Articles in History
“Flatbreads really grabbed me because they’re ancient in nature,” Paula Marcoux said at a class in early August. “Stone or clay or metal griddles grew up with domesticated grains. As nomadic people spread those grains they brought the griddle with them.”
In Saratoga, N.Y., the kitchen at the Healthy Living Market is very modern, which was fitting for the class introducing a group of contemporary cooks to how these ancient technologies and old foods have traveled through time and the world.
“I studied archaeology, and one of the things I love the most about the Middle East was eating the food. You can learn from documents, and you can learn from archaeology but you can learn by cooking too. And it’s not going to be the same unless you cook with fire,” Marcoux said, identifying the path to her passion.
ZESTER BOOK LINKS
By Paula Marcoux
Storey Publishing, 320 pages, 2014
That passion is outlined in her new book, “Cooking With Fire: From Roasting on a Spit to Baking in a Tannur, Rediscovered Techniques and Recipes That Capture the Flavors of Wood-Fired Cooking” (Storey Publishing). A food historian, Marcoux is the food editor of Edible South Shore magazine, and has worked as an archaeologist, cook and bread oven builder. The book, her first, covers a lot of ground with food and fire, from the most rudimentary fire and stick methods through managing the nuances of retained heat in an oven — brick or otherwise.
I can’t get my head out of the middle chapter, which covers griddles and flatbreads, a food ghetto I see no reason to leave.
“The fact is that baking technologies develop to suit the grains available,” Marcoux wrote. “With its smooth horizontal surface allowing even and controlled baking, the griddle has been used by cooks the world over to convert gluten-free grains and even tubers into tremendous breads.”
I love this. People talk about flatbreads and batter breads being as old as, and older than, our life with grains. But her explanation seems more perfect than others I’ve heard, perhaps because it comes with recipes. At Marcoux’s class, she traced how the stretched doughs of Anatolia had moved around the world in a cross-cultural arc of flaky, griddle-baked wheat goods that included scallion pancakes, and boreks savory and sweet.
“The modern borek derives from the ancient Semitic root word b-r-k,” Marcoux said. “From this came borek, pierogi and Tunisian brik. The Middle Eastern word is a blazing clue to these flatbreads, where a fine stretched dough delivers filling. I think it’s amazing how one idea can travel 10,000 years. That’s longevity.”
Marcoux has shoulder length dark hair and a ready smile. Being with her is like having searchable access to an encyclopedia of our human history with cooking and food.
For a flour and griddle fiend like me, she has been a joy to find. Her name crept into my life at the Plimoth Plantation, a living history museum in Massachusetts where she used to work, and where I went to visit erstwhile Pilgrims handling grains. This was in the spring, and people at Plimoth were excited about Marcoux’s work documenting early ovens in New England, and about her book, which was released in May. Now that I’ve met her, and have her book in my kitchen, I understand the enthusiasm.
“For the scallion pancakes, I’m just rolling out a simple circle of dough,” she explained at the market. She poured a little sesame oil on the disk, and spread it thickly with chopped scallions. “Roll it up like a long cigar. Coil it up like a snail, and let it rest a while.”
After that while had passed, maybe 10 minutes, she rolled the snail into a pancake, and fried it in a little canola oil on a tava, a concave pan generally used for dosas.
Gas not like using live fire
“I feel funny cooking this indoors,” she said, adjusting the heat so the pancake wouldn’t burn. “As lovely as this kitchen is, cooking on a gas stove just isn’t the same as using live fire. Instead of struggling with these controls, you’d just be pulling a twig out, or pushing a twig into the fire.”
As the pancakes cooked, she made Middle Eastern pastries, and invited us to come up to the counter and learn.
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“This technology is older than tossing pizza,” she said, moving a piece of dough from hand to hand. She urged people to look for videos of Armenian women tossing dough to learn the method.
The volunteers rolled their dough flat, then stretched it using a sway and throw motion between fingers and hands. Once it was thin enough, they put it on a cutting board again, where they buttered, then filled it.
“Puff pastry works because the fat and gluten layers have to work together,” she said, noting that the doughs we used were only wheat and water. “It doesn’t take huge expertise to make this because of the amazing geometry of dough. This quality of wheat is what made us love it, and we’ve been loving it for a really long time.”
- 1 tablespoon light soy sauce
- 1 tablespoon dark soy sauce (or another of light soy sauce)
- 1 tablespoon rice vinegar
- 1 teaspoon sambal oelek or other Asian hot chile paste
- ¼ cup chicken broth (or water, plus another dash or two of soy)
- 1¾ cups (8 ounces) all-purpose flour
- 1¾ cups (6 ounces) unbleached cake flour
- 1 teaspoon salt
- 2 tablespoons peanut, canola or corn oil, plus more for frying pancakes
- 1¼ cups boiling water
- Asian (toasted) sesame oil for brushing
- 1½ cups chives or scallions, finely chopped
- Make sauce first to let flavors marry. Mix all ingredients and let rest while you make the dough.
- With a food processor or by hand, mix together flours and salt. Stir in 2 tablespoons oil, then, gradually, the boiling water. (You may need a few more drops of water, but wait and see.) Once it comes together in a ball, knead by hand for a few minutes, then let rest airtight for 30 minutes.
- Roll the dough into a cylinder, and cut into 12 even-sized pieces. Roll each into a smooth ball. Cover with a moist towel or plastic wrap so they don’t dry out.
- Roll one ball out thinly, brush with sesame oil, sprinkle liberally with chives, and roll up snugly in a cylinder. Coil the tube of filled dough in a spiral, keeping the seam to the inside. Press together a bit, and set aside, covered, while you fashion the rest.
- Gently roll each pancake flat. They should be 4 or 5 inches in diameter and about ¼-inch thick. (Light-handed rolling preserves all-important layering for the best texture.) Set up a couple of large skillets or a griddle; heat ⅛ inch of oil over medium heat. (You can continue rolling as you fry.)
- When the oil is hot, fry the pancakes (as many as you can at a time without crowding) until golden brown and crispy and cooked through — they should take about 3 minutes on the A side, and 2 minutes on the B side. Drain briefly on a rack or paper, cut in quarters, and serve hot with dipping sauce.
Recipe excerpted from "Cooking With Fire" by Paula Marcoux, used with permission from Storey Publishing.
Main photo: Paula Marcoux’s sweet crispy borek, or campfire baklava. Credit: Ellie Markovitch
In the 1950s and 1960s, the food industry churned out a veritable buffet of newfangled food products with recipes to match, uniquely combining foods such as peanut butter, pineapple and Velveeta in a single dish. Such odd recipes made their way into the American culinary vernacular as the food industry sought domestic applications for food preservation technologies and products created during World War II.
Laura Shapiro tells this tale of convenience foods in “Something From the Oven: Reinventing Dinner in 1950s America.” Through recipes printed on can labels and the back of boxes, in free pamphlets and branded cookbooks, the food industry sought to instruct housewives, who were initially leery of these new convenience foods, on how to cook with them, at every meal and for every audience. As Shapiro argues, rather than being rooted in any particular gastronomic tradition, “packaged-food cuisine” was its own invented culinary phenomenon, aimed at promoting specific food products. As a result, these recipes often recommended flavor and ingredient pairings that were unusual, to say the very least.
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I’ve rounded up a selection of such recipes, drawing from cookbooks such as “Betty Crocker’s Picture Cook Book,” published in 1950, and Campbell’s “Easy Ways to Delicious Meals,” whose revised edition made its way onto bookshelves and into kitchens in 1968. Are these product-pushing recipes inventive or insane? Do they provide an unexpectedly right combination of savory and sweet or do they completely miss the mark? Are they surprisingly tasty or downright gross? You be the judge.
1. Beans & Franks Chiquita. A simple recipe designed for a child to make, this dish starts with chopped onion cooked in butter (or margarine), then mixed with a can of beans and franks in tomato sauce. To this mixture, one adds the “Chiquita” portion of the recipe: sliced canned peaches, sliced bananas and a touch of nutmeg.
2. Beef Fizz. Described as “sheer wizardry as a pick-up,” this “refreshing” beverage recipe calls for a can of condensed beef broth mixed with a half cup of club soda and garnished with lemon.
3. Hawaiian Sandwich. In this recipe, which I alluded to in the intro, Velveeta “gets party-fancy” with “a really exotic flavor combination” that is “easy to fix and dramatic to serve.” Slather toasted bun halves with peanut butter. Then add a well-drained slice of pineapple and a slice of Velveeta. Bake or broil until the cheese melts, then top with a maraschino cherry.
4. Marvelous Milk. While many a mom has cajoled a child into drinking her milk by stirring in a long squirt of chocolate syrup, how about beating in a mashed banana and a few drops of lemon juice?
5. Saucy Susans. If you’ve grown bored with basic biscuits, try this recipe, which substitutes tomato juice for the milk, resulting in pink-hued pastries. Bake the biscuit dough stacked in pairs with a slice of cheese sandwiched between to produce a breakfast-y version of grilled cheese and tomato soup.
6. Sunday Morning Sausage Ring. Perk up your weekend breakfast by combining 2 pounds of pork sausage with a couple of beaten eggs, some grated onion, bread crumbs and chopped parsley. Pack this savory concoction into a 9″ ring mold. Bake for 40 minutes at 350 F, taking out halfway through to pour off excess fat. Fill the ring with “Eggs à la King,” a soupy mixture of quartered hard-boiled eggs, cream sauce, canned mushrooms, chopped green pepper and pimiento, and paprika.
7. Wedgies. Don’t worry. Underwear-related social torture is not involved in this appetizer, but it is a “cake” made entirely from processed meat and cheese. Start with softened cream cheese and season it with minced onions or chives and a squirt of mustard. Spread the cream cheese on slices of bologna and then stack slices on top of one another like a layer cake. Then “ice” the tops and sides of your meat cake with a spreadable cheese. Decorate as you like with sliced olives. Chill, cut into wedges and serve.
Main photo: A selection of cookbooks from the 1950s and 1960s. Credit: Emily Contois
During the first O.J. Simpson trial in 1995, I was working at the Los Angeles Times, about three blocks away from the L.A. County Courthouse. Once in a while I would wander up there to gawk at the sidewalk circus that was in progress.
One fellow in the colorful crowd was selling an amazing souvenir of those days: a plastic mold you could use to reproduce the face of Superior Court Judge Lance Ito in gelatin. As I like to say, there’s always a food angle.
Several members of the trial’s cast of characters used it as a springboard to fame: the late attorney Johnny Cochran, police officer Mark Fuhrman, party pal Kato Kaelin (not that much fame, in retrospect) et al., including Robert Kardashian, of course, who bequeathed us a pack of telegenic daughters the world might otherwise never have heard of. Judge Ito took a more dignified route and continued an honorable career on the bench.
The gelatin mold looks kind of like the judge, but not exactly. It’s based on a life mask of the owner of SKS Sibley Co., which mostly makes molds for Halloween purposes such as brains, hands and eyeballs. At any rate, it looked enough like the Honorable Ito that people recognized the resemblance at the time. The mold came with a pair of glasses made from construction paper, which were not really very close to what the judge wore.
Of course I bought a mold. Shortly afterward, the judge expressed a desire that the maker cease and desist, or something to that effect, so it has become something of a rarity.
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That day I took it back to the Times Test Kitchen and we made it following the accompanying instructions. They created gelatin with a color a little like a flesh tone, more orange than one might like for the purpose, except perhaps on the Jersey Shore. The hair? More of a problem. The idea was to use food coloring (gelatin is food, people), but black food coloring is hard to find. Blue with a few drops of red gave a very deep purple hue that read close enough to black for the gag to work.
It takes a long time for the gelatin to set, but the next day we had it ready, and we proudly carried it all around the Times building to show it off. Everybody found it highly entertaining … everybody, that is, except the City Desk people who were covering the trial. They didn’t get it at all.
Today with O.J. nostalgia in full bloom, I dug that mold out, a little surprised to find that I’d hung onto it through the years and that I still had the recipe for the quasi-flesh tone gelatin. I had to make new fake glasses, of course – construction paper is less durable than plastic. So here it is, one for the “Remember Those Fabulous Nineties?” book.
By the way, here’s the gelatin recipe that came with the mold. You can use it whenever you need a flesh-colored dessert. In the absence of a suitable mold, you might chill it in custard cups and then paint eyeballs or something when you unmold them.
- 3 (6-ounce) packets of peach-flavored gelatin
- 4 cups boiling water
- 1 cup cold water
- 1 (12-ounce) can nonfat evaporated milk
- 3-4 drops of green food coloring
- 6 or 7 drops blue food coloring
- 3 or 4 drops red food coloring
- Dissolve the gelatin in the boiling water.
- When dissolved, stir in the cold water and the evaporated milk.
- Add three drops of food coloring – if the color is still too peachy try another drop.
- Refrigerate until quite firm, seven hours or more.
- After the gelatin is firm, squeeze the blue and red food coloring in a small bowl and stir. If it doesn’t look black enough for you, doctor it with more drops.
- Apply the blackish coloring carefully to the appropriate areas of the gelatin with a small brush.
Main photo: Twenty years after the O.J. Simpson trial, Charles Perry digs out his Jell-O mold of Superior Court Judge Lance Ito to revive an unlikely recipe. Credit: Charles Perry
Knishes are packed with more than flaky, potatoey deliciousness. “The knish is really stuffed with stories,” said Laura Silver, author of the new book, “Knish: In Search of the Jewish Soul Food.” Her many pilgrimages on behalf of the knish — “a pillow of filling tucked into a skin of dough” — took Silver from Poland to Israel. But the story really began with Mrs. Stahl’s of Brighton Beach, Brooklyn, the knish-maker her grandmother loved best. The shop’s demise in 2005 is what ignited Silver’s obsession to get inside this dense, satisfying “potato pie.”
One stop on her quest was the town of Knyszyn, Poland, home to Silver’s ancestors and some knish lore. There she heard the legend of a king who was traveling, tired and hungry, through a forest. He emerged in a hamlet where he was served a tasty dumpling called a knish. He liked it so much he named the place after it.
Tyler J. Kelley, a writer based in New York City , reported this story in association with Round Earth Media. Photo credit: Erandi Carranza
Tracing knish history
The food’s precise origin is unknown, and Silver speculates broadly, but the earliest mention places it somewhere between a Polish poem from 1614 and a Polish town with a knish-related name dating to 1347 (Knyszyn landed on the map later, in 1569). In present-day Poland, Silver concluded, the knish has disappeared. She carried pictures of the storied pastry with her in lieu of a translator, but no one recognized it.
Silver also learned that knishes weren’t necessarily a Jewish food; in early references they are filled with meat and eaten on All Saints’ Day, November 1. In fact, the knish was “severely underrepresented” among the stuffed-dough options she found in Israel. Apparently when Europe’s Jewish families emigrated to the New World, the knish went with them. It flourished in the first half of the 20th century, when it was a popular street food in New York’s teeming immigrant neighborhoods.
Today Knish Nosh is one of only two New York City concerns dedicated solely to the savory pastry. The Queens location has a lived-in, no-nonsense feel that suits the humble knish well. Silver’s favorite is the kasha knish, $3.50, filled with buckwheat groats. Every Knish Nosh knish follows the traditional form: round, fist-shaped and dense, with a little bit of stuffing revealed on top. Strong mustard appears to be the requisite condiment everywhere except Minnesota, where mayonnaise and even ketchup are not unheard of.
Behind the counter at Knish Nosh is Anna Vasilescu, head chef. She is from Romania and didn’t grow up on knishes. Her father disliked potatoes, a central knish ingredient, because in the military that was all he ate, Vasilescu said. After the service, he never wanted to eat them again. Now his daughter is a dedicated potato purveyor. Nearly every customer who walks in knows Vasilescu, and half seem to get a knish on the house, with the instruction, “Just enjoy, sweetheart.”
Knish Nosh owner Haig Schneiderman said he’s gotten requests from Florida to have a knish shipped overnight for a loved one who is dying. “People get emotionally attached,” he said. Silver believes the knish “is poised for a full comeback,” and Schneiderman plans to be in the vanguard. He recently opened a Knish Nosh in Central Park, and more are in the works. He said he intends to make the knish “as strong as the bagel” and sees Knish Nosh becoming ubiquitous, “like Chipotle.”
The story within
Making and eating knishes is an essential part of Silver’s vision, and it’s pretty much impossible to read her book without getting hungry. She is not just relaying the history of an overlooked food, however; she wants to bring people together to talk, and to share. Conversation over knishes, she said, “is the crux of my book — I hope.”
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“A knish that tastes good probably has a good story behind or within it,” she said. “The story isn’t always evident, but it’s akin to the fact that food made with love generally tastes better.” Silver almost always brings knishes to her speaking engagements. When a knish shipment failed to reach Banff, Alberta, Canada, where she was attending a conference, she simply gathered fellow attendees and made a batch from scratch.
“Every culture has its knish, a wrapped food or a food that evokes memories,” Silver said. “Dough-based foods tend to have that effect on people.” For someone from the American South it could be a biscuit, for a Midwesterner a piece of pie. In Silver’s mind, it’s any food “for which people will go to great lengths.”
If you are willing to go to great lengths to revive this tradition-laden food, Silver has supplied a recipe dear to her heart. She wrote that “Fannie Stahl’s granddaughters summoned recovered memories to bring this recipe to life.” You’ll have plenty of time for conversation and stories while making it. Making knishes, Silver said, “takes a special kind of commitment.”
Recipe: Mrs. Stahl’s Potato Knishes
Yield: Makes about 18 knishes
For the dough:
3¼ cups flour
1 tablespoon sugar
1 teaspoon salt
½ cup vegetable oil
1 cup lukewarm water
1. Turn oven on low until dough is ready. Mix flour, sugar and salt. Add oil and water. Mix with a spoon until the dough pulls together, or use a food processor or stand mixer (with a dough hook). Turn out the dough on board and knead it, incorporating all pieces. Knead until dough is one piece, smooth and glossy. Turn off the oven. Oil the dough and place it in oiled, covered bowl. Place in oven until you are ready to use it. Let the dough rest at least 2 hours; the dough should barely rise, if at all. Keeping the dough overnight in the refrigerator is fine. Bring it back to room temperature before use.
For the potato filling:
6 pounds russet or new potatoes
1 cup oil
¼ cup salt, or to taste
1½ teaspoons pepper
8 cups thinly sliced raw onions
1. Scrub potatoes and peel them, unless the new potatoes have very thin, unblemished skins. Boil potatoes for about 20 minutes until knife-tender, then drain. Mash with a potato masher. Add oil, salt and pepper to taste. Mix. Stir in the onion.
Assembling and baking
1. Use vegetable oil and flour as needed.
2. Preheat oven to 450 F.
3. Roll out about half the dough on a lightly floured counter or tabletop. Roll with handle-less rod-style rolling pin out from the center until dough is thin enough to see through, about 1 ⁄16-inch thick.
4. Oil top edge of dough with a pastry brush. Place a 2-inch-diameter line of filling about 2 inches from the top edge of the dough. Pick up top edge and drape over filling. Brush oil on dough in a 2-inch strip on the bottom edge of the filling. Pick up the dough with filling and roll again onto the oiled dough, compressing the filled dough as you turn it. Repeat until the dough covers the filling three to four times, being sure always to brush oil on the dough first. Use a knife to separate the filled potato knish log from the remaining dough. Cut off edges of filled dough. Cut the filled roll into pieces about 6 inches long and coil each piece like a snail. Tuck the remaining end into the bottom of the coil. Alternatively, place stuffed roll of dough onto an ungreased cookie sheet and slash with a knife crosswise every 2 inches. Leave an inch of space between each roll or coil of dough.
5. Bake 20 to 25 minutes until the knish skin is browned and knishes are cooked through. Start knishes on lowest rack of the oven and raise them to top rack after about 10 to 12 minutes. Let the knishes cool in pan. If you cooked the knishes in long rolls, cut them into individual pieces.
Knishes can be reheated in the oven or in a skillet on the stovetop.
Recipe from: Faith Kramer, “Mrs. Stahl’s Famous Knish Recipe Finally Found—in San Francisco,” j. the Jewish News Weekly of Northern California, September 27, 2012. Excerpted from Knish: In Search of the Jewish Soul Food by Laura Silver, published by Brandeis University Press/University Press of New England (www.upne.com), May 6, 2014.
Tyler J. Kelley, a New York-based writer, reported this story in association with Round Earth Media. Kelley’s documentary “Following Seas” is due out in 2015.
Anyone for delicious little frivolities with an aristocratic pedigree?
The peculiarly English habit of serving something savory as the final course in a meal — the place usually occupied by cheese — was still in fashion in the grander country houses of England until about half a century ago, when it dropped out of favor in domestic kitchens, although the custom didn’t entirely vanish in London’s gentlemen’s clubs and at formal civic occasions.
Savory bites originally intended to show off host’s good fortune
The savory — for those who’ve never been confronted by this small and salty bite on toast immediately after dessert — is a Victorian introduction to the British menu designed to show off the servants and the silver with as many courses as possible in the high old days of empire. Classics of the genre were roasted marrow bones; deviled herring roes; sweetbreads; chicken livers; smoked fish; salted anchovies pounded with butter; and prunes or oysters wrapped in bacon and flashed under the grill (devils and angels on horseback, respectively).
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Savories, simple to prepare and good with the gentlemen’s port, suited the style of the relatively servantless 1920s. Agnes Jekyll, a columnist at the London Times, devotes an entire chapter to them in her book “Kitchen Essays” (London, 1922). Agnes’ sister-in-law Gertrude, known as Lady Jekyll, suggests puff-pastry boats as a more elegant vehicle than toast, as these can be prepared in advance and filled “with all manner of cargo such as eggs scrambled with cheese, or cold hard-boiled and chopped with a little gherkin and capers, sardines made into a purée beneath a thin veil of a soufflé mixture or a savoury custard, slightly browned in the oven; anchovies beaten with cream into a cold cayenne mousse, or coming chilled from the refrigerator with a thin sprinkle of cress.”
Agnes Jekyll’s readership at the time included my husband’s godmother, Monica Rawlins — born at the turn of the century — who acted as her father’s hostess at the family home, Syston Manor in Somerset, after the early death of her mother. Miss Rawlins’ delightful illustrated menus indicate six courses, concluding with the savory. As the youngest of three daughters and three sons (two killed in World War I), she was expected to remain unmarried at home — all very “Downton Abbey.” But she escaped to live a bohemian life as an artist in Wales, never married and left me, the widow of her godson, a glove box full of her menu cards and her annotated Edwardian-era cookbooks in the remote farmhouse that was hers for the rest of her life, and where I now live.
Savories are simple, delicious and too good to lose for lack of a menu opening. Serve them in much the same way as tapas or mezze, in combination and all on the table at the same time.
Choose four recipes to share between four people as the main course — no need for starters, though a green salad would not come amiss. Savories are also perfect for a summer lunch or a candlelit kitchen supper.
Queen Victoria’s Beef Marrow Toasts
Her Imperial Majesty’s chef, Charles Francatelli, confided to his readership that his royal employer, in spite of rumors concerning her health after the death of her beloved Prince Albert, was fortified with this little treat every day.
Prep Time: 15 minutes
Cook Time: 5 minutes
Total Time: 20 minutes
2 beef or veal marrow bones
4 slices of white bread
Salt and pepper to taste
1 tablespoon chopped parsley
1 tablespoon finely chopped shallot or spring onion
Juice of 1 lemon
1. Have the butcher break the bone open to allow you to get at the marrow. Remove the raw marrow and cut it into hazelnut-sized pieces.
2. When you’re ready to serve, poach the marrow pieces delicately in a little boiling salted water for one minute only, and then drain immediately.
3. Meanwhile, toast the bread and then cut it into squares.
4. Pile the marrow on the hot toast, season with salt and pepper, sprinkle with the parsley, onion and a squeeze of lemon and serve without delay — marrow sets as it cools.
Lady Jekyll’s Mushroom Toasts
This was Miss Rawlins’ favorite savory, made with the big, flat field mushrooms that spring up overnight in the sheep pastures surrounding her house in the Welsh hills.
Yield: 4 servings
Prep Time: 10 minutes
Cook Time: 20 minutes
Total Time: 30 minutes
2 ounces butter
8 large open-cap mushrooms
Salt to taste
8 tablespoons thick cream
1 teaspoon English mustard
White pepper to taste
Bread rounds for serving
1. Melt the butter in a frying pan and lay in the caps (save the stalks for a sauce or soup). Salt lightly and be patient while they lose their moisture and begin to fry. First they will sizzle, and then juices will run.
2. Meanwhile, combine the cream with the mustard and pepper and mix well.
3. Transfer the mushrooms carefully to a gratin dish when done. Finish each cap with a tablespoon of the cream seasoned with mustard and pepper.
4. Slip the dish under a grill or broiler until the cream bubbles.
5. Serve on bread toasted in the buttery juices left in the pan — get the pan good and hot so the bread is really crisp.
The Duchess of Windsor’s Doigts au Fromage (Fingers of Cheese)
The former Mrs. Simpson — hostess-with-the-mostest in postwar Paris — astonished her sophisticated guests with her English savories, an idea unknown in France. “A meal,” she said, “should always be witty and include a surprise.” Frozen cheese fingers supplies both.
Yield: 4 servings
Prep Time: 20 minutes
Freeze Time: 2 to 3 hours
Total Time: start 2 to 3 hours ahead, 30 minutes prep and finish
1 medium-ripe camembert, crusts removed
1 heaped tablespoon curd cheese
Salt and pepper to taste
¼ pint (½ cup) heavy cream, whipped stiff
Grated parmesan for dusting
1. Blend the camembert and curd cheese together by pushing them through a sieve or chop thoroughly in the food processor.
2. Season with salt and pepper and fold in the whipped cream.
3. Spread a layer the thickness of your thumb on a baking tray lined with cling film. Turn out the cheese mixture onto a hard, clean surface and cut into fingers.
4. Dust with finely grated parmesan and serve ice cold. This is perfect served with ripe strawberries dressed with a few drops of balsamic vinegar.
Main illustration: Menu cards illustrated by Monica Rawlins for dinners at her home. Credit: Monica Rawlins
Most fish are so delicate we add only minimal flavoring, probably nothing more than a squeeze of lemon these days. The ancient Greeks and Romans, in no position to use lemon juice because the lemon hadn’t arrived, tended to use vinegar. Sometimes, they even added cheese.
It’s a slick idea. Give it a try.
We know this because a Greek foodie named Archestratus sampled fish all around the eastern Mediterranean, and around 330 B.C. he wrote a poem about his findings. It has not survived complete, and we aren’t even sure about its title — it has been referred to as “Gastronomia” and “The Life of Luxury,” among other names. Most of the surviving fragments appear in a book called “The Deipnosophists,” which was written some five centuries later, ample testimony to its fame.
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Here is one fragment: “Whenever Orion is setting in the heavens and the mother of the wine-bearing grape clusters is casting away her long hair, then it is the time to have a baked sargue sprinkled with cheese — a large one, and piping hot, and cut with sharp vinegar.”
Well, it was a poem; these days even the most bizarro food writer wouldn’t dream of referring to grapevines losing their hair. As for sargue (or sargo), it’s a member of the bream family that is well regarded in the Mediterranean today, but Archestratus recommended his preferred treatment for bland fish, topping it with cheese as well as sprinkling it with vinegar (which I think works better here than lemon juice). I suggest using it on tilapia, a bland fish that is readily available.
Archestratus lived in a Greek colony in Sicily, and in another passage he associates the idea of sprinkling cheese on fish with the Syracusans, who would, of course, have used some kind of Sicilian cheese. What was that cheese like? We don’t know.
However, in the Middle Ages, the Arabs imported Sicilian cheese (jubn siqilli) and added it to vegetable dishes at the same time as spices, suggesting that it was grated, so you could use Sicilian ricotta salata or even Parmesan or Romano. This is the oldest recipe I ever make for fun, rather than research.
Fish a la Archestratus
2 tilapia filets, about 10 ounces
1 tablespoon light olive oil
Salt to taste
2 to 3 tablespoons grated ricotta salata, Parmesan or other grating cheese
Vinegar to taste
1. Preheat oven to 350 F.
2. Spread oil in a baking dish.
3. Set the fish in the dish and sprinkle with the salt and cheese. The cheese will melt after 10 minutes, fish will flake at 14 to 15.
4. Serve hot with a sprinkling of vinegar.
* * *
Here’s another simple fish recipe, this one from the 18th century. It appears in Louis Auguste de Bourbon’s “Le Cuisinier Gascon” (1740) as a variation on truite à la hussarde. Hussars were proverbially dashing, impetuous, overbearing, none-too-intelligent cavalrymen who wore flashy uniforms and claimed to be so badass they would be ashamed to not to die by the time they were 30. (A lot of people hoped the same fate for them.)
It’s such a simple dish it scarcely needs a recipe — it’s so simple that a hussar could probably cook it. You just poach the fish and serve it with a sort of 18th-century tartar sauce. If you prefer trout, go ahead and make it with that.
Salmon, Badass Cavalryman Style
For the sauce:
½ cup mayonnaise
3 to 4 teaspoons capers along with ½ teaspoon caper brine
½ teaspoon Dijon mustard, or more to taste
For the fish:
10 ounces salmon filet
1 teaspoon lemon juice or 1 tablespoon dry white wine
1. Put the mayonnaise into a sauce bowl. Stir in the capers and caper brine, then the mustard. Add the mustard bit by bit, because too much can make the sauce seem salty.
2. Put the filets in a pan. Add water nearly to cover, then the lemon juice.
3 Heat over medium heat, turning the fish after 5 minutes, until the fish flakes easily with a fork, about 10 minutes.
4. Drain the fish and serve hot or cold with the hussar sauce.
Main photo: Fish a la Archestratus with tilapia, foreground, and Salmon, Badass Cavalryman Style. Credit: Charles Perry
With Persephone’s return, comes the spring. But there’s a catch. Starving and unimpressed with Hades’ attempts to woo her, Persephone ate six pomegranate seeds while in the underworld. Those six seeds require her to return to the underworld during pomegranate season (roughly September through February in the Northern Hemisphere). Repeated year after year, Persephone’s place creates our annual seasonal cycle of death in the fall and winter and rebirth in the spring.
That is the ancient Greek myth that many of us learned as children, but nearly every culture in which pomegranates are traditionally enjoyed has incorporated them into their myths and symbols. Pomegranates have been used to conjure everything from lust and sexual abandon, to fertility and prosperity, to blood and national identity, and even, as in Persephone’s case, death and rebirth. Pomegranates have been with us since the beginnings of civilization and their image has meanings that span the entirety of human existence.
The pomegranate’s many seeds have led to its use as a symbol for fertility and fecundity in a wide variety of cultures from ancient Persia to Japan. Newly married couples or married women trying to conceive often ate pomegranates or drank the fruit’s juice to increase the chances of a healthy birth. Some North African Berber women also use the seeds in divination rituals to predict the number of children they will bear in their lifetimes.
Pomegranates with coins inserted are also given as pre-nuptial gifts from the groom to the bride in the South Asian Parsi culture to symbolize fertility and prosperity in the marriage. Pomegranates prepared with coins are also used on the Zoroastrian Nowruz table for longevity and good health in the coming year.
Persian epic hero, Isfandyar was said to have enjoyed pomegranate juice before battle to make himself and his armies invincible. This practice was also followed by the Uzbek-born emperor Timur (Tamerlane) as he swept across central and western Asia in the 13th century. Today, a large stone vessel stands outside of Timur’s tomb in Samarkand to commemorate the practice.
The Quran also states that pomegranates grow in the garden of paradise, and some religious scholars believe that it was the pomegranate, not the apple, that was the fruit of temptation in Judeo-Christian scripture.
Origins and cultivation
Domesticated in ancient Mesopotamia by the third millennium B.C. (and possibly well before), pomegranates have also been recovered from later Bronze Age archaeological sites in Israel and Cyprus. The Egyptians had orchards full of pomegranate trees by the time of Hatshepsut’s rule (1479-1458 B.C.), and the Phoenicians were an important force in spreading the fruit across North Africa and into Southern Europe as their seaward empire grew toward Carthage and beyond. It is just this connection that lies behind the pomegranate’s original Latin name, Punicum malum, or Punic apple.
Pomegranates made their way to China by the first few centuries of the Common Era, and from there onto Japan and Korea, where they are today widespread.
As the fruit has been traded and adopted, hundreds of cultivars have been created that vary in fruit and seed color, sweetness, acidity and astringency. The fruits themselves vary in color from a creamy off-white to yellow; to the familiar shades of pink and red; to a dark, almost-black purple. Seeds (sometimes called arils) also vary in color from crimson to a clearish-white color. Cultivars have also been bred to allow them to grow in extreme weather conditions, such as the pomegranates in China’s far western Xingjian province, which regularly endure drought and winter temperatures as low minus-40 F.
Pomegranate’s culinary uses
Throughout western Asia and the Caucasus, pomegranate juice and syrup are used extensively to bring sweet and sour flavors to meat and vegetables. Meats are marinated in the juice, or sauces are prepared to use at the grill or table. Additionally, pomegranate syrup is used in the preparation of mixed condiments, often using walnuts or roasted peppers and garlic to complement a wide variety of dishes. Some Iranians and Azeris also use pomegranates as the center of a savory soup. Pomegranate seeds are also used to stuff vegetables and fish, and the juice is used in place of vinegar to pickle vegetables, especially garlic and pearl onions.
On the subcontinent and in parts of the Himalaya, pomegranate seeds are used as souring and flavoring agents in curries and chutneys. In central Asia, juice and syrup are used much as in western Asia and the Caucasus, but pomegranate seeds are also used in a wide variety of rice and millet pilafs. Mongolia and western China use pomegranate juice in lamb stews along with cinnamon, but sometimes add rice vinegar or asafetida to lend a more eastern Asian flavor to them.
Pomegranate seeds also are used in a variety of liquors throughout Asia. In the Caucasus, they are used in mixed fruit wines along with grapes or cherries, and in eastern Asia they are used to flavor local grain-based homebrews and other medicinal preparations.
I created this lamb recipe by adapting a traditional Persian fesenjān recipe originally used on fowl. Instead of roasting the meat, I braise and add butternut squash for a nearly perfect one-pot meal.
Main photo: Pomegranate ripening on the tree. Credit: Laura Kelley
In the Carpathian mountains of Transylvania, western Romania, where transhumance — the movement of animals between winter and summer pastures — is still practiced, shepherds will now be settling their animals in the high meadows after a trek that could have lasted five weeks or more. Late autumn last year, these shepherds left with their flocks to walk hundreds of kilometers east, to the Danube floodplains, or northwest, to the lowland plains near Hungary. Now they’re back in their summer home.
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A lack of historical records makes it impossible to establish a precise time that long-distance transhumance began in the Carpathians but, since the region’s shepherd communities date to the pre-Roman Dacians, it is likely that this form of year-round grazing has been practiced since then. They are part of a tradition that stretches throughout the Balkans to northern and central Greece and Albania; their movements between these countries were only curtailed by World War I, when new country borders were created and passports were needed to cross them.
Timing the spring trek
One income source for the shepherds is the lamb they can provide for Easter tables. Romanians consider a 10-kilogram (22-pound) lamb the perfect size for this, so the animal needs to be eight to 10 weeks old. The shepherds time their trek to arrive in the Carpathian uplands for lambing to take place there around early March, depending on when the Orthodox Easter falls that year. Flocks comprise sheep belonging to a number of villagers, and each sheep is marked, to distinguish it from a neighbor’s.
This biannual journey enriches the landscapes the animals cross by fertilizing the soils in the migratory corridors with sheep dung and encourages a remarkably rich biodiversity by transporting fruits and seeds on the wool. It has also, over the centuries, led to extensive cultural exchanges as the shepherds traveled long distances in search of grazing, and many contemporary traditions — in food, literature and song — have their roots in this practice.
Both landscapes and traditions are now in danger of disappearing. Land that has been an open route for the shepherds for centuries is becoming privately owned, motorists don’t take kindly to a flock of hundreds of sheep crossing the road in front of them, and many flocks are now transported in trucks.
A mobile dairy
During the trek, the ewes’ milk is made into cas and urda, two fresh cheeses similar in texture, respectively, to ricotta and Greek mizythra, and cascaval, a semi-hard cheese that’s kept for up to three months. Later in the summer, when the milk has a higher fat content, it’s turned into a feta-like cheese called telemea. The curds are salted, wrapped into cheesecloth orbs, and hung for 24 hours before they are placed on slatted wooden shelves to settle into heavy discs of mountain cheese. The nutrient-rich whey is given to the pigs and sheepdogs. Some of the cheeses are allocated to the sheep owners, the remainder sold at local markets.
Over the centuries, the shepherds have perfected the art of turning fresh milk into products that can be kept longer than a few hours. As well as cheeses, they make smantana, similar to soured cream or thick yogurt, which is the perfect accompaniment to another easily transportable food that has come to be known as the national dish of Romania, mamaliga.
Mamaliga, a thick porridge made from maize flour (cornmeal), is similar to the polenta of northern Italy and other parts of the Balkans. Served in a huge variety of ways, it’s not unusual to find mamaliga on Romanian tables for breakfast, lunch, and dinner. As cornmeal is easy to store, transport and cook, it is the perfect staple food for a long trek. The shepherds make mamaliga in large cauldrons suspended over an open fire and are particularly fond of it with small game and sarmale (stuffed fresh or slightly fermented cabbage leaves). Often, though, it’s eaten alone, with smantana or cheese, or wrapped around fresh, white cheese to make a grapefruit-size ball (or “bear”), which is wrapped in foil and baked in charcoal.
The best mamaliga is made from coarse, stone-ground cornmeal that retains some of the hull and germ of the grain, producing a thick, yellow-gold porridge with a slightly crunchy texture. For Romanian cooks, the making of mamaliga involves many rituals, some of which touch on the semi-mystical in the same way as bread-baking and grape-stomping do, and they use a special saucepan (ceaun) for the process. Modern cooks, however, frequently use a commercial coarse cornmeal that considerably cuts the preparation time. Both types of cornmeal are suitable for making these fitters, a popular to way to serve mamaliga at home.
Mamaliga Fritters With Mushroom Sauce
For a true taste of Transylvania, use a mixture of sunflower oil and butter to fry the fritters, though olive oil gives a fine, if Mediterranean-flavored result, too. Serve with braised rabbit or chicken, with any manner of vegetables, or with mushrooms in sour cream.
Serves 3 to 4
For the mamaliga:
½ cup whole milk
1 cup water
¾ teaspoon fine-grain sea salt
1 scant cup coarse cornmeal (maize flour), preferably organic
3 tablespoons organic sunflower oil
2 tablespoons butter
For the mushroom sauce:
1 tablespoon butter
6 ounces wild, field or button mushrooms, wiped clean, trimmed and thinly sliced
Sea salt and freshly ground pepper to taste
3 to 4 tablespoons sour cream, to taste
3 tablespoons lightly chopped fresh dill
Watercress sprigs or other green leaves
Small pickled peppers
1. Combine the milk and water in a heavy saucepan, add the salt, and bring to barely a boil
2. Pour in the cornmeal in a slow, steady stream, stirring constantly in a clockwise direction with a wooden spoon. Over a low heat, simmer uncovered for 15-20 minutes, stirring occasionally to prevent sticking, until the mixture is thick enough to just support the spoon standing upright. Set aside uncovered for 10 minutes
(If you are using a commercial cornmeal, follow the directions for a thick mixture.)
3. To make the mushroom sauce, melt 1 tablespoon butter in a small, heavy saucepan set over low heat. Add the mushrooms, cover the pan, and simmer 6-8 minutes (button mushrooms) to up to 15 minutes (field or wild mushrooms), until soft. Strain the mushrooms over a bowl and set both mushrooms and liquor aside.
4. Turn out the cornmeal (mamaliga) onto a wooden board and spread into a 1-inch-thick layer with a spatula or palette knife. Smooth the surface and neaten the edges. Cut into 2×3-inch rectangles, or any shape you prefer (but keep manageable in size, otherwise they will break up later). Use the palette knife to loosen each one from the board
5. Set a frying pan over low-medium heat and add the sunflower oil and 2 tablespoons butter. When hot but not smoking, fry the fritters until golden brown on both sides, turning once.
6. Meanwhile, check the mushroom cooking liquor. If there is more than 4 tablespoons, reduce in a heavy pan set over medium heat. Lower the heat, add the mushrooms and stir in the sour cream. Heat to hot but not boiling (or the cream will curdle and spoil the appearance of the dish). Gently stir in the dill and add salt and pepper (the sauce should be highly seasoned)
7. Transfer the fritters to a warm platter and surround with watercress, pickles, and the mushroom sauce.
Top photo: A shepherd in the mountains near Sigishoara, Transylvania. Credit: Cordell Barron