Articles in Travel
Just as artists work with paints and canvas or clay, chefs create masterpieces with everything from carrots to crayfish. But whereas painters and sculptors have museums to display their creations, most chefs only have plates; their “displays” are limited to the short stretch during which a diner admires their meal before digging in. Endang Supriatna may have found the perfect solution, however. He’s taken his art to sea.
The hallmark of garde-manger
I met Supriatna as an invited guest on a week-long cruise to Alaska aboard the Carnival Legend. Working with some of the same items that are probably sitting in your kitchen, he turns ordinary edibles into eye-catchers; you could say he has all the ingredients for a dream job. “I am the only culinary artist on board, and I carve vegetables and fruits and create ice carvings from huge blocks of ice. Sometimes I create paintings for special occasions,” Supriatna said in an e-mail interview.
Working magic on melons
For the average home cook, cutting watermelon can be a messy chore. But Supriatna does not see the awkward fruit you and I see. He sees potential.
Supriatna carves two dozen or so watermelons on every week-long cruise. His carvings vary in shape and size, just like his juicy, circular canvases. From salty sea creatures to detailed portraits, the results often decorate the ship’s Lido Restaurant. It’s common to see cruisers struggling to balance a loaded plate in one hand and a camera in another as they attempt to snap photos of the sculpted spheres.
You can see Supriatna at work firsthand during a weekly demonstration at The Golden Fleece Steakhouse. Silently and swiftly, he creates melon magic in less than an hour. There is thought and precision with each graceful cut, but Supriatna has a knack for making his skill look effortless. What might be even more impressive, however, is his ability to create in a wide variety of mediums. Though I saw more watermelons than anything else, every now and then a new showpiece would pop up.
Red onions and radishes cut to create colorful blooms, then perfectly arranged in a prickly pineapple vase: Supriatna’s edible bouquet decorated the buffet area surrounding the chocolate fountain on our last day at sea. You might have mistaken the arrangement for real flowers, especially since it sat somewhat in the shadow of a glistening ice sculpture, which also happened to be Supriatna’s handiwork.
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As an adult, Supriatna has worked hard to develop his craft, but he says he had inspiration to create from an early age.
“My father is an architect, and (he) influenced and motivated me when it comes to carving and art,” Supriatna said. “Besides creating/designing houses, he often does artwork, such as sketches, paintings, drawings and wood carvings. … I’d always watch and try to learn from him.”
From the visual to the culinary arts
In fact, Supriatna pursued an art degree in college. After graduation, he worked in several hotels as an artist. It was there that food became part of the plan. “I became more interested in seeing how the chefs worked to create beautiful and delicious dishes. To me, that’s a form of art,” he said.
So off to culinary school he went. He graduated one of the top three in his class, and in 2000 he set sail with Carnival Cruise Lines as an ice carver, fulfilling his dream of seeing other parts of the world in the process.
“I’ve also gotten the opportunity to see real works of art from some of my favorite maestros, like Rembrandt, Van Gogh, Picasso and Dali,” Supriatna said.
Cooking at sea and at home
When he’s not wowing cruisers with his carvings, Supriatna also cooks. Responsible for cold-food production and presentation on board the ship, he has nearly a dozen chefs working under his supervision.
His work schedule is demanding. Supriatna typically spends six months at sea before getting two months at home in Bandung, West Java, Indonesia, with his wife and two sons.
“At home I give command of the kitchen to my wife, but once a week I’ll cook for them. I usually make my special mushroom and shrimp risotto, which they love,” Supriatna said. “And yes, sometimes I’ll still do carvings, but I try to limit it to special events only.”
Main photo: A sample of Supriatna’s work. Credit: Copyright 2015 Dana Rebmann
Classic meets contemporary at the 56th Biennale di Venezia. This year’s theme is “All the World’s Futures,” and one chef in Venice has taken that inspiration to create a spectacular menu.
The international art exhibition, which runs until Nov. 22, takes place in the Giardini and Arsenale venues and other locations throughout the historic city, making a marvelous encounter between history and avant-garde, where classic meets contemporary art.
In the spirit of this convergence, Chef Luca Veritti created an original menu for the magnificent Met Restaurant at the Metropole Hotel in Venice.
The spectacular menu, called “Tra’Contemporary Cuisine,” combines two philosophies — the traditional Italian and Veneto recipes and a futuristic style through which the same recipes are elaborated and proposed in a creative way.
While different from the current gastronomic trends, the reason for such an original choice lies in the intention of giving value to the regional products — often neglected on behalf of food from faraway countries — elaborated with exotic styles and cuisines.
Hors d’oeuvres the traditional way
A perfect example are the capesante gratinate, a typical hors d’oeuvres in the Veneto tradition, consisting of baked scallops covered with bread crumbs, aromatized with garlic, parsley, salt and pepper.
A delicate update
In the contemporary version “à la Oriente,” the capesante are breaded and cooked with coconut rapé and served with a delicate beetroot cream, hints of passion fruit and a wafer of bread flavored with parsley and garlic.
Home cooking from Carnia
Another traditional home-cooking dish from Carnia: Macaròns di còce is made with pumpkin gnocchi prepared by hand, using a spoon, which gives them their shape and weight, then served with melted butter, sage leaves and some grated smoked ricotta cheese from Friuli.
An innovative update
This traditional recipe is transformed into a cream of pumpkin and ricotta cheese with a hint of sage. The smoked trout with mountain herbs enriches the dish, which is finished with a morchia sauce — a typical sauce of Friuli prepared with melted butter and cornmeal.
Trendy and traditional
The high quality of the raw materials will be the centerpiece of the Tra’Contemporary Cuisine: The lamb comes from the Alpago; the vegetables from the Venetian island of Sant’Erasmo; and the fish from Rialto market in Venice. Speaking of fish, in Luca’s menu the classic Venetian baccalà gets a trendy look. The stockfish cooked at a low temperature is accompanied by a rosemary-flavored olive oil foam. A delicate Bronte pistachio sauce and air of Aperol Spritz add a further touch of refinement.
Chocolate gets an update
Couldn’t chocolate get a “futuristic” treatment? Veritti designed a “chocolate revisited,” in which a heart of passion fruit mousse enriches a sphere of plain chocolate sprinkled with white chocolate cream flavored with alchermes. Chocolate with savory caramel and Madagascar bourbon vanilla crumble complete the dish.
Veritti’s experiment could be a great culinary experience for a couple who can share dishes, while indulging in the past and adventuring into the future.
Main photo: Classic Venetian baccalà gets a trendy look from Chef Luca Verriti. Credit: Copyright 2014 Daniele Nalesso
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It began at 3 a.m., a bursting, loud, rumbling noise that broke the rural silence and my sleep. It came and went continuously. I couldn’t take it anymore and got up to investigate.
I was staying at a Japanese resort hotel next to Lake Saroma on the northeastern coast of the island of Hokkaido. Little did I know that the jarring racket in this usually quiet town would lead me to discover one of the most memorable meals of my trip and one of the area’s most lucrative food industries: scallop farming.
Scallop farming starts with a perfect lake
Lake Saroma, the third largest lake in Japan, is adjacent to the Sea of Okhotsk, separated from the sea by a narrow sand spit. It was once a freshwater lake. Every year in April and May, snow melt from the mountains gushed into the 13 rivers that empty into the lake and flooded the area. Aside from destroying homes and villages, it also ruined the livelihood of the fishermen. To prevent future floods, locals dug out a bit of the sand strip to create a channel.
The narrow passage not only let the freshwater out to ease flooding, it also allowed seawater to come in, especially during high tide, leaving much of the lake brackish.
The passage frequently closed because of moving sand during winter storms, and locals worked to reopen the channel every year. People soon discovered other advantages to keeping the passage open.
New fish come to the lake and scallops, too
Fishermen could now easily catch salmon, herring and ocean trout that swam into the lake. Scallops and oysters that thrive in brackish water also found a home. In the 1950s, Japan studied the idea of introducing scallop farming at the lake, and it has been very successful. Today the lake has two permanent, man-made concrete passages to the sea.
When I checked into the hotel the day before, I found a pair of binoculars in the room and admired the calm, silent lake and the sea beyond. The next morning I rubbed my drowsy eyes and tried to reconcile two very different experiences: the prior day’s calm with the early morning noise. Soon I saw the source of the racket: boats moving at high speed on the lake. I noticed that the boats raced out, stopped for a while and then raced back to shore. They looked as if they were competing. I quickly dressed and went to the reception desk to find out what was happening. “They are scallop farmers at Sakaeura Fishery,” I was told. Without having breakfast, I dashed to the fishing port about a mile from the hotel to get a firsthand look at the operation.
Fishermen work day and night bringing in scallops
Fishing boats were still coming in and leaving the port every few minutes. I approached a senior fisherman, Kuniyoshi Ooi, who seemed to be overseeing the operation. He told me that 90 fishermen in this port are licensed to farm scallops. Each fisherman has his own boat, and each employs an average of 10 part-time workers — students from a nearby university — at this busy time of the year. Students are attracted by the good pay, $25 dollars an hour for work from 3 a.m. to 8 a.m., Ooi said. The workers, dressed in bright colored uniforms, work as if part of a conveyor belt operation inside a long shed, extending several hundred feet along the quay.
Baby scallops are retrieved from the sacks
Scallop farming in Lake Saroma is a sustainable, environmentally friendly business. The first year of scallop culture begins in May when the fishermen drop a rope with a knitted sack to collect natural scallop larvae in the lake. Scallop larvae in nature affix themselves to the grass in water. In farming, it’s different. The larvae attach to the ropes lowered by the fishermen.
In August, fishermen remove the ropes with larvae from the water, transfer them to a larger, roughly knitted square sack and drop it into the water again. By the following May, the scallops in the sack have grown to about 2 inches. The boats retrieve the sacks, 200 at a time, with 1-year old scallops, called chigai.
Mostly students work on the scallop harvest
It was the roar of the boats engaged in this process that woke me from my deep sleep. The part-time workers removed the scallops from each sack, cleaned and sorted them, and transferred them into large, blue plastic bins. After unloading the sacks for processing at the dock, the boat again sped back onto the lake to fetch more.
No words were exchanged among the workers; each silently and rapidly did his job — on the boat, on the pier and in the shed. Neither did anyone show any interest in the visitor watching them and snapping iPhone photos so early in the morning. I learned that the year-old scallops are then transported through the channels to the sea and remain there to mature for 3 years before being harvested and sent to market.
Scallops go back to the sea for three more years
According to Ooi, the scallop harvest from the lake is about 44,000 tons each year. Fresh, frozen and dried scallops from this port not only satisfy the market in Japan but are exported to China, Hong Kong, Southeast Asia and the United States. The 90 fisherman are part of a cooperative that provides for all of their needs, including food and housing allowances, funds for boat upkeep and crews, and generous retirement benefits. Ooi said last year’s profit from the scallop harvest, after all expenses, was more than $250,000 for each member of the co-operative. Not a bad catch; these fishermen are not poor.
The sustainable side of scallop farming
In addition to their sustainable scallop farming operation, the Tokoro Fishery Association, of which the Sakaerura Fishery is a part, helps maintain the health of the local environment. In the past, cutting trees for opening the nearby land upstream from the lake for commercial development created problems at the fishery. Eroded sand and soil entered the lake and suffocated the fish. And the chemical contamination from the developed land degraded the water quality, which also affected the fishery.
The sustainable side of scallop farming
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The next day on my way north to Wakkanai, the northernmost city of Hokkaido, I stopped at a roadside restaurant to sample the “scallop ramen.” As I devoured the delicious dish, vivid memories of my early morning visit to the fishing port flashed back to my mind. No scallops ever tasted better than the ones in my ramen.
Main photo: The memorable scallop ramen at the roadside restaurant found on the way north from Lake Saroma to Wakkanai. Credit: Copyright 2015 Hiroko Shimbo
From dining on a romantic island in the Venetian lagoon to feasting on handmade pasta in Bologna, northern Italy’s gastronomic capital, this list guides you to the best places to eat in Italy’s northeast. Award-winning food writer Carla Capalbo has spent more than 20 years eating her way around Italy and has uncovered its best-kept secrets, from new-wave pizza to the elegant restaurant of one of the world’s top female chefs. She’s brought together great food for every budget, from take-away noodles to three-Michelin-star refinement.
With this list as your guide — the first of a series — you’ll have a fabulous eating holiday in Italy — whether you go in person or just dream from your armchair.
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Main photo: At Venissa restaurant in Venice, fresh squid is served on a bed of black risotto. Credit: Copyright 2013 Carla Capalbo
Asia is big, broad and delicious. With a thousand different identities, the food from the world’s fastest rising continent defies categorization. Zester Daily asked its contributors working throughout the world to tell us about their favorite Asian restaurants. They take us from Istanbul to the Far East with stops in Malaysia, Vietnam and South Korea, among others.
The variety of restaurants is thrilling. There is something for every pocketbook. What unites them all is a sense of adventure. These chefs are creating food that is both grounded in tradition and freed from convention.
We invite you to share our excitement about what’s happening today in Asian restaurants. Whether you are planning a trip, or just dreaming, we think you will find something deeply satisfying in this collection.
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Main photo: At the Secret Garden Restaurant, simple yet flavorful southern Vietnamese country-style food is served on handmade plates and bowls, with garnishes and ingredients changing with the seasons. Credit: Copyright 2015 Tu Van Cong
Le Marche is an unspoiled, green and beautiful region in central Italy bordering the Apennines and the Adriatic with which even many Italians are unfamiliar. Although there have been attempts to designate the region as the “new Tuscany” or call the excellent wines SuperMarche (dropped because, hey, who wants to call a top-flight bottle supermarket?), Le Marche speaks for itself. And, what it says is good food and wine, medieval villages, ancient abbeys, silvery olive groves, golden fields of wheat and vineyards as straight as arrows streaking across the rolling hills.
As Federico Bomba, director of the innovative Bioculture app project, says, the landscape reflects man’s attempt to impose order and precision on a naturally unruly terroir. The recently launched app offers an English-language walking guide through the inland region of Le Marche that brings together digital technology, contemporary art and green lifestyle. Where a traveler once depended on Baedeker or Fodor’s, all they need now are a cellphone or tablet and a charger.
Using the app
Wine? Check. Art? Check. Walking shoes? Check. Mobile digital device? Check. Did I mention wine? Using the well-constructed app is easy, even for technophobes. Click on the location you are in either before or during the visit to map your route, read about the main points of cultural interest from medieval frescoes to chocolate box opera houses to esoteric museums, view original art works and videos that connect to the locale, listen to stories and contemporary sound compositions, and head for local organic vineyards, restaurants and agritourism farms.
Go on a cultural pilgrimage
Explore Le Marche, Italy
Sample the local foods
The entire trip takes three weeks, but the visitor can dip in and out of the route as they wish, sampling local food specialties on the way. It is a sophisticated yet accessible concept of “culture” that goes far beyond the mainstream.
One of the most memorable features of the app are the videos made by Carotti and Simona Sala that reference the interaction between locals and visitors in a witty, dramatic and often moving way.
Rachel Rose Reid, the only non-Italian artist among those on the app, is a gifted storyteller who took inspiration from the people and places she encountered. It is a moment of pure Marche magic to listen to her honied tale while sitting on a sunny hillside overlooking the famous Verdicchio vines and contemplating an artisan of The Mountain Beekeepers Cooperative at his work.
Organic food and wine production in Le Marche is amongst the most extensive in Italy. It is an instinctive harmony with the untouched, verdant landscape combined with pride in local traditions and concern for the future. The rugged, mysterious Sibillini mountains are broken with stretches of lush farmland spread out like geometric mosaics; there are breathtaking vistas, villages clinging to the top of precipitous hilltops, forests, farmhouses and pure white roads. Change comes slowly here and local traditions vary widely from village to village: There are more than 200 dialects in Le Marche alone, a reflection of the varied influences on the region for many centuries.
Aurora, the oldest organic winery in Italy, was started by a group of libertarian students in the 1970s who quit their jobs to return to working the land with eco-conscious respect for a sustainable future. Their aim was to create an independent and self-sufficient community in which they could convert social and economic ideals into concrete actions and projects. They were instrumental in founding Terroir Marche two years ago, an association of small organic and biodynamic wine producers committed to producing good, healthy wines at reasonable prices. As they say, “Each member has their own style, but we share certain principles: No one over-crops, for example, or makes thin, poor wines. We can’t reach perfection, but we’re trying. The key is to know your plants.”
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The app feeds the body as well as the soul and directs the traveler to organic agritourism inns, wineries and country restaurants where you can sample the superb white wines of the region as well as the gutsy, forthright reds that are a fine match for the robust food fortified with rosemary, tomato, wild fennel and garlic. At La Pietra Maula, a gem of an agritourism restaurant located in a hamlet of 16 inhabitants, oenologist Alessandra Venanzoni’s welcoming family aspires to run a “zero kilometers” restaurant using home-produced meat, salamis, fruit and vegetables as well as their own Verdicchio wine.
Meals, family style
The wine of Le Marche, as the app demonstrates so well, does not just encourage exploration of the flavors of local varieties but also the taste of local food, which is as immediately likable and unfussy as the people. Meals in Le Marche are always leisurely, convivial affairs.
End of a journey
My journey to the interior via the Bioculture app was a discovery of green Le Marche; blue Le Marche lies eastward, toward the Adriatic Sea. The region is a dichotomy between sea and land that defines the two separate personalities. Both beg to be explored further with wine, food, art and walks.
Main photo: Using the Bioculture app in the ancient hilltop town of Camerino. Credit: Copyright 2015 Clarissa Hyman
When it comes to street food in Southeast Asia, Singapore and Bangkok receive the lion’s share of kudos. Yet it is Penang City — an urbanized island off the northwestern coast of peninsular Malaysia — whose street food scene offers all that those cities do and more, just an hour’s plane ride north of Singapore and 90 minutes south of Bangkok.
Have a hankering for Indian food? Chinese? You’ll find it in Penang
Like Singapore’s street food, Penang’s is wildly varied. Think wonton noodles, roti canai (flaky and crispy flatbreads cooked on a griddle and eaten with dal and curry) and mee goreng, yellow noodles fried with chili paste. All of this is prepared and served within feet of each other, thanks to a population made up primarily of Chinese, Indians and Malays.
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Like Bangkok and Singapore, Penang’s street food is served from the wee hours of the morning until late at night. And it isn’t limited to officially sanctioned hawker centers. In Penang, sellers serve their specialties from stalls parked beneath umbrellas on street corners and sidewalks, in kopitiam (coffee shops), and within and outside of food markets.
Street food that’s all in the family
In Penang, culinary skills built on the back of experience can be tasted in dishes served from one of the island’s many hawker stalls run by older and even second- or third-generation cooks.
Many on the island still use cooking methods and techniques that are being lost in other parts of the region. They commonly use live fire or coals. Many serve their dishes on banana leaves, which release an appetite-rousing scent when they come into contact with hot food. And, at a time when American cooks are just coming around to the versatility and deliciousness of lard, Penang’s Chinese hawkers have been capitalizing on it all along. They add cracklings to stir-fries and broths and drizzle liquid lard over dry noodle dishes.
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Main photo: No culinary excursion to Penang is complete without a few plates of char koay teow, rice noodles stir-fried with bean sprouts, Chinese chives, cockles and prawns. The best versions are fried in lard and cooked over charcoal. Credit: Copyright David Hagerman
If the heel of the Boot, Apulia — Puglia in Italian — has long lagged behind other Italian regions in terms of modernization, parts of it have nonetheless become havens for the likes of royals, film stars and cognoscenti. How could it be otherwise for a peninsula surrounded by 500 miles of coastline and lapped by the pristine waters of two seas? Still, its heart beats to an ancient tempo, heedless of the increasing tourist invasions. This is Greek Italy, and it is steeped in its past. Nowhere is that more striking than at the Pugliese table.
Once upon a wine
On a recent tour of the region’s wineries with an American delegation of importers eager to learn about the ambitious undertakings of a new breed of producers, I found vintners at once devoted to the preservation of their traditions and determined to make unique world-class wines. Whereas previous generations geared their production toward volume of output for foreign markets (mainly France as well as northern Italy) at the expense of quality — a practice that goes back to the Phoenicians — today’s winemakers tend relatively small vineyards and grow native grape varietals barely known outside the immediate area. The consensus among the dozen buyers in our midst was that the wines were good — some very, very good — while selling for less than other wines in their class.
Terroir, terroir, terroir
Climatic conditions vary throughout Puglia. On the northern plateaus, known collectively as the Murge, the winters are temperate and the temperatures cooler than they are in the Salento, the bottom of the heel, which can be convection-hot in summer, though cooled somewhat by the play of sea currents and breezes blowing across the Adriatic from the Balkans. But overall the region is perhaps the hottest in Italy, baked by the favugno, as the dry wind that blows in from Africa is called here.
In step with their forebears, many of the vintners I met said that, by working with the natural conditions and the native grapes that thrive there — such as Primitivo, Negroamaro and Nero di Troia — they avoid the soil-punishing practices of modern growing techniques. “We are linked to the traditions of our area,” said Dr. Marina Saponari, sommelier at Valle dell’Asso in Santeramo in Colle, Bari, a limestone plateau in the Murge. “We don’t irrigate or add water at all, because too much humidity causes fungus; we work with the soil, not against it, (plowing) in a horizontal direction to retain the moisture naturally.” “Besides,” said Giuseppe Bino, an oenologist at Vigneto Amastuola in Martina Franca, “organic methods are so much better for your health. And when the wines are aged naturally, you taste real grapes.”
Filippo Montanaro of Vigneto Amastuola, on the Ionian side of the peninsula, described his family’s dedication to organic practices as a way to at once revitalize abandoned agricultural lands and recover an indigenous archeological site that dates to the Bronze Age. Subsequent civilizations inhabited the same high plateau, a strategic point overlooking the Gulf of Taranto from which, on a clear day, you can see all the way to Greece and Calabria. Amastuola’s vines and fruit orchards today carpet the soil in which the Greeks planted grapes and olive trees 2,000 years ago. On the estate, a 15th-century masseria — an ancient Apulian farmhouse where raw ingredients were processed into everything from wine and oil to dairy products, salumi, bread and preserves — is being restored to function as it once did, said Montanaro, whose father, Giuseppe, acquired the 100-hectare estate (almost 250 acres) in 2003. The family has launched an ambitious restoration, including the revitalization of long-neglected 800-year-old olive trees. “Family tradition is very important,” said Giuseppe Sportelli, commercial director and husband of Ilaria (one of three Montanaro siblings that help manage the property), explaining that the monumental project was not just work but a “passione.” Giuseppe Montanaro himself finds that explanation inadequate. “It goes beyond enthusiasm,” he explained, “It is the desperation that the man of the south feels that makes miracles like this happen.”
Food of the ancients
Like these winemakers, local chefs also honor the past, looking to the ancestral cooking of their grandmothers for inspiration. I learned the Pugliese mantra of “homegrown and homemade” early, from my paternal grandparents — poor emigrants to America from the very landscape I have described. Some things have changed since they abandoned the fields of Toritto, in which they had toiled as sharecroppers, for lack of enough food for themselves. And some things have not. “Our cooking is based on a paisana (peasant) tradition,” said Anna Gennari of Conzorzio Produttori Vini Manduria, a 400-partner cooperative of Primitivo grape growers in Manduria. “The cooking was simple and not much different throughout the provinces because Puglia was poor,” said Saponari, who is not only a sommelier but also a well-known cooking teacher in Bari.
Cutting-edge Michelin-starred restaurants have been making headlines in recent years for pioneering menus sourced from their local terroir, but Pugliese chefs have always done so. They are weaned on the ancestral flavors and seductive bitterness of wild dandelion greens, mustards, hyacinth bulbs (Muscari racemosum or lampascioni) and other native plants. Unlike in other regions where the tourist routes are more deeply worn, the heritage foods of Puglia — what the Italians call piatti tipici — persist, whether in hotels, simple trattorie or private homes. These include durum-wheat pasta, either fresh or dried, characteristically flavored with cime di rapa (“turnip tops”), simple tomato sauce, or chickpeas; fava-bean purée eaten alongside cooked bitter greens; the ring-shaped breadsticks called taralli, sweet or savory; calzone-like panzerotti and a panoply of other breads and pastries, baked or fried; vegetables, vegetables, vegetables (but little meat); milky fresh cheeses; and fiery peppers — all dressed, naturally, with the numinous olive oil.
Chefs riding the trend for recycling “trash” food could learn something from these old ways: take the traditional pane arso of the cucina povera (“the poor kitchen”), a dark bread made by blending the flour of charred hard wheat with semolina. The custom of incorporating the two harks back to the feudal-estate system, when peasants collected the scorched grains that remained after the post-harvest burning of the fields. Rich-tasting, with a seductively bitter edge, the bread packs 4,000 years of the people’s history into one bite.
Pranzo della domenica: Sunday supper
It’s on Sunday — a customary day of feasting — when Puglia’s cooks pull out all the stops. This is when the meat dishes come out, and the pasta is sauced with ragù, meatballs and braciole.
Gathering together in Bari with the wine buyers, I ate just these braciole — which the locals call bombette (“little bombs”) in the delightful TerrAnima, a Slow Food-endorsed restaurant dedicated to the dishes of the region (its name translates as “Earth and Soul”). If they sound heavy, perish the thought! They are delicate little rolls of meat, lined with pancetta inside and out and stuffed with cheese, garlic and parsley before they are bundled, tied and roasted.
Here’s to the spirit of the pranzo della domenica. Bring on the bombette and by all means, pour the Primitivo!
Bombette (Little Bombs): Stuffed Meat Rolls
Prep time: 30 minutes
Cooking time: About 20 minutes
Total time: About 45 minutes
Yield: 4 servings
Note: These appetizers are traditionally made with horsemeat (not for the likes of former equestrians such as myself), but veal or beef are also used. Whichever you choose, ask the butcher to flatten the meat as thin as possible (1/8 inch is ideal) without tearing it — or pound it yourself if you know how.
1 pound cutlets (scaloppine) from top round of veal, cut into 4 thin slices about 4 inches by 8 inches and pounded to no more than 1/8-inch thick, or 2 half-pound pieces boneless beef top round, pounded to 1/8-inch from 1/4-inch thickness
Extra virgin olive oil
1 small garlic clove, peeled and bruised slightly
Fine sea salt
Freshly milled black pepper
16 thin slices of pancetta
2 tablespoons fresh minced parsley leaves
3 ounces fresh, semi-soft caciocavallo cheese, cut into 8 matchsticks
Toothpicks for serving
1. Preheat an oven to 400 F. Select a broiler-proof baking pan large enough to accommodate 8 meat rolls without crowding and grease it lightly with olive oil.
2. Use paper towels to blot the meat dry. Cut each piece horizontally into smaller pieces to yield 8 pieces of meat that are about the same shape and size (about 4 by 4 inches). Rub both sides with the garlic clove (which you can then discard) and sprinkle lightly with salt and pepper.
3. Sandwich 1 piece of meat between two slices of pancetta. Sprinkle one side with some of the parsley and arrange a matchstick of cheese crosswise on the center. Beginning at one end, roll it up, gathering the pancetta along with it as you make the roll and tucking in any meat edges that stick out. Secure the bundle with a toothpick and transfer it to the oiled baking pan. Repeat the procedure with the remaining 7 pieces of meat and place in the pan.
4. Slide the pan onto the middle rack of the oven. Roast for 15 minutes, then remove the pan from the oven and change the setting to broil. Turn the rolls over and place the pan under the broiler to color them lightly, about 2 minutes. Take care to keep the pan juices from flaming. Remove at once, pour any remaining pan juices over the rolls and serve immediately.
Main photo: Santa Maria di Leuca at Puglia’s southernmost point, where the Adriatic and Ionian seas meet. The lighthouse stands atop the Japigo promontory, described by Virgil in “The Aeneid.” Credit: Copyright 2015 Nathan Hoyt/Forktales