Articles in Winemaker
Grenache is in the midst of a renaissance in California, proving that decades of abuse can’t keep a great wine grape down. Two decades ago, it was being pulled out of California vineyards at an alarming rate. An increasingly sophisticated American wine-drinking public was giving up the simple, fruity jug wines into which most California Grenache had gone in favor of darker, more robust red grapes. Between 1994 and 2004, Grenache acreage declined from 12,107 to 7,762, and to 5,909 in 2014.
A tale of two Grenaches
At the same time, Grenache has never received so much buzz. Writers with such diverse tastes as Wine Spectator’s James Laube (“Grenache … is proving to be one of the most exciting and enticing wines to emerge in California in the past decade, capable of stardom”) and the San Francisco Chronicle’s Jon Bonné (“The hopes for Grenache ascendent have come to pass”) have championed the grape in recent years. And wineries are betting on Grenache’s future. A search in Wine Spectator’s California ratings database for Grenache from the 1994 vintage returns 11 matches, just two of which were red wines labeled Grenache (an additional three were Grenache rosés, and the other six blends that included the grape). By 2004, the same search returns 30 matches, 13 of which were labeled Grenache. From 2012 (the most recent vintage for which most reds have been submitted for review), the search returns 130 matches, 45 of which were labeled Grenache.
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Both the decline and the renaissance can be understood by looking at where Grenache was and is being planted. In 1994, just 256 acres, less than 2 percent of the total, was found in the coastal or mountain counties that make California’s best wines. The rest was found in the deep, fertile soils of the Central Valley, where it was a key component of the field blends that went unacknowledged into jug wines (think “Hearty Burgundy” and the like). As those wines lost popularity in the American market, so too did the demand for the simple, fruity juice that Grenache produced in its Central Valley home.
But all locations are not the same for California Grenache. Over the same two decades that overall acreage has declined by more than half, the acreage in the high-quality coastal and mountain areas increased 437 percent, to 1,376 acres. Even so, in premium areas, Grenache has become downright scarce, even though it is productive and easy to grow. In the Central Coast, Grenache is now one of the most in-demand grapes and commands a premium price, averaging $1,797 per ton in 2014, higher than Merlot ($1,056 a ton), Syrah ($1,357 a ton), Zinfandel ($1,407 a ton) and even Cabernet Sauvignon ($1,464 a ton).
The world’s grape
Grenache is long overdue for its California renaissance. Widely planted in France, Spain and Australia, Grenache is the world’s second-most-planted grape by acreage. It makes up some 60 percent of the acreage in the Rhone Valley and 70 percent of the acreage in Chateauneuf-du-Pape. Add in significant plantings in Spain and Australia, as well as the thousands of acres in California, and Grenache accounts for the second-greatest worldwide acreage of any wine grape.
It is little surprise why. Grenache is a vigorous grape, relatively easy to grow and productive. It produces fruit with both good sugars (producing full body) and good acids (maintaining freshness). It makes wines that are nearly always cheerful, full of fruit and refreshing. There’s a useful white-skinned variant (Grenache Blanc) and even a pink-skinned one (Grenache Gris).
Whether in a Cotes-du-Rhone or a Rioja, an Australian GSM or a Provence rosé, wines based on Grenache provide enormous pleasure for a typically reasonable price.
So what happened in California?
The bad old days
Grenache in California has had a checkered history. Largely planted in the Central Valley and irrigated extensively because of its ability to produce enormous crops when given enough water, Grenache formed the (unacknowledged) core of many of the jug wines in the 1960s and 1970s. I’ve heard tales of Grenache producing as much as 20 tons per acre in parts of the Central Valley. Even as recently as 2012, California’s Grape Crush Pricing District 13 (including Fresno, Madera and Tulare Counties, which contains most of the Central Valley Grenache acreage) produced 50,029 tons of fruit from 3,640 acres of Grenache: an average of 13.7 tons per acre. For comparison, our highest-ever yield per acre from our vineyard was 3.6 tons per acre, in 2006.
As you might expect, grapes produced at those massive yields are rarely distinguished. And in the rare cases where it was bottled on its own in the 1960s and 1970s, “California Grenache” was simple, light in color, and often sweet. The grape had fallen decisively out of favor by the 1980s, when a new generation of producers, mostly in Napa, focused their attention, and the attention of the American market, on the classic grapes of Bordeaux. Acreage in California declined correspondingly, from a peak near 20,000 acres in the 1980s to 11,000 acres in 2000 and just 5,909 acres today.
And yet, in the reasons for Grenache’s decline lie the seeds of its rebirth.
Why now, for Grenache?
Several factors are driving a new interest in Grenache. First, the whole category of Rhone varieties has a new generation of devotees, both among consumers and among producers. American producers, inspired by the growing availability of high-quality examples from the Rhone Valley and convinced that California’s Mediterranean climate should be a congenial one for the Rhone’s Mediterranean grapes, started making wine in increasing numbers through the 1990s. With critical mass came organizations like Rhone Rangers, Hospice du Rhone and the Grenache Association, all dedicated to providing Rhone lovers a community in which to discover new favorites.
The American wine market’s increasing openness to new varieties, and the growth of the tasting room culture, allowed many of these maverick producers to connect with enthusiastic customers in a way that would have been inconceivable two decades ago. Blends, too, have become a hot category in recent years, and it’s hard to think of a grape that has benefited more than Grenache, whose combination of full body, generous fruit, moderate tannins and refreshing acidity make it an exemplary blending partner.
Grenache can be made in many styles, from robust and high-octane to ethereal and highly spiced, which allows it to appeal to both winemakers looking to make wines to impress with their hedonistic appeal, and those looking to make wines that are more ethereal and intellectual.
And yet, it’s likely that none of this would have happened without new clones.
Clones to the rescue
At Tablas Creek, we brought in clones of all our grapes from our partners at Beaucastel, and Grenache was a major reason why we decided to go through the considerable time and expense of doing so. When we started to research the available clones of Grenache in California, we were not excited by what we found: enormous clusters with massive berries, much larger than we were used to seeing at Beaucastel, with flavors that were fruity and friendly enough but not exciting. Sure, some of that could be attributed to being overirrigated, overcropped and planted in the wrong places, but we thought there was something inherently different about the raw material. It was this conclusion that cemented our decision to bring in our own clones from France rather than make the best of the clones that were available here.
We weren’t the only people to bring in new clones of Grenache, but the net effect of the arrival of new clones in the mid-1990s was dramatic. A new generation of producers started planting Grenache in the high-quality coastal and mountain appellations where its previous footprint had been negligible. Acreage statistics at the U.S. Department of Agriculture show that in coastal and foothills counties its acreage has grown at about 10 percent per year since 1995. The 1,000-plus acres of new plantings in high-quality areas has driven a critical resurgence for Grenache.
Celebrating Grenache’s present
How about the Rhone Rangers? This organization of some 120 wineries, mostly from California but also including producers of Grenache and other Rhone-style grapes from Washington, Oregon, Virginia, Arizona and Michigan, holds two big events each year, in San Francisco (late spring) and in Los Angeles (Nov. 6-7). It also oversees local chapters in Paso Robles, El Dorado, California North Coast, Santa Barbara, and Virginia, and has organized a traveling show that has taken Grenache and its brethren in recent years to Washington, D.C., Chicago, New York and Seattle. For information, visit Rhone Rangers.
Hospice du Rhone has celebrated producers working with Rhone varieties with a four-day blowout of seminars, tastings, lunches, dinners, an auction and a legendary collection of after-hours parties most years since 1991. The 2016 celebration will be held in Paso Robles on April 14-16. For more, visit Hospice du Rhone.
The wines of France’s Rhone Valley are predominantly Grenache, from humble Cotes du Rhones to the greatest Chateauneuf du Papes. This is also true of most southern French rosés. These are all promoted by Inter-Rhone. For a complete listing of their events and activities, visit Inter-Rhone’s website.
Grenache even has an international day, organized by the Grenache Association each year on the third Friday in September (this year, it was Sept. 18) with tastings organized in Rhone-producing regions from France to Australia to South Africa to California.
A bright future for Grenache
What’s next for Grenache here in America? It seems like it’s poised for a surge, for many reasons. Quality has never been better. In California, the grape is increasingly being planted in the right places, and just as important being pulled out of the wrong places. The clones that are available are better than they’ve ever been before. In general, the producers who are working with Grenache now are Rhone specialists, which suggests it’s in the hands of people who will know what to do with it, unlike, say, Syrah, which was planted speculatively in lots of the wrong locations by growers who were guessing at what California’s next big grape would be. (Syrah is only now recovering after years in the wilderness.)
In the vineyard, Grenache is particularly well suited to dry-farming, ever more important in a future where droughts are likely to become more frequent and more severe. And it has shown around the world it can thrive in many different soils, in a range of moderate to warm climates, and be made, according to a winemaker’s taste, in a variety of styles, from bright and spicy to deeply fruity and luscious.
The wine press and trade seems solidly behind Grenache right now; nearly every writer I’ve spoken with in the last few years has remarked on how they think Grenache is poised for greatness in America. And the market seems increasingly comfortable with blends, where Grenache shines.
Will Grenache be the next big thing in California? I’m not sure I would wish that on it. But will it see success over the coming decades? I think that’s an easy prediction.
Main photo: Suddenly, Grenache grown in California is coming back into favor. Credit: Copyright 2013 Tablas Creek Vineyard
On a late summer’s weekend in Haro, in the heart of Rioja, northern Spain, a remarkable event took place. La Cata del Barrio de la Estación was an uncommon show of solidarity among seven of Rioja’s leading wineries. The point of the weekend was not simply for the bodegas to show their wines in a spectacular series of tastings (“cata” means wine tasting), but also to shine a spotlight on the famed Barrio de la Estación, the historic area surrounding the town’s railway station where some of the region’s top wineries are clustered.
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The event opened with cava and selected wines served in the impressive cellars of Bodegas Roda, flanked by massive oak casks, one of the defining features of Rioja. Afterward, some of Rioja’s finest wines were showcased at the gala dinner prepared by Michelin-starred chef and local hero Francis Paniego, as well as at the professional tasting staged at Bodegas Bilbainas the following day. Over the course of the weekend, all seven wineries opened their doors and cellars to the public. In brilliant September sunshine, some 5,000 people wandered from winery to winery (all are within walking distance of one another), glass in hand, eager to sample this extraordinary lineup of Rioja wines. The weekend was declared a resounding success by all concerned — the wineries, the local tourist authorities and the general public — and there are rumors (and hopes) that it may become an annual event.
Wines shown at the professional tasting ranged in age from 1981 to 2013, while those tasted in-house were of the latest vintage to be offered on sale. Below is a selection presented by the seven participating estates. Rioja of this quality is widely exported. Check wine-searcher for your nearest supplier.
Bodegas Bilbainas, Viña Pomal Gran Reserva
Bodegas Bilbainas was founded in 1901 and occupies pride of place right beside Haro station. In 1997 the estate was acquired by the Catalan-based Codorniú group, which has invested handsomely in both hardware and oenological expertise. Viña Pomal is its signature brand, made principally from Tempranillo with a little added Graciano for color and aging potential. Gran Reservas are aged at least two years in American oak, a further year in oak casks and three more years in bottle. Garnet-red tinged with russet, richly perfumed, supple and elegant, this is a wine to have and to hold.
López de Heredia, Viña Tondonia Reserva
López de Heredia, just across the tracks from Bodegas Bilbainas, is the station’s oldest winery, established 1877. They make classic, traditional-style Rioja presented in bottles clad in the characteristic gold wire netting that was originally designed to prevent tampering and fraud, now purely decorative. Viña Tondonia is its 100-hectare (250-acre) vineyard, planted in 1914 and responsible for impressive, deep golden white wines, significant reds and some rosé. Red Reservas blend Tempranillo with Garnacha, Graciano and Mazuelo and are aged six years in American oak. They are vibrant in color, supple and beautifully textured with good acidity and firm tannins auguring long life.
La Rioja Alta, Gran Reserva 904
La Rioja Alta, founded at Haro station in 1890 by five families from Rioja and the Basque Country, is celebrating its 125th anniversary this year. Another classic bodega making touchstone Rioja, it is responsible for a range of impressive red wines (no white) destined for long aging. Gran Reserva 904 (Tempranillo and a little Graciano) is fermented in stainless steel and aged four years in small, used barriques, made in-house by the firm’s own cooper from imported, all-American oak staves. With its cherry-red color, intense bouquet and jammy fruit, it’s smooth and powerful — a wine for fall, perfect with lamb braised in red wine or a rich mushroom risotto liberally seasoned with black pepper.
CVNE, Contino Reserva
CVNE, which stands for Compañia Vinícola del Norte de España (usually styled Cune for simplicity), was set up by the Real de Asúa family in 1879. It remains in family ownership, run today by the fifth generation, and is famous for dovetailing the best of ancient and modern Rioja. Contino comes from Tempranillo grapes (plus Garnacha, Mazuelo and Graciano) grown in a single 62-hectare (150-acre) vineyard situated just outside Haro. Fermented in stainless steel, the wine spends two years in used oak barrels (40 percent American, 60 percent French) and at least a year in bottle before release. Rich ruby and silky-smooth, it’s an intense mouthful of long-lasting pleasure.
Roda, Roda I Reserva
Roda is the new bodega on the block, arriving at Haro station in only 1987. What the estate lacks in antiquity it amply compensates for in terms of excellence, and it has made an immediate impact with its modern Rioja wines, made exclusively from own-grown, indigenous grapes (Tempranillo, Garnacha and Graciano) and given extensive oak aging in a purpose-built, temperature-controlled barrel room, which is carved straight from the rock face. Roda I, closed with a black capsule, is 100 percent Tempranillo, aged 16 months in French oak barriques and given another 20 months in bottle before release. Bright cherry with a lively fruit nose and rich, plummy depths, it’s a wine to curl up with in front of the fire.
Muga, Prado Enea Gran Reserva
Muga joined the other bodegas in the Barrio de la Estación in 1932 and makes super-classic Rioja characterized by long fermentations followed by extensive oak aging and long spells in bottle. Prado Enea, which comes from selected high-altitude plots, is an exemplary Gran Reserva that majors on Tempranillo with 20 percent Garnacha and a smidge of Graciano and Mazuelo and spends three years in oak (French and American) and three more in bottle. Deep ruby in color with a brambly nose (blackberries at end of summer), it has mellow spice flavors and enormous elegance and grace –- a wine to cellar whatever the vintage (it’s not made every year), and to enjoy with favored, wine-loving friends.
Gómez Cruzado, Honorable
Gómez Cruzado was founded by exiled, Mexican-born aristocrat Don Angel Gómez de Arteche, who began making and bottling his own wines here in 1886 (a rarity at the time — most wines were sold in bulk). In 1916 the estate was acquired by a local nobleman, Don Jesús Gómez Cruzado, who gave it its present name. The smallest bodega in the Barrio, it has made giant strides in recent years under the supervision of consultant winemakers David González and Juan Antonio Leza. Honorable comes from one of the estate’s prime parcels of vines, many of them aged more than 50 years, mainly Tempranillo with the other three varieties present in small quantities. Black cherry jam hues with loads of ripe red fruit and good acidity to give it backbone, this is truly an honorable wine from an estate that’s moving up.
Main image: The López de Heredia winery in Rioja, Spain. Credit: Copyright 2015 Sue Style
Winemaker Judy Chan can still recall the initial challenges when her father, C.K. Chan, handed her the reins of Grace Vineyard.
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A former human-resources analyst, Judy Chan faced not only tough competition from imported wines and the three giant Chinese labels — Dynasty, Great Wall and Changyu — but being new to the business, she didn’t know how to price, market or package the wine produced from the vineyard.
“The first bottle label looked like a soy sauce bottle,” she said of her early days in the business.
I was introduced to Grace Vineyard wines and Judy Chan three years ago in Hong Kong, where the young vintner is based. I returned home from a recent trip to Hong Kong with two bottles of Grace Vineyard’s wines with the intention of conducting an informal tasting of made-in-China Cabernet Sauvignon and Chardonnay with California wines.
Putting Grace Vineyard wines to the test
I gathered together a few winemaker friends for a casual wine tasting, using brown bags to wrap the selected bottles: the 2011 Grace Vineyard Deep Blue (a Cabernet Sauvignon-driven wine with some Merlot) and the 2010 Babcock Cabernet Sauvignon from Santa Barbara County’s Happy Canyon, both in the $45 price range, as well as two Chardonnays in the $25 price range, Grace Vineyard’s 2011 Tasya’s Reserve and 2011 Saintsbury from Napa Valley’s Carneros district.
In evaluating appearance, aroma, texture, aftertaste and overall impression, Grace’s Deep Blue rated higher than the Babcock. In the white category, Saintsbury topped Grace’s Tasya’s Reserve.
For the group, it was an interesting introduction to the Chinese wine industry, which, although relatively new on the international wine map, is producing noteworthy wines.
Taking over the helm
Judy Chan departed from Goldman Sachs in Hong Kong in 2002, when her father asked her to take over a 296-acre vineyard in Shanxi, China, about 370 miles west of Beijing, and an additional 163-acre property in Ningxia, China, 865 miles west of Beijing.
At the time, she knew nothing about wine making, but her father was introduced to the fine wines as an international dealer, trading raw materials such as coal from Shanxi to France. “People associate Shanxi with coal and pollution, so he wanted to contribute environmentally,” Judy Chan said of her father’s decision to plant vineyards in 1997.
The senior Chan selected Shanxi’s Taigu County, known for deep, sandy loam soil. During summers, the warm days (about 95 F) are followed by cool nights when temperature drops to about 60. White grape varietals are harvested at the end of August, with the red grapes following in the middle of October. Winters in the region are harsh and challenging, so vines have to be buried in the ground, Judy Chan said.
A focus on quality over quantity
With Gerard Colin on board as the winemaker, initial plantings included Cabernet Sauvignon, Cabernet Franc, Merlot and Chardonnay, vines imported from a nursery in Bordeaux, France. The first vintage in 2001 of 1 million bottles has grown to 1.5 million bottles annually. “It’s a decision we made,” Judy Chan said of the annual production figures. “I want to grow in quality not quantity.”
She said the current portfolio for Grace Vineyard includes 16 wines crafted by winemaker Ken Murchison. Varieties planted in Shanxi include Cabernet Sauvignon, Merlot, Cabernet Franc, Chardonnay and the new additions of Marselan and Aglianico. In Ningxia, vineyards include the three Bordeaux varieties as well as Shiraz, Sauvignon Blanc, Riesling and Pinot Noir.
How are the flavor profiles different between the two regions?
The Cabernet Sauvignon and Merlot are dramatically different, Judy Chan said. The Shanxi wines show black fruit character with hints of spice and pepper producing softer wines than those from Ningxia, which are bolder in character with red fruit flavors and higher in alcohol levels.
Identifying a market
Retail prices for Grace Vineyard’s wines range from $9 for the entry-level Vineyard series, a fruit-forward everyday wine, to $76 for the high-end Chairman’s Reserve, a complex Bordeaux-style blend aged in French oak. The cellar-worthy wine garnered an 85-point rating from wine guru Robert Parker. A newer label, the People’s series, serves as a mid-range wine targeted to the young crowd and marketed in Shanghai and Hong Kong’s hip restaurants and hotels.
This year, Grace is set to release some new wines — Shiraz, Aglianico and Marsalen — as well as a sparkling wine.
Grace has come a long way over the past decade, branding itself as a boutique family-run winery with success in local markets as well as export markets including Singapore, Japan and the United Kingdom.
Judy Chan said building a winery from scratch has been an invaluable experience.
“My dream is to build small wineries in different parts of China, each with its own identity,” she said.
Main photo: Grace Vineyard’s Chairman’s Reserve. Credit: Copyright 2015 courtesy of Grace Vineyard
Le Marche is an unspoiled, green and beautiful region in central Italy bordering the Apennines and the Adriatic with which even many Italians are unfamiliar. Although there have been attempts to designate the region as the “new Tuscany” or call the excellent wines SuperMarche (dropped because, hey, who wants to call a top-flight bottle supermarket?), Le Marche speaks for itself. And, what it says is good food and wine, medieval villages, ancient abbeys, silvery olive groves, golden fields of wheat and vineyards as straight as arrows streaking across the rolling hills.
As Federico Bomba, director of the innovative Bioculture app project, says, the landscape reflects man’s attempt to impose order and precision on a naturally unruly terroir. The recently launched app offers an English-language walking guide through the inland region of Le Marche that brings together digital technology, contemporary art and green lifestyle. Where a traveler once depended on Baedeker or Fodor’s, all they need now are a cellphone or tablet and a charger.
Using the app
Wine? Check. Art? Check. Walking shoes? Check. Mobile digital device? Check. Did I mention wine? Using the well-constructed app is easy, even for technophobes. Click on the location you are in either before or during the visit to map your route, read about the main points of cultural interest from medieval frescoes to chocolate box opera houses to esoteric museums, view original art works and videos that connect to the locale, listen to stories and contemporary sound compositions, and head for local organic vineyards, restaurants and agritourism farms.
Go on a cultural pilgrimage
Explore Le Marche, Italy
Sample the local foods
The entire trip takes three weeks, but the visitor can dip in and out of the route as they wish, sampling local food specialties on the way. It is a sophisticated yet accessible concept of “culture” that goes far beyond the mainstream.
One of the most memorable features of the app are the videos made by Carotti and Simona Sala that reference the interaction between locals and visitors in a witty, dramatic and often moving way.
Rachel Rose Reid, the only non-Italian artist among those on the app, is a gifted storyteller who took inspiration from the people and places she encountered. It is a moment of pure Marche magic to listen to her honied tale while sitting on a sunny hillside overlooking the famous Verdicchio vines and contemplating an artisan of The Mountain Beekeepers Cooperative at his work.
Organic food and wine production in Le Marche is amongst the most extensive in Italy. It is an instinctive harmony with the untouched, verdant landscape combined with pride in local traditions and concern for the future. The rugged, mysterious Sibillini mountains are broken with stretches of lush farmland spread out like geometric mosaics; there are breathtaking vistas, villages clinging to the top of precipitous hilltops, forests, farmhouses and pure white roads. Change comes slowly here and local traditions vary widely from village to village: There are more than 200 dialects in Le Marche alone, a reflection of the varied influences on the region for many centuries.
Aurora, the oldest organic winery in Italy, was started by a group of libertarian students in the 1970s who quit their jobs to return to working the land with eco-conscious respect for a sustainable future. Their aim was to create an independent and self-sufficient community in which they could convert social and economic ideals into concrete actions and projects. They were instrumental in founding Terroir Marche two years ago, an association of small organic and biodynamic wine producers committed to producing good, healthy wines at reasonable prices. As they say, “Each member has their own style, but we share certain principles: No one over-crops, for example, or makes thin, poor wines. We can’t reach perfection, but we’re trying. The key is to know your plants.”
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The app feeds the body as well as the soul and directs the traveler to organic agritourism inns, wineries and country restaurants where you can sample the superb white wines of the region as well as the gutsy, forthright reds that are a fine match for the robust food fortified with rosemary, tomato, wild fennel and garlic. At La Pietra Maula, a gem of an agritourism restaurant located in a hamlet of 16 inhabitants, oenologist Alessandra Venanzoni’s welcoming family aspires to run a “zero kilometers” restaurant using home-produced meat, salamis, fruit and vegetables as well as their own Verdicchio wine.
Meals, family style
The wine of Le Marche, as the app demonstrates so well, does not just encourage exploration of the flavors of local varieties but also the taste of local food, which is as immediately likable and unfussy as the people. Meals in Le Marche are always leisurely, convivial affairs.
End of a journey
My journey to the interior via the Bioculture app was a discovery of green Le Marche; blue Le Marche lies eastward, toward the Adriatic Sea. The region is a dichotomy between sea and land that defines the two separate personalities. Both beg to be explored further with wine, food, art and walks.
Main photo: Using the Bioculture app in the ancient hilltop town of Camerino. Credit: Copyright 2015 Clarissa Hyman
Faugères is one of the smaller appellations of the Languedoc, and yet it punches above its weight for the diversity of the origins of its wine growers and the quality of their wines. Among the 50 or so growers you will find people from Australia, Ireland, England, Catalonia, Canada, Belgium and Switzerland, not to mention other parts of France, such as Normandy, Champagne, Bordeaux and Alsace.
For the 2014 vintages, there were four new wine estates. Only one of the newcomers is from outside the region, but all four have taken quite different paths to reach Faugères and all bring individuality to their wine making. So far they have only made one vintage in Faugères, but the first tastings bode well for the future. It may be too early to know much about their wines, but their passion and energy — and some early tastings — hint at good things ahead.
Nicolas Maury: Branching off from the cooperative
Let’s take Nicolas Maury. His father, Philippe, is president of the cooperative of Faugères, as was his grandfather, but Nicolas felt that it would be more rewarding to make his own wine. His father agreed to rent him 4.5 hectares that could easily be released from the cooperative contract. I jokingly suggested that they might be the family’s best vineyards, but Nicolas shrewdly observed that as all their grapes went into the cooperative vats and were blended with other growers’ grapes, they actually had no accurate idea of the taste of the wine from their own vineyards.
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Jérôme Vialla: An adopted heir
Jérôme Vialla is a winegrower’s son, but without any family vineyards. His grandparents had vines on the coastal plain, but they were sold to divide the proceeds among their heirs, and his father now runs Domaine Valensac in nearly Florensac. Jérôme has worked for another coastal estate, Domaine de Pommière, which he described as a factory. He wanted to find more interesting vineyards up in the hills away from the plain. Chance took him to the Faugères village of Fos, where he met his neighbor, an elderly wine grower, who was retiring with no children to follow, so Vialla stepped in and now has 20 hectares planted with the usual five grape varieties of Faugères, namely Carignan, Cinsaut, Grenache Noir, Syrah and Mourvèdre.
When I met Vialla in May 2014, his cellar consisted of several holes in the ground, but as yet no bricks and mortar. He achieved a miracle in completing the cellar just in time for the harvest. In 2014 he made five wines: a fresh, herbal white from Carignan Blanc, a crisp rosé and three qualities of red wine. Two are kept in vat, one with lightly spicy fruit, and the second more substantial; the third wine, a blend of Syrah and Grenache Noir, is aged in barrel, making for some red fruit and a tannic streak. The name of Vialla’s estate, Domaine Epidaure, relates to his wife’s career as a pharmacist, as the city of Epidaurus was an important center of ancient Greek medicine.
Sébastien Louge: A Languedoc outsider
Sébastien Louge does not come from the Languedoc, but from Tarbes in the Hautes-Pyrénées. He studied in Toulouse and Bordeaux and has had a varied career as a winemaker, including a year at Cross Keys in Virginia, as well as working in Madiran and Châteauneuf-du-Pape before coming to the Languedoc, to Domaine de la Grange in Gabian, a village that adjoins the appellation of Faugères. But he wanted to do his own thing, and like Jérôme Vialla, met an elderly winegrower who was looking for somebody to take over his vines. Louge now has 10 hectares and in 2014 made four wines under the label of Domaine de l’Arbussèle.
There is a rosé, but no white, and three reds. Envol Rouge is the entry level, with easy fruit; Authentique comes mainly from old Carignan, and the name is a reference to the fact that Carignan was the original variety of Faugères. The wine is quite firm and structured, balanced with some spicy fruit. The oak-aged cuvée, Revelation, is based on old Grenache Noir, with a streak of tannin balanced by ripe liqueur cherry fruit.
Olivier Gil: Love and wine making
Olivier Gil has local roots — not in Faugères, but in the nearby village of Tourbes. His father is a member of the cooperative there, producing mainly white grapes for vin de pays. Oliver, however, wanted to make red wine and an appellation, so he looked for vines in Faugères and bought a tiny cellar in the center of the village. He learned his wine making at Montpellier, where he met and fell in love with his partner, Adèle Arnaud, who was also studying wine making. (She comes from the Gers in southwest France and has no other history with wine.) They traveled in South America and worked in Collioure before settling in Faugères. I met them the day before they bottled their first wines, under the label Mas Lou.
The names of their various cuvées all recall their South American experience, with Selva, the rosé, for the Amazonian forest. Angaco, the first red, is where they stayed and worked; Aksou refers to special Bolivian weaving; and Tio, for the oak-aged wine, is the god of the potassium mines. Olivier said that he looked for elegance and concentration in his wines, and for supple tannins, and that is certainly what he has achieved with his first vintage.
Main photo: The wines of Domaine Epidaure. Credit: Copyright 2015 Rosemary George
If the heel of the Boot, Apulia — Puglia in Italian — has long lagged behind other Italian regions in terms of modernization, parts of it have nonetheless become havens for the likes of royals, film stars and cognoscenti. How could it be otherwise for a peninsula surrounded by 500 miles of coastline and lapped by the pristine waters of two seas? Still, its heart beats to an ancient tempo, heedless of the increasing tourist invasions. This is Greek Italy, and it is steeped in its past. Nowhere is that more striking than at the Pugliese table.
Once upon a wine
On a recent tour of the region’s wineries with an American delegation of importers eager to learn about the ambitious undertakings of a new breed of producers, I found vintners at once devoted to the preservation of their traditions and determined to make unique world-class wines. Whereas previous generations geared their production toward volume of output for foreign markets (mainly France as well as northern Italy) at the expense of quality — a practice that goes back to the Phoenicians — today’s winemakers tend relatively small vineyards and grow native grape varietals barely known outside the immediate area. The consensus among the dozen buyers in our midst was that the wines were good — some very, very good — while selling for less than other wines in their class.
Terroir, terroir, terroir
Climatic conditions vary throughout Puglia. On the northern plateaus, known collectively as the Murge, the winters are temperate and the temperatures cooler than they are in the Salento, the bottom of the heel, which can be convection-hot in summer, though cooled somewhat by the play of sea currents and breezes blowing across the Adriatic from the Balkans. But overall the region is perhaps the hottest in Italy, baked by the favugno, as the dry wind that blows in from Africa is called here.
In step with their forebears, many of the vintners I met said that, by working with the natural conditions and the native grapes that thrive there — such as Primitivo, Negroamaro and Nero di Troia — they avoid the soil-punishing practices of modern growing techniques. “We are linked to the traditions of our area,” said Dr. Marina Saponari, sommelier at Valle dell’Asso in Santeramo in Colle, Bari, a limestone plateau in the Murge. “We don’t irrigate or add water at all, because too much humidity causes fungus; we work with the soil, not against it, (plowing) in a horizontal direction to retain the moisture naturally.” “Besides,” said Giuseppe Bino, an oenologist at Vigneto Amastuola in Martina Franca, “organic methods are so much better for your health. And when the wines are aged naturally, you taste real grapes.”
Filippo Montanaro of Vigneto Amastuola, on the Ionian side of the peninsula, described his family’s dedication to organic practices as a way to at once revitalize abandoned agricultural lands and recover an indigenous archeological site that dates to the Bronze Age. Subsequent civilizations inhabited the same high plateau, a strategic point overlooking the Gulf of Taranto from which, on a clear day, you can see all the way to Greece and Calabria. Amastuola’s vines and fruit orchards today carpet the soil in which the Greeks planted grapes and olive trees 2,000 years ago. On the estate, a 15th-century masseria — an ancient Apulian farmhouse where raw ingredients were processed into everything from wine and oil to dairy products, salumi, bread and preserves — is being restored to function as it once did, said Montanaro, whose father, Giuseppe, acquired the 100-hectare estate (almost 250 acres) in 2003. The family has launched an ambitious restoration, including the revitalization of long-neglected 800-year-old olive trees. “Family tradition is very important,” said Giuseppe Sportelli, commercial director and husband of Ilaria (one of three Montanaro siblings that help manage the property), explaining that the monumental project was not just work but a “passione.” Giuseppe Montanaro himself finds that explanation inadequate. “It goes beyond enthusiasm,” he explained, “It is the desperation that the man of the south feels that makes miracles like this happen.”
Food of the ancients
Like these winemakers, local chefs also honor the past, looking to the ancestral cooking of their grandmothers for inspiration. I learned the Pugliese mantra of “homegrown and homemade” early, from my paternal grandparents — poor emigrants to America from the very landscape I have described. Some things have changed since they abandoned the fields of Toritto, in which they had toiled as sharecroppers, for lack of enough food for themselves. And some things have not. “Our cooking is based on a paisana (peasant) tradition,” said Anna Gennari of Conzorzio Produttori Vini Manduria, a 400-partner cooperative of Primitivo grape growers in Manduria. “The cooking was simple and not much different throughout the provinces because Puglia was poor,” said Saponari, who is not only a sommelier but also a well-known cooking teacher in Bari.
Cutting-edge Michelin-starred restaurants have been making headlines in recent years for pioneering menus sourced from their local terroir, but Pugliese chefs have always done so. They are weaned on the ancestral flavors and seductive bitterness of wild dandelion greens, mustards, hyacinth bulbs (Muscari racemosum or lampascioni) and other native plants. Unlike in other regions where the tourist routes are more deeply worn, the heritage foods of Puglia — what the Italians call piatti tipici — persist, whether in hotels, simple trattorie or private homes. These include durum-wheat pasta, either fresh or dried, characteristically flavored with cime di rapa (“turnip tops”), simple tomato sauce, or chickpeas; fava-bean purée eaten alongside cooked bitter greens; the ring-shaped breadsticks called taralli, sweet or savory; calzone-like panzerotti and a panoply of other breads and pastries, baked or fried; vegetables, vegetables, vegetables (but little meat); milky fresh cheeses; and fiery peppers — all dressed, naturally, with the numinous olive oil.
Chefs riding the trend for recycling “trash” food could learn something from these old ways: take the traditional pane arso of the cucina povera (“the poor kitchen”), a dark bread made by blending the flour of charred hard wheat with semolina. The custom of incorporating the two harks back to the feudal-estate system, when peasants collected the scorched grains that remained after the post-harvest burning of the fields. Rich-tasting, with a seductively bitter edge, the bread packs 4,000 years of the people’s history into one bite.
Pranzo della domenica: Sunday supper
It’s on Sunday — a customary day of feasting — when Puglia’s cooks pull out all the stops. This is when the meat dishes come out, and the pasta is sauced with ragù, meatballs and braciole.
Gathering together in Bari with the wine buyers, I ate just these braciole — which the locals call bombette (“little bombs”) in the delightful TerrAnima, a Slow Food-endorsed restaurant dedicated to the dishes of the region (its name translates as “Earth and Soul”). If they sound heavy, perish the thought! They are delicate little rolls of meat, lined with pancetta inside and out and stuffed with cheese, garlic and parsley before they are bundled, tied and roasted.
Here’s to the spirit of the pranzo della domenica. Bring on the bombette and by all means, pour the Primitivo!
Bombette (Little Bombs): Stuffed Meat Rolls
Prep time: 30 minutes
Cooking time: About 20 minutes
Total time: About 45 minutes
Yield: 4 servings
Note: These appetizers are traditionally made with horsemeat (not for the likes of former equestrians such as myself), but veal or beef are also used. Whichever you choose, ask the butcher to flatten the meat as thin as possible (1/8 inch is ideal) without tearing it — or pound it yourself if you know how.
1 pound cutlets (scaloppine) from top round of veal, cut into 4 thin slices about 4 inches by 8 inches and pounded to no more than 1/8-inch thick, or 2 half-pound pieces boneless beef top round, pounded to 1/8-inch from 1/4-inch thickness
Extra virgin olive oil
1 small garlic clove, peeled and bruised slightly
Fine sea salt
Freshly milled black pepper
16 thin slices of pancetta
2 tablespoons fresh minced parsley leaves
3 ounces fresh, semi-soft caciocavallo cheese, cut into 8 matchsticks
Toothpicks for serving
1. Preheat an oven to 400 F. Select a broiler-proof baking pan large enough to accommodate 8 meat rolls without crowding and grease it lightly with olive oil.
2. Use paper towels to blot the meat dry. Cut each piece horizontally into smaller pieces to yield 8 pieces of meat that are about the same shape and size (about 4 by 4 inches). Rub both sides with the garlic clove (which you can then discard) and sprinkle lightly with salt and pepper.
3. Sandwich 1 piece of meat between two slices of pancetta. Sprinkle one side with some of the parsley and arrange a matchstick of cheese crosswise on the center. Beginning at one end, roll it up, gathering the pancetta along with it as you make the roll and tucking in any meat edges that stick out. Secure the bundle with a toothpick and transfer it to the oiled baking pan. Repeat the procedure with the remaining 7 pieces of meat and place in the pan.
4. Slide the pan onto the middle rack of the oven. Roast for 15 minutes, then remove the pan from the oven and change the setting to broil. Turn the rolls over and place the pan under the broiler to color them lightly, about 2 minutes. Take care to keep the pan juices from flaming. Remove at once, pour any remaining pan juices over the rolls and serve immediately.
Main photo: Santa Maria di Leuca at Puglia’s southernmost point, where the Adriatic and Ionian seas meet. The lighthouse stands atop the Japigo promontory, described by Virgil in “The Aeneid.” Credit: Copyright 2015 Nathan Hoyt/Forktales
Let’s say you bought some Cabernet Sauvignon vines from a local nursery to plant a vineyard. You decided on Cabernet because you determined that this particular grape variety would be best for your location because of its soil type, sun exposure and climate. But then a worrisome thought enters your head: What if the vines aren’t Cabernet Sauvignon after all, but some other less-suited variety? What if the nursery somehow got them mixed up with Sauvignon Blanc vines? That would be a mighty costly mistake.
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You could pray, sweat and grind your teeth until the first grape clusters appear, and then wait some more until they change color and mature enough for you to figure out the vines’ true identity. Or, you could call an ampelographer.
Ampelography is a type of grapevine botany that uses the physical traits of grape leaves to identify varieties. Grape leaves vary quite a bit between varieties, so a skilled ampelographer can easily distinguish Cabernet Sauvignon from Cabernet Franc.
In the world of ampelography, it would be hard to find a more renowned practitioner than Virginia-based vineyard consultant Lucie Morton, who travels around the country lending her expertise to grape growers and vintners.
Among Morton’s clients is one of California’s best Sauvignon Blanc producers, St. Supéry Estate Vineyards & Winery, which flew her out to the Napa Valley earlier this month to teach an ampelography class. I was lucky enough to participate in the workshop, and learn some tips from a master.
Before taking us into the vineyard, Morton explained the background and basics of vine identification. Lesson number one: “Looking at clusters is cheating.”
In the early days of the California wine industry, American vintners often brought back vine cuttings from Europe to plant in their vineyards. Sometimes, the varieties were not identified correctly, or were known in their native country by a different name than the one used by the rest of the world.
In the 1970s Morton began to discover that some vines planted in American vineyards were misidentified. For example, she said, in the Finger Lakes region of New York people used to say that the Chardonnay grown there tasted “Germanic,” due to the area’s cold climate. The real reason was because their “Chardonnay” was actually Riesling.
Up until the early 80s, nearly all of the “Pinot Blanc” planted in California was not Pinot Blanc but a French variety called Melon de Bourgogne. An ampelographer — Morton’s teacher, Pierre Galet — set the record straight. “It does not make you popular, pointing out other people’s mistakes,” Morton told the class.
Even so, her skills are in demand, even in the modern world of high-tech viticulture. Although DNA testing can identify varieties, Morton pointed out, it can’t distinguish between clones. Ampelography can. “There’s still practical value in this skill,” she said.
Anatomy of a grape leaf
According to Morton, the main characteristics that distinguish grape leaves include:
Lobes: If you imagine the leaf as a hand, the lobes would be the individual fingers that extend outward. Some leaves have prominent lobes, other leaves are shield-shaped and have none.
Petiolar sinus: This is the empty space surrounding the stem of the leaf. Some sinuses are wide open, others are very narrow.
Teeth: These are the serrations on the outside edge of the leaf. Some are jagged and sharp, others are rounded.
It’s also important to look at the color and texture of the leaves.
In the vineyard
Providing each of us with a list of defining characteristics for several different grape varieties, Morton sent us out into St. Supery’s Dollarhide vineyard and challenged us to bring her back a leaf from each variety. If we got it wrong, we went back to try again.
Identifying the vines was more difficult than I expected. In a given vineyard row, not all of the leaves are identical, even among the same variety. Just when I would think I had a match, I’d notice that one of the distinguishing elements wasn’t quite right: The teeth were rounded instead of triangular or the surface was smooth instead of leathery. Each time I was sent back for another leaf, I came to respect Morton’s skill a little more.
Following are the characteristics of five of California’s most popular grape varieties:
Morton calls this leaf the “monkey face” or the “mask,” because when held with its tip facing up, it looks like it has eye and mouth holes. It has five lobes, rounded teeth and an open (or naked) petiolar sinus.
This is a shield-shaped leaf, with shallow, sawblade-like teeth and an open petiolar sinus. The vine’s young shoots will have red nodes that are distinctive to Chardonnay.
This leaf is longer than it is wide, with five prominent lobes, an open petiolar sinus and deep triangular teeth. It’s yellowish in color, with a waffled, leathery texture.
This five-lobed leaf is green in color, with a wavy texture. It has a narrow, almost-closed petiolar sinus, a round shape and rounded teeth. The lobes have three prominent troughs that resemble spouts from a fountain.
This leaf is a heart-shaped shield, with a relatively narrow petiolar sinus and shallow pointy teeth. It has a puffy, quilted look and a thick, leathery texture.
Main photo: In a sea of vines, ampelography can help growers tell which grape varieties are which. Credit: Tina Caputo
California’s Napa Valley is home to some of America’s best wineries. The valley is also well-known as an incubator of female winemakers. Shawna Miller is one of a group of talented women who have pursued a wine-making career in the valley.
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Growing up in a small Virginia town along the Appalachian Trail, Miller spent a lot of time outdoors, hiking and helping her grandmother tend the large garden that fed the family. In the summer they ate what they grew and canned the rest. During the wet, cold winters they happily supplemented their meals with the food they put up in the pantry, including jars of huckleberry and blackberry jam, tomatoes and green beans.
She never thought about grapes or wine.
Studying forestry at Virginia Polytechnic Institute and State University in Blacksburg, she graduated with a degree in forestry, which was a natural fit for a woman who had grown up trekking the Appalachian Trail. That’s also where she met and married Zak, who shared her love of biology. To see the world and build their resumes, they picked up jobs wherever they could. After a stint with the U.S. Geological Survey in Florida, a friend invited them to work a harvest in New Zealand. That work-vacation changed their lives.
Learning wine making around the world
Near Margaret River in Western Australia, they worked at the Cape Mentelle Winery where she learned that each grape had a different temperament. Each had to be picked at exactly the right moment. Pick too soon or wait too long and the grapes would yield inferior wine.
She and Zak were hooked. They pursued harvests in California, New Zealand, Australia and Chile. They experienced firsthand how soil and climate — terroir — created different wines. The Indian Ocean breezes that swept across the grapes at the Cape Mentelle Winery yielded wines very different from the ones she came to love in hot, dry Napa.
Taking classes at the University of California, Davis Extension, Miller wanted to learn the science behind raising grapes and making wine. But there wasn’t time to get a degree in enology.
Her graduate work would be done in the fields and in the labs where her background in science got her jobs measuring fermentation levels.
Mastering the art and science of wine
To become a winemaker, she had to master more than chemistry. Wine making is part science, part art.
Even if a wine is made entirely from one varietal, the grapes grown in one part of a vineyard can be markedly different from those harvested from another area. Blending those different flavors is an art that must be developed by a winemaker.
Today as the winemaker at Luna Vineyards, she oversees the production of a collection of well-regarded, affordable wines.
What distinguished Luna Vineyards in its early days was the choice to produce Italian-style wines. When Michael Moone founded the vineyard in the mid-1990s, he wanted to make wine modeled on the Italian wines he loved. He planted Pinot Grigio (white) and Sangiovese (red) grapes and blended the wines in a way that set them apart from the largely French style wines produced in the valley’s other vineyards.
At times in their marriage, Miller’s husband Zak has worked half a world away at a winery in Chile. But now with Zaira, their little girl, to raise, Zak stays closer to home as an assistant winemaker at Domaine Carneros.
As harvest time approaches, they put the call out to their parents. When the grapes are ready to be picked, Shawna and Zak will be in the fields from before dawn until well into the night. Someone needs to be home with Zaira.
In the days before the harvest begins, Miller walks through the vineyard. The fat clusters of grapes hang heavily on the row upon row of well-tended vines. If the weather cooperates and no pests damage the grapes, she could have a very good year. She is always hoping that with luck and hard work, this year’s vintage could be one of the winery’s best.
Harvest — exciting and nerve-racking
With a last look at the refractometer that measures the sugar level of the grapes, Miller makes the call to the vineyard manager, “OK, let’s take it.” And that’s when the real drama begins.
The grapes are ready. Miller is ready. But during harvest time there is more work than workers available. Sometimes when she calls she is told there isn’t a crew available. The grapes won’t be picked for days.
During that waiting time she is at the mercy of the weather. If it gets too hot or if it rains, the grapes will be pushed past their prime and a vintage that could have been great will be less so.
At moments like this, all Miller can do is watch and wait. She busies herself, making sure the lab is ready and the fermentation tanks are clean. Finally, when the crew is available, then it’s all hands on deck. Time for their parents to babysit Zaira.
Fermenting and then blending
What makes one wine different from another? Of course the quality of the grapes matters, but so too does the palate and skill of the winemaker.
Depending on the style, the maturing wine spends time in stainless steel vats or in oak barrels. When Miller believes the wine is ready, she begins a series of trial blends that are like rough drafts. Making several blends, she and her team will sample and rate each, comparing that year’s wine with ones they liked from years before. Like the best chef, she will mix and combine until she has the flavor she loves. At that moment, she will call in the bottling crew.
During the year there are moments when Miller can take a break to spend time with her family. As all-consuming and as hard as the work can be, having time with Zak and Zaira is absolutely essential.
And then it’s time to start the process all over again. In spring the leaf buds poke through the dark wood. In the heat of the summer, the vines need to be tended, the grape clusters are thinned and the plants monitored for pests. And in the fall there is the harvest when so many moving parts have to work together to give Miller what she needs to make great wine.
At the end of the day, even with all those stresses, Miller counts herself lucky to have found a career she loves, in a valley that produces beautiful wines.
Main photo: Late-harvest grapes at Luna Vineyards in Napa Valley, California. Credit: Copyright 2014 David Latt