Articles in Drinking
Say the word Malibu, and visions of bikini-clad women, surfer dudes and movie stars’ homes typically come to mind.
Now you can add vineyards with a view to the list of Malibu, Calif., attractions.
This month, the tony area will receive its Malibu Coast American Viticultural Area (AVA) classification, a process that took three years.
Malibu’s wine history begins in 1800s
“Now that we have a Malibu AVA, it gives us a sense of place and validates that we have a specific geographic area and we can reunite our group with a wine-growing history that goes back to 200 years,” said Elliott Dolin, proprietor of Dolin Malibu Estate Vineyards.
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Vineyards in the Malibu area were first planted by the Tapia family in the 1820s. “Between Prohibition and fires, the vineyards disappeared,” Dolin said.
Malibu’s viticultural history was revived in the mid-1980s by Santa Monica restaurateur Michael McCarty, who launched The Malibu Vineyards, and Los Angeles businessman George Rosenthal, who produced the eponymous label at his Malibu Newton Canyon vineyard. They were later joined by Ronnie Semler with his Malibu Family Wines at Saddle Rock Ranch.
Now Dolin is among 52 Malibu-based vintners farming wine grapes in California’s newly established AVA, which is comprised mainly of the Santa Monica Mountains. Some 198 acres of vineyards are planted with Cabernet Sauvignon, Merlot, Syrah and Chardonnay. The appellation is 46 miles long and 8 miles wide, with elevations ranging from sea level to 3,111 feet atop Sandstone Peak. The two previously established minuscule appellations of Saddle Rock-Malibu and Malibu-Newton Canyon now come under the larger Malibu Coast AVA. About 30 wine labels are produced by the 52 growers.
But for tourists looking to visit wineries and tasting rooms, you’re out of luck. Because of state and county restrictions, Malibu does not have wine-production facilities with tasting rooms in the AVA. All the vintners custom crush their grapes in various Central Coast locations, and wines are sold through mailing lists and at retail stores and restaurants.
However, I discovered two places to savor local wines — Rosenthal Wine Bar & Patio on Pacific Coast Highway and Cornell Winery Tasting Room in Agoura. (Cornell is not an actual winery, but a wine bar and retail shop).
Perched on the western boundary above the Pacific Ocean, the Dolin estate is a seagull’s flight from Zuma Beach and sits on Zuma Mesa. The volcanic soil was called Zuma, hence the name of the beach, Dolin said.
Standing on the terrace of his Mediterranean-style villa, Dolin pointed to six other small vineyards around his property. The coastal weather is ideal for wine grapes. “We have cool fog in the morning, warm days and it’s cool in the evening,” he noted.
A native New Yorker, Dolin joined the Nashville music scene (he played electric guitar) and then turned to real estate development. He was introduced to fine wines through a dedicated wine group in Los Angeles and developed a love for Bordeaux and California reds. He and his wife, Lynn, purchased their 2-acre ocean-view property in 2001 and planted the vineyard in 2006. The Dolins hired Bob Tobias as their vineyard adviser, and he suggested a Chardonnay planting with the Dijon 96 clone.
Why a Chardonnay vineyard for a red-wine aficionado, I ask?
“Our best chance for quality fruit was Chardonnay, so decision was terroir-driven, not taste-driven,” Dolin said.
The first release in 2009 was made by Dolin himself at a custom crush facility in Camarillo. In 2010, Kirby Anderson — the former head winemaker at Gainey Vineyard — came on board as the winemaker, winning the Chardonnay a double gold in the San Francisco Chronicle’s wine competition. Currently the wines are produced at a custom crush in San Luis Obispo.
It’s a gorgeous Malibu afternoon, with clear skies, a gentle breeze caressing the vines planted just below the villa’s scenic terrace and the ocean in the distance. We savor the lush, round-mouth feel of the 2011 Chardonnay, which clearly says “California Chardonnay.” Barrel-aged for 13 months, the wine shows balance of fruit and acidity with oak playing a supporting role.
With his passion for reds, Dolin is expanding his 2014 portfolio, sourcing Central Coast Pinot Noir from such prestigious vineyards as Talley’s Rincon, Solomon Hills and Bien Nacido. We had a preview of this portfolio, tasting a salmon-hued 2103 Roséproduced from Central Coast Pinot Noir.
I later met with Jim Palmer of Malibu Vineyards at Cornell Winery. This not a winery but a retail shop and tasting room that specializes in Malibu labels plus wines made by small producers from Temecula to Monterey. It’s tucked away in the Santa Monica Mountains in the hamlet of Cornell.
The tasting room is adjacent to the popular eatery The Old Place, which was once the Cornell post office. A throwback to the Old West that has served as a backdrop to several Hollywood productions, this tiny oasis is wedged between Malibu and Agoura along Mulholland Highway and was part of the old stagecoach route, Palmer said.
In the mid-1990s, Palmer purchased his 4-acre Decker Canyon property 3 miles from the coast. Perched at an elevation of 1,500 feet, the vineyard is planted with Sangiovese, Cabernet Franc, Cabernet Sauvignon, Syrah and Merlot. His first vintage, a Syrah, was launched in 2003, and currently his annual production is a mere 400 cases.
Palmer poured the 2010 Sangiovese Vortex, a Super Tuscan-style Sangiovese blended with Merlot and Cabernet Franc — a sublime wine with balanced acidity and traces of cherry fruit. The fruit-forward style 2010 Syrah showed a hint of spice.
An accountant by profession, Palmer calls his wine business a one-man show. “By doing that, I can control all aspects of winemaking,” he said. “I also sell my own wine.”
Malibu may be renowned as a beach retreat for movie stars and billionaires, but it’s also gaining recognition for vintners growing grapes on small patches of vineyards and crafting very good wines.
Main photo: A selection of Malibu wines sold at the Cornell wine shop and tasting room. Credit: Mira Honeycutt
In the outermost reaches of southwestern India, the soundtrack of summer has a deeper bass and a heavier beat than the rest of the year. The sun shines down with all its might and glory, and we reach for cool summer drinks.
The best thirst quencher is of, course, water; nothing hydrates like water. Growing up in southern India, we drank water stored in unglazed earthen pots, which cooled the water amazingly well. Sometimes, the water was delicately flavored with the fragrance of cleaned roots of raamacham (Chrysopogon zizanioids), a perennial grass native to India.
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When it comes to summer drinks, the top five south Indian favorites are tangy sambharam with a hint of chili, sweet paanakam flavored with ginger and cardamom, homemade lemonade, freshly squeezed sugarcane juice and fresh green coconuts filled with sweet coconut water. Living in Texas, the 100 degree-plus summer temperatures often make me crave these refreshingly cool libations. Luckily, sambharam and paanakam are easy to prepare with a few readily available ingredients.
When the thermometer hits triple digits, do you automatically reach for a soda? The next time you are tempted to drink a soda, read the label. They are loaded with sugars and artificial food colors and flavors. When you are planning a summer gathering, try one of these delicious summer drinks from India.
Summertime conjures up memories of big pots of sambharam, home-churned buttermilk spiced with green chilies, fresh ginger, curry leaves, lemon leaves and coriander leaves, kept in the open veranda of my ancestral home. The sight of this big pot was a welcome sign to those who walked by to stop and get a glass of this cool refreshing summer drink.
Buttermilk is the liquid left behind after churning fermented milk to make butter. Before the widespread industrialization of the dairy industry, most butter in India was made by mixing boiled and cooled milk with yogurt culture and allowing it to sit overnight to ferment. During those unrefrigerated hours, the added yogurt culture caused the microorganisms in the milk to sour slightly, taking on a nutty tanginess. This fermented milk was then churned to separate the butter from the buttermilk. Drinking tangy buttermilk helps to lower the body temperature and keeps the body cool and revitalized. Salty, tangy and spicy, this drink is a sure energy booster.
Back home, sambharam is prepared with slightly sour buttermilk. Homemade yogurt and buttermilk always taste fresher. They do not contain any thickeners or preservatives. Plain yogurt also makes good sambharam.
Prep Time: 10 minutes
Total Time: 12 minutes
Yield: 6 servings
2 cups plain yogurt or 3 cups buttermilk
Salt to taste
4 cups ice-cold water
1 or 2 fresh green chilies (serrano or Thai) (less for a milder taste)
3 tablespoons fresh lemon or lime leaves, thinly sliced (if available)
½ cup fresh curry leaves
1 teaspoon fresh ginger, grated
2 teaspoons very finely chopped fresh coriander leaves
1. Combine the yogurt, salt and water in a blender, and mix well. If using buttermilk, reduce the quantity of water.
2. Pour into a pitcher.
3. Cut the green chilies lengthwise and then into thin strips. (If you prefer the drink mild, reduce or eliminate the green chilies.)
4. Stir in the green chilies, lime or lemon leaves, curry leaves and grated ginger.
5. Garnish with finely chopped cilantro leaves. Usually this drink is not strained; it is served with all the added ingredients. If you prefer, refrigerate it for an hour and strain before serving.
Another cool drink perfect for the scorching heat of August is paanakam. This ginger and cardamom-flavored drink is sweetened with jaggery (Indian unrefined brown sugar), known for its digestive and cooling properties. Paanakam is usually served as an offering to the gods during Hindu religious rituals and festivities. Although considered a celestial favorite, it is also a refreshing, cool drink on a hot summer day anywhere in the world. Some traditional recipes include flavorings such as sandalwood and the fragrant root raamacham. It tastes quite delicious even when these ingredients are substituted with crushed cardamom. It is also very easy to make. Use as much jaggery and spices as your prefer. For me, the perfect Paanakam is one that has a kick of ginger and a hint of cardamom.
Prep Time: 15 minutes
Total Time: 20 minutes
Yield: 6 servings
1¼ cups jaggery or brown sugar
1 pitcher cold water
1 teaspoon ground cardamom seeds
1 teaspoon ginger powder
3 tablespoons of fresh lemon juice
1. Heat the jaggery/ brown sugar and one cup of water till the sugar is dissolved.
2. After it has cooled down, pour into the cold water and stir well.
3. If using jaggery, strain the liquid through a fine-meshed strainer.
4. Sprinkle cardamom powder and ginger powder. Add lemon juice and stir well.
5. Chill in the refrigerator. Serve over crushed ice cubes for a cool, refreshing drink.
Main photo: Sambharam and paanakam make for cool summer drinks. Credit: R.V. Ramachandran
How often does this happen to you? You’re looking in a kitchen cabinet when you stumble upon a random bottle of liquor you have no idea how to use. Or you’ve invited friends over and want to replace the usual wine with fabulous cocktails, but need some inspiration.
Maybe neither of these cases describes you because you’re a cocktail guru famed for your mixology expertise. No matter what, you’ll find life made easier by the cocktail apps below. With hundreds of recipes, virtual “liquor cabinets” and many more handy functions, these apps will place the bartending knowledge you desire at your fingertips.
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Basics: Mixology is the best option for anyone seeking a variety of functions on a simple interface. The app offers thousands of recipes that are searchable by category or ingredient.
Cool features: The “Cabinet” function enables you to check off liquors, mixers and garnishes that you have on hand and suggests drinks you can make with them. Mixology even locates nearby liquor stores for your shopping needs, and local bars if you want someone else to prepare the drinks. Finally, the app has bartending tips and tricks for beginners, and displays user ratings for each drink.
Systems: iOS, Android
Upgrade: Pay $0.99/$1.49 (iOS/Android) for “Mixologist,” which will allow you to store custom cocktail mixes.
Basics: Liquor Cabinet is a visually engaging app created to build recipes from the ingredients you have on hand. It has a substantial drink database searchable by category, ingredient or occasion, such as “Brunch” or “Holidays.”
Cool features: What makes Liquor Cabinet stand out is its whimsical “Cabinet” function. While “Cabinet” on apps like Mixology are basically checklists, this version enables you to virtually stock a wood-paneled bar with items you have so ingredients literally take shape, making them easily viewable. Select certain items and they are “mixed” into different recipes. Liquor Cabinet also provides a “bar napkin” so you can make notes, and lets you save Favorites. It tells you what drinks are a few ingredients away based on your Cabinet and tallies needed items on a shopping list. If you want help devising various drinks for what’s on hand — including that mystery bottle — then Liquor Cabinet is for you.
Basics: Speakeasy Cocktails is worth the investment for those who seek to immerse themselves in the art of mixology. It was created by Jim Meehan and Joseph Schwartz of the NYC speakeasies PDT and Little Branch, respectively.
Cool features: The app features 200 recipes, hours of video tutorials and quality photos on a beautifully smooth interface. The app divides its wealth of information into digestible “Chapters” on various topics: gear, techniques, liquors and mixers, recipes, and a history of the speakeasy. The recipes are easy to follow and define every drink ingredient and bartending term you’ll ever come across. If you’re looking to get into more serious cocktailing, this app is the perfect tool.
Format: e-book available for iPhone, iPad
Basics: Bartender’s Choice is perfect for those who want a professionally curated cocktail library without Speakeasy’s price tag. Created by Sam Ross of NYC’s Milk & Honey, this app affords you the expertise of a speakeasy bartender. Select choices for Alcohol, Sensation, Style and Extra, and it produces suggestions from its high-quality library of more than 400 cocktails, each featuring a well-crafted photo and brief drink history.
Cool feature: Though missing a “Cabinet” and in-depth tutorials, Bartender’s Choice includes “Minor Details,” which provides basic tips and definitions. Delivered on an interface evoking the spirit of a speakeasy, this app will have you reaching eagerly for your mixer.
Basics: If you’re a mixology novice or just want a straightforward app, then settle down with Drinks and Cocktails. This app sheds “Cabinet,” GPS and tutorial functions to focus on providing easy recipes. The recipes omit bartender jargon while keeping basic practical tips such as what a “highball glass” looks like.
Cool feature: It offers several hundred drinks that can be narrowed down by category or ingredient, browsed on a user-friendly scroll wheel and saved to Favorites.
Basics: Cocktail Flow has a more limited library but a more fun interface than others on this list. The app has the typical offerings of “Cabinet,” bartending basics and easy instructions.
Cool features: Three features make it stand apart: It budgets your cocktail shopping list based on drinks you like, offers nonalcoholic drink recipes and has a tropical theme that makes you feel like you’re mixing in a tiki bar.
Systems: iOS, Android
Upgrade: $0.99 for additional themes and recipes, although developers promise more free recipes in future upgrades.
Main photo: Summer cocktails on the porch — a margarita, blackberry Moscow mule, tequila sunrise and basil mojito. Credit: Rose Winer
The difference between homemade and commercial tonic is startlingly obvious at a glance: The DIY variety looks almost like cola in the glass rather than club soda, and the flavor follows suit, being richer and spicier.
That was our experience with the tonic at James Lee’s craft-cocktail lounge The Bitter Bar in Boulder, Colo., anyway, and it was sufficiently eye-opening for us to get the scoop from bar manager Dustin Johnson. He explained that “the more commercial products use a quinine extract, and that’s why they can be clear. Ours is reddish-brown because we use ground cinchona bark. Some customers are surprised by the color, until they find out that it’s actually more natural for a tonic to look that way.”
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They may or may not be equally surprised that the stuff mixes just as well with brown spirits as clear ones. “We really enjoy it with rye whiskey,” Johnson said, because “the caramel and vanilla flavors of the rye lend themselves well to its own flavors. Bourbon works in a similar fashion — we used to serve a cocktail called the BLT, which stands for bourbon, lemon and tonic. The added citrus made it really crisp and refreshing.”
Johnson’s standard recipe tonic requires a 5-gallon Cornelius keg, which is easy enough to find through home-brewing supply shops. But if you’re not prepared to make that kind of investment, Johnson also has a small-batch stovetop recipe at the ready. Cinchona bark can be purchased online, for instance at Healthy Village, or you may find it at your local apothecary.
Prep Time: 1½ to 2 hours
Cook Time: 45 minutes
Total Time: 8½ to 9 hours
Yield: 5 gallons
16 cups water
12 cups light agave syrup
6 ounces ground cinchona bark
9 ounces citric acid
Juice and zest of 8 lemons
Juice and zest of 8 oranges
Juice and zest of 8 limes
8 stalks lemongrass, roughly chopped
4 large pieces ginger root, roughly chopped
1½ ounces ground cinnamon
1. Put all ingredients into a very large nonreactive pot and bring to a boil, then lower the heat and simmer for 45 minutes, stirring regularly to make sure everything is dissolved.
2. Strain the mixture through a colander, then filter the strained liquid through a cheesecloth into a deep hotel pan with a perforated top for about 6 hours or overnight. This will yield 2 to 2½ gallons of syrup.
3. Mix 1½ gallons of syrup (refrigerating the remainder in plastic or glass for future use) with 3½ gallons water in your Cornelius keg. Force-carbonate for 48 hours.
Prep Time: 1 to 1½ hours
Cook Time: 40 minutes
Total Time: 5 to 6 hours
Yield: About 1 quart
4 cups water
3 cups light agave syrup
3 tablespoons ground cinchona bark
4 tablespoons citric acid
Juice and zest of 2 lemons
Juice and zest of 2 oranges
Juice and zest of 2 limes
2 stalks lemongrass, roughly chopped
1 ginger root, roughly chopped
1 tablespoon ground cinnamon
1. Put all ingredients into a medium-sized nonreactive pot and bring to a boil, then lower the heat and simmer for about 40 minutes, stirring regularly to make sure everything is dissolved.
2. Strain the mixture through a colander, then filter the strained liquid through a cheesecloth into a heatproof container for 3-4 hours.
3. Funnel the resulting syrup into a large glass bottle, cover tightly and store in the refrigerator for up to several weeks. When ready to use, mix 1 ounce of syrup with about 3 ounces of soda water.
Main photo: A cocktail made with homemade tonic. Credit: Dustin Johnson
“White Vermentino is the quintessential Mediterranean grape: It loves the sun, the sea and and the wind, and it marries perfectly with fish and seafood pastas,” says Giampaolo Gravina, one of Italy’s senior wine experts. If Vermentino is sometimes grown in coastal areas of Liguria (where it is known as Pigato) and Tuscany, it is most often linked with Sardinia, the second largest island in the Mediterranean, situated south of Corsica and west of Naples.
“The region of Gallura, in Sardinia’s northeastern corner, is Vermentino’s natural home,” Gravina explains. Here, in the province of Olbia-Tempio, the best grapes are made into Vermentino di Gallura DOCG wines, one of Italy’s most prestigious wine appellations. (Any wine bearing the DOCG label must be produced within a specified area and adhere to strict production regulations). As is so often the case with native varieties, Vermentino has found its ideal habitat over time: It is thought to have been cultivated in Gallura since the 14th century. The vines have adapted well to Gallura’s extreme growing conditions, he says: very poor, rocky soils of granite and sand, constant winds coming off the nearby sea, and forceful sun throughout the year.
Gallura’s stunning coastline, with its pristine fjord-like bays and sandy beaches, is never far from the vine-growing slopes. In 1961, Karim Aga Khan, one of the world’s richest men, decided to create a luxury tourist complex here in an area of coast about 20 kilometers (12 miles) long that would allow for some development while preserving the area’s natural beauty. He named it La Costa Smeralda (“the emerald coast”) and built a smattering of the world’s most exclusive hotels and villas along the shore around Porto Cervo. In midsummer, hotels such as the luxurious Cala di Volpe boast prices only moguls can afford, with multi-tiered yachts anchored at its secluded marina.
D.H. Lawrence wrote that Sardinia was “left outside time and history.” The island’s traditional gastronomic and cultural heritage is still very much alive, particularly in the areas inland from the sea. Sardinia’s interior is rough and mountainous, with much of the land suited only for grazing sheep, and is dotted with small stone villages in which time seems to have stood still. Meeting and visiting wine producers is a great way to access that culture. The annual Porto Cervo Wine Festival, held in May, is open to the public and offers a perfect introduction to Sardinia’s exciting wine world. Wine tourism is on the increase on the island and well-appointed cellars make perfect destinations for day trips from the coast.
“Gallura is not an easy place to grow vines or other crops,” says Emanuele Ragnedda, who runs Capichera winery near Arzachena with his father, Mario, and uncle, Fabrizio. “The terrain is uneven and rocky, with hillsides covered thickly by the macchia.” Vermentino vines can do without much water, too, but growers are permitted to irrigate occasionally in the hottest months to prevent the vines suffering from too much stress.
“Despite this climate, Vermentino is capable of maintaining considerable freshness and acidity,” Ragnedda says. “It is often marked, too, with an attractive saline quality that comes from the Mediterranean‘s salty terrain and sea breezes.”
Capichera’s top wine, Santigaini, is named for a single vineyard planted with six traditional clones of Vermentino whose diversity add complexity to the finished wine. It is partly cellared in French oak barrels and its older vintages are proof that Vermentino can age well into wines whose body and character are reminiscent of red wines.
“My family has been in Sardinia for 300 years, and was the first to make single-varietal whites of Vermentino in 1980 on farmland my mother inherited,” says Ragnedda as we walk through the leafy rows, surrounded by magnificent granite mountains. “We believe Vermentino is unusually flexible for a white grape, and can be adapted to different vinification methods.”
Vermentino is usually vinified in stainless steel vats without the use of barrels, and drunk within the first year or two: a perfect summer wine. Its attractive citrus and floral notes – often with hints of ginestra, the local yellow broom flowers – and lively minerality keep it refreshing and dry.
Vigne Surrau, a few miles north of Arzachena, is one of the most impressive wineries to visit, with well-designed modern buildings, a varied program of events, and artisanal cheese and salumi to enjoy along with the wine.
A cultural blend for Vermentino
“We wanted to create a place in which the culture of wine can meet the cultures of art, cinema and food,” says the estate’s owner, Tino Demuro. Here, too, Vermentino is at the forefront of the company’s wine production, with five versions that include a sparkling Metodo Classico Brut, three fine dry wines and a sweet passito, for which the ripe grapes are picked and dried for a month on racks to concentrate their sugars before pressing.
For those who enjoy seeing spectacularly situated vineyards, another recent wine estate, Siddùra, is a short drive west under the mountains towards Luogosanto. Here a new project has seen 19 hectares (46 acres) of macchia transformed into thriving young vineyards, most of which are planted to Vermentino. This ambitious enterprise is the result of a collaboration between German fashion businessman Nathan Gottesdiener and local Sardinian building engineer Massimo Ruggero. They’ve created a state-of-the-art cellar surrounded by vineyards that are now coming into full production, and that bode well for the island’s enological future.
Main photo: Mario, left, and Emanuele Ragnedda run Capichera winery. Credit: Carla Capalbo
The blame for the popularization of ABC — Anything but Chardonnay — can be laid at the door of former British Prime Minister John Major, who said in the late 1990s, “I’m afraid I’m an ABC man.” That was the decade of excess, when Chardonnays were sweet, ripe, creamy, larded with oak and with a texture so thick you could scoop it out with a spoon. With the PM pitching in to the debate, suddenly everyone realized they were sick of that style.
It didn’t dent sales. Any big distributor will tell you there have been blips in Chardonnay sales, but none serious. These pronouncements are often overhyped by the wine media’s desire for a story, and the fact that critics’ boredom thresholds are lower than the public’s.
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Sauvignon Blanc has always had its detractors. The former Slate columnist Michael Steinberger, for example, mocked its “chirpy little wines wholly devoid of complexity and depth … a limp, lemony liquid that grows progressively more boring with each sip.”
Articles with titles like “10 alternatives to Sauvignon Blanc” are more and more common. How do we “wean ourselves” off the grape, asked Victoria Moore in the Daily Telegraph.
And it’s not just the columnists. “I’ll sell people a crisp and fresh white from somewhere else, like a Verdejo, or a dry Riesling,” said John Jackson of Theatre of Wine, independent merchants in Greenwich, England, with a loyal, local clientele. Jackson saw Sauvignon in the same position as Pinot Grigio a few years ago. “People are starting to move on, though they’re not as vocal about it as they were with heavily-oaked Chardonnay.”
Sauvignon Blanc’s momentum
There’s no evidence to suggest Sauvignon is in danger of even the smallest blip in sales. “It’s as strong as it ever was,” reported Paul Brown, who runs the on-trade side of major United Kingdom distributor Bibendum. At the Wine Society, a multi-award-winning mail-order giant, head buyer Tim Sykes said, “Sauvignon sales are growing apace, up over 15% year on year in volume terms, and they represent around 25% of our white sales.”
According to Bibendum, the status of Sauvignon Blanc is not only healthy, it’s growing. “Everyone thought it was going to fall off a bit, but it’s still incredibly strong. It’s even chipping into Chardonnay,” Brown says. “The trade wants people to try something else, but people still love it.” And what they want is the big style, “flavors that you can smell five yards from the glass.”
That style, in the wrong hands, can be tedious. The phrase “cat’s pee on a gooseberry bush,” memorably coined by U.K. writer Anthony Hanson, is beginning to seem pretty dated. That is why it was so refreshing to taste a range of Sauvignons whose flavors, though unmistakable, were in a lower key than one might expect, more complex and more varied.
The tasting (in July at London Cru, the capital’s first urban winery) comprised 32 wines from Australia, New Zealand, California, Chile, France (Loire and Bordeaux), South Africa and Turkey. They were tasted double blind, in identical clear glass bottles. All we knew was that it was Sauvignon, with or without Semillon in the blend.
Jean-Christophe Mau of Chateau Brown in the wine-growing area Pessac-Leognan organized it, including his own wine in the lineup. (Pleasingly, Chateau Brown won top marks from the majority of critics there.)
All the wines had oak treatment of some kind. Some were barrel-fermented, some spent 10 months in new French oak barriques, others far less time, 50% second-use barrels, others eight month medium toast, others 15 months in old oak. … With oak, the variables are infinite.
Looking down the list, a common factor was restraint. Where new oak is used, it’s sparingly, either in larger barrels, or for a small percentage of the blend.
“The trick is in the toasting,” Mau says. “We use 50% new French oak and a very light toasting, for eight months. You get less classic gooseberry flavors, if you can find the balance between acidity and flavor.”
The first surprise was the difficulty in placing the wines. I didn’t expect such freshness and restraint in the American wines, for example, although the New Zealanders showed their classic colors: gooseberry, robust sweaty aromas, nettle and grass. Surprising also was the complexity on show: judicious use of oak tempers the green pepper or asparagus flavors that people can find offensive, and bring more of what U.K. critic Sarah Ahmed calls “the Bordeaux style, more lemon oil notes — it’s a striking feature.”
“Limp and lemony … devoid of complexity”? Not at all. The best of these wines have bracing acidity and fine complex fruit. I noted the following flavors: apple, pear, sour apple, sugared pear skin, honey, apple custard, fresh hay, salinity, river mud, lemon, lemongrass, apricot, sweat, earth.
I used the descriptor “gooseberry” three times, “cat’s pee” not at all.
* * *
Top 5 Sauvignon Blancs
Prices are approximate; oaking regimes as supplied by winery
Larry Cherubino ‘Cherubino’ 2013, Pemberton, Western Australia
100% Sauvignon Blanc
100% new, 3 months aging
Delicate gooseberry and hint of oak on the nose. Sour apple and pearskin palate leading to tropical notes — sweet stone fruit. Long and elegant, very fine
Alcohol: 12.5% Price: $44 (£25.99)
Château Talbot Caillou Blanc 2012, Bordeaux blanc, France
74% Sauvignon 26% Semillon
35% new oak barriques, 35% 1 year old, 30% 3rd fill for 8 months
Unexpressive nose but quickly a lovely interesting palate with honey, freshness, salinity, good ripe acidity, mouthwatering sweet pear and peach and fine, sophisticated weight
Alcohol: 14% Price: $27-$30 (£15)
Château Brown 2012, Pessac-Léognan, Bordeaux, France
64% Sauvignon 36% Semillon
8 months in medium toast barriques, 50% new, 50% 2nd fill.
Really fresh impression of intense chalky acidity, fine pear and apple (Granny Smith) with an almost tannic heft. The mid-palate is dry with promise of a dissolve to juice. Lovely, mouthwatering wine
Alcohol: 13.5% Price: $36 (£25)
Huia Sauvignon Blanc 2013, Wairau, Marlborough, New Zealand
100% Sauvignon Blanc
A portion was fermented in neutral French oak barrels.
Elegant refined nose with nettle and hint of green mown grass. The palate unmistakably New Zealand, with gooseberry, lime and more nettley, hedgerow flavors. Fine fresh acidity, fine weight
Alcohol: 14% Price: $15 to $20 (£13)
Yealands Winemakers Reserve 2013, Awatere, Marlborough, New Zealand
100% Sauvignon Blanc
30% fermented and aged in French oak barrels, 5% new
Classic sweaty nose with gooseberry, intense and powerful palate with dancing acidity. Lovely fresh, fearlessly classic Marlborough Sauvignon
Alcohol: 13.5% Price: $25 (£14.95)
For more tasting notes, visit Adam Lechmere’s blog.
Main photo: Jean-Christophe Mau of Chateau Brown, left foreground, at London Cru. Credit: Richard Bampfield
In an annual rite, tea professionals from around the globe gather each year at the World Tea Expo to unveil new products, attend workshops and network with their peers. With the United States now the second largest tea importer, this year’s show was held in Long Beach, Calif., attracting an estimated 200 exhibitors and 4,000 buyers.
As people sifted through bins of loose tea, aromas filled the air at the expo. Like wine connoisseurs, they had their own jargon — such as “dirty socks” and “swamp” to describe the blends. I followed my nose to the World Flavorz Spice & Tea Company booth. The Malibu-based wholesaler specializes in teas that blend notes of fruit with floral fragrances. With names like Green Tea Lavender Rose and Island Paradise it’s easy to imagine why some call tea “the new black.”
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Of course, not everything was new. Few things are more artistic — or traditional — than the Chinese tea ceremony. Meng Yang of China’s Fujian Chunlun Tea Group brewed a delicate green tea using the Chaou method. It uses cooler water, which helps maintain the tea’s integrity for tastings when viewing and sniffing are important.
Back amid the vendor hubbub, wholesalers showed off sexy new brew bottles, traditional clay teapots, single pot drippers, digital gooseneck kettles, infusion tea pitchers, bag-less tea and disposable tea infusers. The goodies went on and on. You may see some of them the next time you visit a local tea house. While you’re there, remember to use words like dirty socks and swamp.
Main photo: Meng Yang of China’s Fujian Chunlun Tea Group presents a traditional tea pour at the 12th annual World Tea Expo. Credit: © Seth Joel
Aubert de Villaine is a rare wine character. The gatekeeper to the most celebrated wines in Burgundy — Domaine de la Romanée-Conti — de Villaine works in the service of his vines. His wealth and power are obscured by frayed tweed jackets and mud-caked boots.
When you meet him, there is no hint of the haughtiness typical of lesser lights in the wine world. Neither is there the equally off-putting salesman’s instant friendship. A private man, de Villaine maintains a surprisingly low profile for someone with his influence.
By Maximillian Potter
Knowing this, I am all the more astonished by the intimacy of the story Maximillian Potter tells in “Shadows in the Vineyard: The True Story of a Plot to Poison the World’s Greatest Wine.” Potter’s unprecedented access to the great vigneron and the people closest to him imbues the book with the spirit of its two main characters, bringing both de Villaine and his vineyards to life as no one has.
This is a thriller, complete with a blackhearted criminal and a scheme so frighteningly sinister it is nearly unbelievable. Unable to put it down, I read it in one sitting.
Lesson in the ‘Shadows’
Potter deftly delivers everything you need to know about winemaking, the French Revolution, de Villaine’s family, the birth of the American wine movement and Burgundy’s history to keep you turning the pages to learn more. When you close the book, you will want to pull a cork as an act of homage and celebration.
My favorite chapters focus on de Villaine’s ancestor, Louis-François de Bourbon, who began the family wine dynasty in the pre-revolutionary intrigue of the court of King Louis XV. From that vantage point, Potter pulls the threads with which he weaves the modern drama that took place in the dark of night on the hillside of La Romanée-Conti vineyard.
In my home, I have two giant bookcases filled with wine books, at least 200 volumes. As a wine writer, I have at least perused nearly every wine book written in the last couple of decades. I keep the ones with information I might need in the course of my work.
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“Shadows in the Vineyard” goes on a separate bookshelf, one reserved for books I’ve enjoyed and want to either read again or pass along to friends. This is a book for anyone who loves a well-told tale. It also might turn you into a wine lover.
I worked with Potter at Premiere magazine when he was a fresh-from-college assistant to the editor. He went on to become an award-winning journalist, writing for Philadelphia and GQ and working as an editor at 5280: The Denver Magazine, Men’s Health and Details. He is now a senior media consultant to Colorado Gov. John Hickenlooper.
The dogged journalist with an open heart I met 20 years ago is in evidence on every page of this, his first book. It is a feat he accomplishes without once getting in the way of the story he tells. Bravo, Max.
Main photo composite:
Maximillian Potter. Credit: Jeff Panis
Book cover: Credit: Courtesy of Hachette Book Group