Articles in Drinking
Infusing vodka with fruit is perfect for summer and holiday entertaining. Colorful and easy to make, all you do is place the washed fruit into a clean glass jar, pour in the unflavored vodka, cover and store until the fruit has transferred its flavors to the vodka. The resulting infused spirit can be sipped by itself or used in a deliciously refreshing cocktail. That’s it. Wash, pour, cover, wait and enjoy.
Flavored vs. infused
You may have seen vodkas labeled as infused with lemons, oranges, cranberries, pomegranates and raspberries. In point of fact, they are actually flavored artificially. The taste of those vodkas ranges from passable to medicinal.
Creating your own flavors allows you to control the quality and the strength of the infusion. Using a farmers-market-fresh approach will bring a farm-to-table excellence to your cocktails.
How long to infuse?
Generally speaking, soft fruit needs less time to transfer its flavors. Strawberries for instance need only a few hours or a day at most. With quick infusions, taste frequently and strain out the fruit when you have the flavor you want. When the fruit is removed, the infusion stops.
With a firmer fruit such as cherries, infusion can take longer. To make the Italian liqueur limoncello, lemon peels remain in the vodka for several months. When making umeshu, Japanese plum wine made with green plums called ume, the plums take a year to complete the infusion process.
When making infusions, no need to use premium vodkas. The fruit so dominates the flavor, buying affordable vodka is definitely the way to go.
Infused vodkas can be used as the basis of any number of cocktails. Personally, I enjoy them over ice, neat or with a mix of soda water. Simpler is better. The result is deliciously refreshing, especially on a warm summer day.
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Buy good quality, unblemished cherries, preferably Bing cherries because they are fat and sweet. The cherries can be pitted, in which case they will give up their flavor more quickly. But over time the cherries will become less firm. I prefer to keep them whole so they can be served as an adult dessert.
Use glass jars, any size you have on hand. Wash the jars and tops in hot, soapy water and rinse well. Quart juice or canning jars work very well. Use the cherries separately as a dessert by themselves, with plain yogurt or as a topping on ice cream.
The infused vodka can be served cold as a shooter with a cherry as garnish or in a mixed cocktail of your choice. Leave the cherry whole or finely chop when using as a garnish.
Add more vodka when needed to keep the cherries covered. Keep refrigerated.
Prep time: 10 minutes
Infusion time: a week to a month
Yield: two quarts
3 pounds fresh cherries, preferably Bing, washed, pat dried, stems removed
1 quart unflavored vodka
1. Examine each cherry. Reserve for another use any that are blemished or over ripe.
2. Remove and discard any stems.
3. Place the whole cherries into the jars.
4. Fill with unflavored vodka.
5. Cap and place in the back of the refrigerator.
6. Serve cold. Pour the infused vodka into small glasses garnished with cherries (whole or finely chopped) from the jar.
7. Add vodka to keep the cherries covered. Refrigerate.
Umeshu or Japanese Plum Wine
Although frequently called plum wine, ume is actually more of a apricot and umeshu is a liqueur. Available in Japanese and Korean markets, ume are also sold in Middle Eastern grocery stores. Armenians and Iranians eat the unripened plums raw but do not use them to prepare a liquor. In Asia, ume are also eaten preserved in salt and called umebsoshi in Japan.
Sold at a premium price because of the short growing season in the spring, only use green, unripe fruit. Ripe ume should not be used.
Mention umeshu to someone from Japan and invariably they will smile
Traditionally umeshu is made by grandmothers. In the spring when the plums appear in the markets, dull green and hard as rocks, the grandmothers buy up all they can find, place them in a large jar, add rock sugar and shōchū (similar in taste to vodka). The jar is placed under the sink and everyone waits a year until the plums soften and the shōchū has mellowed.
After a year in their sweetened, alcoholic bath, the ume can be eaten. I like to include them in the cocktail, either whole or cut off the pit, chopped up and added as a flavor garnish that can be eaten with a small spoon.
Only use unblemished, unripe fruit.
Prep time: 10 minutes
Infusion time: one year
Yield: 2 quarts umeshu, 2 quarts macerated umeIngredients
2 pounds ume or green plums, washed, stems removed
1 pound Japanese rock sugar
1.75 ml unflavored vodka
1. Wash well a gallon glass jar.
2. Place the ume into the jar.
3. Add the rock sugar.
4. Pour in the vodka. Stir well.
6. Place in a dark, cool area where the jar will be undisturbed for a year.
7. Serve ice cold with macerated ume whole or chopped up as garnish.
Top photo: Bing cherry-infused vodka in quart jars. Credit: Copyright 2015 David Latt
Let’s say you bought some Cabernet Sauvignon vines from a local nursery to plant a vineyard. You decided on Cabernet because you determined that this particular grape variety would be best for your location because of its soil type, sun exposure and climate. But then a worrisome thought enters your head: What if the vines aren’t Cabernet Sauvignon after all, but some other less-suited variety? What if the nursery somehow got them mixed up with Sauvignon Blanc vines? That would be a mighty costly mistake.
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You could pray, sweat and grind your teeth until the first grape clusters appear, and then wait some more until they change color and mature enough for you to figure out the vines’ true identity. Or, you could call an ampelographer.
Ampelography is a type of grapevine botany that uses the physical traits of grape leaves to identify varieties. Grape leaves vary quite a bit between varieties, so a skilled ampelographer can easily distinguish Cabernet Sauvignon from Cabernet Franc.
In the world of ampelography, it would be hard to find a more renowned practitioner than Virginia-based vineyard consultant Lucie Morton, who travels around the country lending her expertise to grape growers and vintners.
Among Morton’s clients is one of California’s best Sauvignon Blanc producers, St. Supéry Estate Vineyards & Winery, which flew her out to the Napa Valley earlier this month to teach an ampelography class. I was lucky enough to participate in the workshop, and learn some tips from a master.
Before taking us into the vineyard, Morton explained the background and basics of vine identification. Lesson number one: “Looking at clusters is cheating.”
In the early days of the California wine industry, American vintners often brought back vine cuttings from Europe to plant in their vineyards. Sometimes, the varieties were not identified correctly, or were known in their native country by a different name than the one used by the rest of the world.
In the 1970s Morton began to discover that some vines planted in American vineyards were misidentified. For example, she said, in the Finger Lakes region of New York people used to say that the Chardonnay grown there tasted “Germanic,” due to the area’s cold climate. The real reason was because their “Chardonnay” was actually Riesling.
Up until the early 80s, nearly all of the “Pinot Blanc” planted in California was not Pinot Blanc but a French variety called Melon de Bourgogne. An ampelographer — Morton’s teacher, Pierre Galet — set the record straight. “It does not make you popular, pointing out other people’s mistakes,” Morton told the class.
Even so, her skills are in demand, even in the modern world of high-tech viticulture. Although DNA testing can identify varieties, Morton pointed out, it can’t distinguish between clones. Ampelography can. “There’s still practical value in this skill,” she said.
Anatomy of a grape leaf
According to Morton, the main characteristics that distinguish grape leaves include:
Lobes: If you imagine the leaf as a hand, the lobes would be the individual fingers that extend outward. Some leaves have prominent lobes, other leaves are shield-shaped and have none.
Petiolar sinus: This is the empty space surrounding the stem of the leaf. Some sinuses are wide open, others are very narrow.
Teeth: These are the serrations on the outside edge of the leaf. Some are jagged and sharp, others are rounded.
It’s also important to look at the color and texture of the leaves.
In the vineyard
Providing each of us with a list of defining characteristics for several different grape varieties, Morton sent us out into St. Supery’s Dollarhide vineyard and challenged us to bring her back a leaf from each variety. If we got it wrong, we went back to try again.
Identifying the vines was more difficult than I expected. In a given vineyard row, not all of the leaves are identical, even among the same variety. Just when I would think I had a match, I’d notice that one of the distinguishing elements wasn’t quite right: The teeth were rounded instead of triangular or the surface was smooth instead of leathery. Each time I was sent back for another leaf, I came to respect Morton’s skill a little more.
Following are the characteristics of five of California’s most popular grape varieties:
Morton calls this leaf the “monkey face” or the “mask,” because when held with its tip facing up, it looks like it has eye and mouth holes. It has five lobes, rounded teeth and an open (or naked) petiolar sinus.
This is a shield-shaped leaf, with shallow, sawblade-like teeth and an open petiolar sinus. The vine’s young shoots will have red nodes that are distinctive to Chardonnay.
This leaf is longer than it is wide, with five prominent lobes, an open petiolar sinus and deep triangular teeth. It’s yellowish in color, with a waffled, leathery texture.
This five-lobed leaf is green in color, with a wavy texture. It has a narrow, almost-closed petiolar sinus, a round shape and rounded teeth. The lobes have three prominent troughs that resemble spouts from a fountain.
This leaf is a heart-shaped shield, with a relatively narrow petiolar sinus and shallow pointy teeth. It has a puffy, quilted look and a thick, leathery texture.
Main photo: In a sea of vines, ampelography can help growers tell which grape varieties are which. Credit: Tina Caputo
You’re standing on a rooftop in Portland, Ore., Aperol spritz in hand. The bubbly orange cocktail matches the summer sky at sunset. Prosciutto-wrapped grissini — long, crispy breadsticks enveloped in buttery ham — appear as if by magic for snacking. City lights sparkle below and bridges reach across the Willamette River as you dine on a salad of juicy peaches, creamy burrata and fresh basil, followed by succulent roast pork with green garlic sauce. Dessert is zabaglione with ripe berries. When the sun goes down, all eyes turn to the crisp white sheet taped to the wall, where a projector beams Stanley Tucci’s “Big Night,” a film about two brothers from Italy who open a restaurant in New Jersey. You sigh contentedly as you munch on a bowl of Pecorino popcorn.
This may sound like a delicious culinary dream, but it was the Portland Picnic Society’s La Dolce Vita gathering last summer. This group of 20 ladies meets monthly in the spring and summer to throw fabulous fetes. With summer on the horizon, we’re anxious to steal some of their picnic pointers. But don’t fret if an Italian-themed al fresco gathering seems like too much to plan. “Picnics are so flexible: You can dress them up with involved recipes and elegant touches, or you can head to your favorite market and throw together a pop-up party in a matter of minutes,” says Jen Stevenson, a founding member of the Portland Picnic Society, co-author of “The Picnic: Recipes and Inspiration from Basket to Blanket,” and the gastronomical genius behind the food blog Under the Table With Jen. Get inspired for your own gathering with these ideas.
Rethink deviled eggs
The classic recipe always pleases, but it’s fun to take a crack at a new version. Here, two that Stevenson loves:
Try a BLT: Mix minced cooked bacon into the filling; garnish with ½ cherry tomato and a piece of baby arugula.
Perk it up with pesto: Mix in a bit of store-bought pesto to the filling, then top with tiny fresh basil leaves.
Make a daring dip
Crudité and dip are an easy appetizer, but it’s fun to wow your guests with a shock of color.
“Hummus doesn’t have to be boring,” says Stevenson. “Add roasted red beets to turn the dip a gorgeous shade of magenta, or blend in a handful of parsley for a fresh flavor and a pretty green hue.”
Prep individual desserts
What’s cuter than a mini mason jar? A sweet treat for one inside that itty-bitty container. Serve lemon curd topped with whipped cream, chocolate pudding with fresh strawberries, or a fruit and yogurt parfait. Or bake a crumble (like the Portland Picnic Society’s drool-worthy Blueberry Cardamom Crumble, pictured here) right in the jar.
“Most crumble recipes can be baked in jars or ramekins; just be careful not to overfill since they tend to bubble up while cooking,” recommends Stevenson.
Forget tired sandwiches
Turkey or tuna salad on whole wheat screams “school lunch,” not glam outdoor gathering. One of the most colorful and delicious sandwiches to bring is the classic pan bagnat, which is based on salade Nicoise.
It’s easy: Split a fresh baguette from your favorite bakery, then layer it with high-quality canned tuna, sliced hard-boiled eggs, anchovies, olives, sliced fresh tomatoes and lettuce. This is a seriously picnic-proof sandwich; the hardy crust protects the gourmet goods you stuff inside. It’s a cinch to transport if you wait and slice on-site (bring toothpicks to secure each individual sammy).
Get creative with props
Sometimes the most picturesque spots lack a picnic table, but a basket with a flat, hard top can serve as a miniature table once it’s unpacked. You can also incorporate everyday kitchenware into your spread for easier serving. Bring cutting boards and platters to set food on.
“We like to fill a Le Creuset Dutch oven with ice, then keep our wine and bottled cocktails in it,” says Stevenson. “Eight-ounce jam jars make the perfect glasses, because they’re easy to nestle into the grass.”
Another idea: Schlep goodies from the car to the picnic site in an old-school red wagon, then use the wagon as a table. If someone asks you to pass the three-bean salad, you can just give the wagon a push in her direction.
Sip in style
With all those delicious snacks, don’t forget about drinks. The Pimm’s Cup, a classic gin-based English cocktail, is refreshing but not too sweet. With this version, from “The Picnic,” each guest gets his or her own mason-jar cocktail for easy transport.
Elderflower Pimm’s Cup
Yield: 1 serving
Excerpted from “The Picnic” by Marnie Hanel, Andrea Slonecker and Jen Stevenson (Artisan). Copyright 2015. Photographs by David Reamer.
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Lemon Simple Syrup:
½ cup sugar
½ cup water
1 small lemon, zested with a peeler into ½-inch strips
2 ounces Pimm’s No. 1 Cup
1 ounce St. Germain liqueur
1 tablespoon fresh lemon juice
1 tablespoon Lemon Simple Syrup
1 strawberry, hulled and quartered
1 thin slice orange, quartered
3 thin slices cucumber
1 mint sprig
1 1/2 strips lemon peel, from Lemon Simple Syrup
Before the picnic:
1. Make Lemon Simple Syrup by bringing sugar and water to a gentle simmer in a small pot. Stir frequently until the sugar has dissolved and the syrup is clear. Remove from heat and add the lemon peel. Let the syrup steep for one hour. Strain the syrup into a jar. Reserve the lemon peel for garnish.
2. Combine the booze, lemon juice, and simple syrup in a Mason jar. Add the strawberry, orange, and cucumber. Replace the lid and pack in a cooler filled with ice.
At the picnic:
3. Add ice, top with club soda, garnish with a mint sprig and lemon peel strip, add a straw, and serve.
Pick a theme
Instead of just throwing food in your basket willynilly, pick a theme to tie everything together. Make it meze madness (meze are small plates, dips and salads common throughout the Mediterranean and Middle East) with feta-topped figs, bunches of fresh grapes, hummus and pita, kalamata olives, and dolma (grape leaves stuffed with rice).
Host a Southern soiree with deviled eggs, macaroni salad, fried chicken and sweet tea. Plan a Parisian party with roast chicken; Lyonnaise potato salad; crusty baguette with brie, Camembert and chevre; rainbow-hued macarons; and plenty of rosé.
Main photo: Turn your picnic into a feast with a few simple twists. Credit: Copyright 2015 David Reamer, from “The Picnic” by Marnie Hanel, Andrea Slonecker and Jen Stevenson (Artisan).
Malbec is to Argentina as the Golden Gate Bridge is to San Francisco: impossible to imagine one without the other. Yet this deeply colored, exuberant purple grape that is automatically associated with Argentina came originally from France. Known as Cot in its original homeland, Cahors, where it continues to play a leading in the wines of that region, it was brought over by French agronomist Michel Pouget in 1852.
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But it’s in the vineyards all along the eastern edge of the Andes that the Malbec vine has really found its feet. There are now more than 30,000 hectares (76,000 acres) planted throughout Argentina — six times as much as in its homeland.
In its adopted home, the grape is celebrated for its ability to make huge quantities of juicy, fruity, uncomplicated red wine at a fair price — perfect for the upcoming barbecue season. But there’s a new wave of Malbecs that merit more than the obligatory char-grilled steak.
On a recent visit to Mendoza and Salta, two of the country’s most significant wine regions, I found (aside from a warm welcome and some gorgeous wines) a buzz of excitement, plenty of experimentation and a firm belief in what has become Argentina’s signature red wine grape.
Per Se Vines
Edy del Popolo’s microwinery Per Se Vines has just 1.5 hectares (barely 4 acres) of vineyards in Gualtallary, a top appellation in the Valle de Uco south of Mendoza, and the first harvest was in 2012. Plantings are principally Malbec with a little Cabernet Franc, and wines combine the two in varying proportions.
“I like non-interventionist viticulture” is how del Popolo explains his wine-making philosophy. “I want the place to express itself without my fingerprint showing.”
Per Se Jubileus (mainly Malbec “with a few bunches of Cabernet Franc thrown in”) is a joyous wine with good, ripe tannins, while La Craie (a Malbec-Cab Franc blend) is restrained elegance overlaid with subtle hints of orange and lemon zest.
Fincas y Bodegas Montechez is another new venture in Mendoza’s Valle de Uco but on quite a different scale with 100 hectares (250 acres). In the prime appellation of Altamira, serried ranks of newly planted vines — every row drip-irrigated and draped in anti-hail netting — stretch as far as the eye can see, framed by the snowcapped Andes.
The aptly named Vivo is a bright, lively Malbec, briefly aged in used French and American oak barrels and designed for early drinking. Reserva is discreet and elegant after a slightly longer spell in used barrels, while Limited Edition, with 16 months in all French oak (new and used), is the aristocrat, dark and brooding and promising a long and distinguished life.
The Lagarde estate in Luján de Cuyo comprises about 245 hectares (619 acres), including a parcel of 100-year-old Malbec vines. Founded in 1897 and one of the oldest wineries in Mendoza, it nonetheless looks resolutely forward — “Honoring the past, imagining the future” is the house motto, explained Sofia Pescarmona, who runs the estate jointly with her sister, Lucila.
They were the first in Argentina to introduce Viognier, the aromatic Rhone white. Their house pink, 50 percent Malbec and 50 percent Pinot Noir, is a delight with all the fruit and fragrance that’s missing from many a rosé. On the Malbec front, there’s a whole slew of juicy 100 percent varietals (Primeras Viñas, Guarda, Lagarde and Altas Cumbres ). For a special occasion, look for the super-elegant blend Henry Gran Guarda, a very Bordelais mix of Cabernet Sauvignon, Malbec, Petit Verdot and Cabernet Franc.
Bodega Colomé is hidden away up a bone-shaking track in a remote and spectacularly beautiful valley in the northwestern province of Salta, close to the Bolivian border. Wine growing here, at 2,300 meters (7,000 feet) above sea level in desert-like conditions with an annual rainfall of barely 120 millimeters (4 inches), is not for the fainthearted.
Established in 1831 and now owned by Hess Family Wine Estates, Colomé produces several whites, including Salta’s signature wine Torrontés and three Malbecs: Estate, a Malbec-rich wine with a small proportion of other red varieties; Auténtico, 100 percent Malbec, unoaked and unfiltered with rich red fruit flavors; and Reserva, made with fruit from vines aged between 60 and 150 years, with a two-year spell in new French oak barrels and one more in bottle.
Bodega San Pedro de Yacochuya
Bodega San Pedro de Yacochuya is a boutique winery in Salta’s Calchaquí Valley, a joint venture between the Etchart family and French winemaker Michel Rolland. The estate’s 20 hectares (50 acres) used to be planted largely with Torrontés, the finely aromatic white grape that thrives in the rarefied altitudes of the northwest. Nowadays Malbec rules, plus Cabernet Sauvignon and a little Tannat.
Ranked by Wine Advocate as one of Argentina’s top five wineries (Parker points abound here), they make three impressive reds in which the Rolland fingerprint is clearly visible: opulent and mouth-filling Malbec Yacochuya has a little Cabernet Sauvignon added to the mix and is aged in new oak; San Pedro de Yacochuya is a dense and delicious 100 percent Malbec; and the impressive Yacochuya made from 60-year-old Malbec vines is one to cellar.
José Louis Mounier, one of Salta’s most celebrated winemakers with an impressive track record working for many of the region’s top wineries, is responsible for wine making at Bodega Tukma in Tolombón, south of Cafayate. The estate has about 25 hectares (62 acres) of vineyards scattered throughout the Calchaquí Valley, with red wine production centred on Tolombón.
The entry-level Malbec Reserva is an uncomplicated, fruit-forward Malbec that’s perfect with a plate of empanadas, while Gran Corte, a blend with Tannat and Cabernet Sauvignon for which the grapes are rigorously selected and the wine aged for one year in new French oak, calls for your best piece of bife (steak).
Consult www.wine-searcher.com for worldwide availability and prices of all wines mentioned.
Main photo: Some of Colomé’s oldest Malbec vines, planted in the mid-19th century and grown on pergolas. Credit: Copyright 2015 Sue Style
The American craft spirits movement is putting the juniper berry in its place as new distilleries reimagine gin as a stand-alone sipper. Thirteen award-winning distillers reveal the secret ingredients that set their gins apart from the bevvy of new American gins.
Click through the following slideshow to discover the weird and the wonderful that have spirits professionals applauding these exciting new libations.
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Main photo: St. Augustine Distillery prides itself on using freshly ground local herbs and the peels from Florida oranges and lemons in a gin with a base alcohol made from Florida sugar cane for its New World Gin. Credit: Copyright St. Augustine Distillery
California’s Napa Valley is home to some of America’s best wineries. The valley is also well-known as an incubator of female winemakers. Shawna Miller is one of a group of talented women who have pursued a wine-making career in the valley.
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Growing up in a small Virginia town along the Appalachian Trail, Miller spent a lot of time outdoors, hiking and helping her grandmother tend the large garden that fed the family. In the summer they ate what they grew and canned the rest. During the wet, cold winters they happily supplemented their meals with the food they put up in the pantry, including jars of huckleberry and blackberry jam, tomatoes and green beans.
She never thought about grapes or wine.
Studying forestry at Virginia Polytechnic Institute and State University in Blacksburg, she graduated with a degree in forestry, which was a natural fit for a woman who had grown up trekking the Appalachian Trail. That’s also where she met and married Zak, who shared her love of biology. To see the world and build their resumes, they picked up jobs wherever they could. After a stint with the U.S. Geological Survey in Florida, a friend invited them to work a harvest in New Zealand. That work-vacation changed their lives.
Learning wine making around the world
Near Margaret River in Western Australia, they worked at the Cape Mentelle Winery where she learned that each grape had a different temperament. Each had to be picked at exactly the right moment. Pick too soon or wait too long and the grapes would yield inferior wine.
She and Zak were hooked. They pursued harvests in California, New Zealand, Australia and Chile. They experienced firsthand how soil and climate — terroir — created different wines. The Indian Ocean breezes that swept across the grapes at the Cape Mentelle Winery yielded wines very different from the ones she came to love in hot, dry Napa.
Taking classes at the University of California, Davis Extension, Miller wanted to learn the science behind raising grapes and making wine. But there wasn’t time to get a degree in enology.
Her graduate work would be done in the fields and in the labs where her background in science got her jobs measuring fermentation levels.
Mastering the art and science of wine
To become a winemaker, she had to master more than chemistry. Wine making is part science, part art.
Even if a wine is made entirely from one varietal, the grapes grown in one part of a vineyard can be markedly different from those harvested from another area. Blending those different flavors is an art that must be developed by a winemaker.
Today as the winemaker at Luna Vineyards, she oversees the production of a collection of well-regarded, affordable wines.
What distinguished Luna Vineyards in its early days was the choice to produce Italian-style wines. When Michael Moone founded the vineyard in the mid-1990s, he wanted to make wine modeled on the Italian wines he loved. He planted Pinot Grigio (white) and Sangiovese (red) grapes and blended the wines in a way that set them apart from the largely French style wines produced in the valley’s other vineyards.
At times in their marriage, Miller’s husband Zak has worked half a world away at a winery in Chile. But now with Zaira, their little girl, to raise, Zak stays closer to home as an assistant winemaker at Domaine Carneros.
As harvest time approaches, they put the call out to their parents. When the grapes are ready to be picked, Shawna and Zak will be in the fields from before dawn until well into the night. Someone needs to be home with Zaira.
In the days before the harvest begins, Miller walks through the vineyard. The fat clusters of grapes hang heavily on the row upon row of well-tended vines. If the weather cooperates and no pests damage the grapes, she could have a very good year. She is always hoping that with luck and hard work, this year’s vintage could be one of the winery’s best.
Harvest — exciting and nerve-racking
With a last look at the refractometer that measures the sugar level of the grapes, Miller makes the call to the vineyard manager, “OK, let’s take it.” And that’s when the real drama begins.
The grapes are ready. Miller is ready. But during harvest time there is more work than workers available. Sometimes when she calls she is told there isn’t a crew available. The grapes won’t be picked for days.
During that waiting time she is at the mercy of the weather. If it gets too hot or if it rains, the grapes will be pushed past their prime and a vintage that could have been great will be less so.
At moments like this, all Miller can do is watch and wait. She busies herself, making sure the lab is ready and the fermentation tanks are clean. Finally, when the crew is available, then it’s all hands on deck. Time for their parents to babysit Zaira.
Fermenting and then blending
What makes one wine different from another? Of course the quality of the grapes matters, but so too does the palate and skill of the winemaker.
Depending on the style, the maturing wine spends time in stainless steel vats or in oak barrels. When Miller believes the wine is ready, she begins a series of trial blends that are like rough drafts. Making several blends, she and her team will sample and rate each, comparing that year’s wine with ones they liked from years before. Like the best chef, she will mix and combine until she has the flavor she loves. At that moment, she will call in the bottling crew.
During the year there are moments when Miller can take a break to spend time with her family. As all-consuming and as hard as the work can be, having time with Zak and Zaira is absolutely essential.
And then it’s time to start the process all over again. In spring the leaf buds poke through the dark wood. In the heat of the summer, the vines need to be tended, the grape clusters are thinned and the plants monitored for pests. And in the fall there is the harvest when so many moving parts have to work together to give Miller what she needs to make great wine.
At the end of the day, even with all those stresses, Miller counts herself lucky to have found a career she loves, in a valley that produces beautiful wines.
Main photo: Late-harvest grapes at Luna Vineyards in Napa Valley, California. Credit: Copyright 2014 David Latt
Portugal is famous for producing two styles of wine that couldn’t be more different: Port and Vinho Verde. Port is known as a wine for winter — rich and warming, perfect for fireside sipping. Vinho Verde is the yin to Port’s yang — light, fresh and (typically) white. Vinho Verde is a wine for spring.
With a name that translates to “green wine,” in reference to its youth and freshness, Vinho Verde comes from the rainy region of the same name in the northwest corner of Portugal. While reds and rosés are also made there, Vinho Verde wines are primarily white. Known for their crispness, acidity and light effervescence, the wines are naturally low in alcohol and usually priced under $10.
The new Vinho Verde
While those cheap-and-cheerful wines are still plentiful, a new style of Vinho Verde wines is emerging alongside them. Like their traditional cousins, these wines are crisp and refreshing, yet they’re drier, riper and more mature in character. Their alcohol levels are low compared to many other whites, but at 12%, they’re a bit higher than the traditional 8% or 9% for Vinho Verde. Prices also have gone up, from about $7 a bottle to a still-affordable range of $11 to $20.
Another notable change is that producers are starting to showcase single-grape varieties such as Alvarinho, Loureiro and Trajadura, which were traditionally blended together.
This new approach is the result of a campaign by the region’s viticulture commission to encourage growers to plant in new locations, and improve their farming practices. Instead of using the old pergola trellis systems, growers are wire-training the vines on more modern systems. Rather than planting on the valley floors, they’re planting on slopes. The result has been a remarkable increase in the quality and complexity of the wines.
Wines for spring dishes
The great thing about the new-wave Vinho Verde wines is that they’re still wonderful for spring sipping. Not laden down with heavy oak, the wines pair beautifully with warm-weather dishes, including salads, shellfish and grilled fish. In Portugal, where fabulous fresh seafood is plentiful, Vinho Verde is often served with grilled sardines, arroz de marisco (seafood rice) and clams cooked in a cataplana.
Here are four delicious Vinho Verde wines to help you ring in spring:
Quinta de Gomariz Loureiro 2014 ($13): Made from the Loureiro grape, this wine has a spicy, floral aroma. It has fresh citrus notes on the palate, accented with spice and a bit of orange peel flavor on the finish.
Vercoope Via Latina Loureiro 2014 ($18): This wine has lovely aromas of green apples and citrus, with light floral notes. It’s fresh and crisp, with citrus and green apple flavors, and just a bit of tropical fruit. It’s nicely balanced, with bright acidity.
Aromas das Castas
Aromas Das Castas Alvarinho-Trajadura 2014 ($12): With a fresh, peachy aroma, this wine is slightly spritzy, with tangy citrus and peach flavors. It has a nice long finish, with a note of lemon zest.
Casa de Vilacetinho
Casa de Vilacetinho 2013 ($11): A blend of Avesso, Arinto, Azal and Loureiro grapes, this wine has citrus and tropical fruit aromas. It’s off-dry and a little bit fizzy, with stone fruit and citrus flavors.
Main photo: A new style of Vinho Verde wines is emerging, and it’s perfect for springtime sipping. Credit: Copyright 2015 Tina Caputo
More from Zester Daily:
If you want to order a gin and tonic in Spain, first drop the “and” from the drink’s name (it’s known simply as a “gin tonic”) and then be prepared to answer two serious questions from the barkeep.
First, what gin? Any respectable bar will have 10 to 50 bottles, or more, in stock. Second, what tonic? You should also know a favorite based on your preference for its handcrafted blend of bitter and sweet.
More from Zester Daily:
In an instant, one luscious bittersweet sip helped me understand why the gin tonic had made a crazed ascent to become the unofficial national drink of Spain in less than a decade. But at the same time, it introduced a whole host of other questions. What makes a Spanish gin tonic different from the classic British stalwart? How many riffs on one cocktail can there be? Could I master the technique for the perfect gin tonic?
I sought out one of the reigning gin tonic masters in Spain to discover why this age-old cocktail is such a perfect foil for the Spanish philosophy that it’s good to play with your food. I also got some tips on making your personalized best GT.
Main photo: Gin tonic with Pepe José Orts. Credit: Copyright 2015 Caroline J. Beck