Articles in World

Sign on Fior di Latte window. Credit: Nathan Hoyt

It wasn’t much more than 100 years ago that Boulder, on the storied Colorado foothills, was a lively frontier town at the gateway of the Rockies, a bustling supply base for miners venturing into the mountains prospecting for gold and silver. Today, the city of Boulder, still possessed of the pioneer spirit, is a mecca for a different kind of trailblazer, the American artisan.

If the early settlers had meager materials with which to found a cuisine, their descendants raise heritage wild Russian boar, East Friesian dairy sheep and Italian honey bees. They have learned about wine in Friuli and cheese in Tuscany, but they haven’t forgotten their heritage. They’re breeding bison, eating knotweed and foraging for mushrooms in the hills.

It’s not surprising that this is where Chefs Collaborative, a group of chefs, food producers, and movers and shakers in the food industry, would choose to meet for their annual summit, themed “Moving Mountains, Scaling Change.”

Flying over Boulder, the high plains conjured wild mustangs and Spaghetti Westernsa change of scenery from the sultry beaches of Rimini, where I had just been two weeks earlier for the Gelato World Tour finals. Still running on gelato fumes, I was now in for three heady days of meeting and eating, Colorado style. We talked hogs. We talked beef. We talked sheep. We talked chicken. We talked humane ranching; grass-fed, sustainable animal husbandry; natural curing; GMO and factory farming. We talked how to distribute small-scale harvests and handcrafted foods to a wider public. Generally, we celebrated food.

But the gelato gods weren’t done with me. Taking a breather from our think tank, we ventured onto Pearl Street in Boulder’s colorful historic district, where a shop window with this inscription caught my eye:

“We promise to never serve you gelato that wasn’t made today.”

The real stuff

I knew that could mean only one thing. Someone who had learned the art in Italy was making the real stuff — silky, small-batch, gelato from scratch — in this Colorado town.

We wandered into the shop, Fior di Latte, and sure enough, the gelatière, Bryce Licht, told us that he and his wife had learned the art in Italy. Five years ago, he left his native Boulder for the Veneto on a research grant. At first he studied marketing. Then, he said, he fell in love with Giulia De Meo, a Venetian. She taught him how to cook genuine Italian food. Gelato was their obsession. “We decided to start our own business and apprenticed with gelatièri who had shops in Treviso,” he said. “One of them was the Italian gelato champion in 2011. We got to see behind the scenes … and we fell in love with the business.”

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Bryce Licht, gelatière. Credit: Nathan Hoyt

The couple moved back to Boulder and immersed themselves in the local food scene, selling their gelato from a cart at the farmers market and supplying neighborhood restaurants. They lucked out again when they found a sliver of a space in which to set up shop in the hub of the hip main street.

As we talked, I scanned the pans overflowing with delicious-looking fruit, nut and chocolate gelatos when my eyes pounced on a mound studded with fresh pear. Could it be? Yes! With my first lick, I was transported back to the Lido in Venice, where an old man with a gelato cart had piled spun frozen pear ambrosia onto cones for my little girls and me one summer many years ago. I’ve been yearning for that elusive flavor ever since.

Seasonal fruit

While I scarfed down the gelato, Licht explained their obsession with using fresh seasonal fruit whenever they find it.

“I saw local pears at the farmers market, and so I’m making gelato with them now,” he said. “Soon it’ll be pumpkins and butternut.”

Fior di Latte's pear gelato. Credit: Nathan Hoyt

Fior di Latte’s pear gelato. Credit: Nathan Hoyt

Fior di Latte will offer two varieties. One is a pumpkin and Chinese five-spice with star anise, cloves, cinnamon, Sichuan pepper and fennel. The other is more traditional in Venice. “It really tastes just like a delicious pumpkin with no added spices other than [sugar] and a pinch of salt,” Licht said. “Of course, the pumpkin is fresh.”

The couple source all their supplies carefully. “We use only natural ingredients, no exceptions. Anything that doesn’t live up to these standards is just not gelato,” Licht said. He also said they use pistachios from Sicily, hazelnuts from Piemonte and almonds from California and toast them before blending them into a paste.

Eating the pear gelato, Italy and Colorado merged. It was both the essence of what I had eaten in Venice so many years ago, and the stuff of what those of us at the summit saw as the way forward. It embodied, I realized, two sides of the same cone.

 Main photo: Sign on Fior di Latte window. Credit: Nathan Hoyt

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Black Bean Soup With Mexican Pesto. Credit: Nancy Zaslavsky

Looking for a black Halloween food to make grown-ups howl with delight? Black Bean Soup With Mexican Pesto tastes like it took all day simmering on the back burner, getting rich and thick from hours of loving attention.

But when time is too short to stir dried beans in a witch’s cauldron, canned black beans that have been carefully rinsed are the fast and easy answer to perfect results, because they’ll be intensely flavored and then puréed smooth in the resulting soup.

My favorite black bean soups are from Mexico’s Yucatan Peninsula, specifically around the city of Mérida; their unctuous, creamy textures contain no cream and are packed with characteristic layers of flavor from gargantuan amounts of herbs and a whisper of regional habañero chile. For decadence, locals often swirl in a spoonful of crema for special occasions, and Halloween is definitely such an occasion, at least in the U.S.

You start by making a flavor bomb similar to an Italian pesto to embellish the finished soup: Pull a big handful of basil leaves off stems, add cilantro and, if you can get some of the herb, throw in a little epazote with spicy habañero chile for traditional tastes. Because pine nuts aren’t found in the Yucatan, substitute pecans, Mexico’s national nut, for the right texture profile. For cheese, my choice is a not-too-salty queso añejo (aged queso fresco), or use Parmigiano-Reggiano. Only the best-quality extra virgin olive oil will do for its fruitiness, and then finish the soup with Merida sunshine: a generous squirt of bright Mexican (aka Key) lime juice.

Mexican pesto. Credit: Nancy Zaslavsky

Mexican pesto. Credit: Nancy Zaslavsky

Black Bean Soup With Mexican Pesto

Prep time: 45 minutes

Cook time: 15 minutes

Total time: 1 hour

Yield: Makes 4 servings (may be doubled)

Ingredients

For the pesto:

4 large cloves of garlic, coarsely chopped

¼ cup coarsely chopped pecans

1 fresh habañero chile

¼ teaspoon sea salt or kosher salt

⅛ teaspoon freshly ground black pepper

1 cup basil leaves, tightly packed

½ cup cilantro leaves

10 epazote leaves (if available)

¼ cup grated queso añejo or Parmigiano-Reggiano cheese

⅓ cup extra virgin olive oil

For the soup:

The soup's ingredients include habañero chile, garlic, pecans and cilantro. Credit: Nancy Zaslavsky

The soup’s ingredients include habañero chile, garlic, pecans and cilantro. Credit: Nancy Zaslavsky

1 tablespoon extra virgin olive oil

One 3-inch white onion, coarsely chopped

2 cloves garlic, coarsely chopped

½-inch piece of the habañero chile, minced

Three 15-ounce cans organic black beans

2 cups organic chicken broth, divided

2 Mexican (aka Key) limes

Sea or kosher salt and freshly ground black pepper to taste

½ cup Mexican crema, or sour cream thinned with a little milk

Directions

For the pesto:

1. Combine the garlic, pecans, a tiny ¼-to-½-inch piece of the chile finely chopped (wear disposable gloves while doing this), salt and pepper in a food processor. Process for 10 seconds. Toss in the basil, cilantro and epazote and grind again for 10 seconds. Turn the processor off and scrape the sides with a spatula to get everything down into the mixture.

2. Add the cheese. Turn the machine back on and pour the oil slowly through the feed tube, processing until the mixture is fully incorporated and smooth. Taste carefully for saltiness and if the sauce is spicy enough — it should be hot! If not, mince another small piece of the chile and process again to fully incorporate the bits. Taste again and adjust accordingly.

3. Using a rubber spatula, scrape into a bowl, cover with plastic wrap and set aside.

For the soup:

1. Heat the oil in a large pot and sauté the onion until translucent. Toss in the garlic and chile and cook until starting to brown. Remove from the heat.

2. Rinse the beans carefully for a few minutes. Scrape the onion, garlic and chile into the processor using a spatula and then dump in the beans. (You may have to do this in two batches.) Process until smooth, adding 1 cup of broth. Pour back into the pot.

3. Mix in the remaining 1 cup of broth. Bring to a boil, turn down the heat to a simmer, squeeze in the lime juice and season the bland beans assertively to taste with salt and pepper. Simmer 10 minutes.

4. To serve, ladle the soup into bowls and top with a generous tablespoonful of pesto on each. If using, swirl a tablespoon of crema in a circle around the pesto and pass the remaining crema in a small bowl.

Main photo: Black Bean Soup With Mexican Pesto. Credit: Nancy Zaslavsky

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Celebrate World Pasta Day with some pasta sushi. Credit:

Although pasta may seem simple — just boil, right? — you might find that you’ve been doing some things wrong. Since Oct. 25 is World Pasta Day, below are some tips that will ensure your pasta is just perfect.

Riccardo Felicetti, a fourth-generation owner of artisan Italian pasta company Felicetti and new president of the International Pasta Organization, shares tips on how to properly cook pasta. “Pasta gets lonely,” he says, “so be sure to keep it company while it’s cooking so that you can occasionally stir it and so you can try some to test if it’s done.”

Riccardo Felicetti’s Tips to Making Perfect Pasta

  1. Use a big pot and lots of water so the pasta has room to move while it cooks. Use at least 1 quart for every ¼ pound of pasta.
  2. Think horizontally when cooking small amounts or filled pasta. When making long pasta like spaghetti for just one person, Italians put it into a wide shallow pan. You need only fill the pan with enough water to cover the spaghetti horizontally, not vertically!
  3. Do not add the pasta until the water boils or the pasta becomes gummy.
  4. Use the time on the box only as a general guideline. The best way to tell if pasta is ready is to taste it. Start tasting three to four minutes before the package’s suggested cooking time.
  5. Never rinse pasta. The starch on the pasta helps sauces adhere to it, and is a thickening agent for the sauce too.
  6. Always save a little of the pasta cooking water to toss with the pasta and sauce to thicken and meld the flavors. Again, it’s that starch that helps bring everything together.

The International Pasta Organization website provides a fun list of pasta recipes from around the world, nutrition advice and other interesting information. “Representing pasta producers from all over the world,” Felicetti says, “gives me great pride and is a huge responsibility at the same time. Pasta is a global food, nutritionally valuable, and has a central role in almost everyone’s diet.”

Perfect for World Pasta Day is this recipe for pasta sushi, a fusion of Italian and Japanese cuisines.

Pasta Sushi

Adapted from “Pasta Modern: New & Inspired Recipes from Italy” by Francine Segan.

Substitute pasta shells for the white rice, making beautiful, Japanese-inspired but Italian flavored, one-bite appetizers.

Try cooked or raw fish such as poached lobster topped with caviar, diced seared tuna with a dollop of hummus or raw oysters with lemon zest. You can fill them all the same, or make an assortment; just calculate about 4 pasta shells per serving and a heaping tablespoon of filling for each.

Prep time: 10 minutes

Cooking time: 10 minutes

Total time: 20 minutes

Yield: Serves as many as you like

Ingredients

For the shells:

4 large pasta shells per person

Salt

Rice wine vinegar or lemon juice, to taste

Mirin or sweet Marsala or sherry, to taste

For the filling (approximately 1 tablespoon per shell):

Diced or thinly sliced raw fish such as tuna or salmon; raw or cooked oysters; sea urchin; caviar; and/or cooked fish like poached lobster, crab, or shrimp

For the garnish (to taste):

Lemon or orange zest; grated horseradish; chopped scallions; fresh diced fruit; mozzarella, cream cheese or other cheese; red chili pepper; and/or sea salt

Directions

1. Boil the pasta shells in salted water until al dente. Drain and toss with a splash, to taste, of rice wine vinegar and Mirin. Spread out onto a plate and let cool to room temperature.

2. Fill each shell with a tablespoon of filling. Garnish and season as you like.

Main photo: Pasta sushi is the perfect fusion of Italian and Japanese cuisine. Credit: “Pasta Modern: New & Inspired Recipes from Italy.”

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Recently harvested olives from the Cimicchi family’s Le Caselle estate in Italy. Credit: Andrea Pupek

Are olives an aphrodisiac? My research suggests they are not, but for Andrea Pupek and Fabio Cimicchi, they most certainly were. Andrea’s Global MBA thesis project, a comprehensive marketing plan for Fabio’s family olive oil business, resulted in love, marriage and now a vibrant olive oil export business, Caselle Italian Imports.

Andrea’s mother knew early on that Andrea would travel the globe when at 13 she became a student ambassador of People to People. Her parents provided her with roots and wings. Her roots were firmly planted in Western Massachusetts, and her wings took her to Italy.

Family’s pierogi ‘factory’

Andrea recalls the strong ties her family had to her paternal grandmother, her babci. Her favorite memory with her babci is what she calls “the Pupek family pierogi factory.” As with many family recipes, none were ever written for the pierogis. Andrea had the foresight when her babci started forgetting things at 92 years old to document and photograph the pierogi factory. A legitimate recipe now exists, and an indelible memory was forged between Andrea, her sister and their babci.

Family values were the centerpiece of Andrea’s upbringing. Even after her parents divorced they continued to celebrate the holidays together. This exceptional situation of support, love and respect was one Andrea would find among the olive groves in Orvieto, Italy.

Andrea’s thesis work took her to Italy — to the Cimicchi family — to develop a business and marketing plan for the export of their olive oil. She never imagined that one of the Cimicchis would become her husband or that she would call Orvieto home.

The transition she says was easy.

Fabio’s family’s values echoed hers. His family is emotionally and physically close, resembling what one might imagine a prototypical, multi-generational Italian family to be. Sunday lunches are a ritual. It anchors the family solidly in their generational traditions of meals that are simple, but long and delightful. There are multiple courses that include some form of roasted chicken, potatoes and, of course, a homemade pasta dish.

Marriage of family traditions

At the holidays, Andrea integrated her family’s Christmas cookie-making traditions into the Cimicchis’ traditions. When Andrea and Fabio traveled to the United States for the holidays, she made sure to include one of the Cimicchi family’s Christmas Eve favorites – chocolate spaghetti – in her family’s festivities. Imagine spaghetti with olive oil, chocolate, walnuts and sugar paste. Now that’s a decadent tradition worth importing.

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Le Caselle, located in the Umbria region of Italy, has 195 acres of olive trees and vineyards (and Ozzy, the dog, keeps all of the animals on the estate in line). Credit: Andrea Pupek

The love affair has produced much more than the fusion of family values and food traditions. It has also resulted in the creation of Caselle Italian Imports. The Cimicchi family owns more than 195 acres of land, planted with more than 2,000 olive trees.

Le Caselle is located the between Orvieto and Castel Viscardo in the Umbria region, which is known for its olive oil and is frequently referred to as the green heart of Italy.

The Cimicchi family’s ties to Le Caselle date as far back as the 1700s when the family came to care for the land under Knight Guiscardo, who was himself hired to protect the land for the church. The land changed hands a few times among a small group of families, but Fabio’s great-grandfather Alessandro ended up owning the majority of the original Castel Viscardo estate. In 1984, Fabio’s parents purchased the rest of the family land that makes up the original Le Caselle estate from Uncle Guiseppe Cimicchi, with the goal to produce wine and olive oil.

Family’s olive oils

The Cimicchis produce two types of olive oil for sale: Madonna Antonia, which is made from 100% moraiolo olives, and Olio delle Caselle, their signature Umbrian blend. The blend is a closely held, secret family recipe perfected over several generations, using just the right proportions of moraiolo, leccino, frantoio and rajo olives. Olio delle Caselle has a golden color with a tinge of green.

When tasting the olive oil, Fabio told me to slurp the olive oil along with some air. Adding the air emulsifies the oil and allows it to spread across your entire mouth for a full taste bud experience. The taste was smooth and fresh, with a little spicy aftertaste. Delicious. It is perfect on young greens and tomatoes, in salad dressings and soups, and as a dip for crusty Italian bread.

With the matrimony of Andrea and Fabio, and the loving support of close family friends, Caselle Italian Imports was born. Andrea put her masters thesis to work, sharing the amazing fruits of the Cimicchis’ labors with the wider world. Caselle Italian Imports also offers other Italian specialty products, such as traditional balsamic vinegar from Modena.

Main photo: Recently harvested olives from the Cimicchi family’s Le Caselle estate in Italy. Credit: Andrea Pupek

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Nutmeg-Cinnamon Nuts. Credit: Kathy Hunt

At times, just thinking about Halloween causes my stomach to lurch. No, it’s not the creepy costumes, scary movies and pervasive pranks that make me queasy with fright. Rather, it’s the mounds of sickeningly sweet, artificially flavored, mass-produced candies that show up in my house every Halloween season that give me tummy aches.

For as long as I can remember, Oct. 31 has meant collecting and eating gobs of individually wrapped, store-bought candy. Yet, there was a time when Halloween served reverent roles and featured much tastier and more nutritious foods than candy corn and peanut butter cups.

Halloween descends from harvest festivals, fall celebrations

During ancient times, Celtic tribes in what are now Ireland and other parts of the United Kingdom held annual three-day harvest festivals known as Samhain. Beginning at dusk on Oct. 31, these feasts marked the end of summer and the temporary abundance of foods, such as apples, potatoes, turnips, cabbage and grains.

Along with celebrating the season’s bounty, the Celts used this time to remember and communicate with their ancestors. They believed that on Oct. 31 the doors to the afterlife opened, and on that night the living could interact with the dead.

Although by the 7th century the pagan Celts had converted to Christianity, many of their autumnal customs remained. On Hallow’s Eve or All Hallow’s Eve, which fell one day before the Catholic Church’s All Souls’ Day, Europeans remembered their dead by placing lighted candles on loved ones’ graves and in hollowed out beets, potatoes and turnips. The forerunner to the modern-day jack-o’-lantern, the “neep lantern” was said to symbolize a soul trapped in purgatory. They were placed in the windows of homes to welcome departed relations and friends.

Apples starred in harvest celebrations

Harvest fetes still took place in the Middle Ages. Apples remained a star of these occasions and were made into tarts, pies, breads, dumplings, puddings and cakes.

So plentiful was this fruit that people set out apples for the dead and used them to tell fortunes. If you saw two seeds in your apple, you’d soon marry. Three seeds indicated future wealth.

Potatoes were equally important to Hallow’s Eve meals. In Ireland and Scotland, colcannon — mashed potatoes, onions and cabbage — was such a popular Oct. 31 dish that the date became known as “Colcannon Night.”

On Colcannon Night, cooks hid small favors inside bowls of colcannon as well as in champ, potatoes mashed together with leeks and buttermilk. Supposedly, guests’ fates were determined by the tokens they found. If you received a dried pea in your serving of mashed potatoes, you’d have prosperity. Dig out a coin and you’d achieve great wealth. Unearth a thimble and you’d be destined for spinsterhood.

Nuts also acted as prognosticators. Before going to bed on Hallow’s Eve, people would mash together walnuts, hazelnuts, nutmeg, butter and sugar and consume the concoction in the hopes of having prophetic dreams. Earlier in the evening, they roasted walnuts or chestnuts over an open fire to determine the nature of future relationships. If the toasted nuts tasted bitter, they’d end up in an unhappy marriage. If the nuts seemed sweet, they’d have a pleasant spouse.

In addition to telling fortunes, food played a major part in the medieval act of “souling.” On Hallow’s Eve, the poor would travel from house to house, offering to pray for the souls of the dead. In return they requested soul cakes, small, spiced buns studded with currants and other dried fruit. Every household seemed to possess an endless supply of soul cakes. It sounds a bit like trick-or-treating, minus the sugary confections and pranks.

Irish, Scots brought Halloween to America

Although this holiday has a long, rich history in the United Kingdom, it didn’t permeate American culture until the mid-19th century. It was then that famines in Ireland drove millions of Irish immigrants to the United States. Wherever the Irish and, to some extent, the Scots went, Halloween, as it came to be called, went with them.

In America, Halloween took on new customs and flavors. Large, plump, orange gourds replaced turnips and other root vegetables in those hand-carved lanterns for the dead. At parties, apples took the form of entertainment, as in bobbing for apples, and in drinks, such as apple cider and juice. Guests no longer pulled tokens from bowls of mashed potatoes. Instead they pulled strands of boiled sugar and butter to make taffy.

By the end of World War II, Americans had largely abandoned plain apples, nuts and homemade Halloween treats for commercially produced candy. The sugar-corn syrup-wax combination known as candy corn became all the rage. So, too, did individually wrapped sweets. Unquestionably, the passion for store-bought goods continues to this day.

Rather than defy current customs, I’ll continue to stock up on bags of chocolate bars and gummy worms. However, I do plan on giving my belly a break and keeping my own stash of historic Halloween treats. At the top of my cache will be spiced nuts. Hearkening back to the tradition of eating walnuts and hazelnuts with nutmeg, sugar and butter, I created the following Nutmeg-Cinnamon Nuts.

Nutmeg-Cinnamon Nuts

Prep time: 10 minutes

Cook time: 10 minutes

Total time: 20 minutes

Yield: Makes 3½ cups

Ingredients

1½ cups walnuts

1¼ cups hazelnuts

¾ cup pecans

1½ tablespoons unsalted butter

2 tablespoons firmly packed light brown sugar

1 teaspoon ground cinnamon

½ teaspoon ground nutmeg

½ teaspoon salt

⅛ teaspoon allspice

Directions

1. Preheat the oven to 350 F.

2. Spread the nuts over a large baking sheet and bake, tossing once or twice, for 10 minutes or until golden in color.

3. As the nuts are toasting, melt the butter. Place it along with the cinnamon, nutmeg, salt and allspice in a large bowl and stir to combine.

4. Once the nuts have toasted, add them to the bowl and stir until all the nuts are coated with the spice mixture. Cool to room temperature and serve.

Main photo: Nutmeg-Cinnamon Nuts. Credit: Kathy Hunt

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Bucatini Dome

Dried pasta can cost anywhere from $1 to $7 or more per pound. Pasta is just flour and water, so what, if anything, makes the expensive stuff any better? Is there a taste and texture difference between brands? Is artisanal pasta worth the price?

I traveled throughout Italy to find out, interviewing food bloggers, chefs, pasta manufacturers and home cooks. Every Italian I spoke with emphatically believed that he or she could taste the difference and that good pasta wasn’t cheap, but was worth the price. I listened to technical explanations of the difference between Teflon and bronze extrusion, the value of water, length and types of drying techinques.

They were all convincing, but I was finally won over completely when I attended the food festival I Primi d’Italia, dedicated to Italy’s famed first-course specialties: pasta, risotto and polenta. The festival is held each year in Umbria, in the historic town of Foligno, which is completely transformed with tasting and demo stations in every piazza, courtyard and cobblestone street as it plays host to this delightful event.

I attended a workshop on how to evaluate dried pasta led by Gennaro Esposito, a two-star Michelin chef from Naples. He did a side-by-side test that highlighted the ways to tell so-so pasta from great pasta.

Try this at home

Try it yourself at home. It’s easiest to see the difference using spaghetti, so select an artisanal imported Italian pasta, and compare it to a bargain brand.

Fill two pots with the same amount of water and salt and bring to a boil. So that it’s a blind test, ask a friend to help so you don’t know which pasta is which. Have your friend put in the same amount of pasta to each pot. After a minute or two, stir the pastas and take a whiff of the water. Which pasta has a fresh wheat aroma?

  1. Once the pasta is al dente, drain, and test its ability to absorb sauce. Put a few strands of each into two different bowls with a little water and after several minutes note which pasta absorbed more water. That means it will better absorb sauce and is the better pasta.
  2. Then pinch both types of pasta between your thumb and index finger. The inferior pasta will be gummy to the touch and soft in the middle, while the better pasta stays al dente.
  3. Finally, taste each pasta plain, with no sauce. That should be enough to convince you!
fresh pasta

A chef presses pasta. Great pasta doesn’t mush. Credit: Francine Segan.

Ways to Spot Superior Pasta

To learn how to spot superior pasta I visited Garofalo, a famed Naples pasta company, where I was taught that superior pasta, when raw, should be yellow (not white), it should smell like fine wheat, and it should break cleanly and easily—without scattering bits about.

When cooked, it should:

  1. Taste delicious, even without sauce.
  2. Have a lovely aroma, like crusty bread.
  3. Leave the cooking water clear and uncloudy.
  4. Stick to the sauce. If the sauce slides off, it’s a sign that the pasta was not properly dried. Pasta that is too slippery means that the past maker rushed the drying process using a high temperature, which causes the pasta’s starch to form a sort of glaze on the pasta, making it shiny and impenetrable for sauces.
  5. Remain firm the last bite. If left in a plate without sauce, it should not collapse and lose its shape.

To underscore just how important good pasta is, the team at Garofalo taught me a fabulous show-stopping recipe. It really underscores the characteristics of quality pasta — the ability to keep from getting mushy when cooked.

Bucatini Dome (Cupola di Bucatini)

It’s hard to top this dish for pure drama. The stately dome of pasta houses a colorful filling of string beans, carrots, zucchini and plenty of rich Italian cheese.

But don’t get intimidated. It’s actually quite easy to create. The trick is to use bucatini, which are thick long pasta that keep their shape as you coil them into the round dome cake pan. If you don’t have one, use a metal bowl instead. Don’t let lack of equipment keep you from tackling this architecturally magnificent — and delicious — dish.

Prep time: 40 minutes

Cooking time: 30 minutes

Total time: 70 minutes

Yield: 8 servings

Ingredients

14 tablespoons butter, plus more for the pan

5 slender zucchini (about 2 pounds), minced

3 medium carrots, minced

¾ pound haricot verts or very thin string beans, minced

1¼ pounds bucatini

2 eggs, beaten

½ cup grated pecorino cheese

Black pepper

¾ pound deli-sliced high-quality provolone cheese

Directions

1. Preheat the oven to 350F. Very generously butter an 8- to 9-inch dome-shaped oven-safe container such as a Pyrex or metal bowl.

2. Heat 2 tablespoons of butter in a large frying pan and add zucchini; fry until soft. Put the zucchini into a large bowl. Using the same pan, cook the carrots and string beans in 1 tablespoon of butter over low heat, covered, until tender, adding a few drops of water, if needed. Stir into the bowl with the zucchini until well combined. Set aside 1 cup of this vegetable mixture as garnish for later.

3.  Cook the pasta in boiling salted water for ⅔ of the package’s recommended time. Drain and divide, putting ¾ of the pasta into the large bowl of vegetables and the remaining ¼ into a small bowl with 2 tablespoons of butter. Set aside; the small bowl, it will be used for the outer part of the dome.

4.  Add 9 tablespoons of butter to the pasta-vegetable bowl and stir until the butter melts, then stir in the beaten eggs, pecorino cheese, and freshly grated black pepper. Using kitchen scissors, cut into the pasta mixture so it is broken up a little. Set aside.

5. From the plain buttered pasta, using one strand and starting in the center of the prepared domed container, twirl the pasta around itself to form a coil. Continue the coil with another strand of pasta starting where the last strand ended so it is in one continuous line; continue with additional strands until half way up the pan. Line the pasta with slices of  cheese, pressing the cheese firmly against the pasta. Put in half of the vegetable-pasta mixture, pressing firmly into the bottom and sides of the bowl to remove any air pockets and densely pack the filling. Top with cheese slices.

6. Continue coiling the plain pasta around the dome to the top, adding a strand at the exact spot the last ended. Line the sides with more cheese slices and top with the remaining vegetable-pasta mixture and slices of cheese. Press the pasta down firmly with a spatula or wooden spoon. This is key to getting a nice compact dome that stays together nicely when sliced. Cut the remaining plain buttered pasta with scissors and press on top of the mixture.

7. Cover the bowl with aluminum foil and bake for 15 minutes, then remove the foil and bake uncovered for another 15 minutes, until golden and set. Let rest 10 minutes, then put a serving plate on top of the bowl, and invert it. Hit with a wooden spoon to help the pasta release from the pan, and, using the tip of a spoon or butter knife along the bottom edge of the bowl, begin to remove the bowl from the pasta. Serve garnished with the reserved cup of minced vegetables.

Main photo: Bucatini Dome houses string beans, carrots, zucchini and plenty of cheese. Credit: “Pasta Modern” by Francine Segan

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Bottles of olive oil. Credit: iStockPhoto

I brought a jug of dark green Sicilian olive oil, freshly pressed from a friend’s farm, back to my home in the hills along the border between Tuscany and Umbria. “È buono,” said my neighbor, Arnaldo, when he tasted it. “It’s good but … non ė genuino.”

Non ė genuino – it’s about the worst thing an Italian can say about another Italian’s food, whether oil, cheese, wine or pork ragù. It translates as “it’s not the real thing,” but what it really means is, “This is not the way we do it here, not the way our forebears have been doing it since Etruscan times, and not, in fact, the right way.”

In this case, caro Arnaldo, I beg to differ. What I had offered was a fresh-tasting oil made from Nocellara del Belice olives, picked green and pressed immediately, radiant with the almond-to-artichoke flavors characteristic of that varietal, which is grown mostly in and around western Sicily’s Belice valley. Moreover, it was lush, verdant and fresh from the press — I knew because I was there when it happened.

This encounter led me to think about the astonishing variety of foods that proliferate throughout the long, skinny, undulating boot that is Italy, and about the intense pride each region, each province, each little mountain village or coastal fishing port takes in its own traditions.

Italians, it almost goes without saying, invented the locavore phenomenon — and invented it a long time ago. It’s what makes a culinary tour of this remarkable country so seductive and astonishing.

What makes olive oils great?

But it’s also a trap of deception. A New York Times reporter — who happens to be a friend of mine — fell into that trap recently when writing about Umbrian olive oil. “Our oil,” her informants told her (I’m extrapolating), “is not like that sweet Tuscan oil. Our oil has character!”

Sweet oil? Tuscan? Really? Peppery, fruity, bitter, complex — these are the characteristics I taste in a well-made Tuscan oil. But not sweet.

Umbrian olive oil can be, and often is, excellent. The main local cultivar is Moraiolo, which is high in antioxidants that give it an overwhelming intensity, so much so that producers blend Moraiolo olives with others to calm that muscular quality. But Umbrian olive oil is also hard to distinguish from Tuscan oil. In fact, I would argue almost all high-quality central Italian oils — made from a mix of olives (Frantoio, Leccino, Pendolino and Moraiolo are the usual blend); often grown at high altitudes; usually harvested when still immature and pressed immediately thereafter — typically share certain acerbic flavors and peppery aromas that are redolent of freshly cut grass, artichoke or tomato leaves. I doubt most North American consumers, even well-educated ones, confronted with a selection of oils from Umbria and Tuscany, could tell them apart.

There are, I’m told, more than 500 olive cultivars grown in Italy, some of them widely known and grown such as Leccino, universally valued for its resistance to low temperatures, and some of them only from very specific regions, like Dritto, an olive that appears to be exclusive to the Abruzzi, or Perenzana olives from northern Puglia. With the spread of olive culture to other regions of the world — California, Chile, South Africa, New Zealand — some of these cultivars are being grown far from their native soil, and the oil made from them often suffers as a result — non ė genuino!

Or at least that’s what Italians believe, and my heart — and my palate — agrees. The best oils taste of that elusive characteristic called terroir — a combination of environment (soil structure, altitude, climate, weather), variety and technology, both traditional and modern, adjusted to match time-honored local tastes. In Provence, for instance, local taste demands a fusty flavor, the result of anaerobic fermentation in the olives, producing an oil considered defective elsewhere.

But I also believe North Americans are fortunate not to be trapped in the locavore delusion. We have access to olive oils from all over Italy, indeed from all over the world. How to deal with that abundance can be a problem, but it’s a problem we should welcome. Unlike those Umbrian producers, we can buy an Umbrian oil and a Tuscan one and taste them side by side, along with one, perhaps, from Puglia, or Sicily, or even from Verona in northern Italy. Or indeed Tunisia or Spain or New Zealand.

The tree said to be the oldest olive tree in Umbria, Italy. Credit: Nancy Harmon Jenkins

The tree said to be the oldest olive tree in Umbria, Italy. Credit: Nancy Harmon Jenkins

The revolution starts here

Now I’m going to tell you something radical: I have tried to love olive oils from retail outlets across the entire U.S., but with few exceptions, I have almost always been disappointed. Many retailers simply don’t recognize the importance of harvest dates or the critical significance of maintaining oils in dark, cool environments. They display bottles under shop lights in order to entice customers, and they’ve paid top dollar for oil when it first arrives on the market, so even if it stays around a while, the price still has to reflect their costs.

So more and more, my advice is to go to online distributors, many of whom get their oil directly from the producer and most of whom keep their precious bottles warehoused in a dark, cool environment. Here are a few I recommend; I’ve also noted where there are retail stores. Note that the first three sell only Italian olive oils; the rest carry a variety from many other areas, including California:

Main photo: Bottles of olive oil. Credit: iStockPhoto

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The Humboldt Highball cocktail alongside a bottle of Byrrh and a glass of the aperitif at Denver's BSide. Credit: Ruth Tobias

No, Byrrh isn’t some murky variant spelling of beer; in fact, it’s wine. More precisely, Byrrh Grand Quinquina — to use its full name — is a French aperitif that’s been showing up in bars around the United States after gathering dust in obscurity for decades. Based on the red wines of Roussillon, France, as well as fortified grape juice, it’s flavored with a blend of botanicals, primarily cinchona bark (which contains quinine — hence the name), to strike a refreshing balance between fruitiness and bitterness.

Thanks to Eric Seed of Haus Alpenz — the cool kids’ importer these days — Byrrh is now available in nearly all 50 states. The more I began to spot it on cocktail menus around Denver, where I live, the more curious I grew as to its allure and applications. Three local bartenders were gracious enough to explain it all for me.

The patio pounder

For Alexandra Geppert, who handles operations at The BSide — a funky, free-wheeling new hangout in Denver’s Uptown — Byrrh’s raspberry and nutty flavors lend themselves to easy-breezy libations such as the Humboldt Highball, which also contains simple syrup, lemon juice and club soda.

Featured on the late-summer drink list, it drank like a zippy pop that, she joked, “You could have 40 of in one sitting.” But for cooler weather, Geppert suggests deepening the flavor with a distinctly herbal liqueur. Here is BSide bartender Daniel Bewley’s recipe:

Humboldt Hibyrrhnation

Yield: 1 serving

Prep Time: 2 minutes

Ingredients

A Byrrh cocktail from Bistro Vendôme in Denver. Credit: Ruth Tobias

The Byrrh Martini, left, and Black Spring from Bistro Vendôme in Denver. Credit: Ruth Tobias

2 ounces Byrrh

¾ ounce Leopold Bros. Three Pins Alpine Herbal Liqueur

½ ounce lemon juice

½ ounce simple syrup

Club soda

Directions

1. Shake the first four ingredients together in a cocktail shaker. Strain over ice into a Collins glass. Top with club soda.

Geppert also loves to fancify the tavern tradition of a shot and a beer chaser by offering a more cultivated pairing: “a craft beer and a taster.” To that end, she proposes sipping a glass of Byrrh, with its round mouthfeel, alongside a contrastingly “crisp beer, maybe one with a little bitterness.”

To that end, she proposes sipping a glass of Byrrh, with its round mouthfeel, alongside a contrastingly “crisp beer, maybe one with a little bitterness,” say a blonde ale or a pilsner.

The neo-martini

At Bistro Vendôme, a beloved French fixture in downtown Denver, bartender Jason Morden has been having a field day with Byrrh for the past few months. He recommends drinking it over ice with lemon zest before dinner, because “citrus really makes it pop”; afterward, he might pair it with a bit of milk chocolate.

And because to his palate “it’s reminiscent of Vermouth Rouge,” he also considers it “an amazing counterpart to gin.” Here’s his “hot and boozy” twist on a martini:

Byrrh Martini

Yield: 1 serving

Prep Time: 2 minutes

Ingredients

2 ounces dry rye gin

1 ounce Byrrh

½ ounce lemon juice, plus peel for garnish twist

Directions

1. Shake gin, Byrrh and lemon juice together in a cocktail shaker. Pour into a martini glass and garnish with a lemon twist.

The rye sidekick

You’ll notice that the gin in the previous cocktail is made with rye, the spiciness of which nicely balances the sweetness of Byrrh. Morden uses that to his advantage in another cocktail, this one based on rye whiskey:

Black Spring

Yield: 1 serving

Prep Time: 2 minutes

Ingredients

1½ ounces rye whiskey

1 ounce Byrrh

1 ounce amaro-style bitter

2½ to 3 ounces ginger beer

Luxardo cherries

Directions

1. Over ice in a Collins glass, stir the first four ingredients together. Garnish with Luxardo cherries on a toothpick.

Meanwhile, Kevin Burke — beverage director at sibling hot spots Colt & Gray and Ste. Ellie — compares Byrrh favorably to another fortified wine, Dubonnet Rouge. “With a lot of products, some cocktail types get up in arms that the European version is different than the American one,” he said. (Take absinthe as a prime example.) “Unfortunately, Dubonnet falls into this category for me. So when I see Dubonnet called for in a recipe, I have found great success in substituting Byrrh.” For example, “it shines in a Deshler Cocktail, which is great when you’re in the mood for a Manhattan but also want something new.”

Word to the lightweight: Burke likes a high-proof rye in the following recipe. Sure, “Rittenhouse 100 or Wild Turkey 101 will do in a pinch — but Willett 110 Proof or Thomas H. Handy Sazerac is worth the splurge.”

Deshler Cocktail

Yield: 1 serving

Prep Time: 3 minutes

Ingredients

1¼ ounces high-proof rye

1¼ ounces Byrrh

¼ ounce Peychaud’s Bitters

1 teaspoon Cointreau

Orange twist for garnish

Directions

1. Chill a small cocktail glass.

2. Add cracked ice to a mixing glass, then add all ingredients except the orange twist and stir for 30 seconds. Strain into chilled cocktail glass.

3. Pinch the orange twist over the drink to express oils, then add and enjoy.

Main photo: The Humboldt Highball cocktail alongside a bottle of Byrrh and a glass of the aperitif at Denver’s BSide. Credit: Ruth Tobias

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