Delicious was their assessment of this cooking method for a local, sustainable nut.
I have now collected about two pints of ginkgos, and today is the day I intend to try them. A friend gave me this recipe, which seems easy enough.
Roasted Ginkgo Nuts
2 pints of ginkgo nuts
Oil for frying, such as coconut or olive oil
Salt to taste
1. Using rubber gloves, collect the yellow squishy nuts from the ground. You know they’re ripe because they have fallen from the tree and they stink to high heaven. Still using rubber gloves, separate the pulp from the nut. (I did this outside on Park Avenue.)
2. Wash the nuts thoroughly and let them dry.
3. Pour a half-inch of your favorite oil into a pan. Salt the nuts. When the oil is hot enough to sputter, place the nuts in the pan. The nuts should pop like popcorn, except much louder. When they have split open and you can see the green of the nut.
4. Drain, and let cool. Eat like popcorn.
Top photo: Roasted ginkgo nuts. Credit: Katherine Leiner
Linley Dixon has always been a farmer at heart.
She studied agriculture in high school and college before becoming a graduate student researching tomato diseases on organic farms at West Virginia University. After graduate school she followed her retired parents from Maryland to Colorado, where she and her husband, Peter, launched a farm they called Adobe House Farm, named after the passive solar home that was on the land.
The Soul of the Soil
Third in a three-part series on soil used to grow food crops.
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The first February they were in Colorado, Linley and Peter used aged horse manure, known as black gold to organic farmers, to get their tomato seedlings started. But only a few seeds germinated and those that did curled and stopped growing. Linley switched to bagged potting mix and started again.
That first year they grew enough to sell at the farmers market and for a small community supported agriculture operation. But as the tomatoes came in, a few plants growing where the compost had been dumped were misshapen and had leaves curled as if they had tomato curly top virus. Linley asked around, and many farmers in the area had been experiencing the same thing.
Because Linley had studied tomato diseases, she understood that viruses don’t appear in seedlings on a windowsill in the middle of February without a vector. Plus it was unusual that only the tomatoes grown over the composted manure pile showed those same symptoms. Linley suspected that something in the compost was the problem. With help from the extension service she tested for the virus and one of many persistent herbicides. Both tests came up negative, but often they do because they cannot detect every issue.
Meanwhile, the thistles in the farm’s region were being sprayed with a relatively new herbicide called Milestone, which is a version of aminopyralid, made by Dow to be used for invasive broadleaf weeds.
It does not degrade in plants and takes three days to pass through a grazing animal’s digestive system once treated forage is ingested. Manure may contain enough aminopyralid to cause injury to broadleaf plants including vegetables and ornamentals.
This means forage growers should warn people who use hay or manure from animals grazing pastures or feeding on grass or hay from areas treated with aminopyralid. Aminopyralid may not be used on hay intended for export outside the United States.
After checking with the farmer who had given her the manure, Linley discovered it came from horses that had ingested grass sprayed with Milestone.
Farmers in nearby Montrose, Colo., told Linley that Milestone sprayed on a windy day drifted, killing the farm’s solanaceous crops and the legumes. This forced them to cancel a CSA and lose income. She also heard that Milestone has gotten into composting systems in other states, including Vermont. But still, the spraying continues.
The Pesticide Action Network shows that in the United Kingdom those gardens and allotments contaminated by manure originating from farms where aminopyralid was sprayed have grossly deformed broadleaf vegetables. Linley also has observed about 20 home gardens and farms all over the Southwest with curly tomato leaves. The common denominator among them is that they all used organic manure from fields sprayed with Milestone. “Most of our important food crops are broadleaf plants, so it makes sense that an herbicide designed to kill broad leaf plants could harm crops,” she said. “The symptoms of herbicide carryover damage the most sensitive crops. Some farmers even report that their crops have failed.”
Even though she is an organic farmer, Linley understands some sustainable farms use an integrated pest management system that includes the use of chemicals in some circumstances. They must be used responsibly, though, which includes spraying them on non-windy mornings and not using them on crops, she said.
“But the aminopyralids are like DDT, their half life is extremely long. These herbicides simply stick around,” she said.
Dow said aminopyralid is safe to use and poses little threat, pointing out that the EPA has given the product its green chemistry award because of its ability to control weeds with just small applications.
“It can, however, pass through the systems of grazing animals unchanged and pose unintended problems for sensitive plants if manure from animals grazing treated material is composted,” the company said in a written response to Zester Daily’s inquiries.
Dow said it warns users on aminopyralid labels about these potential problems. The company advises any gardener or farmer who experiences problems with aminopyralid damage to not eat contaminated produce, even though the chemical residue from the herbicide should be so low that it wouldn’t be harmful to people or animals.
“As a general rule, if the produce is damaged, I’d disc it under as a soil amendment; and if it isn’t, I’d eat it,” a company representative wrote. “Best thing to do though may be to ask questions right at the start before accepting compost, manure (plant material, etc.), of uncertain origin and if you don’t get straight answers, test the material by using it as intended on a few of the plants you plan to grow and wait and see what happens.”
An indefinite legacy
Adobe House Farm was lucky. Linley quickly identified and diagnosed her problem and stopped using composted manure. Her garden is now growing beautifully. She is studying the area where the compost was dumped to test how long the herbicide will stick around. Right now, that’s three years and counting
Linley has switched to coffee grounds, leaves and other organic matter such as her farm’s own pasture grass clippings. She never harvests from the spot where the contaminated horse manure pile was located. But she thinks the use of aminopyralid and chemicals like it will could force farmers and gardeners to stop the age-old practice of trusting manure as a good source of fertilizer.
Top photo: Linley and Peter Dixon at Adobe House Farm. Credit: Katherine Leiner