Articles in Wine
Summer may be on its way out, but autumn weather brings a new promise of leaves to be peeped, apples to be picked and trips to the country in cooler weather. Whether you take to the road in your car, on your bike or on a train, a well-stocked picnic basket or knapsack is an ideal complement to the day.
With less worry about the summer heat and insects ruining your moveable feast, the thought of a cool-weather picnic is made more appealing thanks to the wide variety of single-serve wines built for portability and proportioned serving.
Single-serve wines are not a new phenomenon, per se. Certainly, small bottles, as one might find in a hotel minibar or an airplane, have been around a long time, but those tend to be glass, making them less ideal for on-the-go enjoyment, and they also require bringing along stemware for imbibing.
Novel packaging part of the single-serve wine game
Newer versions of single-serve wines have come to market in a variety of clever forms, leveraging unbreakable packaging materials like plastic and tin in portion sizes of one or two drinks. Often, the uniqueness of the packaging can be the biggest draw, because, with a few exceptions, the wines are mainly serviceable rather than spectacular — and at a price many will find too high given that, as with most mini or single-serve food and drink items, the cost per glass often outstrips the cost of an entire bottle.
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Yet among these offerings there are those that don’t sacrifice taste or quality regardless of the sexy packaging. The versions detailed below represent a variety to choose from, many of them quite good of their own accord.
But first, a tip for buying and storing single serve wines: Non-glass packaging is not conducive to long storage times, as with traditional glass bottles. Tin and plastic can alter the taste of the wines if held long enough, particularly in fluctuating temperatures.
If you prefer to go with a total bottle experience, a variety of portable wine stoppers, such as the multicolored Rabbit Flipper/Pourer, are inexpensive enough to have on hand to re-cork that better bottle. And when you’re done, handy Wine Wipes purport to ensure your pearly whites stay that way, even after a couple of glasses of red (about $8 for a pack of 12).
Sofia Blanc de Blanc Mini: Dry but slightly sweet with good effervescence, each wee scarlet can comes complete with its own matching straw. While convenient to consume like a grown-up soda, the taste is better when decanted into a champagne flute. (187ml, ¾ cup, 6.3 ounces. $18 to $20 per four-pack of single-serve cans).
Baby Voga Italia Sparkling: The chic bottle may call to mind a fancy hand-soap dispenser or bottle of perfume, but the single-serve sparkling wine has a solid, respectable flavor. Great to have on hand for those special occasions that may call for a toast but just a sip will do. (187ml, ¾ cup, 6.3 ounces, $6 to $7)
FlyWine: This line of Sonoma Valley, California, reds and whites under the monikers “The Kitchen Sink” “Fly Your Way” and “The Party Starter” respectively are packaged in glass bottles with a TSA-approved volume of liquid so that it can be purchased for in-flight travel. The wines are solid table wines without fanfare and though pricier than most in-flight options, they’re tastier too. (100ml, 3.3 ounces, $10 to $13)
Stack: So named because its Reidl-esque plastic glasses stack on top of one another, these wines come in Chardonnay, Pinot Grigio, Cabernet and Merlot. The white wines were quite sharp with the taste of alcohol, but the reds were somewhat better. While the glasses are adorable, the foil seal is very close to the top of the liquid so even when removed, there is little chance for the wine to breathe. It’s also a bit difficult to drink toward the bottom of the glass because of the narrowness of the mouth. There are better options at the price point, but those little glasses are cute. (187ml, ¾ cup, 6.3 ounces, $15 per four-pack)
Steelhead Vineyards Wine for One: Available in Merlot and Chardonnay, Steelhead’s single-serve offering is easily the most elegant self-contained wine. The plastic wine glass fits over the plastic bottle, forming a seal that is twisted off, and then the glass is ready to use. Like other offerings, the wines are solid and not harsh — good enough for simple picnic or barbecue fare. (12 pack, 187ml, ¾ cup, 6.3 ounces, $49)
Union Wine Co. Underwood: Equal to two glasses, this slick canned wine is a delightful surprise. Easy to transport and easy to enjoy, this wine is not bubbly but simple, still wine. It must be said that the taste of the can is subtly present in the Pinot Gris and Pinot Noir, and while the can is pretty cool, the price might be too much to pay for novelty when for not too much more you can get a pretty good bottle of wine packaged the old-fashioned way. (375ml, 12.6 ounces, 2 servings, $6)
Vini: Cleverly packaged as giant vials bundled together in packs of four to equal one bottle, Vini comes in red and white blended table wine. Single varietals are in the works. As with Fly Wine, this product benefits from being packaged in glass, which doesn’t compromise the wine taste. Certainly drinkable, the real appeal of this product is in the tactile nature of the container, which fits pleasantly in the hand. (187ml, ¾ cup, 6.3 ounces, $9 to $10 per vial)
Zipz: Shaped like a traditional stemmed wine glass, these plastic goblets are available in vintage year Cabernet Sauvignon, Merlot, Pinot Grigio and Chardonnay. The packs can be purchased as single varietals or mixed. Overall the wines were a bit harsh and did not hold up as well as the other single-serve options, but they were the most useful to transport and easy to drink. (187ml, ¾ cup, 6.3 ounces, $40 per 12 pack)
Main photo: Underwood cans of wine from the Union Wine Co. Credit: Union Wine Co.
If you live in Seattle, you summer at Lake Chelan.
It’s a requirement of residency, along with buying your pearl barley at the co-op and stoically facing down nine months of gloom each year. You load up the Subaru Outback and make the 180-mile trek across the Cascade Mountains to a narrow glacier-fed lake that cuts into those peaks for 50-plus miles. There you swim, boat and bake — or burn — for a few of the inland region’s 300 days of sunshine a year.
And increasingly, you travel from winery to winery, tasting local bottlings that are expanding in number and quality.
Wine grapes have been grown on the lakeshore since the late 1800s. But Chelan is still an infant among American wine regions when it comes to commercial production, going back less than two decades. The 24,040-acre Lake Chelan American Viticulture Area — the 11th AVA in Washington state — is only 5 years old. It remains part of the 11-million acre Columbia River AVA, one of the powerhouse regions in a state that ranks 2nd only to California in U.S. wine production.
Lake Chelan Valley’s unique properties — including the lake’s cooling effect that helps counter eastern Washington’s relentless heat — have been attracting winemakers and growers, sandwiched among the area’s traditional apple orchards. From a handful a decade ago, the area now has more than 20 wineries with an upstart temperament and, sometimes, a quirky sense of humor. (The Hard Row to Hoe winery takes its name from an enterprising oarsman who nearly a century ago carried workers across the lake to an equally enterprising brothel.)
The lake’s wineries are bottling a wide range of grapes from Chelan and the broader Columbia River region, from Syrah to the obscure Picpoul.
Charlie and Lacey Lybecker know about both grapes — and about pursuing the dream of making wines on a small scale in a corner of Washington wine country.
The Lybeckers are in their sixth year of producing wines, for the past three years from Cairdeas Winery on Highway 150 near the town of Manson. Their operation says family owned and operated, down to 2-year-old Eugene in his father’s arms as Charlie passed through the tasting shed on a recent afternoon.
Cairdeas, which means friendship, goodwill or alliance in ancient Gaelic, is a dream still in the midst of being fulfilled for Charlie, 34, and Lacey, 31. They produced their first bottles in their home in West Seattle and were looking to relocate to eastern Washington wine country when Lacey came to Chelan on a business trip.
Getting in while Lake Chelan Valley’s young and growing
“As soon as we saw Lake Chelan, it was like there’s no other option,” says Charlie, who studied winemaking at Seattle’s Northwest Wine Academy. “It was really appealing to us to get in while it’s still young and see the valley grow and help it grow.”
Cairdeas reflects their passion for Rhone varietals — Syrahs, Viogniers, Roussanne — with the grapes coming from around the Columbia River AVA, some from Chelan. Their method for sourcing grapes is straightforward: When they taste a great wine from the region that reflects the style they are seeking, they find out where the grapes came from and go knocking at the grower’s door.
By next spring, however, about half of their six acres near the lakeshore will be planted with their own Syrah.
“There are some very high-quality grapes coming out. I think people are really experimenting a lot and seeing what types of grapes grow really well here,” Charlie says. “For my personal taste, I think the Syrah from Lake Chelan is absolutely the best.”
And then there’s Picpoul, an obscure grape that Charlie has used to advantage in his “new favorite white wine right now,” Cairdeas’ Southern White. “It’s an extremely acidic grape by itself but has great flavors and we use it as a blending grape,” he explains. The result: a bright wine with a broad palette of flavors that could work in place of Sauvignon Blanc with a simple grilled chicken.
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The Lybeckers hope to tap in to Lake Chelan’s natural advantages, including as a wine tourist destination. As Lacey notes, the lake comes ready made with tourism infrastructure — lakeshore hotels, golf courses, water sports and winter snow skiing — that some Washington wine regions had to create from scratch.
Their goals are at once ambitious and limited: Having grown from producing 250 cases in 2009 to slightly over 2,000 this year, they figure on topping off at about 4,000 cases. Then build a new tasting room facing the lake. Add a picnic area and a pond. Maybe offer up farm dinners.
“We are always going to be a very small family winery,” Charlie says.
Adds Lacey: “We want to make sure we always have our hands in the process.”
Main photo: Syrah grapes at Lake Chelan Winery’s vineyard near Manson, Wash. Credit: Roger Ainsley
There’s something inescapably tacky about the thought of Cheddar cheese blended with pickled onion or smoked ham and mustard, like a Ploughman’s lunch without the hard work. Nonetheless, blended cheese or cheese with extra “bits” (technically known as cheese with additives, although the industry is sensitive to the term), erupts over British cheese counters like lava down Krakatoa.
Such cheese with bits look like a larder gone hideously mad or a product of the sorcerer’s apprentice on acid. Over the years, I have had the misfortune to encounter cheese with piccalilli, garlic and mushroom, black olives and sun-dried tomatoes, caramelized onions, asparagus and leek, Guinness, Worcestershire sauce and pecan nuts, not to mention clashing varieties cemented together in weird layers. Colby jack or Cojack (as I like to call it) is an all-American combination of Colby and Monterey jack blended together before pressing that makes a “fun” snack. Right.
Phew, it’s all as cheesy as a Barry White song — and sells equally as well.
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Ilchester has been a leader in the U.K. specialty cheese scene ever since they launched their Beer Cheese in 1962. Today, their selection also includes Mexicana™ chili cheese, Cheddar with Pickled Onion & Chives, and Marmite™ Cheddar. Yes, you either love it or hate it.
Booze as a ‘bit’ in your cheese
And, what is it with cheese with booze – on either side of the Atlantic? Red Windsor, marbled with red wine or Port (and coloring), may be of ancient lineage but frankly is an insult to Bordeaux and looks like it has leprosy. And don’t get me started on Cahill’s Irish Porter Cheddar: once tasted, never forgotten … but not in a good way. And there’s also Cheddar and Whisky, Chile Lime & Tequila Cheddar, Caramelized Onion and Rioja Cheddar.
Dessert cheeses also have a following: Lemon Crumble, Cheddar with Fruitcake, Wensleydale with Mango and Ginger. At least it makes life easier for those who never know whether to serve the cheese before or after the pudding.
There are combinations that are meant to go together but such inventions as White Stilton with Apricots or Blueberries and Wensleydale with Mango and Ginger have no natural, logical affinity. Wensleydale with Cranberries, for example, marries sharp-tasting fruit with rich-flavored cheese in a disturbing combination that is inexplicably popular. Personally, I’d demand a divorce.
Cheese with date and walnut, apple and celery, or Thai spices feeds an obsession with novelty for novelty’s sake, a mass flavor-of-the-month mentality in a pick ‘n’ mix culture. Block-produced Cheshire with pear and almonds is as different from Appleby’s legendary hand-crafted production as, well, chalk from cheese.
Thankfully, peanut butter hard cheese has never made it past the dairy door — as far as I know. But it is probably just a matter of time.
Good cheese as a base is key
On the other hand, where there is a good cheesemaker you’re more likely to find a good cheese with bits: the delicate network of soft green veins that distinguishes Fowlers Traditional and Original Green Derby comes from natural sage, not lurid artificial coloring. Dutch Gouda with cumin seeds is a centuries-old, tried-and-tested combination. An artisan Cornish Gouda with Honey and Clover is now being made by a Dutch family in Cornwall (my jury-of-one is still out on this).
Dartmoor Chilli, Meldon (with English mustard and Ale) and Chipple (with spring onions) are all made on the base of the well-esteemed, sweet, mild Curworthy cheese. The Sharpham Estate’s Rustic is flavored with chives and garlic; and Wedmore, made by scattering chives through the center of each round of aged Caerphilly at Westcombe Dairy in Somerset captures the flavors of the lush Somerset meadows.
There can be a fine line between those cheeses that contain bits and those infused with an extra dimension of flavor, such as Cornish Yarg, wrapped with nettle or wild garlic leaves, or the coating of fresh herbs that add interest and contrast to soft cheese such as award-winning Rosary Garlic and Herb Goats Cheese. And the best smoked and washed rind cheeses, which are brushed with wine or cider, are about discretion not domination.
One problem with cheese with bits is the suspicion that it is a way of adding “extra value” to inferior, poorly textured, mass-produced cheese without adding extra care. No manufacturer will ever plead guilty, but the fact is: If the quality of the base cheese is poor, whatever you add won’t make it any better.
Cheese as an entrée point
But as fast as flavors come, they also seem to go.
These additives are fashion products. Maybe this sort of fun cheese can give younger folks, for many of whom cheese is just something that drips off a burger, an entrée into the cheese world and will lead them to better products — much as has happened in wine. Indeed, it may be that opening up the market, adding range and variety, may even save some standard cheeses from decline.
Maybe. But I still think the person who put Jamaican jerk sauce into cheese should be forced to eat it every day.
Main photo: New on the market in the United Kingdom from Marks & Spencer: White Stilton® with dried sour cherries and a candied orange peel coating, left, and Cornish Cruncher Cheddar with white balsamic vinegar and red bell pepper with a red bell pepper coating. Credit: Clarissa Hyman
Ever heard of Gorgollasa? Prensal, perhaps? Try Callet? Or maybe Manto Negro? Welcome to the distinctive native grapes of Mallorca, the largest of Spain’s Balearic Islands, which basks out in the Mediterranean some ways south of Barcelona.
Wine-growing started here with the Romans and continued at a steady pace until the end of the 19th century, when the vine-destroying phylloxera louse laid waste to Europe’s vineyards. Viticulture on Mallorca succumbed too and lay stunned, licking its wounds, for the better part of half a century. In the 1970s, when Spain embarked on its dismaying sellout to mass tourism, the island’s vineyards flickered back to life. Mass tourism requires — along with oceans of beer — mass-produced wines. Mallorca’s wineries obeyed the dictates of the market, confining themselves (with a few notable exceptions) to producing undistinguished plonk.
Mallorca transforms to tourist destination rich in wine culture
Hordes of northern Europeans continue to land on the beaches by the millions each summer, for sure. But in the past 20 years, an alternative touristic offering has developed, aimed at a different kind of traveler. In the once seedy, down-at-the-heels streets of Palma, the island’s capital, exquisite patrician palacios have evolved from dilapidated family homes to chic town hotels. Inland, deliciously well-appointed casas rurales (country hotels) have sprung up amidst the silvery olive groves and almond and apricot orchards. Hikers and bikers relish the challenges of the mountains of the Serra de Tramuntana, designated a UNESCO World Heritage Site in 2011. And as upmarket tourism has taken root, so too has the demand for better-quality wines, most of them grown in the foothills of the Tramuntana range, with peaks that rear up like jagged vertebrae from southwest to northeast.
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If you are up for a vinous adventure and enjoy straying off the usual well-worn paths to taste the fruits of unusual local grapes, you’re going to love exploring Mallorcan wines.
The island has about 40 working bodegas (wineries) today. Here are a half-dozen whose wines grabbed my attention on a recent visit. Check Wine Searcher for suppliers near you, or contact locally based Cellers Artesans d’Europa (firstname.lastname@example.org), which ships worldwide.
Bodegas Ribas in Consell is the oldest winery on Mallorca, established in 1711 and still owned and run by members of the Ribas family. The 13th generation is represented by brother-and-sister team Xavier and Araceli, whose wine studies took them first to Priorat, Spain (Catalunya), followed by New Zealand, California, France and Argentina. The family is famous for championing indigenous vine varieties, including the almost extinct Gorgollasa, and the 40-hectare (99-acre) vineyard boasts some impressively gnarled old Prensal and Manto Negro root stocks. Their fresh, mouth-filling, no-barrique blanc (white), made from Prensal plus a little Viognier, slips down as a treat at the beach with a plate of grilled sardines, while red Sió partners the lightly pigmented Manto Negro grape with Syrah and Merlot, bolstered by a discreet hint of oak.
Close by in Santa Maria del Camí is Macià Batle, one of the largest bodegas, with about 100 hectares (250 acres). It was founded in 1856 and has seen impressive modernization and investment in the past five years. If I lived on the island, my go-to white would be the entry-level blanc de blanc, a golden, aromatic, crunchy combo of Prensal, Chardonnay and a little Moscatel. Their wide range of reds (sporting lurid labels, including one designed by artists Gilbert and George) successfully combine Manto Negro with international varieties like Syrah, Cabernet and Merlot in varying proportions.
Vinyes Mortitx is situated on the dramatic, winding road up to Pollensa in a tiny, sheltered valley, which was formerly planted with kiwis and avocados. In 2002, these were uprooted in favor of 15 hectares (37 acres) of vines, both island and mainland varieties. Flaires, a pretty, blush-pink, low-alcohol rosé from Monastrell, Merlot and Cabernet, makes a fine summer aperitif. Come fall, look out for Rodal Pla, a robust but discreetly oaked Syrah/Cabernet/Merlot blend.
Tiny Son Prim (8.5 hectares, 21 acres), owned and run by the Llabrés family and situated between Inca and Sencelles, gets my vote for some of the island’s most original, keenly priced, Mediterranean-inflected wines. The bodega majors on Cabernet Sauvignon, Syrah and Merlot, with a little input from Manto Negro. Of their wines (they do both single varietals and blends), I particularly favored the Merlots: firstly a fragrant, gently blushing white and then an alluring, curvaceous, characterful red.
Mesquida Mora is a new winery set up by Barbara Mesquida, one of the few female wine makers on the island. She recently struck out on her own with 20 hectares (50 acres) of local and international varieties, which she farms biodynamically with minimal intervention in the vineyard and little or no sulfur added in the cellar. Look for Acrollam (Mallorca, spelt backwards), a deep golden mouthful of Prensal with Chardonnay, or Trispol, a dense ruby-red combination of Cabernet Sauvignon, Syrah and the rare, rustic Callet.
At Bodegas Can Majoral in Algaida, brothers Biel and Andreu started as hobby winemakers in 1979, gradually increasing their holding to its current tally of 17 hectares (42 acres) and converting to organics along the way. They combine an acute sense of terroir with an unshakeable belief in the indigenous Mallorcan varieties and their potential to produce quality wines. The tongue-twisting Butibalausí comes in white and red versions, the former a sprightly, easy-drinking drop made from low-acid Prensal boosted by Chardonnay and Parellada, one of the grapes traditionally used for cava. If you rejoice in the resurrection of threatened indigenous rarities, try to track down a bottle of their Gorgollasa, a distinctive, highly aromatic red wine which they produce in tiny quantities from just 1 hectare (2.5 acres) of their vineyards.
Main photo: Colorful labels from Macia Batle. Credit: Sue Style
When the weather is steamy hot, no wine is more refreshing than a chilled rosé. This 2013 Château de Trinquevedel, with its complex spice and cherry flavors with hints of refreshing grapefruit, will be delicious after Labor Day, too.
In the past few years, the meaning of rosé has changed from cotton candy sweetish plonk to a powerful symbol of summer in the U.S. Pink wine has become the sophisticated beach and patio drink, a fashionable accessory to the good life. Too bad so few people drink it during the rest of the year. Yes, I’m a fan of the seasonal approach to wine, but just because pale pink wine is gulpable and refreshing in July and August doesn’t mean we should drop it like a beach towel when we get back from our vacations.
Elin McCoy's Wine of the Week
2013 Château de Trinquevedel Rosé
Region: Rhone Valley, France
Grape: 57 % Grenache Noir, 11% Cinsault, 15 % Clairette, 11 % Syrah, 5% Mourvèdre
Serve with: Grilled fish, spicy Chinese noodles with chicken, barbecued pork chops
The Tavel region of the southern Rhône Valley, where Château de Trinquevedel is located, is unique — it’s France’s only all-rosé appellation. The land has a long history: Greeks planted the first vines back in the fifth century B.C., and rosés from the region were favorites of Louis XIV.
Built in the 18th century, the château is now in the hands of Guillaume and Céline Demoulin. Guillaume is the fourth generation in his family to farm these vineyards filled with the rounded white stones called galets roulés that also grace the vineyards of Chateauneuf-du-Pape. The hot sun and warm climate concentrate the grapes and result in rosés with more power and tannin than the pale, pale pink wines of the Côtes de Provence and Château de Trinquevedel makes a couple of different cuvées; this is their cuvée traditionelle offering, brought in by well-known importer Kermit Lynch.
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In France, red and white wine can’t be mixed to create a rosé except in Champagne. That was reaffirmed a few years ago, after a controversial proposal by the EU minister of agriculture to permit mixing them met with giant protests from top producers all over France and she had to back down. Chateau de Trinquevedel uses a version of the saignée method, macerating grapes with their skins to pick up color. Then they draw off the free-run juice, press the grapes and add the pressed juice to the free-run.
The result is a serious, full-bodied rosé with a deep pink color that’s amazingly food friendly and rich enough to serve with all kinds of food, including spicy barbecued pork chops.
Sadly, at the end of the summer, wine shops usually stop ordering more rosé for their shelves. My advice is to stock up now.
Main photo: 2013 Château de Trinquevedel Rosé. Credit: Elin McCoy
Unlike today, the bustling U.S. wine industry was much less prosperous in the 1960s. After more than a decade of Prohibition, in the 1920s and early ’30s, America’s wine culture had to be remade to some extent in the latter half of the 20th century, not experiencing a rebirth until around the early 1970s. With wine knowledge and consumption relatively low, how did cookbooks from the 1960s talk about it?
A classic general advice cookbook, “The New Good Housekeeping Cookbook,” published in 1963, dedicates nearly 10 pages to the topic. Near the end of the 700-page tome, a section poetically titled, “When there is wine,” starts at square one in the most basic of fashions, asking and answering the question, “What is wine?” After getting readers up to speed that wine is fermented grape juice and reviewing the basics of viniculture, the editors keep their focus stateside, summarizing U.S. production in California, New York and Ohio.
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Written for an audience less familiar with wine, Good Housekeeping’s advice works to gently persuade the novice to cook and serve it. The editors promise that wine “can brighten your meals, bring new zest to your cooking, and add new smartness to your entertaining.” Furthermore, editors offer assurances that even as newcomers, readers can buy, store, cook and serve the beverage with panache. If a reader is unfamiliar with wine, the editors recommend talking to a reliable dealer. Editors also soothe a hostess’ concerns about proper wine-food combinations, stating, “It’s perfectly correct to serve any wine any time you wish.” The next eight pages elaborate in dizzying detail, however, exactly how, when, why, and in what glasses wine should be served.
How Julia Child Taught Wine
First published in 1968, Julia Child’s “The French Chef Cookbook” urges readers to think about wine differently. “Notes on Wine” appear in the book’s introductory section, and as we would expect from the “French Chef,” Child takes a kind but firm hand from the start, instructing the reader that wines used for cooking need not be expensive, but must be good. Rather than building confidence through simplification or shifting responsibility for wine selection to a dealer, Child empowers the reader. She gives pointed suggestions, but also says, “You will have to search around and experiment yourself to find the right cooking wines at the right price.”
Just as she encouraged housewives to accept the challenge of French cooking over the false sense of accomplishment provided by doctoring up packaged foods, Child coaches readers, providing the detail they need to choose a wine, use it in cooking and serve it with meals, so that they too may know “what delight there is in the perfect combination.” At its most basic core, this delight resides within a marriage between food and beverage that will “bring out the taste of the wine” and “accentuate all the subtle flavors of the food.”
Always zealous when it comes to food, Child encourages readers to become devout and dedicated students of wine. While she describes wine consumption as a “pleasant hobby,” she recommends that readers get started by not only buying wines, but also sampling and discussing them, keeping notes of their impressions, reading and thinking about wines, and above all enjoying them.
The school year will be upon us before we know it. Will you become a student of wine?
Main photo: Cookbooks from the 1960s were written for an audience less familiar with wine. Credit: Emily Contois
A wine gelée, or jello, is one of my favorite desserts any time of year, but especially at the extreme times — a very hot summer day or a cold wintery one. Not that I wouldn’t take pleasure in biting into the translucent, quivering cubes of a jellied wine whenever the opportunity presents itself, but it’s the very hot and very cold days that I appreciate it as a dessert.
In the summer we don’t have much of an appetite for desserts that involve crusts and cream, so a light, glistening jellied wine with fruit is ideal. In winter we may have had an especially hearty meal so to end, again, with no crusts but the amber cubes of a jellied Marsala with a bit of cream poured over (or not) fits the desire to finish on a sweet note, but not a heavy one.
Just about any wine will do in wine gelée
In summer I make wine gelées with white wines, champagnes, Prosecco, Asti Spumante — anything a bit frizzante is good. Even a vino verde, which can seem a little tart on sipping, works well. A rosé makes a beautiful jellied bowl of wine as well.
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Once it has set, I cut the jellied wine crosswise both ways to make sparkling cubes, then spoon them into individual clear glass or crystal cups, interspersed with raspberries, blackberries or grapes or white peaches or nectarines cut into small pieces. Alternatively you can fill glasses with fruit, then pour the still-warm wine around it and refrigerate until it sets. Turn them out or serve them in the glass.
Toward fall, still a warm time of year, I start mixing figs, raspberries and pomegranate seeds with the gelée. Or I serve the gelée with cut-up aromatic melons, such as Galia, Passport or Ogen. You could serve it in the cavity of a small Cavaillon. A late harvest Riesling would be a wonderful wine to use in the fall.
For winter I turn to heavier wines, like sherry and Marsala, or a red, such as a Zinfandel or American Pinot Noir. A glowing amber or plum jewel-like dish is what you end up with. Instead of fruit, you might choose to pour a little cream over the wine. A nut cookie on the side provides a bit of crunch.
Here’s a recipe that will work for any wine, really. It’s not sweetened but a bit, so add more if you like your desserts really sweet.
Prep Time: 10 minutes
Setting Time: 4 hours to 6 hours
Total Time: 4 hours 10 minutes to 6 hours 10 minutes
Yield: Makes 4 to 6 servings, depending on the amount of fruit used.
- 1 package gelatin
- ⅓ to ½ cup sugar
- 2 cups wine, divided
- 2 tablespoons fresh lemon juice
- 1 to 1½ cups fruit, cut or sliced into small pieces
- Sprinkle the gelatin over ¼ cup cold water and set it aside to soften.
- Combine the sugar with ½ cup of wine in a small saucepan. Bring to a boil, then simmer, stirring occasionally, until the sugar is dissolved. Remove from the heat, and then stir in the softened gelatin. Stir until it’s thoroughly dissolved, then pour it into the rest of the wine.
- Mix well, then pour into a bowl or compote dish and refrigerate until set. Wine seems to take longer to set than cream or fruit juices, so plan on at least six hours, or even overnight for a firm set.
- Chop the jelly into cubes then serve in the compote or in wine or champagne glasses interspersed with the fruit.
After the wine has set, chop it into cubes and slivers just before serving so the pieces sparkle and glisten. Then serve the broken gelatin in wine glasses, interspersing the pieces with ripe summer fruits. It can also be served plain.
Main photo: Jellied wine with summer fruit. Credit: Laurie Smith
Say the word Malibu, and visions of bikini-clad women, surfer dudes and movie stars’ homes typically come to mind.
Now you can add vineyards with a view to the list of Malibu, Calif., attractions.
This month, the tony area will receive its Malibu Coast American Viticultural Area (AVA) classification, a process that took three years.
Malibu’s wine history begins in 1800s
“Now that we have a Malibu AVA, it gives us a sense of place and validates that we have a specific geographic area and we can reunite our group with a wine-growing history that goes back to 200 years,” said Elliott Dolin, proprietor of Dolin Malibu Estate Vineyards.
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Vineyards in the Malibu area were first planted by the Tapia family in the 1820s. “Between Prohibition and fires, the vineyards disappeared,” Dolin said.
Malibu’s viticultural history was revived in the mid-1980s by Santa Monica restaurateur Michael McCarty, who launched The Malibu Vineyards, and Los Angeles businessman George Rosenthal, who produced the eponymous label at his Malibu Newton Canyon vineyard. They were later joined by Ronnie Semler with his Malibu Family Wines at Saddle Rock Ranch.
Now Dolin is among 52 Malibu-based vintners farming wine grapes in California’s newly established AVA, which is comprised mainly of the Santa Monica Mountains. Some 198 acres of vineyards are planted with Cabernet Sauvignon, Merlot, Syrah and Chardonnay. The appellation is 46 miles long and 8 miles wide, with elevations ranging from sea level to 3,111 feet atop Sandstone Peak. The two previously established minuscule appellations of Saddle Rock-Malibu and Malibu-Newton Canyon now come under the larger Malibu Coast AVA. About 30 wine labels are produced by the 52 growers.
But for tourists looking to visit wineries and tasting rooms, you’re out of luck. Because of state and county restrictions, Malibu does not have wine-production facilities with tasting rooms in the AVA. All the vintners custom crush their grapes in various Central Coast locations, and wines are sold through mailing lists and at retail stores and restaurants.
However, I discovered two places to savor local wines — Rosenthal Wine Bar & Patio on Pacific Coast Highway and Cornell Winery Tasting Room in Agoura. (Cornell is not an actual winery, but a wine bar and retail shop).
Perched on the western boundary above the Pacific Ocean, the Dolin estate is a seagull’s flight from Zuma Beach and sits on Zuma Mesa. The volcanic soil was called Zuma, hence the name of the beach, Dolin said.
Standing on the terrace of his Mediterranean-style villa, Dolin pointed to six other small vineyards around his property. The coastal weather is ideal for wine grapes. “We have cool fog in the morning, warm days and it’s cool in the evening,” he noted.
A native New Yorker, Dolin joined the Nashville music scene (he played electric guitar) and then turned to real estate development. He was introduced to fine wines through a dedicated wine group in Los Angeles and developed a love for Bordeaux and California reds. He and his wife, Lynn, purchased their 2-acre ocean-view property in 2001 and planted the vineyard in 2006. The Dolins hired Bob Tobias as their vineyard adviser, and he suggested a Chardonnay planting with the Dijon 96 clone.
Why a Chardonnay vineyard for a red-wine aficionado, I ask?
“Our best chance for quality fruit was Chardonnay, so decision was terroir-driven, not taste-driven,” Dolin said.
The first release in 2009 was made by Dolin himself at a custom crush facility in Camarillo. In 2010, Kirby Anderson — the former head winemaker at Gainey Vineyard — came on board as the winemaker, winning the Chardonnay a double gold in the San Francisco Chronicle’s wine competition. Currently the wines are produced at a custom crush in San Luis Obispo.
It’s a gorgeous Malibu afternoon, with clear skies, a gentle breeze caressing the vines planted just below the villa’s scenic terrace and the ocean in the distance. We savor the lush, round-mouth feel of the 2011 Chardonnay, which clearly says “California Chardonnay.” Barrel-aged for 13 months, the wine shows balance of fruit and acidity with oak playing a supporting role.
With his passion for reds, Dolin is expanding his 2014 portfolio, sourcing Central Coast Pinot Noir from such prestigious vineyards as Talley’s Rincon, Solomon Hills and Bien Nacido. We had a preview of this portfolio, tasting a salmon-hued 2103 Roséproduced from Central Coast Pinot Noir.
I later met with Jim Palmer of Malibu Vineyards at Cornell Winery. This not a winery but a retail shop and tasting room that specializes in Malibu labels plus wines made by small producers from Temecula to Monterey. It’s tucked away in the Santa Monica Mountains in the hamlet of Cornell.
The tasting room is adjacent to the popular eatery The Old Place, which was once the Cornell post office. A throwback to the Old West that has served as a backdrop to several Hollywood productions, this tiny oasis is wedged between Malibu and Agoura along Mulholland Highway and was part of the old stagecoach route, Palmer said.
In the mid-1990s, Palmer purchased his 4-acre Decker Canyon property 3 miles from the coast. Perched at an elevation of 1,500 feet, the vineyard is planted with Sangiovese, Cabernet Franc, Cabernet Sauvignon, Syrah and Merlot. His first vintage, a Syrah, was launched in 2003, and currently his annual production is a mere 400 cases.
Palmer poured the 2010 Sangiovese Vortex, a Super Tuscan-style Sangiovese blended with Merlot and Cabernet Franc — a sublime wine with balanced acidity and traces of cherry fruit. The fruit-forward style 2010 Syrah showed a hint of spice.
An accountant by profession, Palmer calls his wine business a one-man show. “By doing that, I can control all aspects of winemaking,” he said. “I also sell my own wine.”
Malibu may be renowned as a beach retreat for movie stars and billionaires, but it’s also gaining recognition for vintners growing grapes on small patches of vineyards and crafting very good wines.
Main photo: A selection of Malibu wines sold at the Cornell wine shop and tasting room. Credit: Mira Honeycutt