Articles in Drinking
Portugal is famous for producing two styles of wine that couldn’t be more different: Port and Vinho Verde. Port is known as a wine for winter — rich and warming, perfect for fireside sipping. Vinho Verde is the yin to Port’s yang — light, fresh and (typically) white. Vinho Verde is a wine for spring.
With a name that translates to “green wine,” in reference to its youth and freshness, Vinho Verde comes from the rainy region of the same name in the northwest corner of Portugal. While reds and rosés are also made there, Vinho Verde wines are primarily white. Known for their crispness, acidity and light effervescence, the wines are naturally low in alcohol and usually priced under $10.
The new Vinho Verde
While those cheap-and-cheerful wines are still plentiful, a new style of Vinho Verde wines is emerging alongside them. Like their traditional cousins, these wines are crisp and refreshing, yet they’re drier, riper and more mature in character. Their alcohol levels are low compared to many other whites, but at 12%, they’re a bit higher than the traditional 8% or 9% for Vinho Verde. Prices also have gone up, from about $7 a bottle to a still-affordable range of $11 to $20.
Another notable change is that producers are starting to showcase single-grape varieties such as Alvarinho, Loureiro and Trajadura, which were traditionally blended together.
This new approach is the result of a campaign by the region’s viticulture commission to encourage growers to plant in new locations, and improve their farming practices. Instead of using the old pergola trellis systems, growers are wire-training the vines on more modern systems. Rather than planting on the valley floors, they’re planting on slopes. The result has been a remarkable increase in the quality and complexity of the wines.
Wines for spring dishes
The great thing about the new-wave Vinho Verde wines is that they’re still wonderful for spring sipping. Not laden down with heavy oak, the wines pair beautifully with warm-weather dishes, including salads, shellfish and grilled fish. In Portugal, where fabulous fresh seafood is plentiful, Vinho Verde is often served with grilled sardines, arroz de marisco (seafood rice) and clams cooked in a cataplana.
Here are four delicious Vinho Verde wines to help you ring in spring:
Quinta de Gomariz Loureiro 2014 ($13): Made from the Loureiro grape, this wine has a spicy, floral aroma. It has fresh citrus notes on the palate, accented with spice and a bit of orange peel flavor on the finish.
Vercoope Via Latina Loureiro 2014 ($18): This wine has lovely aromas of green apples and citrus, with light floral notes. It’s fresh and crisp, with citrus and green apple flavors, and just a bit of tropical fruit. It’s nicely balanced, with bright acidity.
Aromas das Castas
Aromas Das Castas Alvarinho-Trajadura 2014 ($12): With a fresh, peachy aroma, this wine is slightly spritzy, with tangy citrus and peach flavors. It has a nice long finish, with a note of lemon zest.
Casa de Vilacetinho
Casa de Vilacetinho 2013 ($11): A blend of Avesso, Arinto, Azal and Loureiro grapes, this wine has citrus and tropical fruit aromas. It’s off-dry and a little bit fizzy, with stone fruit and citrus flavors.
Main photo: A new style of Vinho Verde wines is emerging, and it’s perfect for springtime sipping. Credit: Copyright 2015 Tina Caputo
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If you want to order a gin and tonic in Spain, first drop the “and” from the drink’s name (it’s known simply as a “gin tonic”) and then be prepared to answer two serious questions from the barkeep.
First, what gin? Any respectable bar will have 10 to 50 bottles, or more, in stock. Second, what tonic? You should also know a favorite based on your preference for its handcrafted blend of bitter and sweet.
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In an instant, one luscious bittersweet sip helped me understand why the gin tonic had made a crazed ascent to become the unofficial national drink of Spain in less than a decade. But at the same time, it introduced a whole host of other questions. What makes a Spanish gin tonic different from the classic British stalwart? How many riffs on one cocktail can there be? Could I master the technique for the perfect gin tonic?
I sought out one of the reigning gin tonic masters in Spain to discover why this age-old cocktail is such a perfect foil for the Spanish philosophy that it’s good to play with your food. I also got some tips on making your personalized best GT.
Main photo: Gin tonic with Pepe José Orts. Credit: Copyright 2015 Caroline J. Beck
Craft beer now outsells Budweiser in the U.S. With two to three craft breweries opening every day across America, every region of the country now has craft bragging rights. The top-selling new craft beers come from breweries located in some unexpected small towns and cities. Find the one closest to you. Source: IRI-tracked supermarket sales.
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Main photo: The staff at Rhinegeist Brewery in Cincinnati. Credit: Copyright 2015 Rhinegeist Brewery
I was born in Harlem, a child of Southern migrants and Caribbean immigrants. I witnessed what the women in my family could do with food.
Rarely is our history taught through the lens of food. Yet, it was over the hearth and in kitchens large and small that they impacted our nation’s culture and created economic, political and social independence through ingenious culinary skills.
That is why I honor African-American women cooks for Women’s History Month this March.
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The women in my family created and passed down masterful meals from ancient, unwritten recipes. They built communities and paved my way with proceeds from selling sweet potato pies, fried chicken dinners and roti lunches: a Trinidad flatbread cooked on a griddle and wrapped around curried vegetables or meats. My mom made these popular rotis and sold them in box lunches to employees at the hospital where she worked.
Whether they were free or formerly enslaved, the women I descended from cooked their way to freedom and wealth in America.
In their honor, I have chosen to feature two vintage recipes from two of the oldest cookbooks written by African-American women.
Mrs. Fisher’s cookbook was long known as the first African-American cookbook until Mrs. Russell’s book was discovered in 2001. Both women wrote their books at the behest of friends, fans and patrons.
Mrs. Russell, a free woman from Tennessee and an owner of a local bakery, was known for her pastries. Most of her recipes are European-inspired. Her cookbook also includes remedies and full-course meals. It was published after she moved to Paw Paw, Michigan.
Mrs. Fisher, a formerly enslaved person, won cooking medals for a wide range of dishes, including preserves and condiments in California. She moved out West from Alabama after the Civil War.
Below are their original recipes and my interpretation.
Mrs. Russell’s Jumbles Cookies
Jumbles were cake-like cookies popular from the 1700s. Mrs. Russell’s recipe was exceedingly spare on details, like all of her recipes:
“One lb. flour, 3/4 lb. sugar, one half lb. butter, five eggs, mace, rose water, and caraway, to your taste.”
The popular vintage cookies have been adapted through the ages — even by modern food bloggers. I personally sampled a reimagined version of a Jumbles recipe at a culinary event that Anne Hampton Northup was said to have made when she cooked at the Morris-Jumel Mansion. Northrup was a chef and the wife of Solomon Northup, whose life was depicted in the Oscar-winning picture “12 Years a Slave”.
Here is a more detailed recipe so you can make Mrs. Russell’s Jumbles Cookies, using her ingredients. Since she suggested using mace, rosewater and caraway to taste, feel free to alter the suggested amounts of those ingredients:
Prep time: 15 minutes
Cook time: 20 minutes
Total time: 35 minutes
Yield: About 4 dozen cookies
3 1/3 cups all-purpose flour
3 teaspons mace
2 tablespoons caraway seeds
1 1/2 cups granulated sugar
8 ounces salted butter (2 sticks, at room temperature)
5 eggs (small- or medium-sized)
4 tablespoons rosewater
1. Preheat the oven to 375 F and line your baking sheets with parchment paper.
2. In a small bowl, combine the flour, mace and caraway seeds.
3. In a large bowl, cream the sugar and butter together.
4. With an electric mixer on low speed, beat in eggs to the butter and sugar mixture.
5. Add the flour mixture and mix until combined.
6. Add the rosewater and mix until combined.
7. Using a tablespoon measure, spoon tablespoon-full size drops of the batter on your baking sheets, about 2 inches apart.
8. Bake for about 10 minutes, just until the edges turn golden.
9. Cool the cookies for two minutes on wire racks. Serve, and store the remainder quickly in a sealed container or bag.
Mrs. Abby Fisher’s Blackberry Brandy
This old recipe holds up very well today. Many of Mrs. Fisher’s recipes called for huge amounts of each ingredient:
“To five gallons of berries add one gallon of the best brandy; put on the fire in a porcelain kettle and let it just come to a boil, then take it off the fire and make a syrup of granulated sugar; ten pounds of sugar to one quart of water. Let the syrup cook till thick as honey, skimming off the foam while boiling; then pour it upon the brandy and berries and let it stand for eight weeks; then put in a bottle or demijohn. This blackberry brandy took a diploma at the state Fair of 1879. Let the berries, brandy and syrup stand in a stone jar or brandy keg for eight weeks when you take it off the fire.”
I was so inspired by Mrs. Fisher’s recipe that I made my own version — which is now in the middle of the eight-week fermentation process. I used the same ingredients, but reduced the amounts, and poured them into a glass jug instead of a brandy keg. And I used cognac, because Mrs. Fisher’s recipe called for the “best brandy.”
We’ll have our own taste test — at my next family reunion.
Main photo: Abby Fisher’s 1881 cookbook was long believed to be the first African-American cookbook until Malinda Russell’s 1866 book was discovered in 2001. Credit: Copyright Sylvia Wong Lewis
I was tasting the 2012 Grand Veneur Côtes du Rhône “Les Champauvins,” a smooth, nicely structured red with flavors of black and red berries. It was so cozy and friendly that, dear reader, I felt a Cole Porter song coming on: “You’d be so nice to come home to. You’d be so nice by the fire. …”
At $15 to $20, I could imagine coming home to that wine when a bit of self-pampering was warranted.
“Les Champauvins” was made by the Jaume family, whose winery is located in Orange in France’s Rhone Valley. Created in 1826, the domaine is now run by the sixth generation: Sebastien Jaume, 36, the winemaker, is an enologist who worked at the Erath Winery in Oregon, Château Gruaud Larose in Bordeaux and Clos des Papes in Châteauneuf-du-Pape. Christophe, 35, handles marketing, and Helene, 25, oversees the newest acquisition, Château Mazanne in Vacqueyras.
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The domaine originally comprised 12 hectares (almost 30 acres) of vines when Alain Jaume took over in the 1970s. It has since expanded to 90 hectares (about 222 acres), spanning the southern Rhone. Wines made from these vines are sold under the Grand Veneur label.
There is also a negociant line labeled Alain Jaume that encompasses an encyclopedic range of wines from simple Côtes du Rhône to Gigondas. As if that weren’t enough, the family rents out a vacation home at Château Mazanne that sleeps 17, has a pool and endless mountain vistas.
But I digress — back to that Champauvins.
Champauvins, a rich blend
Like all of Grand Veneur reds, this is a blend of Grenache, Syrah and Mourvedre, though percentages vary according to the wine.
Grenache brings a unique, sweet smoothness to a blend and accounts for 70% of Les Champauvins. Syrah deepens color and adds exotic scents. Mourvedre delivers tannins, power and age-ability. In general, both the Syrah and the Mourvedre mature, at least partly, in oak barrels, whereas the Grenache ages only in tanks.
Viticulture at the estate-owned properties is organic. Grapes in Châteauneuf-du-Pape are hand-harvested; most of the others are as well, except when climatic conditions demand speed.
Les Champauvins is located 10 feet beyond the Châteauneuf-du-Pape zone, not far from Jaume’s vines in that appellation, and its soils are similar: red clay carpeted with large rocks streaked with quartz called galets roulés.
Another major Jaume property is in the Lirac appellation, across the Rhone from Châteauneuf-du-Pape. It’s the site of the deservedly popular Domaine du Clos du Sixte. The lip-smacking 2012, rich and velvety, mixes light oak flavors with those of black cherries and herbs like thyme and bay leaf ($12 to $25).
Three heroic red Chateauneuf-du-Papes
Three red Châteauneuf-du-Papes are all in the northern sector of the zone. In addition to varying percentages of the three grapes, differences in the three bottlings can be accounted for chiefly by the age of the vines and choice of fermentation techniques.
The basic Châteauneuf-du-Pape, 70% Grenache, is a delicious mouthful of the savory flavors of herbs as well as sweet ones like black cherry. Its texture is velvety, revealing the dulcet character of Grenache combined with the exoticism of Syrah and the muscle of Mourvedre. It’s nicely priced at under $40.
Next, “Les Origines” is made from a northern sector of the Châteauneuf-du-Pape vineyard. Its grapes are painstakingly sorted before fermenting for three weeks with regular punching down. Its dark robe presages deep flavors of gently crushed black and blueberries, licorice and coffee bean. The wine is fresh and smooth and lifted by a hint of menthol.
The vines for Grand Veneur’s Vieilles Vignes are more than 75 years old. Grenache makes up 50% of the blend, Mourvedre, 40%. Nearly pitch black with purple reflections, it’s a potent weave of blackberry, blueberry, herbs, dark chocolate and licorice. Rich it is, but cool, too, with no jagged edges, no heaviness and a long finish. It’s Jaume’s priciest wine, at around $96.
Ideal food pairings
You can cellar all these wines for decades. Or drink them now. In the latter case, decant them a good two hours in advance and put the carafe in a basin of cool water in order to serve the wine at about 60 F.
One dish the Jaumes pair with these wines is wild duck with roasted figs — which sounds yummy. What’s more, it evokes the culinary association that inspired the domaine’s name. The term dates from the Ancien Regime’s chasse au cour. The results of the hunt would be served with a blood-thickened variation on the sauce poivrade called Sauce Grand Veneur.
But Easter is approaching and these wines are superb with lamb, my current favorite. My late uncle Bill, however, traditionally baked ham with pineapple. With that, I’d want a special white.
Jaume’s oak-aged Chateauneuf-du-Pape “la Fontaine” is pure and quite plush Roussane ($80) that I’d save for lobster. For a marriage truly made in heaven, however, I’d grab their discreetly fragrant Viognier, a Cotes du Rhone ($12), with mingled flavours of apple, litchi, pear and white-fleshed peaches. I feel a song coming on.
Main photo: Alain Jaume and two sons. The family winery was begun in 1826 and today spans the southern Rhone Valley. Credit: Copyright Alaine Jaume & Fils
There may be no better example of a destination watering hole than the one on the site of the abandoned Nellie E Mine outside Parker, Arizona. Ken Wardlow’s Desert Bar is in such a remote location in the Buckskin Mountains that just getting there is an adventure. But it’s no secret to communities up and down the Colorado River from Blythe to Lake Havasu, whose residents party there every Thanksgiving weekend, or to the snowbirds who come from all over the country in January: Pull into the parking lot and you will see license plates from Alaska, Illinois, Washington, Oregon and Nebraska. The accents you hear of German gentlemen cooing over showy 1,000 horsepower ATVs will confirm that this place is an open secret among Europeans, too. Then you enter the bar and meet 300 new best friends.
In 1983, Ken Wardlow had three things: a piece of property he had owned since 1975, a liquor license and a great imagination. He built a 12-by-12-foot shack with three walls and called it the Nellie E Saloon. Customers with a thirst for its Wild West aura began coming in droves, and by 1989 the shack had been replaced by a solid structure. It has been growing organically every year since. Now known as the Desert Bar, it’s a three-level complex with tin roofs, multiple seating areas, bars, kitchens, bandstands and a dance floor that you reach by a covered bridge spanning an actual gulch. It has no address other than its coordinates (34 degrees 12.05.14 North, 114 degrees 08.55.87 West), and it relies on its own wells, solar panels and twin cooling towers. In short, it is entirely off the grid.
The Desert Bar’s curiosities don’t end there. It is rarely open — only on weekend afternoons, before sunset, mid-autumn through mid-spring (that is, when the average temperature hovers below 100 F). To reach it, you have to join the line of Jeeps and pickups that creep along five dusty miles of primitive road. (Unless you have a quad, dune buggy, side-by-side or dirt bike, do not accept the challenge of the treacherous back way. Better to enjoy that drama through some daredevil’s head cam on YouTube.) So why is this bar so wildly popular? Well, there’s cold beer and lemonade that’s squeezed to order. There’s perfectly prepared American comfort food like hamburgers, hot dogs and chicken sandwiches to energize you for the journey home. You can indulge your secret longing for a basket of deep-fried pickle spears, or go all the way with the fritto misto of pickles, onion rings, mushrooms, jalapeños and freshly cut fries unfairly known as the “junk basket.” Try it, just the once…
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But in the end it’s the atmosphere, not the menu, that makes all the difference. As the regulars arrive, they grab the shaded table they will occupy until sunset, while the newcomers wander around in awe. Cameras and cellphones capture the abandoned cars and fire trucks strewn around the property, the three bars, and the open-air ladies’ room constructed of rusting metal plates. Women — and, if the coast is clear, the occasional man — linger in here taking photos of the 30-mile view through the glassless picture windows. Hands down, the most-photographed structure is the trompe l’oeil “church.” Constructed from steel plates in 1991, it contains just one room under the three-story, copper-topped steeple, lined in stamped tin with two arched openings. And yes, destination weddings take place there regularly.
The words that customers use over and over to describe The Desert Bar are “fun” and “unique.” For the first-timer, two miles on the bone-rattling road to its door are enough to make you question all the praise. But once you see that steeple up ahead you know it is going to be worth the trip. Fun? Just walk up into the hills behind the bar and listen to the buzz of conversation and laughter filling the canyon. Unique? Without a doubt. Guaranteed you have never spent a Sunday Funday in such a hospitable bar surrounded by such inhospitable mountains.
Main photo: Fresh-squeezed lemonade at the Desert Bar in Parker, Arizona. Credit: Copyright 2015 Seth Joel
The dogma about sake today is that high-quality versions must be served chilled, but that is a total misconception. In fact, there are many quality sakes that are best enjoyed warmed.
It’s true that sake, a traditional Japanese rice wine, was once consumed warmed if its quality was not good enough to be appreciated when chilled. But sake has gone through a dramatic change in quality in Japan in the last 50 years.
In the 1970s, specific yeasts that could produce delicate, sophisticated aromas and flavors in sake were developed. This accelerated the creation of high-grade ginjo sake. Made with highly polished rice, ginjo sake is lower in acidity, more fragrant and possesses elegant flavor. Because of the delicacy of its flavors, it should not be warmed.
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I believe that the development of ginjo sake was hugely influenced by the introduction and growing popularity in Japan of wine from Europe and America. French, European or American meals served on white tablecloths with forks and knives accompanied by wine were seen as sophisticated and modern.
So when the new ginjo sake arrived on the scene, style-conscious drinkers became convinced that all good sake should be consumed cold or chilled.
But some traditional sake lovers shunned ginjo sake because of its lack of acidity and rich flavors. Some sake brewers also went against the trend and focused on producing quality traditional sake, which is high in acidity that is bold and round in flavor. They are known as junmai (100% rice sake), yamahai, kimoto and honjozo (alcohol added) sake. These varieties are well suited to be enjoyed in a different range of serving temperatures.
Five reasons to drink your sake warm
1. Warming sake helps to blossom its natural flavors and fragrance.
2. Warming sake balances its sweetness, acidity and astringency.
3. It is wonderful to consume warmed sake with meals during the cold winter. It’s like mulled wine, but with no added sugar.
4. Warmed sake is absorbed by the body more quickly, so we can “feel” it sooner and control the amount we drink.
5. Without learning how to appreciate warmed sake, we can never say that we have a complete understanding of this wonderful beverage.
Certain groups of sake can be enjoyed at nine different temperatures. This may seem intimidating, but according to Hiroshi Ujita, president of Tamanohikari Brewery in Kyoto, there is no strict rule on warming sake. Each sake lover in Japan has a preferred temperature for a particular sake.
How much to warm the sake is also influenced by the season, the temperature of the dining room and the temperature of the dishes that will be consumed with it. You can find temperature guidance on warming sake in my book “The Sushi Experience,” but here is some guidance on four easy to master-and-understand sake temperature levels that you can use to begin exploring the joys of warmed sake. Consider these levels and try them on your favorite robust flavorful sake: Body temperature (hitohada), 98 F; lukewarm (nurukan), 104 F; warm (jokan), 113 F; hot (atsukan), 122 F.
I suggest that before using real sake, you practice recognizing these temperatures with some warm water and a thermometer. It won’t take you long to distinguish with a touch of liquid on your hand between the four levels I have suggested. If you decide to try warming sake, follow the very basic instructions in the recipe.
Sakes made for warming
Here are some recommended sakes to start on your warmed sake adventure. If you start with this group, you will fall in love with these warmed beverages for the rest of your life. The recommended temperature is only a guideline. As Ujita advises, explore different temperatures to see what you prefer, and have fun with it.
1. Tamanohikari Yamahai: This sake comes from the 342-year-old Tamanohikari Brewery. After the war, a rice shortage forced brewers to produce sake with less rice and added alcohol. In 1964, Tamanohikari Brewery was the first company to revert from its postwar poor sake production method to the original, traditional method using 100% rice-produced sake. Tamanohikari Yamahai has good acidity, umami and round body. Recommended at 98 F.
2. Tengumai Yamahai: This sake comes from the 192-year-old Shata Shuzo Brewery in Ishikawa Prefecture. The name Tengumai implies that everyone wants to dance after drinking this sake. Acidity is high with slight astringency and strong aroma. Recommended at 98 F and 113 F.
3. Kokuryu Junmai Ginjo: This sake comes from the 211-year-old Kokuryu Brewery in Fukui Prefecture. The company has been developing robust tasting ginjo sake that has been designed to be consumed warmed, going against the major trend of chilling ginjo sake. Warming Kokuryu Junmai Ginjo enriches the characteristics of sake — roundness, robustness and refined flavor. Recommended at 98 F.
The next time you are dining at your favorite Japanese restaurant, try ordering your sake warmed to your preferred temperature.
How to warm sake like a pro
Prep time: 5 minutes
Cooking time: 2 to 3 minutes
1. Transfer sake into a flask, filling to 90% of the flask.
2. Add cold water in a medium pot, enough to submerge 80% of the flask, and bring it to a boil.
3. Turn off the heat and add the flask in the center of the pot and leave it until the preferred temperature. It will take about 1 to 2 minutes to heat to 98 F. If you want to warm it a bit more, leave it for an additional minute.
4. Warmed sake should be served in a small sake cup and consumed while it is nice and warm.
- Use a little ceramic or heat-proof glass flask that can hold about 1 cup of sake.
- Use a pot of boiling water to warm the sake; don’t put it in a microwave oven.
- Enjoy warm sake in a small ceramic o-choko cup, or a small heat-proof glass cup.
- As a beginner, follow the temperature guidelines above. Be careful not to overheat the sake; the modestly warm temperatures I have suggested are best.
- Enjoy different temperatures and find the preferred one for your selected sake.
Photo: Bottle of sake with a traditional ceramic carafe and small cups known as o-choko. Credit: Copyright 2015 Hiroko Shimbo
I’ve always felt that the best wine experiences can be divided into two categories: immersion and transportation.
The former is a sip of Pinot in a dank Burgundian cellar, the barrel sample pulled by a vigneron in must-spattered boots. The latter is any great Burgundy on your table that carries you back to that moment.
Food can do the same: biting into Dungeness crab within the sound of crashing surf on the Oregon Coast, or a perfectly crafted risotto that takes you back to an Italian piazza. These flavors are grounded in geography. They immerse you more deeply into where you are, or they transport you in an instant to a place where you’ve been or someday hope to go.
So for this reason, I’ve always cast a wary eye on cocktails. It might be due to the fact that I came of age in the dark days of Jell-O shots and butterscotch schnapps, long before the current cocktail renaissance. But I’ve also found it difficult to reconcile this notion of immersion and transportation with mixed drinks. Is there a sense of geography in a cocktail when it can be made almost anywhere by a skilled hand and the right ingredients?
I recently set out to explore this question, and was surprised by what I found.
Art Tierce might be the perfect person to ask about cocktails and terroir, that flexible French notion that loosely translates as sense of place. He’s an assistant winemaker at Ransom Wines & Spirits and grew up in wine country in Santa Rosa, California, where the vineyards started just beyond center field of his little league ballpark. But he strayed into the world of bartending with stints in Las Vegas and Portland before joining Ransom in Sheridan, Oregon, to make wine.
When Tierce isn’t manning the pumps or working harvest, he serves as resident mixologist, finding creative ways to showcase Ransom’s artisanal spirits in mixed drinks. When I arrived at the distillery, Tierce was waiting with an upended whiskey barrel arrayed with the gear needed to mix three cocktails evocative of the Northwest in late winter — all of them featuring Ransom’s sweet vermouth, produced with the region’s grapes.
“The trends tend to be darker, heavier, richer flavors in the winter,” said Tierce as he mixed a cocktail he calls “Empty Chamber,” a full-flavored, low-alcohol drink with sherry, vermouth and egg white. “The flavors represent cold winter months, but you’re not going to get this waft of alcohol.”
And indeed, the complexity of the flavors combined with the richness of the mouthfeel and texture evoked the roiling maritime clouds that slip over the Coast Range and hang over the valley for much of the season.
Next up was “New World Voyages,” a rum-based drink that places the spirits up front. “I’ve always found that in the winter, and especially living in Oregon with the dark, cloudy, overcast skies, that I love rum,” Tierce said, shaking a drink that may call winter skies to mind, but also offers a hint of brightness. “I think most people think of rum as their summer beverage.”
His last suggestion, “The Emerald, by Ransom,” is a twist on a classic Manhattan that uses their Irish whiskey, The Emerald 1865. It is a recreation of a recipe from the late 19th century discovered buried in archives. “It historically represents how dense and aromatic the Irish whiskies of the heyday were,” Tierce said of their flagship spirit, stirring a drink that served as a foundation, showcasing the whiskey’s malty notes, and creating something strong enough to stand up to the season.
With the three drinks lined up on a barrel in an Oregon Coast Range distillery, the ornate onion dome of the Ransom still looming overhead like something out of a Jules Verne novel, I certainly started to feel that sense of place as we tasted through Tierce’s creations.
The Human Factor
I carried this question of cocktail terroir to my local mixologist. Michael Monroe tends bar at a cozy college town speakeasy in Corvallis, Oregon. Not even visible from the street, you need to slip through the front door of a restaurant called Magenta and descend a flight of stairs to find SnugBar, where Monroe focuses on cultivating the next generation of cocktail connoisseurs.
At my elbow in the tight quarters, a college-age drinker ordered a whiskey sour. Monroe checked his ID and grew excited. “Hey man, have you always ordered good cocktails?” he asked.
The kid shrugged. After Monroe mixed the drink, he leaned over to me: “That kid turned 21 a few months ago and he just ordered a nine-dollar whiskey sour.” It’s not the price tag that earned Monroe’s enthusiasm. “If I wasn’t striving to make a really good whiskey sour that’s worth the money, they wouldn’t be doing that.”
For Monroe, his aim is to cultivate long-term customers. He’d much rather see them savor a pair of well-crafted drinks and keep coming back for years rather than load up and burn out early on the bar scene. Quality, sustainability and moderation go together.
When I shared my concept of transportation and immersion, Monroe mixed me a Kingston Club from their drink menu, one based on a recipe from Portland bartender and writer Jeffrey Morganthaler. Centered on Drambuie, with the spirit’s malt whiskey, spice and honey conjuring its Scottish roots (hailing from a region that also knows a thing or two about clouds), the drink offsets this heaviness with a hint of tropical fruit to let in a little sunshine. It’s a balancing act. More immersion and transportation at work.
I found that good cocktails do conjure a sense of place. The process is different from food, where it can take months to cultivate a kitchen garden to produce hyper-local produce, or wine, which requires an entire season to capture a year’s worth of weather to store in a barrel and then bottle.
With cocktails, you can even take a DIY approach. “Home mixology is at an all-time high. It’s amazing and it’s fun to be creative,” Tierce said. For those wanting to experiment, he suggests sticking to known recipes and then tweaking one ingredient at a time until you get a feel for what you want to accomplish. He also recommends Morganthaler’s “The Bar Book” as a starting point.
Tierce’s key advice? Use the best ingredients: “You can never fake fresh, ever.”
Emily Mistell, who mixes drinks at Portland, Oregon’s popular Rum Club, underscores the importance of freshness. “We change our menu at the club with the seasons, trying to utilize as many fresh local ingredients as we can,” she said.
As for Mistell’s recommendation for a drink that can send you somewhere else? “My all-time favorite cocktail year round might have to be a drink from Martinique (French Virgin Islands) called the Ti’ Punch.”
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It’s been said that the three key ingredients of terroir are weather, soil and people. With cocktails, the human factor is critical — a person creates a great drink right before your eyes. Cocktails are ephemeral, effervescent. They begin to change as soon as the ice begins to melt and the zest of orange dissipates. But your bartender remains, ready to mix the next drink. It’s all about good ingredients combined with performance art. The terroir isn’t a gravelly hillside or the black loam of Granny’s river bottom garden — it’s the flesh, bone and creativity of your resident mixologist.
Yield: one drink
1.5 ounces Ransom Sweet Vermouth
3/4 ounce oloroso sherry
1/2 ounce Ransom Old Tom Gin
1/2 ounce fresh squeezed lemon juice
1/4 ounce rich demerara syrup
White of one egg
Fee Brothers Whiskey Barrel-Aged Bitters
Dry shake, then add ice. Shake, strain and garnish with Fee Brothers Whiskey Barrel-Aged Bitters dripped on top with a design.
New World Voyages
Yield: one drink
1 ounce Ransom Old Tom Gin
1 ounce Ransom Sweet Vermouth
1 ounce Pampero Aniversario Rum
2 dashes orange bitters
Zest and peel of 1 orange and 1 lemon
Stir over ice, strain into an old-fashioned glass with a big cube of ice. Add zest and peel of an orange and a lemon.
The Emerald, by Ransom
Yield: one drink
2 1/4 ounces Ransom 1865
3/4 ounce Ransom Sweet Vermouth
2 dashes Angostura bitters
1 dash orange bitters
Zest and peel of 1 orange
Stir, strain into a coupe, add zest and peel of an orange.
The Kingston Club
Yield: one drink
1 1/2ounces Drambuie
1 1/2 ounces pineapple juice
3/4 ounce lime juice
1 teaspoon Fernet Branca
3 dashes Angostura bitters
1 ounce soda water
Shake ingredients with ice and finish with 1 ounce soda water. Strain mix over fresh ice into a chilled Collins glass and garnish with an orange twist.
Yield: one drink
2 ounces Rhum agricole (my favorite is Clement Canne Bleue or Neisson)
Fresh sugar cane syrup
Experiment with your own lime and sugar ratios: everyone likes something different. Using ice is optional, but Mistell suggests one large cube.
Recipes: Empty Chamber, New World Voyages and The Emerald, by Ransom courtesy Art Tierce, Ransom Wines & Spirits; Kingston Club courtesy Jeffrey Morganthaler; Ti’Punch courtesy Emily Mistell of the Rum Club
Main photo: Art Tierce, assistant winemaker at Ransom Wine & Spirits, is also a mixologist who specializes in cocktails with rich, evocative flavors. Credit: Copyright 2015 David Baker