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Photos of perfect-looking prepared food in glossy magazines used to make Amelia Morris mad — really mad. So in 2009 she decided to start a blog called Bon Appétempt to help beginners like her feel good about their cooking attempts, no matter how badly they turned out.
“I want to show what life is like for the rest of us: messy, poorly lit and falling well short of our aspirations,” she wrote in one of her first blog entries.
“Bon Appétempt: A Coming-of-Age Story (With Recipes!)”
By Amelia Morris, Grand Central Publishing, 2015, 320 pages
» Click here to buy the book
Bon Appétempt is a now an award-winning blog that features recipes Morris adapted from magazines, along with fun cooking videos shot by her husband, bits of food memories and photos of herself and her family — because, after all, food is all tied up with relationships: who you’re cooking with, and for, even if it’s just yourself on a lonely night.
This is abundantly clear in Morris’ new memoir — “Bon Appétempt: A Coming-of-Age Story (With Recipes!)” — where she traces her journey as a novice cook while navigating difficult relationships with her parents (her father hoped she’d become a wrestler), and trying to find herself as a writer.
Cooking to heal and celebrate
Through financial hardships, deaths of family members, a long-distance relationship, and then marriage and parenthood, Morris consistently turned to cooking to soothe hurts, celebrate happy gatherings and give herself a feeling of pride and success.
Recipes that have given her comfort and joy, such as “My Mom’s Chicken Cordon Bleu” and “Simple Vanilla Cake With Dulce De Leche,” which she learned from a woman in Argentina, fill the pages.
Cooking as a creative activity is something Morris understands well, which is why she’s honest and even proud of her flops — each one made her a better cook.
“… [A]ll of these so-called failures taught me that though writers would like readers as much as chefs would like eaters, at the end of the day, if there are none of either to be found, we can continue creating anyway just to feed ourselves,” she writes.
I caught up with Morris to ask her to tell us more about her story. She happily shared a recipe for an Italian cookie called pizzelle that she adapted from the version her grandmother used to make (see below).
Q&A With Bon Appétempt’s Amelia Morris
It seemed that cooking sustained you through the trials of becoming a writer, is that correct?
It did — it helped me in a lot of ways. Working on a novel took a long time and was lonely work. It was nice to get away from computer and go make dinner. Cooking is a tangible thing; it feeds your family, it feeds yourself. It’s way to take care of yourself.
Can you describe one of your cooking failures?
There was one with fried chicken — I used a cookie sheet for the oil, so it dripped off the sides. People were coming over for dinner, so I jumped into the shower and my husband came in and said, “There’s black smoke coming out of the oven, I don’t know what to do!” All I could think of was the blog, so I said, “Can you get a picture of the black smoke?” It was comical! I did serve the chicken to our dinner guests, but it wasn’t great.
You tell the story of a fabulously ruined cake that you had planned to serve for Christmas.
Yes, the chocolate peppermint cake. It’s one of those things with baking — you think if you follow the rules and have the tools, you can do it! I set myself up for success. I started three days ahead and made all the components. I was so impressed with what I’d done — Matt took pictures of me putting it together. The cake was layers of ganache-cream-cake, ganache-cream-cake. But as I began to ice it, all the icing started to slide — and there was no stopping it! We started taking pictures of it — you can see the whole thing on the blog.
When did you cross the line as a cook and begin to really feel confident?
It took a really long time. Through the blog, people started coming to me with cooking questions and recipe tips, as if I was this knowledgeable cook, and I resisted it. But recently I realized — I am a decent cook. I don’t have formal training, I learned by just doing it. Seeing my grandma cook, I am sure I absorbed some basic knowledge.
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Who are some of your favorite food-memoir writers?
Ruth Reichl was my introduction to food memoirs — I really love her writing. Also, M.F.K. Fisher‘s “How to Cook a Wolf” — I loved it from the minute I opened it up. I also love Molly Wizenberg’s books, and am inspired by “Eat Me: The Food and Philosophy of Kenny Shopsin.” He had a diner in Manhattan for a long time; he’s an interesting guy and his cookbook is really great.
Is there anything that still scares you, cooking-wise?
Yes! I’ve always wanted to grill a whole fish. That seems hard and scary, as well as cooking any big cuts of meat.
Meyer Lemon Pizzelle (Adapted From Food 52)
Prep time: About 25 minutes
Cook time: About 45 minutes
Total time: About 1 hour, 10 minutes
Yield: About 40 to 50 cookies*, depending on iron size
(*If you want to make a ton like Grandma did, you should double this recipe.)
1 2/3 cups granulated sugar
6 large eggs, room temperature
2 sticks of butter, melted and cooled plus more for brushing on the pizzelle iron
3 teaspoons vanilla extract
Zest of 2 to 3 Meyer lemons (If you can’t find Meyer lemons, substitute with regular lemons or oranges.)
4 cups all-purpose flour, spooned into measuring cup
4 teaspoons baking powder
1. Combine the sugar and eggs in the bowl of a stand mixer. Beat on medium speed for 1 to 2 minutes until well incorporated. The eggs must be at least room temperature.
2. Slowly drizzle the melted butter into the mixture, while mixing on medium speed. Add the extract then the zest.
3. On low speed, add the flour, 1/2 cup at a time, and the baking powder, one teaspoon at a time.
4. The batter should have a satin sheen to it, but should be light and stiff. If your batter is too liquid, add more flour, a tablespoon at a time until the batter is stiff.
5. I can’t speak for other pizzelle irons, but I have this one, and here is my advice for using it: Make sure the iron is super hot before beginning! Also, to avoid getting the batter stuck in the iron, I quickly brush all four sides of it with melted butter. Using a tablespoon scoop, place dollops of batter onto the iron. Close the iron tight and wait about 30 seconds before opening. Repeat 20 to 25 more times depending on iron size. Fresh, hot cookies can be rolled or shaped into cups, although I haven’t experimented with that yet. Next year!
Main photo: Meyer Lemon Pizzelles, hot off the press. Credit: Copyright 2015 Matthew Bookman
Blenders today are ubiquitous and taken for granted, but there was a time when these humble kitchen tools were central to aspirational American cooking — with one cookbook elevating the appliance to its proper place in the kitchen.
Ann Seranne, a lesser-known but prolific cookbook author, published “The Blender Cookbook” in 1961 with Eileen Gaden after they both left editorial positions at Gourmet Magazine to form a food consulting company. Inspired by their consulting for Waring, the first major American blender manufacturer, Seranne and Gaden began work on a blender cookbook. Invented in 1922 by Stephen Poplawski, blenders populated upwards of 5 million American kitchens by midcentury. In his musings on the appliance, however, Craig Claiborne of The New York Times bemoaned that the average housewife used her blender for little more than daiquiris and whiskey sours. At the same time, gourmands from Julia Child to Alice B. Toklas embraced the appliance’s abilities, even as they favored more traditional techniques.
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Describing herself as “a devoted disciple of the electric blender,” Seranne assured readers that next to the stove and refrigerator, the blender was the kitchen’s most essential appliance, a “treasure” worthy of a permanent place on the kitchen counter. Wrapped up in both haute cuisine and convenience cooking, Seranne and Gaden brought this enthusiasm to home cooks with “The Blender Cookbook.” With dozens of black and white illustrations, the text features more than 500 recipes not only for dips, soups, sauces and drinks, but also for scrambled eggs, turkey stuffing, crab-and-macaroni casserole, meat loaf, beef Stroganoff, lamb curry, white-fish quenelles with sauce Normande, and fruit tarts.
In his initial review, titled “Blender Magic,” Claiborne honored Seranne’s contribution, asserting that the cookbook “fills a culinary void that has been apparent since the first blender was placed on the market nearly three decades ago.” Overall, he rated the cookbook as the “most comprehensive and imaginative and by all odds the best” among blender texts. Although Claiborne critiqued one of the recipes (a blended minestrone recipe that he quipped was simply “not minestrone”), he lauded Seranne’s hollandaise sauce. Easily whipped up in mere seconds with the blender’s aid, Claiborne proclaimed, “This alone should qualify her for some sort of gastronomic hall of fame.”
Far beyond a gimmicky contribution, “The Blender Cookbook” appeared in Claiborne’s round-up of the year’s best cookbooks, alongside seminal gastronomic tomes, such as the English translation of “Larousee Gastronomique,” “Mastering the Art of French Cooking” (which he called “a masterpiece”), the newest edition of “The James Beard Cookbook,” and Claiborne’s own “The New York Times Cook Book.”
The 1960s cookbook boom
Among such esteemed company, “The Blender Cookbook” came into being during a meaningful culinary moment. In her Oct. 23, 1961, New York Times article, “Food: Cookbook Boom,” June Owen wrote that more cookbooks were to be published that year than ever before.
Nika Hazelton, a well-known cookbook author and food writer, echoed this sentiment, albeit more colorfully, in 1963, when she observed, “Americans are taking to cookbooks the way the Romans took to orgies.” Orgies aside, Owen situated cookbook publishing and sales within broader changes in American culture. She argued that etiquette rules, like those penned by Emily Post, which quieted discussions of cooking at the hostess’ table, had shifted. As Americans developed a “tremendous interest in food,” kitchen labors became a topic of newly suitable conversation over dinner.
In her analysis of these burgeoning food interests, Owen also engaged David Reisman, Nathan Galzer and Reuel Denney’s “The Lonely Crowd,” a sociological study, both landmark and contested, first published in 1950 and again in 1961, in the midst of this cookbook boom. Reisman traced growing interest in cooking to the rise of servant-less households among the middle class, which shifted the responsibility for cooking. He also cited the increasing abundance of food that made eating well an accessible luxury for more than just the supremely affluent. He argued, as sociologist Pierre Bourdieu also would, that under such conditions, food became a primary method for demonstrating taste and social status.
Cookbooks in midcentury America — focusing on desserts, eggs, ethnic cuisine or even blenders — served as both the means and symbols of this upward mobility. Or as Hazelton quipped on the price of cookbooks, “You’ve got to spend a little to build up your reputation as a gourmet, which appears to be the current ambition of every red-blooded American” — a sentiment not too far afield from today’s mainstreamed and seemingly ever increasing interest in food and cooking, sipping and tasting, cookbook buying and kitchen outfitting.
Ann Seranne, kitchen sorceress
Beyond the prominent position of “The Blender Cookbook” in the 1960s culinary canon, what do we know of the woman behind the blender? Originally from Canada, Ann Seranne came to the United States in the 1930s and worked her way to executive editor at Gourmet before she began her consulting partnership with Gaden in the mid-1950s. Throughout her career, Seranne published not just “The Blender Cookbook,” but more than two dozen cookbooks, including “Ann Seranne’s Good Food & How to Cook It,” “Good Food Without Meat,” “The Complete Book of Home Preserving” and “The Art of Egg Cookery.”
Claiborne wrote fondly of her in The New York Times, describing her as a tall (she was 5′ 8″), blond, handsome woman; “a born cook;” an indefatigable food consultant; and “a kitchen sorceress who would rather cook than eat.” His description of her 1963 cookbook, “The Complete Book of Desserts,” may have applied to her as well: “At once as down to earth as an apple fritter and as sophisticated as a cream-filled génoise.”
Impressive as they are, Seranne’s cookbooks were but one of her life’s accomplishments. She nurtured twin passions for cooking and breeding Yorkshire terriers, five of which shared her New York home and whose breeding line claimed more than 60 championships. Her canine brood supped on a ragout of beef, lamb shanks, parsley, carrots and garlic; garlic being her dogs’ most favored flavor. When famed dog show reporter Walter Fletcher purportedly asked Sarenne of the similarities between cooking and dog breeding, she replied, “Both contain equal parts science, art and luck.”
Main photo: Invented in 1922, blenders populated upwards of 5 million American kitchens by midcentury. Credit: iStock/Eva-Katalin
Gardening in winter hardly seems ideal to those of us in cold climates, but for Craig LeHoullier, the season of snow brings the first opportunity to plan his summer tomato crop. A tomato adviser for Seed Savers Exchange and author of the recently published book “Epic Tomatoes: How to Select & Grow the Best Varieties of All Time,” LeHoullier is an expert in the field, having developed, introduced and named almost 200 tomato varieties.
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Over the past 30 years, LeHoullier has brought a number of heirloom tomato varieties back from the brink of extinction. Perhaps his most notable contribution is the Cherokee Purple, a tomato that came to him as an envelope of seeds sent by John D. Green and is now one of the most popular varieties in the Seed Exchange catalog.
LeHoullier’s love for heirloom tomatoes began as a hobby, but after retiring from his career as a chemist and project manager in the pharmaceutical industry in 2007, this passion blossomed into a second career. LeHoullier lives in Raleigh, North Carolina, with his wife, Susan, and is known within the heirloom tomato community as NCTomatoMan.
I caught up with LeHoullier before the launch of his book tour and got his advice on how to successfully grow heirloom tomatoes in my own backyard.
Winter gardening: prime time for research
LeHoullier says he gets about a monthlong break between digging up the last of his dead tomato plants each fall and the appearance of the first seed catalogs, when the real work of planning the garden begins. This lull in the action is prime time for research. Online sites such as Dave’s Garden, Tomatoville and GardenWeb can provide a good starting point for new gardeners. LeHoullier recommends searching for “garden discussion groups,” “tomato discussion groups” and “top 10 tomatoes” to begin your reading.
Determine your gardening goals
LeHoullier points out that gardening is a personal experience and that “Each one of us will choose how much of our lives we’ll pour into it.” Growing great tomatoes requires figuring out what kind of gardener you are — or would like to be.
LeHoullier suggests that you think about what you want to get out of your tomato garden. Before you place your seed order, consider whether you want to garden because you want to grow food; because it’s a good hobby to work off a few extra pounds; or because you want to use it as a teaching tool for your friends, family or children.
Ask yourself: Do I want a high yield? Am I looking for huge tomatoes to impress my friends? Do I want an incredible flavor experience? Or do I want to grow something that I’ve never seen before? The answer to these questions will help you focus your research on the tomato varieties that suit your gardening goals.
Figure out what kind of tomatoes you like to eat
Tomatoes come in a wide variety of colors, flavors and sizes. Most of us have not tried many of the thousands of tomato varieties that exist in the world. LeHoullier believes that the best way to know which tomatoes you should grow is to decide which tomatoes you’d like to eat. Visit farmers markets and stores such as Whole Foods to try tomato varieties you’ve never eaten and notice which flavor profiles excite you.
Get to know your gardening climate
Understanding your growing season is crucial. If you live in a warm climate where summer lasts more than 150 days, then the maturity date doesn’t matter much. But if you’re in a colder climate, pay close attention to the maturity date of the tomatoes you want to grow. Talk to friends in your neighborhood who are avid gardeners and vendors at local farmers markets to see which tomato varieties grow best for them.
Seeds vs. seedlings
LeHoullier says that “At a basic level, people will want to understand that growing tomatoes from seed opens up the world for you to try different colors, sizes and shapes.” That said, starting tomatoes from seeds can be a tricky proposition. Consider your capabilities and experience with growing tomatoes from seed. If your tolerance for failure is low, begin by planting seedlings.
Hybrids vs. heirlooms
Although LeHoullier says he “won’t make the blanket statement that some make that heirlooms are always more disease susceptible and difficult to grow than hybrids,” he does allow that heirlooms can be finicky and that “every tomato — including the hybrid varieties — has its own personality and foibles.”
Start small (Do as I say, not as I do.)
After you’ve familiarized yourself with the seemingly endless choices in the tomato world, it’s time to get planting. Showing restraint is key, especially for new gardeners.
Raising thousands of tomato varieties isn’t for everyone. (Or in fact, for most people.) LeHoullier cautions new growers to start small, in spite of the fact that he has a huge and ever-growing tomato collection. LeHoullier identifies himself as a “hobby collector” — he’s into beer brewing, roasting his own coffee, bird watching, kayaking, and has countless other hobbies in addition to what he calls “the tomato thing.” He describes himself as a “seeker who is never satisfied.” It is this tendency that has led LeHoullier to raise a collection of tomatoes that now hits the 3,000 mark.
One reason that LeHoullier’s collection has grown so large is that he has inherited the collections of gardeners who have become overwhelmed. “People send me entire collections because they can’t take care of them.”
Disappointment is an opportunity for learning
A scientist by training and experience, LeHoullier sees gardening as “an exciting hobby to learn stuff” and reminds us that “Each year, X number of plants are gonna die. Critters are gonna eat another bunch of plants, but that’s great because we learn from it and the next year we try different things to avoid that problem, knowing that other problems will arise.”
The bottom line
LeHoullier asserts some basic goals: Do a lot of searching. Ask a lot of questions. Make an accurate assessment of your interest level. Taste every tomato you can get your hands on. Recognize that there aren’t a lot of hard and fast answers to gardening questions. There are just, as LeHoullier says, “an infinite number of variables for every act a gardener takes.”
Perhaps most important, LeHoullier cheers us on in our tomato-growing efforts by reminding us that, “If you can find them, and buy them, and taste them, and like them, there’s no reason you can’t grow them.”
Main photo: Cherokee Purple heirloom tomato, named by Craig LeHoullier, author of “Epic Tomatoes.” Credit: Susan Lutz
People buy cookbooks for a variety of reasons: to inspire, impress, beautify, edify and love. For famed cookbook author and food writer, Nika (Standen) Hazelton, however, there was only one reason to purchase a cookbook: to cook from it.
The daughter of a German diplomat, Hazelton was born and grew up in Rome. In addition to international travels with her father, she attended the London School of Economics and worked as a reporter in Europe, before marrying and moving to the United States in 1940.
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It was stateside that her cookbook-writing career took off. Esteemed as a specialist of European cookery, she penned cookbooks dedicated to the cuisines of Scandinavia, Switzerland, Belgium, Italy, France, Denmark and Germany. At the time of Hazelton’s death in 1992, Molly O’Neill, food columnist for The New York Times Magazine, declared Hazelton’s “American Home Cooking” (Bobbs Merrill, 1967), “French Home Cooking” (Viking Penguin, 1979), “International Cookbook” (Harper & Row, 1967) and “The Italian Cookbook” (Henry Holt, 1979) standards. Hazelton published 30 cookbooks throughout her career and wrote countless articles for major food magazines and newspapers. No title better communicates her unwaveringly simple, straightforward and unpretentious perspective on food and cooking, however, than her 1974 cookbook, “I Cook As I Please.”
Conceding her “literal mindedness,” Hazelton laid out in a 1963 article in “The New York Times” exactly how one might judge a cookbook to determine whether it is not just delightfully escapist, politically radical or aesthetically pleasing, but well and simply good. Hazelton’s advice rings as true today as it did in the 1960s, at least if you are shopping for a cookbook that aligns with her functional, no-nonsense approach.
Accuracy and clarity
For Hazelton, “Accuracy is the first virtue when writing about cooking.” Recipes ought to list all ingredients at the beginning of the recipe and with accurate measurements. Authors who arrange ingredients “more coyly” do readers a disservice as they forsake clarity. Directions ought to be lucidly written, one step at a time, and in order. If recipes include misspellings or confusing instructions, beware, as these reflect poorly on the author.
Well-written recipes notify the reader of specific details, such as the type of pan, the size of baking dish or whether a dish should be cooked covered or not. Such specifics indicate the thoroughness of the recipe writer’s testing process. A lack of specifics, on the other hand, can reveal a writer’s laziness, an unforgivable failing according to Hazelton.
Recipes ought to turn out if followed correctly and, equally important, to work every time. Since reliability is impossible to blindly predict, Hazelton recommended purchasing cookbooks from only respected authors and publishers, remarking, “Few newcomers to cookbook writing do reliable recipes.”
Hazelton not only firmly asserted that a recipe “should be correct and the best of its kind,” but also that it ought to “promote the cause of good food and not of brand names.” Further condemning the likes of packaged-food cuisine and back-of-the-box recipes, Hazelton believed, “Commercial recipes, however splendid, belong to advertising and publicity.”
Writing in 1963, Hazelton lamented, “Really authentic and first-class foreign cookbooks are few and far between,” as recipes were often revised for American styles, tastes and measurements, losing their magic along the way. Good cookbooks of this sort require time and investment to retest the recipes, but are worth it, processes with which Hazelton had significant experience.
With these strict criteria, Hazelton recommended an elite group of reliable authors. She “saluted” Craig Claiborne, James Beard, Julia Child, Paula Peck, Helen Evans Brown, Dione Lucas, the Chamberlains, Ann Seranne, Marian Tracy, June Platt and John Gould. She also cited the editors of the McCall’s, Ladies Home Journal and Good Housekeeping cookbooks, reasoning that their quality was “reliable if not always inspired, because the editors know their business can’t afford to make their readers mad with poorly done work.”
Main photo: Julia Child, Craig Claiborne and James Beard were among Hazelton’s recommended cookbook authors. Credit: Emily Contois
After spending the summer learning some of the ins and outs of foraging, I was delighted to find a new cookbook dedicated to my all-time favorite foraged food: earthy, meaty mushrooms. Written by Becky Selengut, a Seattle chef, author, teacher, humorist and forager, “Shroom: Mind-bendingly Good Recipes for Cultivated and Wild Mushrooms” provides a detailed yet fun-filled look at 15 wild and cultivated mushrooms and how to select, store, clean, prepare and pair each.
A native of New Jersey, Selengut’s infatuation with fungi began in childhood, when she tinkered with cooking white button mushrooms at home and indulged in stuffed mushrooms with her family at the Basque restaurant Jai Alai in Dover, N.J.
“It wasn’t great porcini hunting that day, but he told me how to spot them, just coming up through the duff, and, well, I had beginner’s luck and kicked at the dirt and I found the only ones we saw that day,” Selengut said.
Thrill to unearthing treasure
As Selengut can attest, there is a unique thrill to unearthing one of nature’s edible treasures. An even greater rush occurs when you slip into the kitchen to cook your wild, hand-plucked bounty. But what if you’re a newcomer to mushrooms and unsure how to properly prepare this delicacy?
Realizing that bad recipes and poor cooking techniques have thwarted many prospective mycology fans, Selengut leads “Shroom” readers through basic recipes, storage advice and cleaning tips for mushrooms. She also provides links to handy how-to videos she has filmed. Thanks to her thoroughness and approachability, even the greenest cook can step into the kitchen with confidence and create a scrumptious mushroom dish.
Selengut arranges each chapter of “Shroom” from the simplest to the most difficult recipes. Her first two offerings speak to novice or time-pressed cooks. Perfect for those craving easy dinners ready in 45 minutes or less, they include such flavorful specialties as oyster mushroom ragout and Sweet Potato Soup With Lime Leaves, Beach Mushrooms, Basil and Peanuts (see recipe below).
Meals requiring multiple techniques and exotic ingredients are classified as intermediate recipes. With these, readers learn how to whip up Roasted Portobello Tacos With Cacao-Chili Sauce and Cabbage and Lime Slaw; cheese and fig-stuffed morels; and pickled chanterelles. In every chapter, Selengut provides two intermediate dishes.
The remaining fare in “Shroom” speaks to adventurous and skilled home cooks as well as professional chefs. Sauces, meats and sides factor into these preparations. Savory entrees such as Hanger Steak With Porcini, Blue Cheese Butter and Truffled Sweet Potato Frites and Black Trumpet Mushroom Tarts with Camembert, Leeks and Port-Soaked Cherries are part of this advanced category. Although more challenging and time consuming than earlier recipes, these courses remain accessible and delicious.
“My favorite way to prepare mushrooms flavor-wise would be over a live fire — cast-iron skillet on the grill, lid down to capture the wood smoke — or in a wood-burning oven. My favorite way to prepare mushrooms efficiency-wise is to spread them out on a sheet pan and roast them in a hot oven, at least 400 degrees, with a little oil, salt and pepper,” Selengut said.
Countless dishes around the world
In “Shroom” Selengut points out that whether they star or play a supporting role, mushrooms appear in countless dishes around the world. This global presence flavors much of her vibrant book. Vietnamese báhn xèo, Indian tandoori, Italian acquacotta and Japanese chawanmushi all find their way into the cookbook.
So, too, do a variety of wild and farmed mushrooms. Along with the tried and true Portobello, cremini and button, the petite beech, spiky lion’s mane and reddish-orange lobster receive their due.
Among all the uncultivated mushrooms found in the Pacific Northwest and in her book, Selengut singles out the black trumpet mushroom as her favorite. “It’s naturally smoky, earthy and just a little fruity — buckets of flavor and umami. It smells like the sexiest forest imaginable. Favorite cultivated is a tie between maitake and shiitake, both extremely flavorful despite being farmed and lots of promising research about health properties, specifically in preventing and treating cancer,” she said.
Don’t despair if your local market doesn’t stock black trumpet, maitake or even shiitake. For every mushroom featured in “Shroom,” Selengut offers substitutions.
Whether you’re a neophyte or longtime mushroom consumer, you’ll want to check out “Shroom” for its informative and lively look at selecting, cooking and enjoying this fabulous food.
Sweet Potato Soup With Lime Leaves, Beech Mushrooms, Basil and Peanuts
Recipe from “Shroom” provided by Becky Selengut. The beech mushrooms are less the star here and more of a textural element used as a garnish. Because of this, it’s extra important to use homemade mushroom stock to highlight the mushroom flavor. This soup started in my mind’s eye somewhere in Thailand (lime leaves, basil) and then — somewhat inexplicably — migrated to West Africa (sweet potatoes, peanuts). This is the perfect kind of soup to serve when it’s raining, you’re snuggled up on the couch with a blanket, a fire is lit, Thai music is playing and a zebra is running through your living room.
Prep Time: about 10 minutes (if not making mushroom stock from scratch)
Cook Time: 45 minutes
Total Time: 1 hour
Yield: 4 servings
Wine pairing: French Riesling
3 tablespoons coconut oil, divided
1 small yellow onion, small diced (about 1 cup)
¾ teaspoon fine sea salt, divided
2 pounds orange-fleshed sweet potatoes, peeled and large diced
5 lime leaves (substitute 1 teaspoon finely grated lime zest)
¼ cup white wine
5 cups mushroom stock (see recipe below)
1 tablespoon seasoned rice wine vinegar, plus more as needed
1 tablespoon fish sauce
7 ounces beech mushrooms, base trimmed and broken apart into bite-size clumps
½ cup lightly packed fresh Thai basil
⅓ cup roasted, salted peanuts, chopped
Chili oil (see recipe below) or store-bought Asian chili oil, for garnish
1. In a soup pot over medium-high heat, melt 1½ tablespoons of the coconut oil. After a moment, add the onion and ¼ teaspoon of the salt and sauté for 10 minutes, until starting to brown. Add the sweet potatoes and lime leaves. Sauté for 2 to 3 minutes, then turn the heat to high, add the wine, and deglaze the pan, scraping up any brown bits. Add the stock, bring to a boil and then lower the heat to a gentle simmer. Cook until the sweet potato cubes are tender, 20 to 25 minutes.
2. Add the rice wine vinegar. Remove the lime leaves. Puree the soup in a blender until very smooth, or puree in the pan using an immersion blender. Season with the fish sauce, another ¼ teaspoon salt and more rice wine vinegar. If you feel it needs more salt, add more fish sauce (a little at a time). Keep tasting until it’s right for you.
3. Meanwhile, prepare the beech mushroom mixture. In a large sauté pan over high heat, melt the remaining 1½ tablespoons of coconut oil. After a moment, add the mushrooms and the remaining ¼ teaspoon salt. Toss the mushrooms around in the oil, and then spread them out. The idea is to get them to release their liquid and brown quickly. When they brown, stir in the basil and peanuts and transfer to a small bowl.
4. Serve the soup in wide bowls, garnished with the mushroom mixture and drizzled with chili oil.
From “Shroom: Mind-bendingly Good Recipes for Cultivated and Wild Mushrooms” by Becky Selengut.
You won’t be sorry you took the time to make your own. As you cook and are busy prepping vegetables and such — carrots, celery, onions, mushrooms, parsley, thyme — save the trimmings instead of tossing or composting them. (Skip vegetables such as kale, cabbage, broccoli or anything with a dominating flavor or color that you wouldn’t want in a mushroom stock — no beets!)
To make the stock, add these vegetable scraps to a quart-size resealable plastic bag that lives in the freezer. When the bag is full, you are ready to make your stock. At the market, pick up a small onion, a handful of fresh shiitake mushrooms and some dried porcini. Preheat the oven to 400 F. Drizzle a little high-heat oil on a rimmed baking pan. Throw the shiitakes, along with the chopped-up onion, onto the pan, and toss with the oil. Roast until caramelized, about 20 minutes. Deglaze the pan with a little wine or water, scraping up any brown bits stuck to the pan. Dump the mushrooms and onions, along with the liquid, into a stockpot along with the contents of that freezer bag (no need to thaw) and a few rehydrated pieces of dried porcini (along with the strained soaking liquid). Cover with 3 quarts water, chuck in about 5 peppercorns, bring to a boil, lower to a simmer, and cook, uncovered, for 45 minutes. Pour the contents of the pot through a fine-mesh strainer set over a large bowl, pressing on the solids to extract as much liquid as possible. You should end up with about 2 quarts mushroom stock.
Want to make vegetable stock? Do the same thing, but just use fewer mushrooms and more vegetables (and a big flavor bonus if you roast some of the vegetables as you would the shiitake and onion). If you want to make mushroom stock but don’t have a full bag of trimmings in the freezer, just use an assortment of vegetables and mushrooms (equaling roughly 1 quart) and follow the same general procedure. See the video on making mushroom stock at www.shroomthecookbook.com.
From “Shroom: Mind-bendingly Good Recipes for Cultivated and Wild Mushrooms” by Becky Selengut.
You can find many varieties of bottled chili oil in Asian markets or online, but it’s ridiculously easy to make a batch from scratch and store it in your fridge. Plus, your homemade oil contains none of the additives and preservatives that are commonly added to the bottled versions. To make your own, in a small saucepan set over medium heat, combine 1 cup peanut or coconut oil, along with 3 to 5 tablespoons red pepper flakes (see note). (The quantity will depend on how hot you want the oil to be.) Heat the oil to 300 F on an instant-read thermometer. Remove the pan from the heat and try not to breathe in the fumes!
Let the oil cool to 250 F, and then add 1 tablespoon toasted sesame oil and 2 tablespoons minced, roasted, unsalted peanuts. Transfer to a clean glass jar with a tight-fitting lid. Add 1 teaspoon salt and 1 teaspoon sugar. Seal the jar, shake it a few times to distribute the ingredients and leave at room temperature for 2 days. Refrigerate. It will keep for at least 1 month, if not longer, in the fridge.
Note: You can purchase whole dried chiles, toast them in a dry pan until flexible and fragrant, and then pulse them in the food processor, or just use regular bottled red pepper flakes.
Main photo: “Shroom” is written by chef Becky Selengut. Credit: Book cover photo by Clare Barboza; Selengut photo by Greg Mennegar
Every time you bake a load of bread, it’s a small miracle — combining flour, water, salt and air to get the final product.
When humans found a way to store grains and make them into flour, it changed the course of history, enabling economies and populations to grow. In so many ways, bread is at the core of our history. Bread is culture, and it is about people. It’s also about love — think about how we bake for people we love, our family and friends.
I recently read Michael Pollan’s book “Cooked,” and it made me think a lot about my relationship with bread. I did not relate to his idea of the perfect bread, which he claims to have found in Chad Robertson’s Tartine sourdough bread. Robertson’s bread, I’m sure, is amazing. I have not tasted it from his cafe, but I have enjoyed Robertson’s book, and I think it is a thorough and detailed baking book with a guide on how to make sourdough bread.
Bread shouldn’t be perfect, but varied
But to Pollan’s point, is there such a thing as perfect bread? I sustain myself every day on rye bread — actually, I can’t live without it. In the Middle East, they live on flatbread and pita, and in many parts of Eastern Europe they live on different types of rye bread. Thousands of bread traditions exist around the world, and the new and trendy sourdough bread made with a dark, tasty crust and light, airy texture can’t take all them out in one go.
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I bake bread according to what I am going to eat and what kind of flour I have in the house. I often like to eat dense bread with a lot of fiber, and I like to bake with varieties of flour such as rye, spelt, emmer and different heritage wheats. I use a lot of local flours, such as Ølands wheat. This summer I met a farmer at a Kneading Conference in Maine who had just started growing some Øland hvede wheat. Interest in that particular variety is growing.
The flavor of bread comes from the flour, so bread can’t be better than the flour you use to bake it. You can add to that with your skill and knowledge, which comes from practice. Baking doesn’t have to be only scientific; it can also be very intuitive.
Pollan writes in “Cooked” that he has concerns about the Tartine sourdough bread being 100 percent plain wheat and therefore not as healthy as a whole-grain bread, but it’s a challenge to get the same crust and texture with whole grains. My question is why not just enjoy a variety of breads baked using different methods?
I believe bread has to be about variety, and that comes from diversity in both craftsmanship and grains. Both have more or less disappeared in Western food culture, with the food-manufacturing industry taking over food production.
No matter what, good bread needs quality flour milled from grains treated with care and grown in an environment with crop rotation and care for the soil. The flour has to be stone ground and not separated in the process, and it can’t be older than 7 months when used. Finally, when baking bread, the dough needs time to ferment. Large-scale food manufacturers do not apply to any of these above-mentioned techniques, and many small bakeries do not either.
So, do you have to bake your own bread to have good bread? The answer is both yes and no. If we don’t bake it ourselves, we have to make conscious choices about the bread we buy.
If you are hesitant about the idea of baking your own bread and all it involves, you should know that baking is not hard or time consuming; most doughs take care of themselves.
Baking is part of my everyday life; I bake rye bread every week, and I also bake a lot of other breads, including this dense and tasty emmer wheat bread. It contains about 25 percent whole-grain flour, so it’s very filling. I eat only a slice for breakfast, and it’s perfect for a sandwich on the second day or with soup during the winter months.
Emmer and Wheat Bread
Emmer is an old wheat variety that contains a lot of protein and minerals and tastes wonderful. Eat the bread the Danish way with cheese or jam for breakfast or with a salad or soup.
Prep time: 1 hour
Cooking and proofing time: 8 to 12 hours
Total time: About 2 hours active work, spread over multiple days
Yield: Makes two loaves
2 cups (280 grams) stone-ground whole-grain emmer flour
4½ cups (500 grams) strong wheat flour
1½ teaspoons organic dry yeast
1 tablespoon flaky sea salt
2¼ cups (600 milliliters) cold water
1. Start by mixing the flours in a large mixing bowl, then add in the dry yeast and salt.
2. Pour in the water, mixing the dough until it is smooth and even. If you have a Kitchen Aid or similar mixer, use it to mix the dough. The dough should be quite sticky and will absorb a lot of the water while rising.
3. Place the dough in a bowl and cover it with a kitchen towel, then let it rise at room temperature for a half-hour.
4. After it rises, cover the bowl with cling film and place it in the refrigerator for 8 to 12 hours.
5. After proofing in the refrigerator, place the dough on a floured surface and let it rest for 30 minutes.
6. With spatula and a bit of flour, divide the dough into two equal pieces and shape it into two round loafs without kneading too much.
7. Place the loaves on a baking tray lined with parchment paper and cover with a kitchen towel. Leave to rise for about 30 to 45 minutes.
8. Check on the dough. It should have risen a little and bounce back easily when touched lightly. If the dough rises for too long, it will start going flat.
9. Preheat the oven to 450 F (225 C or Gas 7).
10. Sprinkle the oven with water or place a small oven-proof bowl filled with water inside. This will create some steam in the oven.
11. When the dough is ready, place it in the oven and bake for 10 minutes, then lower the heat to 400 F (200 C or Gas 6) and bake for 35 more minutes.
12. Remove the bread from the oven and leave it to cool on an open wire rack. It’s important not to cut the bread before it’s cool because the bread continues to bake during the cooling time and is not done until entirely cooled.
Main photo: Emmer and Wheat Bread with jam is a good choice for breakfast. Credit: Trine Hahnemann
When Liz Crain moved to Portland, Ore., in 2002, the food scene there was just starting to foment. In 2004, after meeting illustrator Brian Froud at a Powell’s Books event, she decided to see where her own passion took her. Crain quit her day job and committed to food writing. She began amassing bylines in the Portland Tribune, Willamette Week, Northwest Palate and the AOL City Guide.
A decade later, Crain is the author of the second edition of the “Food Lover’s Guide to Portland,” the seminal guide on Portland food culture out this month from Hawthorne Books. Known for her aversion to being wined and dined by PR folks, she also co-authored “Toro Bravo: Stories. Recipes. No Bull.”
Crain spoke to Zester Daily contributor Emily Grosvenor about the new “Food Lover’s Guide,” now in its updated second edition, and the constantly evolving food scene in one of America’s most exciting food cities.
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By Liz Crain
This food guide is really different in how it is structured. Why did you take this approach?
Portland food culture is so unique. A book about it should be as well. I like all sorts of food writing, but my favorite focuses on the people and processes behind food and drink. I want to learn the how-to and get an eye into the culture of it. “Food Lover’s Guide to Portland” celebrates local producers and purveyors — butchers, distillers, coffee roasters etc. — with a lot of details about how their fine foods are cultivated and/or crafted. Throughout the book you’ll find Q&As with folks in the Portland food scene that I admire, behind-the-scenes stories about their businesses and essays on everything from making your own local fruit wine and crabbing on the coast to harvesting eel-like lamprey at Willamette Falls.
The first edition of your “Food Lover’s Guide to Portland” came out in 2010. What has changed on the Portland food scene in the years in between?
So much. There’s more of just about everything. Sure, there have been closures but many, many more openings. There were a few years when I lived in Portland, from roughly 2005 to 2008, when I felt like I really had a handle on the food scene and that I’d been to most places worth their salt. These days, pretty much on a weekly basis I’ll hear about a food/drink spot that someone loves that I’ve never been to or maybe even heard of that’s been open for months.
Alcohol production is going crazy here. There are so many new distilleries, breweries, hard cideries, urban wineries. There are also a lot more urban homesteading businesses or businesses catering more to that: chicken keeping, beekeeping, goat keeping, canning, pickling and preserving. I dig it. I have a large vegetable garden, make my own wine, cider, miso and more. I don’t have chickens, but I’m really glad that my neighbors do.
Tell me about a classic day in the life of a Portland foodie.
I’ll tell you about a summer weekend this past June. My friends’ daughter, Elise, was about to graduate from Portland State University and her folks visiting from out-of-town made a reservation at Pok Pok to celebrate. The 12 of us sat upstairs at the private outdoor balcony table as the sun set. It was a magical night of passing plates of Pok Pok’s crazy tasty wings, clay pot prawns, spicy flank steak salad, and sharing sips of the house drinking vinegars (Thai basil, pineapple, raspberry) and cocktails and listening to Elise talk sweetly about her post-graduation plans.
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The next night I got together with friends for our third “cook the Toro Bravo book” dinner. I made plum wine sangria with plum wine that I make every year, based on Toro’s white wine sangria recipe, and grilled corn with cilantro pesto. Others made Toro’s sautéed halibut cheeks, sautéed spinach with pine nuts and golden raisins, hazelnut ice cream and much more. We cooked, ate, laughed, listened to the cookbook soundtrack and had an all-around great time as we do.
On Sunday my friend Erin and I hacked away at my Little Shop of Horrors backyard — a vine in a neighboring yard takes over my backyard every spring/summer. Afterward we cleaned up and made salame rolls with preserved lemon, Castelvetrano olives and pickled peppers folded into the cream cheese to take to The Last Hoot — a huge potlucky music-filled day and night with all kinds of tasty homemade food and drink. All of that in one weekend. Portland life is so very sweet.
Food carts have made such a big impact on Portland’s contribution to the national food conversation. But media coverage seems to have peaked on the subject. Can you reflect for a moment on what the food cart scene looks like at this moment?
Food carts are a much talked about part of the Portland food scene, but I honestly don’t eat at them all that often. When I worked downtown for a few years I did because I was really close to the Southwest 10th and Alder pod. There’s so much to choose from there. I go to them now and again and have some favorites (for example, I love Himalayan Food!), but I’m a bit of a crab when it comes to carts. I want street food to be very specific/honed, cheap and fast. Nine dollars for a mediocre sandwich that takes 10 minutes to make? No thank you. That said, there are some very tasty carts and I think that they’re a great incubator. A lot of Portland brick-and-mortar businesses have spawned from them. Brett Burmeister has championed Portland’s food carts for years and he was generous enough to write the food cart chapter in the second edition of my book. Check out his site if you’re hungry to learn more about Portland food cart culture.
What do you see as the most exciting new developments in the Portland food culture this year?
Every year I co-organize the Portland Fermentation Festival, which Ecotrust hosts, with my friends David and George. In 2009, the inaugural fest, a fellow named Nat West, whom my ex-boyfriend tattooed, came up to our table where we were sampling hard cider that we’d made from the Gravensteins in the backyard. He tried it, liked it and then gave us a couple bottles of his hard cider that he’d made in his basement from apples gleaned from around the state and in Washington. It was super yummy, and Nat and I became friends. Fast forward to the present and Nat is now owner of Reverend Nat’s Hard Cider.
Nat has put Portland on the map for super tasty and creative hard ciders. We now have an Oregon Cider Week in Portland, Portland Cider Summit, all kinds of other cider appreciation events and goings-on and many new professional cider makers that Nat has paved the way for.
Do you think there is a Portland ethos in how the makers approach food?
I think that most successful Portland food and drink businesses are driven more by passion and curiosity than the bottom line. Of course, you need to turn a dime but profit isn’t the primary drive. I also think that the culinary cross-pollination in this town is outstanding. There are all kinds of events that celebrate food in a wider cultural context that are super unique and fun. Some of my favorites: Disjecta’s Culinaria dinner series, Pickathon, Live Wire + Toro + Tobolowsky dinner, My Voice Music + Toro dinner. Great food and drink doesn’t happen in a vacuum, and I think it should be celebrated and coupled as much as possible with other meaningful art and culture.
And who do you see as the standout people in town who you think are accomplishing this feat with gusto?
There are just so many, but I’ll choose one: Earnest Migaki of Jorinji Miso, who, in honor of full disclosure, is a good friend of mine, and makes the most delicious local miso. Well, he makes the only local miso and it’s crazy good. He makes traditional misos as well as more unusual ones, such as chickpea and lima bean, all of which are organic and GMO-free, which is not the norm in this country.
I started making miso for myself because of Earnest and I now have 4- and 5-year-old misos that have been getting better/richer/darker every year. Miso is like whiskey — it takes a loooong time to ferment and age so you have to have patience.
Main photo: Liz Crain is author of the “Food Lover’s Guide to Portland,” now in its second edition. Credit: Faulkner Short
Although it has been a while since I set foot in a formal classroom, each year at this time, with the beginning of school fast approaching, I tend to think about new skills I can learn or old ones I can improve upon. It seemed fitting, then, that I recently received an email from a friend asking which cookbook he should purchase to help him become a better cook.
For me, the choice was quick and easy: Anne Willan’s classic cookbook “La Varenne Pratique.” Ever since I acquired it on my first day of chef’s school 18 years ago, it’s been my go-to resource whenever I’ve needed to reference a cooking technique or learn more about a specific ingredient.
The original volume, weighing close to 5 pounds, was published in 1989 and has sold more than 500,000 copies worldwide. Thankfully, this essential book, long out of print and challenging to find in a secondhand store, was recently reissued as an e-book.
During the first half of her 30-plus years running the legendary France-based cooking school La Varenne, Willan, a Zester Daily contributor, and her staff continuously researched and wrote about essential French cooking techniques and the importance of understanding every aspect of an ingredient. The laborious effort of distilling all this culinary information resulted in a 528-page tome that provides in-depth knowledge of how to choose, store, identify and handle ingredients. This knowledge of good ingredients is paired with clear, encouraging instructions and action photos of foundational cooking techniques, such as how to dice an onion, fillet a fish or prepare different types of meringues.
Willan’s cookbook goes beyond the surface
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Many cookbooks these days take us on a wonderful culinary journey, tasting a region’s or country’s culture and table, yet only provide us with a fixed GPS map of how to get to the finished dish. When you get to a point in your culinary journey where you want to veer off course and understand why certain time-honored gustatory routes are so adored, “La Varenne Pratique” is the culinary guidebook to help you navigate your or any country’s kitchen.
The new e-book has been sliced and diced into four parts, each sold separtely. Part 1: The Basics discusses herbs and seasonings; soups; stocks; and sauces, as well as eggs, dairy and oils; Part 2 covers meat, poultry, fish and game; Part 3 examines vegetables, pasta, pulses and grains; and Part 4 dishes on our sweet tooth with baking, preserving, desserts, fruits, nuts and freezing. Each part also comes with a weight-and-measurement table (worth bookmarking for regular reference), list of cooking equipment, glossary of cooking terms and bibliography.
Because the book was written before the advent of modernist cooking, it does not include these techniques. However, if this is an area that interests you, I am sure Willan would recommend you check out her onetime student Nathan Myhrvold’s exhaustive six-volume series, “Modernist Cuisine.”
Having used the e-book version on both an iPad and laptop for the past month, I can vouch that the electronic version is reliable when adapting to different formats and layouts. Simply adjusting the font size or page orientation offers you a variety of almost personalized layouts. Because the images are scans of the original book and not high-resolution digital photographs, they can be enlarged only to a certain point. This is not much of a problem, as the images are large and easy to view.
How to purchase
The e-book version of “La Varenne Pratique” can be purchased through many major online retailers, including iTunes, Amazon, Sony, Barnes & Noble, Kobo and Copia. Each of the four parts is $6.99.
The greatest challenge I’ve encountered is using the search function. In this day and age where we type anything into a search engine and get countless results, using an e-book’s search function can initially frustrate. If you type in a technique such as “how to cut up a chicken,” zero results show up. However, if you are more specific and type “cutting a bird in pieces” the exact result pops up. I’ve found eliminating the term “how to” and being more direct with your keywords drastically increases the likelihood of getting precise hits. It’s also just as easy to simply thumb through a section’s e-pages to find the specific subject you’re searching for.
Aside from the comprehensive information about ingredients, the best thing about this book is the countless technique shots that teach you lifelong, fundamental cooking skills. It would be fantastic to have a single website that aggregates all the “how-to” photo instructions “La Varenne Pratique” demonstrates as videos. But until someone invests the time and money to produce those videos, you will need to visit many websites to find all this information.
Simply put, “La Varenne Pratique” is a cooking school in a book, and certainly cheaper than tuition. It is the best gift you could give a new culinary student, a child heading to college, a newly married couple or your friend who writes a food blog. Fortunately, the e-book version is both lightweight and affordable and will not take up much space or weight in their culinary backpack.
Main photo: Anne Willan’s “La Varenne Pratique” is now available as an e-book. Willan photo by Siri Berting; e-book photo by Cameron Stauch