Articles in Agriculture
On my recent visit to Chablis, France, I asked to see new producers and was slightly taken aback to find the name Michel Laroche at the top of the list. Laroche has been making wine, and then running a thriving business, ever since his very first harvest back in the terrible vintage of 1963. Over the years he has been at the forefront of innovation in Chablis, with horizons stretching far beyond the narrow valley of the river Serein. And now he has reinvented himself as a true vigneron, cultivating the grapes for the wine that he makes.
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In the 1970s and 1980s, when expansion of the Chablis vineyards was at its height, Laroche was responsible for the development of a large négociant business, buying the grapes or juice for wine, and the growth of the family estate to some 100 hectares (about 247 acres). Not content with Chablis, he developed a wine estate in the Languedoc, Mas la Chevalière, outside Béziers for vins de pays (country wine), because he wanted to try his hand at red wine. In 2005, he bought a wine estate in South Africa, l’Avenir; there was also a venture in Chile. He was a fervent promoter of screw caps at a time when the French market deemed them an anathema. And making use of his wife Gwénaël’s talent for interior design, he opened an elegant hotel and wine bar in Chablis itself. Then in 2010, he sold out to Advini, a company run by the Languedoc family, Jeanjean, which incorporates several wine estates in the key vineyard areas of France.
Laroche can always be relied upon for a perceptive overview of the Chablis market. A former manager of the town’s main bank described him as un grand homme du marketing (a great marketeer) — and she should know, as she doubtless saw the business plans of most of the vignerons of the appellation. After the fusion with Advini, Laroche stayed on for a two-year transition period, consulting on marketing, but now has returned to his roots and become a vigneron, based on his father’s original vines. Appropriately, Laroche’s new venture is called Le Domaine d’Henri after his father, and the label features a charming photograph of his parents enjoying a harvest meal in their vineyard. Laroche has four children, and his two daughters, Céline and Margaux, work with him. Although his sons have taken different career paths, Laroche insists that it is a family business for them all.
The core of the estate is 14 hectares (34.6 acres) of vineyards that belonged to his father and he has bought 8 more hectares (19.8 acres). They are mostly on the right bank of the Serein and include several plots of Fourchaume. There is a new cellar on the outskirts of the town. The vineyards are run organically, but the label does not say so because Laroche wishes to reserve the right to use a conventional spray if the climate demands it, as it did in 2013. His winemaker is Thibaud Baudin, who has worked in the Côte d’Or and in New Zealand, and then most recently for Advini at Domaine Laroche.
However, these days Laroche is very much involved with wine making and vineyard work in a way that the scale of Domaine Laroche had not allowed him for several years – and he is in his element. You can sense his enjoyment at serving wines in which he has played a vital role. As he put it, “le jeu, the game, is to produce quality. It is like a new profession, with a new perspective.” And these days he can spend as much time as he likes in his vineyards, so that he feels so much closer to the product. “I’ve returned to its source.”
As well as simple Chablis from vineyards in the hills above the village of Maligny, Laroche has created a range of three premier crus from the prestigious Fourchaume region. Here you sense his marketing expertise. The first small vintage of Domaine d’Henri was in 2012, and I was lucky enough to be able to taste the wines.
The basic Fourchaume, if a premier cru can be basic, is a blend of several plots. Just 11% of it is fermented and aged in wood, and then blended with the vat-aged wine in the June following the harvest. The year 2012 was a fine vintage in Chablis, so no chaptalization was necessary, and the wine is firm and has great minerality. The Cuvée Vieilles Vignes comes from older wines that were planted in 1970. Here the percentage of oak aging is 21% and the taste is firmer and steelier, with a taut finish. And the third Fourchaume, Cuvée Heritage, comes from vines that were planted in 1937, from a vineyard that Henri bought rather than planted himself. There is just one new barrel out of five, with 37% of the cuvée fermented and aged in oak. The higher percentage of oak makes for a more oxidative style, with more structure and richer flavors. In 2012 they made just 4,000 bottles of Cuvée Heritage, including some magnums and jeroboams.
When I asked Laroche what he considered to be the biggest change in Chablis over the years, he replied without hesitation, “The very positive development of the awareness that we are an appellation with a great potential.”
Back in 1963, most people considered themselves farmers, merely scraping a living from their vines with the aim of quantity, not quality. These days it is the quality of Chablis that provides the excitement, and that is Laroche’s aim as a new vigneron.
Main photo: Wines from Le Domaine d’Henri. Credit: Courtesy of Le Domaine d’Henri
Gardening in winter hardly seems ideal to those of us in cold climates, but for Craig LeHoullier, the season of snow brings the first opportunity to plan his summer tomato crop. A tomato adviser for Seed Savers Exchange and author of the recently published book “Epic Tomatoes: How to Select & Grow the Best Varieties of All Time,” LeHoullier is an expert in the field, having developed, introduced and named almost 200 tomato varieties.
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Over the past 30 years, LeHoullier has brought a number of heirloom tomato varieties back from the brink of extinction. Perhaps his most notable contribution is the Cherokee Purple, a tomato that came to him as an envelope of seeds sent by John D. Green and is now one of the most popular varieties in the Seed Exchange catalog.
LeHoullier’s love for heirloom tomatoes began as a hobby, but after retiring from his career as a chemist and project manager in the pharmaceutical industry in 2007, this passion blossomed into a second career. LeHoullier lives in Raleigh, North Carolina, with his wife, Susan, and is known within the heirloom tomato community as NCTomatoMan.
I caught up with LeHoullier before the launch of his book tour and got his advice on how to successfully grow heirloom tomatoes in my own backyard.
Winter gardening: prime time for research
LeHoullier says he gets about a monthlong break between digging up the last of his dead tomato plants each fall and the appearance of the first seed catalogs, when the real work of planning the garden begins. This lull in the action is prime time for research. Online sites such as Dave’s Garden, Tomatoville and GardenWeb can provide a good starting point for new gardeners. LeHoullier recommends searching for “garden discussion groups,” “tomato discussion groups” and “top 10 tomatoes” to begin your reading.
Determine your gardening goals
LeHoullier points out that gardening is a personal experience and that “Each one of us will choose how much of our lives we’ll pour into it.” Growing great tomatoes requires figuring out what kind of gardener you are — or would like to be.
LeHoullier suggests that you think about what you want to get out of your tomato garden. Before you place your seed order, consider whether you want to garden because you want to grow food; because it’s a good hobby to work off a few extra pounds; or because you want to use it as a teaching tool for your friends, family or children.
Ask yourself: Do I want a high yield? Am I looking for huge tomatoes to impress my friends? Do I want an incredible flavor experience? Or do I want to grow something that I’ve never seen before? The answer to these questions will help you focus your research on the tomato varieties that suit your gardening goals.
Figure out what kind of tomatoes you like to eat
Tomatoes come in a wide variety of colors, flavors and sizes. Most of us have not tried many of the thousands of tomato varieties that exist in the world. LeHoullier believes that the best way to know which tomatoes you should grow is to decide which tomatoes you’d like to eat. Visit farmers markets and stores such as Whole Foods to try tomato varieties you’ve never eaten and notice which flavor profiles excite you.
Get to know your gardening climate
Understanding your growing season is crucial. If you live in a warm climate where summer lasts more than 150 days, then the maturity date doesn’t matter much. But if you’re in a colder climate, pay close attention to the maturity date of the tomatoes you want to grow. Talk to friends in your neighborhood who are avid gardeners and vendors at local farmers markets to see which tomato varieties grow best for them.
Seeds vs. seedlings
LeHoullier says that “At a basic level, people will want to understand that growing tomatoes from seed opens up the world for you to try different colors, sizes and shapes.” That said, starting tomatoes from seeds can be a tricky proposition. Consider your capabilities and experience with growing tomatoes from seed. If your tolerance for failure is low, begin by planting seedlings.
Hybrids vs. heirlooms
Although LeHoullier says he “won’t make the blanket statement that some make that heirlooms are always more disease susceptible and difficult to grow than hybrids,” he does allow that heirlooms can be finicky and that “every tomato — including the hybrid varieties — has its own personality and foibles.”
Start small (Do as I say, not as I do.)
After you’ve familiarized yourself with the seemingly endless choices in the tomato world, it’s time to get planting. Showing restraint is key, especially for new gardeners.
Raising thousands of tomato varieties isn’t for everyone. (Or in fact, for most people.) LeHoullier cautions new growers to start small, in spite of the fact that he has a huge and ever-growing tomato collection. LeHoullier identifies himself as a “hobby collector” — he’s into beer brewing, roasting his own coffee, bird watching, kayaking, and has countless other hobbies in addition to what he calls “the tomato thing.” He describes himself as a “seeker who is never satisfied.” It is this tendency that has led LeHoullier to raise a collection of tomatoes that now hits the 3,000 mark.
One reason that LeHoullier’s collection has grown so large is that he has inherited the collections of gardeners who have become overwhelmed. “People send me entire collections because they can’t take care of them.”
Disappointment is an opportunity for learning
A scientist by training and experience, LeHoullier sees gardening as “an exciting hobby to learn stuff” and reminds us that “Each year, X number of plants are gonna die. Critters are gonna eat another bunch of plants, but that’s great because we learn from it and the next year we try different things to avoid that problem, knowing that other problems will arise.”
The bottom line
LeHoullier asserts some basic goals: Do a lot of searching. Ask a lot of questions. Make an accurate assessment of your interest level. Taste every tomato you can get your hands on. Recognize that there aren’t a lot of hard and fast answers to gardening questions. There are just, as LeHoullier says, “an infinite number of variables for every act a gardener takes.”
Perhaps most important, LeHoullier cheers us on in our tomato-growing efforts by reminding us that, “If you can find them, and buy them, and taste them, and like them, there’s no reason you can’t grow them.”
Main photo: Cherokee Purple heirloom tomato, named by Craig LeHoullier, author of “Epic Tomatoes.” Credit: Susan Lutz
In an era when most wine experts agree how difficult it is to create a truly great sparkling wine in America, McMinnville, Ore.-based Rob Stuart is making one of his personal passion projects look easy. The longtime Willamette Valley winemaker just celebrated his winery’s second release of Bubbly ($28), a 100% Blanc de Blanc sparkling wine he developed for mixing in cocktails or just drinking by itself.
“We knew what we wanted was an everyday sparkler,” says Maria Stuart, Rob’s wife and co-owner of their R. Stuart & Co. winery. “We wanted it to be affordable but to have those characteristics that make Champagne so special.”
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Developed over the course of just six months, Bubbly joins a growing roster of sparkling wines emerging from Oregon’s most celebrated vineyards.
Although Oregon has long had a handful of producers with reputable sparkling programs — Argyle Winery in Dundee and Soter Vineyards in Carlton are the most well-known — the state’s love affair with sparkling is a new thing, an idea that would have been unthinkable just a few years ago. It’s a romance that’s finally bubbling over thanks to a number of factors. For one, you have considerations of climate. Oregon’s cold climate sweet spot, very similar to France’s, has long been cited as a raison d’être for the wine industry’s existence. Located on the 45° latitude, the state has spent the last half-century establishing itself as a place where terroir, maritime weather patterns and delicate Pinot Noirs rival those of anywhere on earth.
But the barriers to entering the sparkling market are a lot steeper than with Pinot Noir.
“Sparkling is almost impossible to do unless you have the right equipment, and it’s so incredibly expensive,” says Jeff Woodard of Woodard Wines in McMinnville. “Just a few years ago you could only think of five people doing it in Oregon — now there are 25 coming out.”
A sparkling industry on the move
One man has made the impossible a reality for Oregon’s small producers. His name is Andrew Davis, and his business, Radiant Sparkling Wine Company, has allowed 16 small wineries to start sparkling programs since he launched in 2013. Davis learned bubbles from the best during his seven-year stint as a winemaker at Argyle, but he wanted to do something personal on a smaller scale.
“I watched, waiting for sparkling to be a thing in Oregon, but there are just too many roadblocks for most small producers,” Davis says.
The process is far from easy. Crafting a sparkling is labor intensive. Consider this: Where a bottle of red might be handled 20 times before hitting the shelves, sparkling gets an estimated 2,000 touches by human hands before reaching the marketplace. Only the most experienced winemakers are really making a go of it. But when they do, they are trying to capture that elusive, lively, complex, refreshing and effervescent nature of France’s Champagne.
With still wine, Davis says, if something goes wrong, you can do something to correct it. But winemakers needed more technical assistance in experimenting with sparkling.
Then there are the financial barriers to entry. Even the most modest equipment for starting a sparkling program can cost more than $50,000 for just one machine.
“You can do manual rotation of the bottles, but it’s extremely tedious,” Davis says.
So Davis, seeing this need, launched a mobile business that assumes some of the more technical aspects of sparkling production, allowing winemakers to focus on crafting the right blend before bottling. Davis goes directly to the producers themselves, helping them to bottle the wine at their own site, add the yeast, crown-cap it, riddle it mechanically, returning to disgorge it when the winemaker decides the time is right.
Those 16 wineries throughout Oregon that have taken on the challenge of sparkling with Davis’ help include Ponzi Vineyards, Elk Cove, Raptor Ridge and Sokol Blosser. Some have already thrown their names into the American sparkling wine ring while others will be doing so over the next few years, with the bulk of the efforts expected to emerge in 2017.
Bubbly on the menu
R. Stuart & Co. is perhaps best known in the United States for its Big Fire Pinot Noir, which sells all the way to the Eastern Seaboard. For Rob Stuart, who has been making wine for the better part of three decades, sparkling was always on his mind. On a 1971 trip to visit his brother, who was studying in England at the time, the then-17-year-old had his first taste of Champagne, a 1961 Bollinger served on a silver tray in elegant flutes. Ever since, sparkling has been a passionate side project.
As a student, he sterilized bottles for experiments in sparkling in his bathtub. At every vineyard he worked at thereafter, he asked a lot of questions about the process, experimented, tasted and refined until he knew exactly what he wanted to make.
“I always say when I make any wine it’s like a Holy Grail project,” Stuart says. “I know what I’m looking for; it’s just about finding my way there.”
His first sparkling for his own winery, Rosé d’Or, launched in 1999, is a gorgeous rosy sparkling based on a highly complex process. It’s made according to traditional Champagne-making methods, but for one exception. As a nonvintage wine, it consists of a blend of several years’ vintages in one bottle. With each new vintage, Stuart adds the new wine to the base wine and bottles it, with each successive year including both new wine and the reserve base wine.
“It’s kind of like using a sourdough starter,” Maria Stuart says. “This is the thinking person’s sparkling — it makes true Champagne lovers swoon.”
Bubbly, first released in 2013, came to be out of a direct need. Maria Stuart, who runs the Life and Times of a Pinot Mom food website, had out-of-town friends visiting one summer and wanted to serve crème de cassis, a classic French cocktail combining black currant liqueur and sparkling wine.
“I said, ‘Rob, I really need you to just make me a good sparkling wine that pairs with cocktails,’ ” she recounts.
Within six months, the couple released their first edition of Bubbly, made from 100% Chardonnay grapes from Courting Hill Vineyard.
“When you’ve been making wine for more than 25 years you don’t have to make all of the same mistakes again,” Rob Stuart says.
The process for Bubbly is a little more straightforward, and the result is a wine the Stuarts expect to be a favorite at wedding showers, brunches and in cocktail pairings. It is just as accessible and lovely as intended, with lemon and pear flavors with Honey Crisp apple on the nose, dry and light, but with creaminess on the mid-palate. Like many sparkling wines, it pairs nicely with all types of fish and crab and smoked salmon, but the Stuarts see Bubbly as something of a social mover-and-shaker — hence the butterfly on its label.
“It’s not easy to make sparkling wine,” Rob Stuart says. “But this one isn’t really that serious — it’s simple, fresh, lively and free. It’s our party wine.”
Main photo: At the R. Stuart & Co. wine bar in McMinnville, Oregon, wine lovers gather to toast the arrival of Bubbly. Credit: Emily Grosvenor
“There’s no hiding the fact that there are two populations, the haves and the have-nots,” said Sanjay Rawal, talking about his provocative documentary “Food Chains.”
Rawal’s film sheds light on those who eat food and those who produce it, and the disparity between what laborers contribute and their often meager living conditions. The documentary has earned rave reviews for its illuminating take on the food industry. Matt Pais of the Chicago news site RedEye called it “an educational and upsetting 81 minutes.” Film Journal International recommended it for “every American who unquestioningly lifts fork to mouth for their three squares a day.”
Rawal is unique in the insight he brings to his subject. For a decade, he ran a tomato genetics company with his father and sold seeds to Florida growers. It’s from this background — his family’s tomatoes are sold at Trader Joe’s and Whole Foods Market — that Rawal draws his story of food, migration and inequality.
Spotlight on farm laborers
“Food Chains” begins in southern Florida, where local tomato pickers formed a human rights organization in 1993. They named their group the Coalition of Immokalee Workers after the town where they live. Like many farm laborers, the workers were paid by the number of pounds they picked, and Rawal gives a front-row seat to their plea for better working conditions and livable wages. According to a 2008 report by the U.S. Department of Agriculture, workers who were paid by the piece were twice as likely to live below the poverty line as their salaried counterparts.
Although “Food Chains” is grounded in the CIW’s fight against mega-grocer Publix, Rawal packs in stunning footage of farm fields across the country, juxtaposing it with the hardship many laborers endure. In one guilt-checking scene, Rawal takes his cameras to America’s wine capital, Northern California’s posh Napa Valley. Away from images of quaint vineyards and luxurious resorts, he presents farmworkers struggling to put a roof over their heads. The shortage of affordable housing, Rawal said, forces some to cram up to 20 people in a small house.
DeVon Nolen, manager of the West Broadway Farmers Market in Minneapolis, took her children to a “Food Chains” screening at the Film Society of Minneapolis/St. Paul, which has a history of promoting cross-cultural filmmaking. Nolen works on an urban agriculture initiative called the Homegrown Minneapolis Food Council. “It struck me how disconnected we are from our food source,” she said post-screening. “The only way you can really solve this is to have a local sustainable food system.”
Although today’s consumers appear more concerned than ever with locally produced, pesticide-free and humanely raised foods, Rawal said there’s one question that doesn’t get asked enough: “Who produces my food?”
The group Bread for the World Institute has one answer. It reports that seven out of 10 U.S. farmworkers are foreign born, and roughly half don’t have documents.
Migrant workers around the world
It’s not uncommon for a country’s food production to be supplied by migrant workers. Southern European countries draw millions of farm laborers from North Africa and Eastern Europe. What’s different in the United States is that whereas Spain, Italy, Portugal and Greece have carried out a combined 15 or more legalization programs since 1985, the U.S. has yet to grant legal protection for many of its most valuable yet underappreciated workers. A recent poll by the Southern Poverty Law Center found that 90 percent of female farmworkers in California cited sexual harassment as a major problem. Rawal noted that few challenge their unfair conditions for fear of getting deported.
Such is the food workers’ paradox. The food system depends on them, but they’re beleaguered by being foreign born. “Our immigration policy is to keep our labor costs low,” said lawyer Michele Garnett McKenzie, advocacy director at the Advocates for Human Rights in Minneapolis.
In 2011, the CIW launched its Fair Food Program, a plan to double worker wages by instituting penny-per-pound increases on produce. This would cost the average family of four an additional 44 cents a year. Taco Bell, Burger King, McDonald’s, Trader Joe’s and Walmart all signed the contract (Publix has yet to join).
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The little guys are chiming in too. Lisa Kivirist boasts that her bed and breakfast, Inn Serendipity in Browntown, Wisconsin, is “carbon negative,” meaning more carbon dioxide is sequestered than emitted. She is a big fan of the Fair Food Program described in “Food Chains.” “It brings authentic transparency and needed justice to our food system.”
Kivirist and her husband, John Ivanko, grow most of the food they serve to guests in their garden. Anything not produced on their property is bought from small-scale local producers or fair trade sources, which designate funds to social, economic and environmental development projects with an emphasis on fair worker wages. In order to be considered fair trade, a company must register with a certifying organization like Fair Trade USA or Fairtrade International.
The challenge for those like McKenzie, Nolen and Kivirist is to bring others into the movement. For his part, Rawal urged support of companies that signed on to the Fair Food Program. He also tries to buy local and fair trade foods, and avoids grocery stores whenever possible.
Despite being a farm kid, Rawal never realized until doing his film how much sacrifice goes into his food. “I’m more grateful for my food,” he said. “That’s the first step, as wishy-washy as it seems.”
The documentary “Food Chains,” which premiered in November 2014, is now available on iTunes and Netflix.
Main photo: Farmworkers weed spinach by hand in San Luis Obispo, California. Credit: iStock/NNehring
Ben Bartenstein reported this story for Round Earth Media out of St. Paul, Minnesota. He is active in the Asian American Journalists Association and is now reporting out of Rabat, Morocco.
This Sonoma wine captivated with scents of gently crushed black cherries mildly seasoned with oak. Its attack was silky and the flavors echoed the wine’s alluring aromas. It was fresh and structured, though the oak gradually became more of a presence, indicating that the wine wanted cellaring.
It was the 2008 Vérité “La Joie,” an obsessively calculated blend of — here goes — 71% Cabernet Sauvignon, 15% Merlot, 7% Cabernet Franc, 4% Petit Verdot and 3% Malbec. Wine critic Robert M. Parker Jr. awarded it 99/100 points and rated the 2007 vintage 100/100. There was another perfect score for “La Joie’s” sibling, Vérité “Le Désir,” a Cabernet Franc-dominated blend. And the third wine of the Vérité trio, the Merlot-based La Muse, garnered 99/100 points.
I do not typically score wines. I write pages and pages of notes. Amid the adjectives for that 2008 Vérité “La Joie” I noted “quite European in style” and “very French.”
So perhaps it’s not surprising that the wines were made by a Frenchman, Pierre Seillan, 64, who hails from the Lot-et-Garonne region south of Bordeaux.
The Vérité project
The Vérité project was the dreamchild of California wine icon, Jess Jackson, who died in 2011. An attorney and self-made billionaire, Jackson bought a pear orchard in 1974, planted grapes and eventually began making wine. In 1982 he created Kendall-Jackson Vintner’s Reserve Chardonnay and gave birth to a vinous revolution: Here was a moderately priced wine that trounced the Hearty Burgundies and other jug wines.
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Jackson continued to build his empire, which at its height comprised 35 wineries in five countries. What eluded him was a great wine. Then Seillan entered the picture.
The time was 1995. Seillan was managing estates for the Bordeaux negociant Cheval Quincard, when a mutual friend arranged for Jackson’s wife, Barbara Banke, to visit Seillan at one of the châteaux he was directing. In 1996 Seillan visited Jackson and by 1997 the Seillans had moved to Sonoma County.
They wasted no time. Vérité debuted with the 1998 vintage. But, first, as Seillan recalls, “Jess and I explored his different estates, vineyards and properties around California and around the world. I was able to identify and develop new locations in Sonoma County that were the right place for growing very high quality grapes, and matching the terroir to the appropriate varietal and rootstock. I then was able to identify what I defined later as ‘micro-crus.’ ”
The ‘micro’ approach
Seillan has worked with micro-crus for most of his life. “Ever since my grandmother taught me about soils and gardening when I was little at my parents’ estate in Gascony, then my work across Bordeaux, in the Loire Valley, in Tuscany and California. I learned to listen to the message of a particular place from the soil, climate and the vegetation, and to be able to match that to producing the right grapes in the right way.”
Seillan selects the best grapes from roughly a thousand acres of vineyards owned by Jackson to make the three versions of Vérité. The key parcels, well-exposed hillsides ranging from 578 feet to 2,457 feet, are: the Kellogg vineyard, Alexander Mountain Estate, Vérité Vale in Chalk Hill and Jackson Park.
Was the micro-approach uncommon in California? “Yes,” Seillan said. “Viticulture in California is still very young compared to France.”
In 2003, the Jacksons and the Seillans purchased the 55-acre Château Lassègue St. Emilion Grand Cru, and several years later, the 31-acre Château Vignot, also a St. Emilion Grand Cru. And Seillan manages the team at Jackson’s Tuscan properties.
Not surprisingly, the philosophy of micro-cru prevails, from painstaking selection of soils to persnickety parsing of grape percentages for each bottling.
A few favorites
Having tasted more than a dozen Seillan/Jackson wines recently, I had a hard job picking favorites. Nevertheless, I loved the 2010 Château Lassègue. Velvety and nuanced, it was fresh and structured, with notes of licorice blending with those of Burlat cherries. At $90 it’s not out of line for high quality Bordeaux and a lot cheaper than the 2008 Vérités ($390 a bottle). Of the three Tuscan wines, I much preferred the Chianti Classico to the two Bordeaux blends. Made from Sangiovese, the region’s traditional grape, it had a tasty story to tell on its home turf. What’s more, at $30 a bottle, it’s priced at roughly a third of the Super Tuscans.
And there’s a new, nicely priced charmer: Seillan has resuscitated vineyards planted by his mother on the Coteaux de Montestruc, facing the Pyrenees. True to form, he opted to plant Bordeaux grapes rather than those traditional to the region. The results are delectable. The 2012 Bellevue Seillan Côtes de Gascogne VdF, a blend of Merlot, Cabernet Sauvignon and Malbec, is a lip-smacking crowd-pleaser as well as a good value at $30 a bottle. Seillan’s grandma must be smiling.
Main image: Pierre and Monique Seillan moved to Sonoma in 1997. Credit: Courtesy of Monique Seillan
Sicily is famous for its distinctive wines and native grape varieties, particularly those that grow on volcanic soils. Nerello Mascalese, today’s most talked-about Sicilian red grape, only flourishes on the slopes of Mount Etna, Italy’s largest active volcano. The lesser-known Malvasia delle Lipari grows instead on the volcanic Aeolian Islands, where it’s made into a delicious and unique dessert wine that also goes wonderfully with cheese.
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Malvasia delle Lipari Passito DOC is made from sun-dried grapes in several versions, from very sweet to drier. It offers orange and floral notes, toasted nuts and rich apricots to the nose and, at its best, enough acidity in the mouth to balance the sweetness and keep it lively and long. The volcanic soils often confer exciting, salty minerality.
The Aeolians are the archipelago that sits between Italy’s “toe” in Calabria and Sicily’s northeastern corner. You reach them by ferry from Messina. The cluster of eight small islands, known as Isole Eolie in Italian, was named for Eolo, the god of wind in Greek mythology. No wonder: The Aeolians are subjected to winds from all sides. The islanders’ rudimentary lifestyle of fishing and agriculture was dramatically captured in “Stromboli,” Roberto Rossellini’s 1950 black-and-white film starring Ingrid Bergman. It was set on the island of Stromboli, another of Italy’s three active volcanoes.
Islands at a crossroads of culture
Contemporary vine-growing takes place mostly on two of the other islands, Lipari and Salina, but the archipelago has long been linked to wine, as professor Attilio Scienza, Italy’s foremost viticultural historian explains:
“These islands played an important role in the history of wine. As Phoenician and ancient Greek ships traveled the Mediterranean, they stopped off here to stock up on food and this allowed for important cultural exchanges.”
Scienza was speaking at Sicilia en Primeur, the itinerant Sicilian wine event that this year was held on the island of Vulcano.
“We know that grapes were grown and traded here: Grape seeds from 6,000 years ago have been found in archaelogical digs on Lipari. Later, in the 6th century, an unusual sweet wine became famous on the islands. It was made when very ripe, sun-dried grapes were heaped into a high mound whose weight naturally pressed the juice from the berries. This wine was known to keep — and therefore travel — well and its fame spread throughout the Mediterranean.”
The family of vines called Malvasia grows throughout the Mediterranean, but the Malvasia now found on the Aeolian islands has a DNA very close to that of the original Greek Malvasia. Despite facing extinction after the phylloxera attacks of the early 20th century, today Malvasia is being made in sweet and dry versions by a score of producers on the islands.
“Mediterranean peoples have a different, more cyclical, history than other Europeans,” Scienza says. “Life on these islands has hardly changed in 3,000 years. Today, this archaic, heroic viticulture can teach us a lot about how to make wine while maintaining the landscape sustainably.” Malvasia vines are often still grown as free-standing bushes, ad alberello, in steeply sloping vineyards. Their long roots reach deeply down; it rarely rains on these islands.
A much-favored vacation destination
The Aeolians offer some of the Mediterranean’s most sought-after holiday destinations, so if you want to explore their viticulture peacefully, it’s best to avoid the August crush. Winemakers have more time in spring and autumn to show their vineyards and organize tastings. Book your visit ahead, as these tiny estates are usually worked by the owners.
I recently visited seven top Malvasia producers, most of whom are situated on Salina. I made my base at Capofaro, the luxurious resort owned by the noble Tasca d’Almerita family whose historic estate, Regaleali, is located in central Sicily. The hotel is surrounded by vineyards, and you can enjoy their fine wines at Capofaro’s restaurant.
The name most often associated with Malvasia delle Lipari is Hauner‘s, who was the first to revive this traditional wine. Carlo Hauner makes fine Malvasia in sweet and dry versions.
Like Hauner, Fenech and Nino Caravaglio are artisanal Malvasia producers who supplement their incomes with the other plant that loves these arid conditions, the caper bush. Their tiny, salted capers — the plant’s flower buds — are famous throughout Italy. You can sample and buy these producers’ delicious wines and capers from their small cellars. Barone di Villagrande is another enterprising estate on Salina that also makes native reds on Etna.
If you go to Vulcano island, make an appointment with Paola Lantieri to visit her lovely house and vineyard. She makes her passito from grapes sun-dried on the vine and on cane racks. The latest addition to the Aelioan wineries is Castellaro, a large, ambitious project on Lipari. Their state-of-the-art cellar and expanding vineyards promise well for these ancient islands’ continuing viticulture.
Main photo: Malvasia vineyards and bougainvillea at the Capofaro estate on Salina. Credit: Carla Capalbo
Across the country, bakers are starting to mill their own flour. The idea might seem silly. Make your own flour? Might as well make your own air. But like fresh ground coffee and fresh squeezed orange juice, fresh milled flour is a galaxy away from its banal supermarket counterpoint.
Flour’s job is often structural, delivering flavors such as butter and chocolate in sweets, or fermentation in bread. Flour stands in the background and doesn’t make a peep, like the ideal child of yore. This silence comes from stripping away the most flavorful elements of grains through the milling process, which generally removes all of the germ and much of the bran.
“Fat equals flavor,” a chef friend declared in the early ’90s, when fat was a popular thing to fear. I’ve found his statement holds true, even in grains.
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Grain kernels have three parts: bran, endosperm and germ. Most of the oils are in the germ and the bran, which also hold minerals, nutrients and flavors. Flavor and fat are volatile. Once exposed to air in the milling process, the oils in grains spoil quickly. Bran has other strikes against it, and the biggest is that it interferes with making lofty, airy loaves of bread.
Roller mills, which were adopted in the late 1800s, allow for removal of bran and germ. One advantage of this is shelf stability, and another is making flour that is mostly endosperm, a powerhouse of starch and protein that’s great for baking.
Stone milling was the way to make flour for millennia. Now, millstones prop up mailboxes on suburban lawns, but the technology is having a revival. Bakers are adding stone mills to their kitchens because the process allows them to use more whole grain flours and experiment with flavors.
“Fresh milling is a new frontier in the repatriation of wheat to our regional economies,” said Steve Jones, director of The Bread Lab and Washington State University’s Mount Vernon Research Center. The place is a magnet for inquisitive bakers drawn to the science that is following flour back to the field. The lab has small mills to test grains as scientists, and resident baker Jonathan Bethony, investigate varieties, seeking types that grow well for farmers and perform well for bakers.
“The flour is flavorful and quirky. The flavor is a plus for sure, the quirkiness can be a pain,” Jones said of fresh flour.
Flour aged to improve its strength
Flour is typically aged to improve its strength and even out irregularities that newly milled flour can display. Again, I think of children, who are tamed into good behavior. Time, or in many cases, bleach tames young flour, and its potentially wild expressions.
“We are working to add some predictability back to the equation. Fresh milled is usually weaker but in our experience still makes incredible bread and again the flavor makes it all worth it,” Jones said. “Grassy, nutty, chocolate and various hints of spice? You don’t get that from old flour.”
Fresh flour is one of the primary reasons Tabor Bread exists in Portland, Oregon. Owner Tissa Stein saw a gap in the foodie city, where there was wood-fired pizza, but no place exclusively making wood-fired bread, nor house-milled flour.
The bakery opened two years ago, in a house down the street from a dormant volcano, Mount Tabor. The kitchen is tucked behind the oven and mill, which are visible from the café. The Austrian mill has its own room, but the walls are glass, so people can see the action.
The pine-planked mill is pretty as a piece of furniture. Baker/millers pour grains in the hopper, and inside the wooden casing, two large stones grind grains into flour. Customers like to see this tool at work.
Stein likes being able to bake with whole grain flour for flavor and nutrition. She fell in love with bread of this quality when she lived in California and bought Desem bread from Alan Scott, the baker and oven maker who launched a wave of microbakeries in America. Scott built an oven in Stein’s backyard, and influenced her decision, decades later, to mill whole grains and capture their vitality.
“Going directly from grain to flour to mix with only a day or two in between,” she said, enhances the taste, and the food value of the bread. Fresh whole grain flours add complexity, building layers of flavor from the lively enzymes on the bran that feed the sourdough cultures.
Fresh flour rather gymnastic
Fresh flour can be rather gymnastic because of those enzymes and other factors, but the challenges are hardly insurmountable. In fresh milling, people are tapping into a tradition, as Dave Miller did in the late 1980s. Getting a whiff of fresh flour as an apprentice at Berkshire Mountain Bakery really made an impression on him.
“That imprinted the whole thing for me,” Miller said. “As a baker you never get to smell fresh flour, and you don’t know what you’re missing.”
The moment when grains are cracked open is when the flour has the most potential nutrition, he believes. By the time he opened his own Miller’s Bake House in Northern California, he knew how he wanted to bake, using a wood-fired oven, organic grains and a stone mill. His experience is a model for others taken with the concept, and putting it into practice.
Theoretically, milling also lends more choices in sourcing, but current production for industrial milling and industrial baking limits what’s available, and its channels of distribution. Baker Graison Gill, of Bellegarde Bakery in New Orleans, is keenly aware of the flow of grain.
“We’re at the mecca of transportation for grain barges and elevators and silos,” Gill said. The Mississippi River handles 60 percent of grain exports for the country, but access to flour and grain is slim for the bakery. The constraints are partly why he chooses to mill some of the flour he uses. Making great bread with wildly good tastes and superior nutrition factors into the decision as well.
“When you’re stone milling you’re preserving the integrity of the grain,” he said, and all its vitamins and minerals. In the case of wheat that means, “Omega 3 fatty acids, plus phosphorus, folic acid, zinc, magnesium, iron, potassium, mono- and polyunsaturated fats and vitamins C, B and E.”
Bellegarde makes 4,000 to 5,000 loaves a week, selling to a mixed wholesale clientele of wine shops, supermarkets and restaurants. All of the breads incorporate some fresh milled flour. The fall menu of specialty breads was built to feature these stone ground whole grains, including wheat, rye, blue and yellow corn, buckwheat and durum. Louisiana rice and wheat go into the Acadian Miche, and a Pecan Flax bread is also made with Louisiana wheat. The Louisiana wheat is soft, and soft wheats are better for pastries, so he can only add so much to a bread.
“I got some Texas-grown hard red winter wheat and I made a loaf of it on Saturday and that was incredible,” Gill said. Aside from a few places milling grits, Bellegarde is an anomaly, which is a catch-22. Until there are more people seeking unusual grains, farmers can’t grow crops to serve the market.
The emergence of mills in bakeries can change that. Just as farmers markets acted as bridges to build local agriculture, mills are essential infrastructure for leveraging production of staple crops in small acreages and out of the commodity system.
Fresh flour, however, is not just a moral proposition, but a quick ticket to righteously great tastes. Dig around, and you might well find your favorite baker is getting curious about their main ingredient.
Main photo: Baker Andrew Heyn of Elmore Mountain Bread scoops flour he’s just milled. Credit: Monica Frisell
It’s hard to do justice to all the miller-baker all-stars, but here’s a list of some bakeries milling some or all of their flour.
Miller’s Bake House Yankee Hill, California
Tabor Bread, Portland, Oregon
Bellegarde Bakery, New Orleans
Elmore Mountain Bread, Elmore, Vermont
Bread & Butter Farm, Shelburne, Vermont
Green Mountain Flour and Bakery, Windsor, Vermont
Zu Bakery, South Freeport, Maine
Berkshire Mountain Bakery, Housatonic, Massachusetts
Farm & Sparrow, Candler, North Carolina
Sub Rosa, Richmond, Virginia
Boulted Bread, Raleigh, North Carolina
Renards European Bakeshop, Princeton, Wisconsin
Baker Miller, Chicago
Crooked Tree Breadworks, Petoskey-Harbor Springs, Michigan
460 Bread, Driggs, Idaho
Nomad Bakery, Derry, New Hampshire
Hillside Bakery, Knoxville, Tennessee
Fol Epi, Victoria, British Columbia
600 Degrees, Tofino, British Columbia
Boulangerie Bonjour, Edmonton, Alberta
True Grain Bread, Cowenchen Bay, British Columbia
The Night Oven Bakery, Saskatoon, Saskatchewan
Some restaurants that feature fresh flour
Blue Hill at Stone Barns, Pocantico Hills, New York
All Souls Pizza, Asheville, North Carolina
Pizzeria Locale, Denver/Boulder, Colorado
Some independent mills closely tied to bakeries
Stone mills can supply your home baking
Farmer Ground Flour, Enfield, New York
Hayden Flour Mills, Phoenix
Carolina Ground, Asheville, North Carolina
Grist & Toll, Pasadena
Camas Country Mill, Eugene, Oregon
Maine Grains at the Somerset Grist Mill, Skowhegan, Maine
Greenwillow Grains, Brownsville, Oregon
Anson Mills, Columbia, South Carolina
The year 2014 not only beckoned all things local, organic and sustainable, it begged for transparency in our food supply. From growing concerns about GMOs and factory farming to the films “Fed Up” and “Food Chains,” people may finally be waking up to the fact that our food system is as much political machinery as tractors and plows.
Here are six food trends that prove consumers want more healthy, sustainable and humane options.
1. Organically growing
Once thought of as a niche movement for flower children and pretentious yupsters, organics is now as marketable as Taylor Swift. With 81% of U.S. families choosing organic food at least sometimes — and restaurants, food companies and grocery stores acquiescing to customer demand — it comprises about 4% of food sales in the U.S. (about $38 billion). Sales of organic products at Costco have doubled in the last two years (to about $3 billion a year), and Walmart is promising to sell organics at the same price as conventional food through an arrangement with Wild Oats. Where will all this organic food come from? Will the industrial-scale Walmartization of organics weaken organic standards and squeeze out the family farmers who helped commercialize the movement? There are already storm clouds on that horizon.
2. Non-GMO labeling
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As consumers are getting hip to Big Food’s genetically engineered ways, the majority of Americans want GMO labeling. But as the big chemical and food companies continue to dump millions into defeating state labeling initiatives, smaller food companies and restaurants are taking matters into their own hands by touting non-GMO ingredients. In fact, Non-GMO Project verification may be the future for GMO labeling. In November, not only was Colorado’s Prop 105 defeated, Oregon’s Measure 92 was so close there was a recount — even though supporters were outspent by opponents, nearly $21 million to $8 million. Vermont is the only state that has successfully passed a labeling law, but it could be held up for years by appeals. Not to mention anti-labelist, corporate-backed politicians have introduced H.R. 4432, a bill that would prevent states’ rights to have mandatory food labeling and would also prevent the FDA from creating a national GMO labeling standard. But you can’t put the pesticide genie back in the Roundup bottle. The more these companies try to hide what’s in our food, the more we want to know.
3. Locally sourced
People not only want to know what’s in their food, they want to know the chicken’s middle name and the arugula’s forwarding address. This new farm-curious mentality stems from the rise of farmers markets all over the country that is fostering familial, Main Street communities. USDA data shows the continued growth of farmers markets for every region in the country. Five of the states with the most growth were in the South — Tennessee, Louisiana, Texas, Arkansas and North Carolina. Since this region has some of the highest obesity and poverty rates in the U.S., success here is great news. Community-supported agriculture (CSA) farms are also on the rise, including community seafood that sells sustainable seafood directly from local fishermen to consumers. Expect more artisanal companies to crop up, as well as restaurants touting their chickens’ favorite bedtime lullabies.
4. Vegan and gluten-free menu items
Restaurants jumped on the “V” and “GF” bandwagons, kowtowing to the cow-less and wheat-less among us — not simply to indulge the trendier-than-thou set. People with real food sensitivities want dishes that are safer than thou. Restaurants are getting serious about allergen training, and many have separate menus for top allergens in order to mitigate potential emergency room visits and even fatalities. By law, Massachusetts and Rhode Island require restaurants to provide allergen training to their employees, and similar laws will probably appear in other states or even at the federal level. That way, diners will be less litigious than thou.
5. Dairy-free milks
Many conscious Americans are swapping cow’s milk for plant-based alternatives, and almond milk beats out soy, rice and coconut by a wide margin. However, 80% of the world’s almonds are produced in drought-afflicted California, and 10% of California’s water goes to almond farming (it takes 1.1 gallons of water to grow a single almond), so where does that leave almonds on the sustainability meter? Hazelnuts from Oregon could be poised to respond to the nut milk demand. Oregon grows 99% of the country’s hazelnuts, which use less water, are drought-resistant and can thrive with minimal maintenance. Some high-end café owners actually prefer the taste and are already asking, “is hazelnut milk the new almond milk?”
6. Pasture-raised meats and grass-fed beef
As consumers are getting savvier about factory-farmed animals that eat GMO grains, we’re seeing more pasture- and grass-fed meats at farmers markets from small producers. Grass-fed and grass-finished beef are seeing a greater share of the consumer beef market, and larger producers are selling through chain grocery stores and restaurants. Steve Ells, CEO of Chipotle, says, “Over time, we hope that our demand for grass-fed beef will help pave the way for more American ranchers to adopt a grass-fed program, and in doing so turn grass-fed beef from a niche to a mainstream product. … Most of the U.S. grass-fed beef that meets our standards is simply not produced in sufficient quantities to meet our demand. That’s why we want to encourage more American ranchers to make the transition to raising cattle entirely on grass.“
Main photo: Line up for the Taylor Swift of produce. Credit: Adair Seldon