Articles in Cooking
Sun, Sea & Olives: Forty years ago, I took my young family to live in the hill country between Tuscany and Umbria, Italy. Our mountain neighbors were all self-sufficient farmers, raising almost their entire food supply themselves. They grew vegetables and beans, harvested chestnuts and mushrooms, raised pigs, chickens, rabbits and sometimes sheep. Only salt and pepper for curing pork, coffee and infrequently a piece of chocolate came from a shop in town, 20 kilometers (12 miles) away.
Of course they made wine — thin, sour stuff — and pressed their olives to make musty, fusty oil (pork fat was much more to their liking). And they grew their own wheat, threshed it and had it ground into flour for the unsalted bread that was then and still is today a Tuscan staple without which no meal is complete. Sometimes, in fact, bread was the meal, maybe with a thin slice of prosciutto or guanciale from the family pig or a dribble of rancid oil to add flavor.
So wheat was the primary crop, the survival mechanism on which everything else depended, and the annual harvest in July was a moment fraught with anxiety that erupted into celebration once the anxiety was relieved. Our valley had one threshing machine, and it went from farm to farm, each day fetching up in a different place, and the farm folk followed it. When it arrived at our neighbors’ farm, people descended for miles around to help with the hot, dirty, tiring work of the harvest and take part in the feast and dancing that followed.
I think about all this now because it is once again harvest time in the Mediterranean. The wheat harvest begins in North Africa in June, rolling north, across Anatolia, Italy, and Spain, as the tall stalks fall to the cutting blades. The landscape that was green a month earlier is bleached now with the color of ripening grain and then golden with the chaff left behind after the harvesters have come through. Our neighbors no longer grow their own wheat, but the harvest is still critical throughout Tuscany.
Durum wheat, the go-to choice for pasta
Sun, Sea & Olives
One in an occasional series on the Mediterranean diet.
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A lot of this wheat, especially in the hotter, drier parts to the south, is hard durum wheat (Triticum turgidum, var. durum), the venerable species used for so many traditional Mediterranean preparations, from bulgur (burghul) to tarhana to couscous to pasta. American cookbook writers used to claim durum semolina was difficult to work in the home, that you needed special heavy equipment to turn it into pasta. But in fact, throughout the south of Italy, especially in Puglia, hard durum wheat, as semola or semolina, is regularly used in home kitchens to make orecchiette and other traditional pastas. And the great breads of Altamura and Laterza get much of their character and their golden color from being made with locally grown durum wheat, using a slow-rising lievito madre (what we might call sourdough) and baked in a wood-fired oven.
Italian law requires all commercial pasta to be made from durum wheat, one reason why Italian pasta in general is of such high quality. The government is concerned with maintaining quality because Italians are world-champion pasta eaters — between 26 and 28 kilos (61.6 pounds) per capita annually depending on the study. And most of that is commercial or boxed pasta (called in Italian pasta secca).
A more useful distinction to keep in mind, however, is the one between industrial and artisanal pasta. The artisanal product is generally of much higher quality, and, like most artisanal things, costs more, a reflection of greater care in production. To qualify as artisanal, pasta must be made at consistently low temperatures (no higher than 122 degrees F) from start to finish, extruded through bronze dyes (producing a roughened surface) and dried slowly. Low temperatures keep the wheat from cooking, so it retains its pale color; the high temperatures and Teflon dyes of industrially produced pasta result in a golden yellow color and a sleek, plasticized surface.
Gragnano, a small city south of Naples, has been at least since the 18th century one of those places Italians cite for high-quality artisanal pasta. Why? Several historical reasons — access to excellent durum wheat through the port of Amalfi, just over the Lattari mountains on the Golfo di Salerno; clean, fresh water cascading from those same mountains to power the grist mills that ground the grain; and a constant flow of brisk breezes to dry the pasta, which once hung on rods in the streets of Gragnano until it was ready to ship to hungry Naples across the bay. Nowadays, Gragnano has a coveted Indicazione Geografica Tipica (IGT) from the European Union, a certification that pasta with that seal has been made according to precise regulations.
Pastificio Faella is one of nine Gragnano producers that make IGT pasta. I spent some time recently in Gragnano with Pastificio Faella’s Sergio Quinto. As we toured the factory, Quinto described the various phases of drying and the importance of each one. “If it’s not done properly,” he said, “there’s a real risk of fermentation and that will result in pasta with an acid flavor.”
But it was the perfume of wheat that imbued the small factory with its warm, nutty, slightly dusty fragrance. To understand the high quality of artisanal pasta, Quinto suggested this test: Prepare equal quantities, say 100 grams, of ordinary commercial pasta and Pasta Faella. Bring two pots of water to a boil and add the pasta, one to each pot. Cook for 8 to 10 minutes and then measure.
You’ll find, he said, that the Faella pasta will expand notably in the water, while ordinary pasta will remain the same. That’s because under high-temperature drying, a crystallization — another word is plastification — takes place, and the pasta doesn’t absorb water at the same rate. What that means is that artisanal pasta is more easily digested and gives a greater sense of satiety with less of the actual food.
I left with a kilo package of Faella’s excellent spaghetti tucked under my arm. When I got home, I turned it into this pasta dish, a variation on one in my daughter Sara Jenkins’ lovely cookbook, “Olives and Oranges.”
- ¼ cup extra virgin olive oil
- 2 or 3 pints (1½ pounds to 2 pounds) mixed small tomatoes—cherry, grape and currant
- Fine sea salt and freshly ground black pepper
- 2 garlic cloves, thinly sliced
- About 1 pound (500 grams) spaghetti, preferably IGT Gragnano
- Handful of chopped fresh arugula, leaves only (discard tough stems)
- ⅔ cup grated or shaved bottarga or freshly grated Parmigiano-Reggiano cheese
- Bring 4 to 6 quarts of water to a rolling boil.
- While the water is heating, add the oil to a large, heavy skillet and set over medium-high heat. When the oil is very hot (but not smoking), add half the tomatoes, sprinkle them quickly with salt and cook, tossing the skillet, until the tomatoes start to wrinkle and collapse. Add the rest of the tomatoes and continue cooking and tossing for another 2 minutes. (Yes, some of the tomatoes will be more cooked than others—that’s the point.)
- Push the tomatoes to one side and add the garlic to the pan. As the garlic starts to soften, mix it in with the tomatoes, gently pressing the tomatoes to release some of their juices. When the sauce is thick, remove from the heat and add a pinch of salt and a few turns of the pepper mill. Keep the sauce warm until the pasta is done.
- Add a big spoonful of salt to the pasta water and let it come to the boil again, then plunge in the pasta and give it a stir with a long-handled spoon. Cover the pot until the water returns to the boil, then remove the lid and let the pasta cook vigorously until done—about 10 minutes.
- Prepare a warm serving bowl by adding some pasta water to the bowl to heat it up, but don’t forget to tip the water out before you add the pasta to the bowl.
- Drain the pasta, transfer to the warm bowl and immediately toss with the warm tomato sauce, stirring in the arugula. Toss again, then sprinkle with the bottarga or cheese and serve immediately.
If possible, select from an array of little grape and cherry tomatoes, mixing them up for a colorful presentation. We like to serve this with grated bottarga (salted and dried fish roe) on top, but you could also serve it with freshly grated Parmigiano-Reggiano cheese.
Main photo: Spaghetti With Sun-Burst Tomatoes. Credit: Nancy Harmon Jenkins
Driving along shoulderless highways in northern Michigan, it’s hard to miss row after row of Montmorency cherry trees loaded with fruit waiting to be baked into pies or squeezed into a liquid elixir that scientists and doctors assign superfruit status.
With more than 2 million cherry trees, Michigan produces over 70% of the country’s tart cherry crop, and July is the start of the season for a fruit that has been credited with controlling cholesterol, lowering weight and boosting heart health. Not to mention being at the heart of a mean cherry pie.
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Tart cherries might well deserve a medal for their healthy attributes, but I’d much rather test their ability to satisfy my craving for the yin-yang balance of sweet and tart enveloped in one glorious double-crusted pie. That’s because tart cherries, not sweet, have always been the basis for the best cherry pie. Bakers can control the amount of sweetness with sugar and the tangy essence of tart cherries keeps the pie from becoming cloyingly sweet.
In a part of the country where any proper pie judge will tell you that cherry pies are not to be trifled with, I decided to go out on a limb and conducted a loosely structured pie contest of my own. In traditional measure, blue ribbons become a battle between best crust and most cherry-packed (but least gooey) filling, and awards only go to those that deliver both.
Ferreting out the best the region had to offer, I sampled options from The Cherry Hut, a 92-year old pie-making institution in the little town of Beulah (8 points for cherry-packed filling), to local behemoth Cherry Republic (9 points for crunchy, tender crust). Naturally, I couldn’t avoid including a few farm stand options in between. In the end, a roadside pie spiced with a bit of balsamic vinegar took the prize for my personal favorite. Cask-aged balsamic, which delivers its own magic blend of sweet and tart, was the perfect complement to the fruit and provided a deep base of flavor to the freshly harvested cherries.
But after all that pie, I was feeling a bit sleepy, and no wonder. Did I mention that tart cherries contain melatonin, a natural hormone that helps you sleep at night?
The winning farm stand pie inspired my interpretation of the classic Michigan cherry pie. I’ve blended a rich, cask-aged balsamic vinegar into the filling and added a bit of Fiori di Sicilia, a blend of floral, citrus and vanilla essences, to keep the flavors bright.
- Pie dough, enough for two crusts, chilled
- 3 pounds, pitted fresh or frozen (do not thaw) tart cherries
- ⅓ cup Pie Enhancer (or 6 tablespoons flour)
- ½ cup sugar
- 1 teaspoon salt
- 3 tablespoons cask-aged balsamic vinegar
- ½ teaspoon Fiori de Sicilia extract (or vanilla extract)
- Sparkling sugar
- Preheat oven to 350 F. Roll out enough dough for one crust and place in 9- to 10-inch deep dish pie plate, leaving a 2-inch overhang. Return to refrigerator while assembling filling to keep dough cold.
- In a large mixing bowl, toss to combine cherries, Pie Enhancer or flour, sugar, salt, balsamic vinegar and Fiori di Sicilia. Fill pie dish and return to refrigerator again while preparing top crust.
- Roll out remaining pie dough and trim into 1-inch slices. Weave for latticework and gently transfer over filling. Turn lower crust up and over edges of lattice and crimp with fingers or fork.
- Whisk egg with 2 tablespoons water and gently brush over top crust. Sprinkle with sparkling sugar.
- Place the pie on a baking sheet and bake for 1 hour to 1 hour 20 minutes, crust will be golden brown and fruit will be gently bubbling when done. Remove to rack to cool.
Not one to cling to tradition, when I find a new ingredient that is a big improvement over my old ways, I embrace it. Such is the case with King Arthur Flour’s Pie Enhancer, which I use to thicken fruit pies. A blend of superfine sugar, modified corn starch (aka Instant Clear Gel) and ascorbic acid, it sets the pie juices but avoids that gluey texture that flour sometimes imparts. But follow your own tradition and if flour works best for you, then substitute 5 tablespoons of flour for the Pie Enhancer and increase the amount of sugar in the filling for a total of ⅓ cup sugar.
Crickets, love ‘em or leave ‘em, are the soundtrack to our summer nights. Megan Miller, co-founder of Bitty Foods, sees them a bit differently.
“When I think of crickets, I think of the future of food,” she says. “Insects are in fact the most efficient form of protein on planet earth.” Miller spoke about the benefits of eating insects at TEDxManhattan, a one-day conference featuring leading innovators in the food movement. (See video of her talk below).
Insects are eaten in many cultures, but Miller is well aware that many people find the idea less than appetizing. Bitty Foods has taken steps to reduce the barriers its products might face by turning crickets into something more palatable.
“It might be difficult for a lot people to consider eating whole insects, but they become a lot more manageable when they’re in the format of cricket flour,” she said.
The flour is made from whole insects dried and milled into a fine powder. Bitty Foods sells the flour, which has been mixed with other ingredients that enable it to be substituted for baking flour, as well as cookies made from cricket flour. These are available in three flavors: chocolate chip, chocolate cardamom and orange ginger.
These products represent the beginning of what is envisioned as a complete line of goods, beyond just snacks. As Miller explains, the vision is to take foods “that are normally completely carb-based and boost them with protein so you end up getting a much more nutritious meal.”
“The basic premise is that we are trying to introduce people in the U.S. to edible insects with delicious foods with good design,” she said. “We have gotten a really great reception faster than we expected.”
Miller lists five of the many reasons why the idea of eating insects should be taken seriously by those concerned about their health and/or the environment:
- Cricket flour has 7 grams of protein per quarter-cup serving as well as healthy fats, vitamins and minerals. Bitty Foods’ cricket flour is also gluten-free.
- Insects can be grown with very little land and very little water. If you feed crickets 10 pounds of feed, they will produce 9 pounds of edible cricket protein. By contrast, it takes 10 pounds of feed to get 1 pound of beef.
- If eating insects becomes common, we could reclaim some of the 30% of the Earth’s land surface — one-third of the Earth — which is currently being used by the livestock industry to grow animals and the grains the animals eat.
- We could reduce our greenhouse gas emissions by an estimated 18% if insects become a part of the mainstream food supply.
- Having insects take the place of more resource-intensive sources of protein could lower the cost of food all around the world by about 33%. The United Nations Food and Agriculture Organization has published a report concluding that edible insects may be the key to stabilizing the global food supply.
Miller notes that there are 2,000 species of insects that can be, and are, eaten by people. She chose crickets because they don’t carry any diseases that are transmissible to humans and they don’t destroy crops, so people don’t have negative connotations. “I think crickets have a very nice cultural association for Westerners, with the nice chirping and the summer nights,” Miller says.
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Bitty Foods now sells its products through its website, www.bittyfoods.com. The company recently began working with a food distributor and hopes to be in stores within a few months, starting in its home market of the Bay Area and then expanding to New York City.
Miller, who began her career as a trend forecaster and consumer researcher before turning to edible insects, thinks that edible insects are on the cusp of becoming trendy.
“I see a powerful shift happening in the way that people think about food,” she said. “People are more interested in sustainability than ever before and understanding where their food comes from. And thanks to the Internet we’re constantly being exposed to new trends and new ideas and even new cuisines.”
As a result, she predicts, “There’s an emerging edible insect industry in the U.S. In the next decade, insects will move from being a crazy, edgy food to being a completely mainstream food for most people.”
Main photo: Megan Miller in her Bitty Foods kitchen. Credit: Courtesy of Bitty Foods
This story was written by Pam Weisz, deputy director of Change Food, a nonprofit that works to raise public awareness and educate consumers about problems with the U.S. food system. Learn more at www.changefood.org.
New potatoes are the summer cook’s best friend. Firm and waxy with a wonderful sweet flavor and gossamer-thin skins, there’s no need to peel them — in fact it would be criminal to do so, for loads of flavor and much of the goodness lurks just under the skin.
All they need is a good scrub and — voilà — they’re good to go. Drop them into a pan of judiciously salted water, bring to a boil, cook till tender and serve with fresh butter and snipped mint leaves.
Plenty of ways to enjoy new potatoes
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Boiling is not the only way to go with new potatoes. Because they keep their figure when cooked, they respond well to roasting or baking. For real drama and a winning dish that never fails to draw gasps from guests, try a “tatin” of new potatoes baked under a salty, herby crust. The whole thing is inverted for serving, like a tarte tatin, to reveal the spuds in all their golden glory. Or cut them almost in half, slide a bay leaf into the cut, drizzle with olive oil and roast till golden.
And remember that new potatoes come in many colors; any potato that is harvested early, be it white, gold, russet, red or purple, qualifies as new. A dish of purple potatoes mixed with brilliant green sugar snap peas and anointed with a little melted butter makes an arresting summer statement.
“Tatin” of New Potatoes With an Herby Salt Crust
Prep time: 20 minutes
Cook time: 1 to 1¼ hours
Total time: About 1½ hours
Yield: Serves 6 to 8
18 to 24 medium-sized new potatoes
14 ounces (400 grams) flour
14 ounces (400 grams) kosher salt
1 tablespoon dried herbes de Provence or thyme
2 egg whites
A scant cup (about 200 milliliters) warm water
1 to 2 tablespoons olive oil
1. Heat the oven to 425 F (220 degrees C). Scrub the potatoes, but do not peel them.
2. Mix together the flour, salt and herbs in a large bowl.
3. Make a well in the center of the flour mix and add egg whites.
4. Add the water, gradually draw in the flour and salt from the sides and mix together till it forms a stiff dough.
5. Knead on a floured surface till smooth — if too sticky to your hands, add sprinkles of flour. If too dry, splash on a little more water and work it in.
6. Cut a piece of baking parchment to fit the bottom of a 12-inch (30-centimeter) cake pan.
7. Arrange the potatoes close together in the pan to form a flower shape and drizzle with olive oil.
8. Roll out the crust thickly on a floured board to the same diameter as the pan.
9. Lay it on top of the potatoes, tucking it inside the pan edge so there’s no overhang and the potatoes are snugly encased beneath the dough.
10. Bake the potatoes for 1 to 1¼ hours or until the crust is golden brown and hard and you can hear sizzling noises from the potatoes.
11. Leave the pan in the turned off oven till ready to serve.
12. Invert a large plate over the pan and carefully turn the tatin out onto the plate. The crust will form a base and the potatoes will be uppermost.
13. To serve, spear potatoes with a fork and lift them off the crust. Discard the crust, which is impossibly salty.
Roasted New Potatoes With Bay Leaves and Olive Oil
Prep time: 10 minutes
Cook time: 1 hour
Total time: 1 hour 10 minutes
Yield: Serves 6 to 8
24 medium-sized new potatoes
24 bay leaves
A drizzle of olive oil
Salt and pepper to taste
1. Heat the oven to 400 F (200 degrees C). Scrub the potatoes well, but do not peel.
2. Make a deep, lengthwise cut in each potato without going right through and slide a bay leaf inside each one.
3. Brush a little olive oil in the bottom of a baking tin or ovenproof dish just large enough to take all the potatoes in one layer.
4. Arrange the potatoes tightly together in the dish with the bay leaves uppermost, season with salt and pepper and drizzle with more olive oil.
5. Bake the potatoes for about an hour or until golden and fragrant.
Purple Potatoes and Sugar Snap Peas With Herbs
Prep time: 5 minutes
Cook time: 20-25 minutes
Total time: 30 minutes
Yield: Serves 2 to 3
1 pound (450 grams) small purple potatoes
7 ounces (200 grams) sugar snap peas
1 teaspoon salt
1 ounce (25 grams) sweet butter
A handful of fresh herbs, roughly chopped (try mint, chives and flat-leaf parsley)
1. Scrub the potatoes well, but do not peel.
2. Trim the sugar snap peas.
3. Put the potatoes in a saucepan with water to cover and the salt.
4. Bring to a boil and boil for 15-20 minutes or until the potatoes are tender when pierced with the point of a sharp knife.
5. Add the sugar snap peas and boil for 2-3 minutes more or until barely tender and still beautifully green.
6. Drain the vegetables, melt the butter in the pan, return the vegetables to the pan and roll them around in the butter till sizzling.
7. Tip the vegetables into a dish and sprinkle with chopped herbs.
Main photo: A tatin of new potatoes. Credit: Kerrin Rousset
Our Café French™ lesson today takes us to Bouillon Chartier, which opened on rue du Faubourg Montmartre in 1896. It’s not a cafe or bistro or brasserie. Chartier is a bouillon, one of a few surviving members of a class of mid- to late 19th-century Parisian restaurants that specialized in hearty faire — especially meaty soups and broths. The low prices at the bouillons attracted workers, artists and shopkeepers in and around the sprawling food markets of Les Halles during the period of rapid commercial expansion during the Second Empire.
Credit for the creation of the bouillon (pronounced “bul-yon” in French, with a silent “n”) goes to Pierre-Louis Duval, an enterprising butcher whose first “broth Duval” opened in 1855. By 1900, the year of the Universal Exposition in Paris, there were hundreds of bouillons in Belle Epoque Paris, some fancier than Duval’s originals (Art Nouveau interiors were the rage), catering to the increasingly affluent bourgeoisie.
It’s well documented that the modern restaurant (the word and the place) evolved from the restorative meat broths (called restaurants in French, pronounced “res-toe-rone“) served at “health food” establishments in Paris beginning in the late 18th century. Going back still further to the 15th century, a very interesting recipe for a “restaurant” is documented in Rebecca Spang’s fascinating book “The Invention of the Restaurant” (2000).
The recipe is from the French master chef, Chiquart Amiczo, in his cookery book, “Du fait de cuisine” (1420). Amiczo’s instructions call for cooking a freshly killed chicken in an alchemist’s glass kettle along with 60 gold ducats. Not exactly the recipe my grandmother used when she made her famously golden chicken soup to cure my colds.
Courting the golden bouillon
Today’s Café French lesson explicates the linguistic trajectory between bouillon/broth and bullion/gold, health and commerce, restaurants (restorative broths) and restaurants (dining establishments).
La Vie en Rose
One in a series of graphic explorations of French language, food and culture
The English pronunciation of bouillon, with a hard “n”—yone — is the same as for the English word bullion. Bullion, usually in the form of gold bars (ingots in English and lingots in French) has no linguistic faux ami in French (literally, false friend, or “unrelated sound-alike”). Both words, bouillon and bullion, derive from the Latin bullire — to boil or make bubbles.
Compare: To make gold bullion one has to “boil” the gold to liquefy it for the ingot molds. To make a golden court-bouillon (“quick bouillon,” pronounced “coor-boo-yone“), the vegetable-based broth used for poaching fish and light meats, one boils carrots, celery, onion, parsley, bay leaf, thyme and lemon in water, adding white wine or vinegar. Gold ducats optional.
Or one can cheat and avoid culinary/alchemical complexity by using dehydrated bouillon cubes (in French, bouillon cubes), like the Kub Or (gold cube) brand from Maggi, a French division of Nestlé Global.
Follow the monnaie
The pot thickens! Let’s look at a small slice of French history that is as startling as it is inconsequential, the almost simultaneous arrival of two men to the court of King Louis XIII (son of Henry IV) in the first half of the 17th century, one named Bullion and the other Bouillon. (You can’t make this stuff up.)
Claude de Bullion was a French aristocrat who served as Minster of Finance under Louis XIII from 1632 to 1640. He is credited with the creation of the Louis d’Or gold coin, which replaced Spanish doubloons, then in use in France for their coined money — monnaie (pronounced mon-et, as in, “A Monet costs beaucoup de monnaie“). At least one authoritative source insists that the etymology of the word bullion derives from Lord Bullion’s name.
Henri de la Tour d’Auvergne, the Duc de Bouillon, was born in 1555 into the royal line associated with the Duchy of Bouillon in northeastern France, which later became incorporated into Belgium. Today, the Dutch city of Bouillon attracts tourists to its medieval castle, Château de Bouillon. Louis XIII was still a boy in 1610 when the Duc de Bouillon became a member of the Council of Regency and a favorite of the Queen Regent, Marie de Médici.
I have found no evidence that Bullion and Bouillon knew each other, but it’s interesting to speculate about what might have happened when M. Gold met M. Broth.
Taking stock at Chartier
Seated at a small table at Chartier, I find no bouillon on the menu — no soup, potage or consommé of any kind. My waiter explains that the weather is too hot for soup. Imagine a Parisian cafe on a hot summer day with no café crème!
But as disappointed as I am, I can almost taste the history of Parisian broth in Chartier’s Belle Epoque interior. You feel as if you have traveled back to the Paris of Emile Zola’s “The Belly of Paris,” his novel set in Les Halles and the market stalls, charcuteries and bistros of the Second Empire.
During that extraordinary period, Duval’s chain of bouillons had made him a “bouillonaire.” But his son, Alexandre, according to fellow Francophile, Susan Griffin, author of “The Book of Courtesans,” squandered much of the family’s wealth on the notorious and exquisite courtesan, Cora Pearl.
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When Pearl dumped young, naive Duval, he tried to shoot her with a pistol that miss-fired and almost took his own life instead. The scandal that rocked tout Paris tilted in favor of the scorned Duval and brought down Pearl. The “affaire Duval” was a wake-up call for the bouillon heir who recovered and rebuilt his broth empire.
The golden age of Parisian bouillons is past, along with courtesans, Art Nouveau and the Belle Epoque. The fabled Bouillon Chartier is, at least today, a sad and soupless shadow of its former self. Luckily for cafe and coffee lovers, the thirst for hot coffee, a universal, all-weather restorative brew, will never dry up.
Main illustration credit: L. John Harris
I am planning to compile a personal cookbook — not for publication, but rather as a private collection of favorite recipes to give to family and friends. The idea has been brewing ever since I got a phone call from a son at college who wanted to know how to make “skinny fries,” a potato recipe he’d grown up with. At other times I get requests from friends for how to make a particular dish they had at my house. Although some of the recipes I will be compiling are for family dishes that were passed down to me, many come from cookbooks or magazines, recipes I probably tweaked before deciding they were perfect. What makes my cookbook personal, of course, is that it will reflect my particular tastes in food, leaving out ingredients I do not like, and going heavy on the types of dishes I love.
We all know that the world has become flooded with recipes so that selecting the best of them is challenging and time consuming. I have spent years accumulating thick files of favorites I culled after having tried so many other recipes that were similar but not as good. So I see my collection as a worthwhile service to loved ones by offering them what I consider to be the best of the best. It took years, for instance, to find the perfect chocolate cake, a dessert I now bring to potluck gatherings where I am always besieged for the recipe. I also have a biscotti recipe that experienced biscotti eaters tell me is the best they have tasted. I have recipes that were handed down by the women in my family, and passing these along gives me a sense of continuity and order. These include recipes for a winter soup made with beans and meat, and a meatloaf made light and fluffy because of its secret ingredient — a grated raw potato.
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I routinely hear tales from friends who regret not getting their grandmother’s recipe for a dish they continually think about, but don’t know how to make because no one in the family thought to jot it down. It would have required trailing after grandma in her kitchen, and managing to measure and write down what she instinctively threw into a pot. I have even heard stories about grandmothers who will not give out their recipes, or if they do, will deliberately leave out key ingredients. Their motivation seems to be the hope that family members will continue to visit and eat what they cook. My expectation for myself is to have it both ways — to continue to please my visiting family members with the dishes they love and then to hand them all copies of the recipes.
It’s ‘CSI: The Kitchen’
I have seen compilations of family recipes assembled by other people, and they tell me a lot about the person who put the collection together. They add up to what I think of as a food profile. Just as FBI profilers can speculate about perpetrators of crimes by analyzing clues left behind, I feel I can gain insights into a person by examining the foods they choose to eat. But the work of a food profiler is far more pleasant — investigating noodle puddings and fruit pies rather than bullet holes and blood spatters. I have noticed, for instance, that books filled with dishes for grilled meats strike me as man pleasers or may even have been created by men. Ethnic backgrounds are also easy to spot — loads of pasta recipes with tomato sauce suggest Southern Italy, while yeast breads and coffeecakes using cardamom say Scandinavia.
Regional recipes are striking when, for instance, books recommending sweet tea and directions for such desserts as triple-layer coconut cake and sweet potato pie announce old-time Southern cooking. Recipes using such stylish grains as farro and quinoa and a wide variety of herbs and spices suggest an adventurous eater, while those relying mainly on salt and pepper for seasoning strongly hint that the eater has conservative tastes. And there are subtle clues. If many of the recipes yield eight or more servings, I deduce that the person either has a large family or entertained frequently, and the reverse is true. Recipes serving just two indicate a more private lifestyle.
My personal food profile
If I were to be food-profiled, the absence of cilantro, the herb people seem to either love or hate, would herald my aversion to the thing. Also noticeable would be my preference for cooking with olive oil rather than butter, and that an indifference to butter and cream carries over to desserts that omit whipped cream. Recipes for candy and cookies will lord it over puddings and tarts. My book will contain anecdotes, tributes to my sources for recipes, and nostalgic comments about the people whose recipes I am reproducing. I would hope to be seen as someone with a generous spirit, but most of all I would like to be seen as someone with a respect for history. I long ago learned that history is not just about the actions of presidents and kings but about the aspirations of regular people, and personal cookbooks can be a key to understanding how these people really lived.
Chocolate Chip-Pecan Biscotti
(Adapted from “Cooking With Les Dames D’Escoffier” cookbook)
Prep time: 30 minutes (this includes the slicing before the second baking)
Chilling time for dough: 3 hours
First baking: 45 minutes
Resting time between bakings: 1 hour
Second baking: 25 minutes
Total time: 5 hours 40 minutes
Yield: 48 biscotti
3 cups all-purpose flour
1 teaspoon salt
1 teaspoon baking powder
¼ teaspoon baking soda
10 tablespoons (1¼ sticks) unsalted butter at room temperature
1⅓ cups granulated sugar
3 large eggs divided
1 teaspoon vanilla
3 tablespoons milk
1½ cups miniature chocolate chips
1½ cups chopped pecans
- Whisk together the flour, salt, baking powder and baking soda in a medium bowl. Using an electric mixer, beat the butter and granulated sugar in a large bowl until blended. Add two of the eggs, one at a time, beating just to blend after each addition. Beat in the vanilla and milk, then the flour mixture. Stir in the chocolate chips and pecans.
- On a lightly floured surface, divide the dough into 3 equal portions. With lightly floured hands, form each portion into an 8-inch long log and flatten it to 2½ inches wide; place each log on a piece of plastic wrap large enough to cover the dough. Wrap in the plastic and chill for at least 3 hours or up to 3 days.
- Position oven rack in the upper third of the oven. Preheat oven to 325 F. Line a heavy, rimmed baking sheet with parchment paper. Unwrap the logs of dough, leaving them sitting on the plastic. Beat the remaining egg well to make a glaze. Brush the tops of the logs with the glaze and place them on the parchment-lined sheet. Space them 2 to 3 inches apart since they will spread. Bake 45 to 50 minutes until golden brown and just firm to the touch. Let logs cool completely for at least an hour.
- For the second baking, heat oven to 300 F. Line one or two sheets with parchment paper. With a long serrated knife, cut the logs crosswise into ½ to ¾ inch slices. Arrange biscotti on the sheets, putting the ends cut side down. Bake for 15 minutes and then turn them over and bake for another 10 minutes. Cool and store.
Variation for cranberry-pecan biscotti: Omit chocolate chips, vanilla and milk. Add 1½ cups dried cranberries, 3 tablespoons lemon juice and 1½ tablespoons lemon zest. The rest of the directions are the same.
Main photo: Chocolate Chip-Pecan Biscotti. Credit: Barbara Haber
In our house, asking for cherry pie means one thing: sour cherry pie. Just as there are “eating apples” and “cooking apples” that differ in acid level and sugar content, these same differences exist between cherries. Sweet cherries — like eating apples — are delicious raw. Sour cherries, with their higher acid level and lower sugar content, will make you pucker if you pop them into your mouth straight off the tree. While a pie made with sweet cherry varieties (such as Bing or Rainier) can be cloying, a pie made with Montmorency or North Star cherries has the perfect balance of sweet and sour.
It’s been my experience that people who say they don’t like cherry pie have never tasted a sour cherry pie. Surprisingly few folks know that sour cherries exist, partly because it’s hard to find sour cherries (Prunus cerasus) in many parts of the country. Sour cherries, also called tart cherries, are thought to have originated in the region between the Caspian and Black seas. Cherry trees still grow wild in that area, which includes part of Russia, Georgia, Armenia and Azerbaijan. The Greeks were cultivating sour cherries by 300 B.C. and the popularity of these tart cherries spread quickly to Italy and throughout Europe.
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French colonists brought sour cherries to North America and by the mid-1600s cherries were plentiful in Virginia, my home state. Today most sour cherries commercially grown in the U.S. are produced along the Great Lakes in western Michigan, as well as in parts of Wisconsin, New York and Pennsylvania.
My love of cherry pies came early courtesy of my mother. She truly is famous for her pie baking skills — at least in her Virginia town where the local paper has profiled her and her homemade pies. She has forged some deep relationships with local sour cherry growers, who reserve gallons of cherries for her each summer. Even in a bad winter – like this last one, which killed off much of the cherry crop — my mother somehow leaves a supposedly “sold out” orchard with brimming boxes of cherries unavailable to the typical customer.
The harvest season for sour cherries is short — just a few weeks at the end of June and early July. This delicate fruit doesn’t ship or store well, so the first step in making pies for the rest of the year is preserving the fruit. Sour cherries may be canned in the traditional way, but it’s even easier to freeze them.
Although my mother often gets gallons of cherries at once, she freezes them in small batches. Seeding cherries is no small effort and it’s nice to spread the work out over a longer period of time. But the biggest advantage to this method is that you can freeze the precise amount of seeded and sugared cherries you need to make one pie. My mom actually prefers making pies from frozen cherries because it’s easier to control the amount of juice that goes into the pie filling if you separate the liquid from the cherries during the thawing process.
How to preserve sour cherries
To freeze, wash and seed four cups of cherries and place them into a large bowl. Sprinkle cherries with ½ cup of sugar, stir to combine, and let rest for 30 minutes. Freeze sugared cherries in 1.5-pint freezer containers or quart-sized freezer bags. Be sure to label your containers with contents and dates. Frozen cherries can be stored for up to one year. When taking frozen cherries out to thaw, put them in a colander with a bowl underneath to collect the juice.
If dealing with fresh sour cherries seems like too much work or sourcing them is an impossibility, you can often find jarred or canned sour cherries at Trader Joe’s or Middle Eastern markets. These canned sour cherries are usually Montmorency cherries and they’ll work fine. Just be sure that you’re not buying cherry pie filling, which is usually more sugary goop than cherries.
The hardest part of making a sour cherry pie is finding the cherries, but making cherry pie does require a certain amount of practice. The following recipe comes straight from my mother. I cannot guarantee that it will make you the focus of local newspaper profiles or will make your kitchen a place where neighbors drop in simply on the off-chance they can get some pie. But it will make you a convert to sour cherries.
Recipe courtesy Linda Lutz.
- 2 quarts sour cherries (fresh or frozen)
- 1 cup and 1 teaspoon granulated sugar
- 3 cups plus an additional 4 tablespoons all-purpose flour
- 1 teaspoon plus a pinch of salt
- 1 cup vegetable shortening
- 1 egg, beaten
- ⅓ cup plus 1 tablespoon cold water
- 1 tablespoon white vinegar
- ¼ teaspoon almond extract
- 1½ tablespoons butter
- Wash and seed cherries.
- Place about 4 cups fresh sour cherries into a medium bowl and add ½ cup of the sugar.
- Let sit for at least an hour to allow cherries to draw juice, stirring occasionally.
- To make pie dough, place 3 cups of the flour and 1 teaspoon salt into a large bowl.
- Measure 1 cup vegetable shortening and add in small pieces to flour mixture. Using the tips of your fingers, pinch the shortening into the flour mixture until the flour-covered fat balls are the size of slightly flattened peas.
- Beat one egg in a small bowl. Add water and vinegar to beaten egg and stir to combine.
- Slowly pour liquid into flour mixture, stirring gently with two fingers until all liquid is added. Have a light touch with dough to keep it flaky. Stir no more than is necessary to work dough into a ball.
- Divide dough into three parts and shape into flat rounds. Wrap dough in plastic wrap and refrigerate while you making pie filling.
- Drain cherries into a colander, reserving juice.
- In a saucepan, combine ½ cup sugar, 4 tablespoons of flour and a pinch of salt. Slowly stir in reserved juice.
- Cook mixture until it begins to thicken, then add cherries, almond extract, and 1½ tablespoons of butter. Cook over medium heat for 5 minutes.
- Remove cherry filling from the heat and let cool while preparing pie dough.
- Take two rounds of pie dough out of refrigerator and unwrap them.
- Working with one round at a time, roll pie dough out on flour covered pastry cloth or countertop.
- When the round of dough is about half its needed size, use fingers to pinch any cracked edges back together. Continue rolling dough until it’s large enough to cover your pie pan. Dough should be no more than ¼ inch thick, but a generous 1/8-inch thick is even better.
- Place first round of dough into bottom of pie pan and roll out the top crust using the same method.
- Pour cherry filling into pastry lined 9-inch pie pan. (My mother prefers a glass pie dish so she can see how the bottom of her crust is browning.) If filling appears too thick at this point, add a bit of water before pouring filling into pie crust.
- Cover with top crust and cut approximate10 half-inch long slits in the top crust.
- Sprinkle the top of the pie with 1 teaspoon of granulated sugar.
- Cover the outer edges of the pie crust with aluminum foil or a metal pie edge protector to keep the edges of the crust from burning.
- Bake at 425 F for 35 to 45 minutes or until golden brown. If top crust seems to be browning too quickly, lay a piece of aluminum foil over the top of the crust for the last 10 minutes. Let pie cool before serving.
You can use up to 1½ cups sugar, but we like cherries pies tart. Extra round of pie dough can be frozen for future use. Keep dough round in plastic wrap and place in a freezer-safe plastic bag. Pie dough will keep in the freezer for several months.
Main photo: Mom’s Sour Cherry Pie is always a crowd-pleaser. Credit: Susan Lutz
Chef Giacomino Drago smiles a lot. The youngest member of a family of cooks to immigrate from Sicily, Drago, along with his brothers, has opened a dozen restaurants in Los Angeles, many in Beverly Hills, over the past four decades.
A contributor to the “Beverly Hills Centennial Cookbook,” Drago declares that using the highest quality, freshest ingredients is the essence of Italian cooking. In his video he demonstrates an easy-to-prepare, classic Italian panzanella salad with diet-friendly spelt instead of bread.
Drago enjoys cooking. He smiles as he drops a handful of spaghetti into one of the half dozen pots of salted water on the stove and when he quickly renders a red onion into a mound of thin, pungent ribbons.
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Come to Italy, he says, and one of the first salads you will eat is one made with vine-ripened tomatoes, basil, red onions, extra virgin olive oil, red wine vinegar, and salt and pepper. Simplicity, he says several times, is the essence of Italian cooking. Find the freshest, highest-quality ingredients and prepare them in what Drago calls the rustic way, roughly cut so the dish is not overly fussy. The result is delicious, healthy food that is easy and fun to make.
A panzanella salad is the perfect dish for summer. To pursue the “current fashion,” as he puts it, he has traded spelt for bread in a signature salad at Via Alloro in Beverly Hills. He chose spelt because it has a refreshing texture and nutty quality that contrasts well with the acid of the tomato and vinegar. A heritage grain and cousin to wheat, spelt was developed hundreds of years ago as a flour in bread making. High in protein and fiber, Drago says spelt is heart-healthy because it is high in niacin. Because “panzanella” refers to a bread (“pane”) salad, it might be more accurate to call chef’s creation a speltzanella.
Chef Drago loves all his restaurants. But he designed the kitchen at Via Alloro in a special way. The area where the line cooks work is a horseshoe space with stoves in the middle and counters running along the walls. There are no dead-ends in this kitchen. Moving efficiently Drago and Executive Chef Paolo Sicuro prepare dishes with an unhurried ease, transferring their love of cooking onto the plates.
Fresh tomatoes are key to the flavor and pleasures of the salad. To protect the tomatoes’ richness of flavor, Drago insists they must never be refrigerated. That is why buying tomatoes from farmers markets is so important. Supermarket tomatoes may have been refrigerated for days, even weeks during their journey from the field to your kitchen.
Drago is precise about his cooking but flexible in terms of ingredients and seasoning. When cooking at home, he encourages that you use only ingredients you enjoy. If you do not like onions, don’t use them in the salad. The same goes for cucumbers and ground black pepper.
To capture all the tomato juice, chef cuts the tomatoes over the bowl. Use a variety of tomatoes for contrasts in shape, color and flavor. For the demonstration, Drago and Siruro used vine ripened, cherry and grape tomatoes. Yellow and heirloom tomatoes could also be added for contrast. To make the onion slices more “friendly,” Drago suggests double rinsing in water. This will result in a more mild flavor. Not widely available, spelt berries can be purchased in specialty markets and ordered online from purveyors such as Bob’s Red Mill. Cooked like pasta in boiling salted water, kosher salt should be used for the cleanest taste. Chef Drago uses English or hothouse cucumbers for the dish. If those are not available, Persian cucumbers would be a good substitute because they have a lower water content than garden cucumbers. The spelt may be cooked ahead and refrigerated. The other ingredients should be prepared immediately before serving to preserve their freshness.
- 3 tablespoons spelt
- 2 medium-sized tomatoes, washed, stem removed, cut into a small dice, reserving the liquid
- 5 cherry tomatoes, washed, quartered
- 5 plum tomatoes, washed, quartered
- 1 small hothouse cucumber, washed, skin on, a small dice the same size as the tomatoes (optional)
- ¼ medium red onion, washed, root and stem removed, thin sliced (optional)
- 4 fresh basil leaves, washed, pat dried, roughly torn or chopped
- 1 tablespoon kosher salt
- Pinch of salt to taste
- Pinch of freshly ground black pepper to taste (optional)
- 4 tablespoons extra virgin olive oil
- 1 tablespoon red wine vinegar
- Add kosher salt to three quarts of water. Bring to a rapid boil. Add spelt. Boil uncovered 30-50 minutes or longer depending on the desired doneness. Taste at 30 minutes to determine what is al dente for you and then again at 10-minute intervals until you reach the texture you like. I prefer cooking the spelt 50 minutes. Drain and set aside to cool
- Using a sharp paring knife, cut the tomatoes over the salad bowl to capture all the juices.
- Cut the skin-on cucumber into pieces similar in size to the tomatoes and add to the bowl.
- Slice the red onion. Submerge in cold water, rinse, drain, submerge in fresh cold water, rinse and drain. Add to the tomatoes and cucumbers.
- Add the cooked spelt berries.
- Roughly chop the basil leaves or tear them with your hands. Add to the salad bowl.
- Toss the spelt, vegetables and aromatics with the extra virgin olive oil and red wine vinegar.
- Season with sea salt to taste and freshly ground black pepper, as desired.
- Serve as a salad or a side with grilled meats, fish and poultry.